|Moto Hagio/A Drunken Dream gallery at About.com: Manga|
|Written by Mike Baehr | Filed under previews, Moto Hagio, manga||28 Sep 2010 10:48 AM|
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Category >> Moto Hagio
Today's Online Commentary & Diversions:
• Review: "This mammoth collection [What Is All This?] presents five decades of Dixon: sex, frustration, and attempts at deeper communication, mostly missed. The 62 stories evoke neuroses, delusion, banality, and everyday absurdities in deceptively simple sentences... There are echoes of Ernest Hemingway and prefigurings of Raymond Carver's lower-middle-class minimalism infusing tales of scrappers and scrapers... Usually sublime, sometimes sloppy, and occasionally bewildering, these stories are a testament to an impressive career spent too much under the radar." – Publishers Weekly (Starred Review) [Temporary link]
• Review: "With its mix of sci-fi, romance, tragedy and comedy, A Drunken Dream is a memorable manga journey that shouldn't be missed or dismissed. [...] Drawing from deeply-felt personal experiences, Hagio draws stories for every person who has felt like an outsider, who has regretted past actions that can never be erased, or who has longed to be accepted for being who they are, not what people want them to be. These ideas sound so simple — but when touched by Hagio's pen, this is punch-in-the-gut powerful. [...] ★★★★1/2" – Deb Aoki, About.com: Manga
• Review: "While they may not be standard children’s books, they are fun and entertaining and full of stuff kids would like, without being obscene or intended for mature audiences. They are the kind of books you would want your kid reading if your kid wasn’t a total dork. [...] You get the feeling of reading old fairy tales, where the Prince wasn’t always charming, the villains would erect down right disturbing and evil plots against the characters and the story, or just the world in general was presented as a harsh reminder of reality. [...] Tony [Millionaire]... really lets his imagination run with his latest book, Billy Hazelnuts and the Crazy Bird. [...] With or without children, you can feel good about reading this book." – Brian Jones, Flash Flood Media
• Review: "Artichoke Tales is by any definition a remarkable book — the first graphic novel by Megan Kelso, who has so far worked largely in the short story form, and a book that displays at every page Kelso’s unique voice as a graphic storyteller and the care and attention she lavished on this project over the past several years. [...] This is a beautiful book, at times a heartbreaking book. One feels the precision and thought behind every word, every line, all of it edited down and arranged to a spareness that is paradoxically lush and textured." – Jared Gardner, Guttergeek
• Coming Attractions: "Why aren’t there more sports comics? More to the point why aren’t there more absolutely wonderful looking sports comics like Fantagraphics 2011 release 21: The Story of Roberto Clemente by Wilfred Santiago?" – Richard Cowdry, The Forbidden Planet International Blog Log
• Plug: "[Rip M.D.] seems to be a comic more geared to a juvenile public, but should be pretty cool because there are a lot of monsters, really violent werewolves, zombies, and best of all, vampires that do not sparkle!" – Submundo Mamão (translated from Portuguese)
• Interview: Guttersnipe's Shawn Conner talks to Patrick Rosenkranz about his new book The Artist Himself: A Rand Holmes Retrospective: "One thing’s for sure with Rand; there are a lot of good cartoonists who are not very interesting people. But he was both, an interesting person and a great cartoonist. That’s what interested me in the story."
• Profile: "Some artists seem to have had greatness as their destination as surely as if a tracking device had been implanted in their genes. Some veer toward it capriciously like a demon had seized the wheel. They start with a talent — to which they feed — in bites and gulps — their times; and, once expressed, the result is… YOWL! One of these was the underground cartoonist Greg Irons, the subject of Patrick Rosenkranz’s overlooked — and fascinating — retrospective You Call This Art?!!" – Bob Levin, The Comics Journal
Today's Online Commentary & Diversions:
• Review: "We are witness to a man's life unfolding, unraveling, before us in a series of postcards that leave nothing — or is it everything? — to the imagination. I don't know Drew Weing, or whether he's lucky or good, but in Set to Sea , he has reminded me once again just how much story you can share in a brief flurry of comic panels, so long as you know how to trim the sails and catch the wind." – Steve Duin, The Oregonian
• Review: "...Set to Sea... is so much more than a hauntingly inspiring story about a poet who ends up on a sea vessel. It is so much more than page after page of highly-detailed illustrations. It feels like a small precious art book full of engravings or paintings on each page or an old illustrated maritime novel. [...] Weing’s art is mesmerizing. You could stare at one page for hours. Each page is carefully planned and crafted to maximize its storytelling ability and it is easy to see the love and effort that went into each line and crosshatch." – Shawn Daughhetee, The HeroesOnline Blog
• Review: "The pages [of Set to Sea] are incredibly expressive, able to convey longing, panic, rage, camaraderie, mourning, and ultimately peace. Weing manipulates whole compositions to achieve these effects, not merely the expressions on characters’ faces." – Joshua Malbin
• Review: "Drew [Weing] uses the possibilities of the medium to perfection [in Set to Sea], telling the life story of the guy page by page, somehow pulling the impression of a richly lived life through scattered moments." – Kevin Bramer, Optical Sloth
• Review: "Imagine Sad Sack stepping out of his cartoon world and into ours — warts and all — and that’s what Lucky in Love almost feels like. [...] The real star of the show here is artist DeStefano, who mixes up this 1940s world as one-part humor strip outrageousness, and one-part gorgeous Will Eisner-style dramatic noir — a real visual tour de force." – John Seven, Worcester Magazine
• Review: "Revealed in these pages [of A Drunken Dream and Other Stories] are gentle but dark stories that are preoccupied with the loss and alienation that their intended audiences no doubt feel, often without any tangible reasons beyond the purely psychological. Several stories stand out for cherry pickers, but you’ll be rewarded by each entry." – John Mitchell, North Adams Transcript
• Review: "...The Artist Himself... present[s] a compellingly fresh... approach to the history of the medium... What makes The Artist Himself unique is in the title itself — Rosenkranz has constructed a sprawling portrait of Rand Holmes as a man in conflict with the 'the artist himself' — a man trying to carve out a way to live that allowed for art (never an easy feat) and an art that somehow made sense in his life. ...[A]side from the obvious benefits of learning about Holmes, I found myself selfishly drawing tremendous inspiration from Rosenkranz as he demonstrated the richness possible in writing the history of comics. He draws the curtain back as if to say, 'see, here’s someone you hardly think of, who lived an extraordinary life, and it’s a life that must be reckoned within the history.' It radically broadens what we think of as a cartoonist’s life, and in that Rosenkranz has given us a great gift." – Dan Nadel, Comics Comics
• Review: "If Love and Rockets: New Stories #3 only contained Gilbert Hernandez’s 36-page 'Scarlet By Starlight,' it would still be one of the most significant new comics of the year. [...Jaime's] 'The Love Bunglers' and 'Browntown' offer the kind of rich, intricate stories — packed with sharp observations about human desire and self-justification — that only an author with 30 years of experience with these characters could write. But readers don’t need to have read all the previous Maggie tales to follow them. Everything a newcomer needs to know is woven neatly into the stories themselves... There are acclaimed filmmakers and novelists who can’t do what Jaime Hernandez does — or Gilbert, for that matter. When the two of them are at their most inspired, as they are here, they make almost every other comics creator today look like a fumbling hack. [Grade] A" – The A.V. Club
• Review: "I won't pretend to have a clue as to what Beto's trying to do with this stuff; sometimes he seems to be paying tribute of sorts to junk cinema and/or comment on the current state of the movies, and sometimes it seems like he just wants to draw to naked dudes beating a cop to death with a rock. ...Jaime is note-perfect throughout, using every nuance and trick at his command to engage and move the reader. It's a masterwork, and I'll be damned if I can tell what he'll do for an encore. ...[T]his one brings the goods. If you care at all about this series and those characters, you'll want to get this [issue of Love and Rockets: New Stories]..." – Johnny Bacardi, Popdose
• Review: "...[T]his one is really damn good, with a typically surreal and horrifying story from Gilbert and an excellent bit of character work from Jaime. Isn't it awesome that stuff on this level is what we've come to expect? [...] Yes, it's another great issue of one of the best comics series of all time; what else is new? Jaime and Gilbert are rightfully revered as all-time great creators, but the fact that they are still pumping out incredible work and bettering themselves, sure to keep doing it for as long as possible, should make readers celebrate their wealth and fortune. Even if everybody else quit, we would still be pretty lucky. Long live Love and Rockets!" – Matthew J. Brady, Warren Peace Sings the Blues
• Review: "You open a Xaime story, you know what you’re gonna get. He’s a known quantity/quality on the richest level... With Xaime, you’re going to get a perfectly-told Locas story: clean... and humanistic and relatable, funny, sad, the whole package. Beto, on the other hand …. His shit is scary creative, and sometimes just scary. Gilbert is the higher mathematics, you know what I’m saying? Ever since 'Human Diastrophism' I haven’t felt safe in his company, haven’t trusted that crazy bastard. Because he will do some fucked-up shit when you least expect it. [...] So, boom, right on Jump Street of Love and Rockets: New Stories #3 there’s a Gilbert story. Deep breath. Okay. In we go with gun and flashlight." – Rob Gonsalves, Rob's Comics Zone
• Review: "The colors are garish, the stories grotesque, and the art much freakier than the norm. Where EC’s comics are more akin to the drive-in fodder of American International Pictures, the comics in Four Color Fear are the equivalent of a David F. Friedman grindhouse roughie: lurid, exploitative, and just plain wrong. In short, this book is awesome. Making it even more awesome is Sadowski’s annotation: ...the layer of scholarship is enough to make reading about decaying zombies and devil-worshippers seem almost ennobling. [Grade] A-" – The A.V. Club
• Review: "Caricature is a bit of a dying art, but there’s still a place for it, especially in a celebrity-obsessed culture like ours that goes out of its way to make its idols look even better than they already do. That’s why we need Drew Friedman, whose precise, pointillist style has been putting the rich and famous to the sword for decades. His new collection, Too Soon?: Famous/Infamous Faces 1995-2010, features another round of his inimitable caricatures, which manage to make everyone from venal creeps to well-meaning politicians look alternately hideous and noble. Friedman is still at the top of his game... [Grade] B+" – The A.V. Club
• Review: "One of the lesser-known lights of the Golden Age, illustrator Mort Meskin was a prolific workhorse whose angular, action-packed style and use of deep shadow effects would prove a huge influence on Steve Ditko. From Shadow to Light: The Life and Art of Mort Meskin, a new biography of Meskin compiling exhaustive interviews with his peers and extensive cooperation from his sons, doesn’t lack for material. It also has plenty of great anecdotes, and through quality reproductions, it skillfully makes its case that its subject was a very talented artist. [Grade] B-" – The A.V. Club
• Review: "The 1930 DeMoulin Bros. catalog, or Catalog No. 439: Burlesque Paraphernalia and Side Degree Specialties and Costumes, ...reached the jester of a more or less pronounced sadistic orientation, and offered them the tools and effects that made it possible to fool friends (?) to put their heart in their throat and give them pain here and there. Fantagraphics Books has recently reprinted the directory again (along with several essays that comment on product selection in a cultural perspective)... Although one might prefer to avoid being exposed to the tricks that comprise the DeMoulin catalog, I must admit that I laughed both three and five times when I looked through the offerings. Most of us probably have a little sadist in us, I guess." – Kjetil Johansen, Nekropolis – Den Historiske Bloggen (translated from Norwegian)
• Plugs: "Well, in our rambunctious endeavour to keep up with the literary radness of the Northwest, we... want to point you toward [Jim] Woodring’s newest graphic novel, Weathercraft, which is out now from Seattle-based publisher Fantagraphic Books. In addition to Weathercraft, we personally recommend their series Love and Rockets, from Los Bros Hernandez. If you’re looking for some reading that really is graphic, like super sexy female bodies comin at ya with homoerotic undertones that are never unleashed but still drive you crazy, you’ll want to pick up Love and Rockets. This series is an endlessly delicious ride through the relationships of men and women in crappy southern California neighborhoods." – Lori Huskey, Dark Sky Magazine
• List: Graphic Novel Reporter's "Fall Graphic Novels List: Essential Reading for the Season" includes The Complete Peanuts 1977-1978 by Charles M. Schulz, A Drunken Dream and Other Stories by Moto Hagio, Unlovable: The Complete Collecton by Esther Pearl Watson, Fire & Water: Bill Everett, the Sub-Mariner and the Birth of Marvel Comics by Blake Bell, From Shadow to Light: The Life & Art of Mort Meskin by Steven Brower, You'll Never Know, Book Two: Collateral Damage by C. Tyler, Love and Rockets: New Stories 3 by the Hernandez Bros., Prison Pit: Book 2 by Johnny Ryan, The Sanctuary by Nate Neal, Zippy: Ding Dong Daddy from Dingburg by Bill Griffith, The Extraordinary Adventures of Adèle Blanc-Sec Vol. 1 by Jacques Tardi, Bent by Dave Cooper, Mome Vol. 20, Forlorn Funnies Vol. 1 by Paul Hornschemeier, and Unexplored Worlds: The Steve Ditko Archives, Vol. 2
• Profile: Robot 6 presents a "Comics College" introductory guide to the work of Kim Deitch, written by Deitch Universe expert Bill Kartalopoulos: "Kim Deitch is an enormously vital and prolific cartoonist who was also one of the charter members of the underground comix scene that changed comics in the 1960s and 70s. [...] More than forty years later, Deitch stands as one of the few underground cartoonists who has steadily and consistently produced a large body of important work, spanning every available format from the alternative weekly comic strip to the graphic novel."
• Interview: Al Jaffee touches briefly on his Humbug days in this extensive Q&A with Mother Jones's Michael Mechanic: "I loved Harvey [Kurtzman] and I miss him to this day. He was a very, very inspiring guy. He was inventive and inspiring and he also was just a scrupulous editor. He could catch things that most people would just say, 'Let it go through, it really doesn't matter; who's going to know?' But once Harvey pointed it out, I would change it even if it took me the whole day. Harvey knew how to make things work because he wasn't greedy, he wasn't successful." (Via ¡Journalista!)
Today's Online Commentary & Diversions:
• Review: "...Moto Hagio, whose work might officially be classified as shōjo manga, ...is apparently one important, daring renegade in the manga world. This handsome collection that encompasses almost four decades (from 1971-2007) of Hagio’s short stories comes complete with a thorough, illuminating interview with Hagio conducted by the volume’s translator, Matt Thorn. [...] Hagio’s collection of 10 short manga stories [A Drunken Dream and Other Stories is] filled with unexpected twists and endings." – Terry Hong, BookDragon (Smithsonian Asian Pacific American Program)
• Review: "Malkasian weaves her story carefully [in Temperance], pulling the different narrative threads together in unexpected places, and while the parallels to the real world are clear, this is no simplistic fable. [...] Malkasian’s art is incredibly expressive, and her characters are filled with vitality..." – Brigid Alverson, Robot 6
• Review: "There are no great deeds in Tardi’s comic [It Was the War of the Trenches]. No Légion d’honneurs, no Croix de guerres, no Victoria or Iron Crosses. No suggestion that only the brave and courageous have the right to cry out in protest. No sense of fellowship, no pitched battles to gratify our base senses and desires, and certainly nothing of that most typical of war time sensations, boredom." – Ng Suat Tong, The Hooded Utilitarian
• Review: "In many ways, Ghita is like a female, uncensored Conan. ...Everything has its place in the script. The artwork, with excellent black ink, I do not need to explain that is excellent..." – Andreas Michaelides, Comicdom (translated from Greek)
• List: Feel the love as 50 comics pros each name their 5 favorite Fantagraphics releases (minus some ringers as determined by Tom Spurgeon) at The Comics Reporter; read some additional flattering commentary by participant Mike Sterling; Sean T. Collins comments "The result shows just how deep a bench that publisher can field. Greatest comics publisher of all time."
• Interview: Comic Book Resources' Shaun Manning gets all the latest scoop from Stan Sakai, including details about the long-gestating Usagi Yojimbo Special Edition set (coming in December): "It'll be all the Fantagraphics stories in a two-volume slipcase hardcover edition. I'm looking forward to it. It's also going to publish all the extras that were only in the hardcover [collections], with the exception of the full-color story that was published in the book 4 hardback, because that was reprinted recently in [Dark Horse's] 'The Art of Usagi Yojimbo.' But this is the sketches and covers and things that were included with the hardcover editions. So it'll be a lot more, plus it'll be about the same price as buying them in the trade paperback."
Today's Online Commentary & Diversions:
• Review: "...A Drunken Dream and Other Stories... is a deeply impressive — and immersive — piece of work that's full of complex emotional truths. And deep weirdness. [...] I dug this, and I think many, many people not conversant with manga will, too. Stylistically, it's a curious mix: Her linework gives each page a sense of openness, conjuring a world of light breezes, flowers and sunshine, even as her characters struggle with inner darkness. This darkness can take many forms: doomed eternal love, grief, guilt or — in the collection's most satisfyingly creepy/affecting tale — a parasitic conjoined twin. It’s not overwrought or melodramatic – Hagio's got too good an eye for locating the emotional center of her work for that. But it is sincere, and often abashedly poignant." – Glen Weldon, NPR.org
• Review: "We’re up to the 14th volume of this classy Peanuts reprint series from Fantagraphics. I don’t know if I’ve mentioned in a while how much I like the book design by Seth. His color choices are particularly good this time. [...] In all, great fun and good reading. Highly recommended!" – Todd Klein (via The Comics Reporter)
• Plugs: "It’s a relatively smallish week but Fantagraphics have beefed it up with two brilliant looking books. Lucky in Love: A Poor Man’s History is the first of a two-part story written by George Chieffet about Lucky Testatuda, a rascally teen from New Jersey’s Little Italy and his experiences before, during, and after the war. But it’s not your usual take on the old familiar when-I-went-to-war tale... The other offering from Fantagraphics is From Shadow to Light: The Life & Art of Mort Meskin, a coffee table art book, biography and critique of a highly influential Golden Age artist... This book not only looks at his entire comics career which spanned for about 30 years from the 40’s but also goes on to include stuff from 1965 and onwards, when he went on to become some sort of Don Draper character (one cheerily imagines) in an advertising firm in 1965." – The Gosh! Comics Blog
• Plugs: "A beautiful retrospective on the 30 year career and work of an under-appreciated comics legend. From Shadow to Light makes an excellent argument that [Mort] Meskin has a home in the comics pantheon next to the likes of Jack Kirby and Alex Toth. [...] Both visually stunning and gripping narrative-wise, Lucky [in Love] is like an epic feature length classic cartoon with a modern sensibility — in book format." – Benn Ray (Atomic Books), Largehearted Boy
• Profile: At The Metabunker, Matthias Wivel profiles Nikoline Werdelin, creator of the Eisner-nominated story "Because I Love You So Much" from From Wonderland with Love, on the occasion of her 50th birthday: "And she is indeed merciless. A borderline if not full-blown cynic, her coldness is tempered by an exacting sense of humor that betrays her involvement. Plus it brings a rare clarity to her vision — she is a diagnostician rather than a nihilist. [...] A cartoonist for our age."
Today's Online Commentary & Diversions:
• Review: "Anyone coming to this volume [of The Complete Peanuts] looking for the rumored decline that is supposed to have happened in the second half of the 1970s might shut the book after its last page slightly confused. Energized by the Peppermint Patty/Marcie duo's emergence into the prime of their own vitality as characters and as a classic comic-strip team (I'd never thought of it before, but there are obviously elements of Easy and Tubbs there), Schulz's dailies were as strong and funny as ever." – Tom Spurgeon, The Comics Reporter
• Review: "...[N]ot being a big manga reader, I didn’t expect to like the stories nearly as much as I did. But then smartly done genre tales make for some of the best literature, comics, film, etc. What I liked most about the different pieces in A Drunken Dream is the psychological form of sci-fi she employs (strictly speaking, the title story is the only sci-fi one, but I think a looser definition that incorporates the social aspects of the genre also applies here). I thought often of Tarkovsky’s Solaris." – Nicole Rudick, Comics Comics
• Feature: "When historians compile lists of the stuff that helped make America America, they don’t even rank the DeMoulin’s Patent Lung Tester alongside even relatively minor inventions like the cotton gin, the telegraph, and the automobile, much less epic game-changers such as instant coffee and air conditioning. Surely this is an oversight. [...] Along with hundreds of similar devices, the Lung Tester appears in Catalog No. 439: Burlesque Paraphernalia and Side Degree Specialties and Costumes. Originally published in 1930 by DeMoulin Bros. & Co., this strange volume has been newly reprinted by Fantagraphics Books. Like the more iconic Sears, Roebuck and Co. catalog, it illuminates its moment in American history as deftly and instructively as any novelist has ever done." – Greg Beato, The Smart Set
• Review: "The Education of Hopey Glass, the latest collection of Jaime's work originally serialized in Love and Rockets, is one of the best ever and requires the least amount of work to figure out what's going on beneath the surface." – Colin Panetta (via The Comics Reporter)
• Plug: "Are you a fan of pop culture-related art? Or possibly just of distorted human features? Well run don't walk... to purchase [Too Soon?,] the new book by Drew Friedman, longtime illustrator for The Observer, Mad Magazine and other publications." – Dan Duray, The New York Observer
• Profile: At Il Sole 24 Ore, Luca Boschi looks at the work of Mort Walker & Jerry Dumas, calling our collection of Sam's Strip "an exceptional volume of comic strips... As always, Fantagraphics' presentation is superb and worth sharing." (Translated from Italian)
Today's Online Commentary & Diversions:
• List: Publishers Weekly's Calvin Reid and Heidi MacDonald run down some "Graphic Novels as Gifts" suggestions, including Norman Pettingill: Backwoods Humorist ("A wooden cover introduces the amazing outsider art of Pettingill, who crafted detailed postcards of wildlife and rustic humor") and A Drunken Dream and Other Stories by Moto Hagio ("Haunting stories of longing, memory, and love from the legendary manga-ka who changed the face of Japanese comics").
• Review: "When experienced animators turn to creating comics or illustrating children’s books, I usually find the results successful and quite satisfying. That’s certainly the case with animator Mitch Schauer (Angry Beavers) and his first graphic novel, RIP M.D. (from Fantagraphics). [...] RIP M.D. would make an amazing 2D animated feature — if Hollywood were still making those. For now, graphic novels such as this are a great outlet for ambitious creators with ample imaginations. Check it out." – Jerry Beck, Cartoon Brew
• Review: "Temperance is a fascinating comic. Malkasian gives us an odd, fairy-tale-esque world where we must accept unreal things so that she can make her points. [...] Malkasian does a fine job of grounding the tale of Blessedbowl in a real-world concern while still making sure it’s fantastical enough so a sentient wooden doll doesn’t seem too out of place. Malkasian’s art is tremendous, as well. [...] Temperance is a fascinating book to read, and while it’s not difficult to figure out, it does raise some important questions about society and what people do to live in one. Malkasian has a lot on her mind, and it’s impressive that she manages to get her real-world concerns into this fable without becoming preachy. [...] It’s a very thoughtful comic, and I encourage you to check it out." – Greg Burgas, Comic Book Resources
• Interview: Robot 6's Tim O'Shea talks to Jason about Werewolves of Montpellier and other topics: "I’ve done boy meets girl and one of them dies in the end several times, so yes, I was a bit afraid of starting to repeat myself. But I think Werewolves is sufficiently different. It’s a platonic relationship between the two characters for one thing, and none of them dies in the end."
• Interview: At About.com: Manga, Deb Aoki presents a transcription of Moto Hagio's panel appearances at Comic-Con (with translator Matt Thorn) and conducts her own Q&A with the creator of A Drunken Dream and Other Stories: "Well, when I was a child, I used to read manga and cry myself. I had similar reactions watching movies and reading comics. Basically, I'm just expressing my own feelings like that. So it was with my own parents, and for a lot of people of that generation, who said that manga is just for small children, it's very simplistic. But from my point of view, manga is just one medium like movies and novels; it can be just as deep and just as moving."
• Interview: io9's Cyriaque Lamar, who brilliantly sums up Prison Pit: Book 2 as "not unlike Masters of the Universe...if Masters of the Universe was a hentai that starred Gwar," talks to its creator Johnny Ryan: "I wanted to do a book about monster-men beating the shit out of each other. That's my main idea, that's all it's about. There's no real subtext to it. It's about the fighting."
• Interview: Thomas Papadimitropoulos of Comicdom catches up with Bill Griffith on the latest Zippy the Pinhead developments (the intro is in Greek but the interview is presented in English): "I keep trying to surprise myself with the daily Zippy strip. Zippy’s 'discovery' of his hometown, 'Dingburg,' where everyone is a pinhead like him, has taken the strip in a new direction for the last few years. It’s still a lot of fun for me to explore all the different pinhead personalities in Dingburg."
• Interview: At Marvel.com, Sean T. Collins talks to Frank Santoro about his match-made-in-heaven Silver Surfer story for Marvel's Strange Tales II: "I thought of this as my try-out for Marvel. I didn't take this as a chance to do a funny mini comic kinda thing. This was my shot! Was I ever gonna get another one? I'm gonna try to knock it out of the park! That was my thinking."
• Interview: At Pikaland, Melanie Maddison has an extensive chat with Lilli Carré: "My book The Lagoon, which is very mood-driven, took me about 3 years to finish, because I had a lot of starts and stops when working on it. This was partially due to still being in school and working at that time, but also because it was hard to always be in the right mindset to work on such a moody piece and figure out the trajectory of the story."
• Plug: "The inimitable Drew Friedman has a new hardcover book out of his incredible celebrity portraits and caricatures drawn over the last 15 years... Our pals at Fantagraphics published the handsome hardcover, titled Too Soon?: Famous/Infamous Faces 1995-2010." – David Pescovitz, Boing Boing
• Plug: "A new Love and Rockets is out. It apparently contains one of the best Jaime Hernandez stories ever, which makes me shiver with excitement. In celebration, I photographed and uploaded my current favorite Jamie Hernandez story ever 'Penny Century.'" – Will Hines [Ed. note: Reproducing so much of the story is a little borderline, but what the hey.]
Today's Online Commentary & Diversions:
• Review: "This is too much of an event to ignore: Fantagraphics, Seattle’s eclectic and prolific comics publisher,... is publishing its first volume of manga — comics that may be Japan’s most popular and influential art form. [...] A Drunken Dream and Other Stories is a four-decade anthology of graphic short stories by Moto Hagio, the 'founding mother' and premiere creator of shojo manga... Does Hagio’s work justify the hype? Her visual storytelling and graphic invention, by turns fluid, crisp, and stately, certainly do. ...Moto’s other later [stories] do indeed raise manga to literature." – Eric Scigliano, Seattle Met
• Review: "...[F]ew comics fans should have difficulty getting into A Drunken Dream and Other Stories... The stories in A Drunken Dream range from weird, powerful allegories... to dreamy tales of love and loss... But the best pieces here focus on memories of childhood, of playmates treated cruelly or parents and children misunderstanding each other. [...] Few stories in the entire history of the medium have been more overwhelming than 'Hanshin: Half-God,' a tale of conjoined twins — one haggard, one gorgeous — and their spiteful, symbiotic relationship. It’s a potent metaphor rendered with the intensity of an EC comic. [Grade] A-" – The A.V. Club
• Review: "Blake Bell’s Strange and Stranger: The World of Steve Ditko set the recent standard for how to put together a coffee-table book about a legendary comics artist, and Bell takes on another innovator of the medium with Fire & Water: Bill Everett, the Sub-Mariner, and the Birth of Marvel Comics... Because Everett didn’t have as long or as consistent a career as Ditko, Bell doesn’t subject Everett’s work to the keen analysis he brought to Strange and Stranger. But he makes up for the diminished insight with page after page of Everett’s vivid, varied work, showing how it all emanated from a man who was a lot like his most famous creation: a destructive antihero, always a little angry at the puny humans around him. [Grade] B" – The A.V. Club
• Review: "...The Complete Peanuts, Vol. 14: 1977 - 1978... shows just how much Schulz was all over the map during that time. [...] This is still a worthwhile volume of Complete Peanuts, though; it has a charming introduction by Alec Baldwin, the usual top-quality production of the whole Fantagraphics reprint library, and some fun story arcs..." – The A.V. Club
• Review: "Only a brain incubated in the warm, nourishing goo of Looney Tunes and vintage Disney cartoons could have produced Sammy the Mouse. [...] As always, Sally’s use of silent panels and dynamic perspectives guide readers’ eyes toward nightmarish horizons and grotesque situations... A grimy, metaphysical malaise drips from every line of Sally’s lush yet unwholesome artwork, especially when he’s plundering the iconography of innocence and youth in the service of disorienting discomfort. [Grade] A-" – The A.V. Club
• Review: At What Things Do, Jordan Crane writes "In the new issue of Love and Rockets (New Stories, no.3), Jaime has a story called Browntown. It just might be the best thing he’s ever done. In fact, I’d go so far as to say, it just might be the best comic I’ve ever read. Its construction is durable yet intricate, a bunch of simple parts working together flawlessly. It’s put together like a watch."
• Review: Guttersnipe's Shawn Conner on the "Counterculture Comix" exhibit at Bumbershoot last weekend, with photos by Robyn Hanson: "Curated by Larry Reid of Fantagraphics Books, it was an eye-popping display, even if you were familiar, as I was, with most of the work..."
• Commentary: At Amazon's books blog Omnivoracious, Alex Carr discovers John Stanley via The Best American Comics Criticism and remarks that the book "is a worthwhile resource: a go-to supply of top-notch comics writing..."
Today's Online Commentary & Diversions:
• Review: "Remember that kid in school? The one with the pen sketchings on the back of his Trapper Keeper full of wicked violence and jagged lines? Ever wonder what happened to him? Well, he's Johnny Ryan and he's all grown up and making some of the most in your face comics today. Prison Pit is something you have to experience to believe. An artistic achievement in storytelling (most of the pages are wordless) on a pure guttural and simplistic level. Highly recommended for those of you who like a bit of dirt and grit with your comics." – Mark L. Miller, Ain't It Cool News
• Commentary: "My sit-down read of this Captain Easy volume is really the first time I’ve devoted much time to actually digesting the narrative of Crane’s work — and the first time I’ve really read and enjoyed an 'adventure' strip (unless you count Segar’s Popeye)." – Ben Towle
• Analysis: At The Manga Curmudgeon, David Welsh uses a sampling of critical reaction to Moto Hagio's A Drunken Dream and Other Stories to examine "the notion that the creative work of women, particularly when that work is created for women, is critically undervalued."
Today's Online Commentary & Diversions:
• Review: "Literally, I could not put down this book once I hit the second half. Every story is fantastic, because it takes these interesting genre detours and makes them seem just as more true than you could possibly imagine. ...I think sometimes people overlook the sheer potential that human conflict can give. Moto Hagio's A Drunken Dream, if nothing else, is a reminder of that, giving a plethora of all-too-human situations under the occasional sci-fi or fantasy trope. If you're looking for a densely-written change of pace that gives great insight into the career of a fantastic artist, you owe it to yourself to give this a look." – David Pepose, Newsarama
• Review: "All and Sundry is a very traditional sort of random-stuff-from-my-file-drawers collection, subtitled "Uncollected Work 2004-2009": the first half is "Drawings and Stories"... Most of these pieces were designed to stand as separate artistic works, and they're all pretty successful. (There are some mostly-text pieces here as well, all published originally in Mome, which are of respectable-literary-quarterly style and quality...) [...] And then the second half of the book is "Sketches and Notes"... These pages are less finished, obviously, and would be of greatest interest to other cartoonists... [I]f you are [a Paul Hornschemeier fan], you'll find a lot to be excited about here." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Interview: John Hogan of Graphic Novel Reporter talks to Cathy Malkasian about her graphic novel Temperance: "Moderation has been taking a beating in our culture for a while now. If you measure things by our shock-soaked media environment, then the whole world is wallowing in nuttiness and hysteria. Moderation has been reduced to a quaint ideal, but it’s really the engine in the back room, running everything."
• Interview: At Examiner.com, Marvin Miranda posts a months-spanning email conversation with Jacques Boyreau about Portable Grindhouse and the joys of VHS: "There's this chicken/egg first and very fascinating question about 'what we are' based on whether as career voyeurs our first exposure was to [analog] or digital, and what it means to switch from one texture consumption to the other.... I don't know how else to really put it except that it is important to be vigilantly beware of digital. It is a closed, sealed signal whereas the burning grain of projected film and its bastard buddy analog video, are open signals."
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