The setting: A boys' boarding school in Germany, sometime in the mid-20th Century. One winter day, fourteen year-old Thomas Werner falls from a lonely pedestrian overpass to his death, immediately after sending a single, brief letter to another boy at the school:
To Juli, one last time. This is my love. This is the sound of my heart. Surely you must understand.
Thus begins Moto Hagio's The Heart of Thomas — one of the most compelling and enigmatic manga graphic novels ever created, and a pioneer in the popular boys'-romance "shounen-ai" genre. Thomas's death (was it an accident? Suicide? Or even murder?) immediately throws the school into turmoil, while his letter sets off a chain of emotional upheaval both for the recipient and an ever-expanding circle of friends, family, and teachers, as secrets are revealed and shared. And then a new boy who looks exactly like Thomas shows up at school…
Unabashedly romantic and emotionally complex, The Heart of Thomas features an unusual, richly imagined setting and a cast of memorable characters. This timeless masterpiece is now finally available to American readers.
The strongest umbrella in the wind of Online Commentaries & Diversions:
• Review: Paul Constant of The Stranger looks at The Last Vispo: Visual Poetry 1998-2008, edited by Nico Vassilakis and Crag Hill. "As an art book, it demands hours of investigation. . . For those linguistic pioneers looking to find the future of fiction, this could be one of the most informative poetry anthologies to be published in the new millennium."
• Review:NPR's My Guilty Pleasure looks at the Jacques Tardi graphics novels of Adèle Blanc-Sec who is "young writer with the brains of Sherlock Holmes, the body of Angelina Jolie and the stoic fortitude of the Marlboro Man." Rosecrans Baldwin states, "The books are part adventure comic, part hardboiled fiction. They're terrific whodunits that conjure up all the precise atmospheric detail of, say, a Georges Simenon novel, but with twice the plot."
• Review:Blacklung by Chris Wright gets reviewed on Nerds of a Feather. Philippe Duhart says, "Wright’s genius is further evident in his ability to use these aberrant cartoonish characterizations to convey human emotion, particularly terror. Wright’s portrayal of violence is stark and chilling – despite or perhaps because of his singular style. . . Black Lung worked on all counts. Plus, pirates."
• Review (video):Kapow Comics down in Australia reviews Chris Wright's Blacklung. Al states "this is a complicated book with musings on philosophy, literature, mortality and especially, religion has a big focus." Sonya says, "Every single character changes in this story, their journey changes them . . . [Blacklung] prayed on my mind. It lingers with you."
• Review: Glen David Gold looks at Flannery O'Connor: The Cartoons edited by Kelly Gerald in the LA Review of Books. In an attempt to see how the bread is made, Gold, "Cartooning was O'Connor's first artistic passion. . . . An article in the local paper and a pile of rejection slips from The New Yorker indicate how serious she was. . . not an early blush of Flannery the fiction writer at work. But I'd still recommend it to the curious. Come at it without expecting same genius, but look at it because it's an extreme close up of biography."
• Review:Publishers Weekly looks at Jack Jackson's Los Tejanos and Lost Causes. "Comics’ current vogue for nonfiction was pioneered in these two works from the late underground comix founding father Jackson, who died in 2006. Jackson brought an R. Crumb–style crosshatching and love of facial grotesquery to these two densely researched historical graphic novels."
• Plug:Publishers Weekly and Ada Price show a sneak peak of The Heart of Thomas by Moto Hagio. Enjoy 14 pages of pure genius but don't forget to read each one right to left! We're talking manga here.
• Review: Rob Clough of The Comics Journal enjoys The Hypo by Noah Van Sciver."he’s made a fairly significant leap as both a draftsman and a storyteller in a relatively short period of time . . . Van Sciver’s greatest achievement in this book is his storytelling restraint. He lets his cross-hatching gets across the grime . . He wants to show the reader a different side of the Lincoln we grew up reading about in the history books, but also wants the reader to connect this younger man to the future president."
• Review:Fantasy Literature takes a peek at Castle Waiting Vol. 1 by Linda Medley and Ruth Arnell is in love. "the charming ink illustrations have a piquant charming quality that match the story wonderfully. . . Linda Medley has written a gentle feminist fairy tale comic book that truly deserves to have a wider audience."
• Review: Sonia Harris of Comics Book Resources reads Black Hole by Charles Burns all in one sitting, one evening. "Reading Black Hole all at once in a nice, tidy bundle, it is impossible to experience what Black Hole was for all those years while it was slowly seeping out, issue by issue. . . it is visceral poetry, a true expression of the medium with imagery and words working together to create the most intimate impact. Black Hole is beautiful and terrible, it is a treasure."
This is what our table looked like for most of the day. It was very busy, just like SPX so we barely left the table for pictures, let alone peeing or eating (one of those could solve the other, you decide the order).
WHOA, did you just catch a glimpse of an advance copy of Moto Hagio's The Heart of Thomas in that bottom right corner (pictured above)?! Cartoonist Jose-Luis Olivares and a calvacade of others flipped through the 500+ page masterpiece, ready to read it as soon as it was available for purchase.
The enigmatic and rarely-seen Josh Simmons appeared out of a subway mist much to his fans appreciation. Many fans stopped by to crack wise with the dark master while he signed The Furry Trap, including fellow cartoonists Dean Haspiel, Joe Infurnari and Nick Abadzis.
The intensity in this guy's face as he hands Gary Panter his copy ofDal Tokyo cannot be beat.
Intern Anna and I were watching said Panter fan to make sure he never put on THAT murder face, you know, that one Josh Simmons draws a lot:
Olivier Schrauwen stopped by as well to sign The Man Who Grew His Beard but left his pencil case full of pens so thank you for the gift (ha ha, don’t worry we’ll take care of them).
Writer and CBR reporter, Alex Dueben, grabs one of the last copies of Heads or Tails.
Art Spiegelman blew smoke quaintly into my face and Josh Simmons’ on the search for Lilli Carré, whom he couldn’t get enough of. That empty space on the wooden table between them is where her giant stack of Heads or Tails was before it sold out.
Chris Ware came to see how the show was going for Fantagraphics and to escape the hotbox upstairs. We gabbed about the printmaking department at the University of Texas, our shared alma mater, and Civil War reenactment. I think I spot a Nate Doyle to the left of him too.
We caught up with future Fantagraphics creator and Oily Comics entrepreneur Charles Forsman pictured here with brother Tobey and cartoonist Melissa Mendes hanging out at Bergen Street Comics.
As the hands of the humid clock ticked past 7, we thanked our lucky stars for being a part of Brooklyn Comics and Graphics Festival. Here is Josh Simmons, intern Anna Pederson and me ready for some yum-yums wrapped in bacon.
Brooklyn, Gabe, Dan and Bill: thank you all so much for your gorgeous hospitality and smiles. Thank you, Robin McConnell for providing some photos. See you all next year!
One of our most avidly anticipated books of the season, Moto Hagio's The Heart of Thomas is an unquestioned manga masterpiece and a foundational work of the shounen-ai (boys' romance) genre. It's our great pleasure to collect this magnificent graphic novel into a single, massive, beautifully-designed hardcover, expertly translated by Matt Thorn (whose exemplary work translating Hagio-sensei can also be seen in the acclaimed previous volume A Drunken Dream and Other Stories). The book is expected for a January release; read a 23-page excerpt comprising the full first chapter (further previews are forthcoming) and pre-order a copy right here.
The fantastically newest Online Commentaries & Diversions:
• Review: Over at Read About Comics, Greg McElhatton cracks open a copy of Lewis Trondheim's newest English translation. "Ralph Azham Vol. Oneis a nice little surprise; what initially looks cute and fun is dark and enjoyable, and Trondheim’s gradual reveals of the story’s contents are strong enough that it makes reading the next volume a must. . . I’m definitely back for Book Two; this was a great deal of fun."
• Interview (audio): Robin McConnell of the Inkstuds podcast interviews Noah Van Sciver on The Hypo and his newest work online, Saint Cole on The Expositor.
• Interview:AV Club caught up with Jaime and Gilbert Hernandez during this year, the 30th Anniversary of Love and Rockets! Jaime could not see a future without Love and Rockets: "The only thing I can see in the future is I picture Love And Rockets number whatever way down the road and they have to explain: 'This special issue, Jaime died halfway through doing it. So there’s going to be some pages with just pencils on it and some blank pages. But we thought we owed it to him to finish it, to print it.' A half-issue and then, well, that’s it."
• Review: Steven Heller writes about Dal Tokyo by Gary Panter on The Atlantic: "Dal Tokyo might best be seen as a combination of nightmare, daydream, ramble, and sketch, with a decided stream-of-consciousness tone, which is not unlike Panter's own Texas lilting manner when talking. In fact, for all its eccentricity, Dal Tokyo is akin to a Texas tall tale."
• Plug (video): The short film Objects of Our Desire focuses on the project Significant Objects as part of the The Future of Story Telling series. The book is edited by Joshua Glenn and Rob Walker. “Stories are the foundation of what we do everyday,” Richelle Parham, the vice president and chief marketing officer of eBay.
• Review:Read About Comics and Greg McElhatton looked at Walt Disney's Uncle Scrooge: Only a Poor Old Man by Carl Barks. "The more I see of Barks’ comics, the more I kick myself for having taken this long to read them. . . If you haven’t experienced Barks’ Duck comics yourself, I think this is a great a place as any to begin. Definitely check it out for yourself. Highly recommended."
• Review:Blog Critics's Sixy Minute Manga reviews and summarizes Shimura Takako's Wandering Son Vol. 2. Lesley Aeschliman states ". . . the more minimal and simplistic art works for the story being told in this series. . . I would recommend this manga series to readers who have an appreciation for literature that concerns LGBT issues."
• Review (audio):Deconstructing Comics podcast spend the full hour discussing A Drunken Dream and Other Stories. Tim Young and Kumar Sivasubramanian argue and agree on Moto Hagio's work in the book with stories that "dwelt on not fitting in, losing what you love, and other themes that could be depressing, but were usually expressed in innovative and compelling ways."
•Review: Gene Ambaum of Unshelved enjoys his read of Wilfred Santiago's 21: The Story of Roberto Clemente. Ambaum says, "I was intrigued how the author would fit his life story into a brief, illustrated book. It emphasized the major events that shaped his life, and the powerful, stark images made me feel like I experienced the tragic and poignant moments."
• Commentary:ComicBooked talks about the 90s and Fantagraphics' place within the context of pushing out music and the amazing album art of Charles Burns, Daniel Clowes and Peter Bagge.
Our production department has been cranking away and all the rest of our books coming out in 2012 (and one for next year) are now at the printer. I have a bunch of new cover images and excerpts to share, so let's take a peek, shall we?
The fresh-popped Online Commentaries & Diversions:
• Review:Publishers Weekly discusses The Hypo by Noah Van Sciver, "Van Sciver’s psychologically astute examination of what might be termed Abraham Lincoln’s “lost years” (1837–1842) is as gripping and persuasive as the best historical fiction. . .This characterization of Lincoln is thoroughly human and identifiable, tracking a shadowy but formative period in the very uneven life of a man who shows little signs of becoming known as one of the greatest Americans. A thoroughly engaging graphic novel that seamlessly balances investigation and imagination." Wow!
• Plug: Noah Van Sciver's diary comics are showing up at The Comics Journal. Enjoy Day #1, Day #2 and Day #3.
• Plug:Comics Alliance JUMPED at the chance to be the first to comment on Naked Cartoonists. Senior writer Chris Sims comments, "Have you ever wanted to see Dilbert creatorScottAdams naked? Yeah, we haven't either, but apparently [Gary Groth] thought that was a good idea . . . joining artists like Will Eisner, For Better Or For Worsecreator Lynn Johnston, Jeff Smith (feel free to make your own Bone joke here) and . . . legendary MAD artist Sergio Aragones."
• Review:The Mary Sue names Moto Hagio's A Drunken Dream and Other Stories one of the 10 Feminist Manga to Read, that is licensed in the USA. Kellie Foxx-Gonzalez says,"Hagio is not only a storyteller, she is undoubtedly a feminist author, using her manga to explore gender, power, and women’s issues. If extended metaphors in manga as an avenue to explore philosophical questions is as appealing to you as it is to me, please, don’t hesitate to pick up this anthology."
• Commentary: Shannon O'Leary of Publishers Weekly says,". . . with No Straight Lines , the most definitive collection of queer comics to date, [Justin] Hall and Fantagraphics have made the voluminous but largely hidden history of LBGT (lesbian, bi-sexual, gay, transgender) comics finally visible as well."
• Review:The Awl and Kim O'Connor talk about autobio comics and include such underground greats like Aline Kominsky Crumb, Carol Tyler in addition to Chris Ware and Joe Sacco. While on the subject of Aline: "An important part of her project was to promote self-loathing as normal and even funny in an era when to do so was extremely unfashionable." O'Connor touched on the rawness of Chris Ware's work,"there's this sense of playful geometry that's deeply satisfying, even if it sometimes gives you the impression the artist's memory palace looks a lot like the Container Store. But the central delight in reading Jimmy Corrigan, as in all of Ware's work, is how it's painfully awkward and incredibly cool at the same time."
• Review: Rob Clough on the High-Low reviews Jim Woodring's Congress of the Animals: ". . . is interesting because it's much more linear a narrative than most of his comics.. . .Unlike the typical Frank story, there's a greater sense of urgency to Frank's wanderings, as he encounters many temptations and pitfalls along his journey to a destination unknown to even him."
• Review:The Critcal Mob released their short list of summer reads and a few Fantagraphics titles made the cut. Paul Guie looks at Flannery O'Connor: The Cartoons: "O'Connor's artwork is frequently abstract and raw-looking. . .Nevertheless, her cartoons are always pleasing to look at thanks to the author's strong sense of composition. Panels are rarely cluttered by unnecessary lines, and O'Connor frequently frames her characters with an eye toward visual balance." Peanuts latest volume is also on Guie's radar: ". . . these later comics remain consistently witty and entertaining, and reflect Schulz's continued mastery of comedic timing within a four-panel layout.. . .Consistently subtle yet always timely, after 30 years, Schulz still had a winning formula on his hands." Last but not least, Guie takes Buddy Does Seattle to the beach,"Bagge's artwork [takes] the public's perception of '90s youth as angry and volatile and pushed it to hysterical levels. Heavily influenced by late-'60s counterculture cartoonists like Crumb, Bagge's drawings are fluid and grimy-looking, with frequent use of exaggerated facial expressions helping to cultivate an atmosphere of chaos."
• Commentary: Best Cover EVER on Forbidden Planet according to Richard: "The absolute iconic image. The raw power. Jaime’s incredible use of black in his art. The faces of the crowd. The stagediver (in heels) who’s just left the stage. But most of all, it’s the best comic cover ever because I swear that I’ve never looked at this cover and NOT heard the music they’re playing." The next best thing for Richard? Buying the new shirt featuring the cover of Issue 24.
• Plug:Comics Alliance and Caleb Goellner collect the most recent Adventure Time covers. James Hindle PLAYS an homage to Jaime Hernandez's distinctive cover. Check it out!
• Review:io9 recently created a list of the 10 Comic Characters Cooler than Batman. Jaime Hernandez's Maggie (the Mechanic) and Jacques Tardi's Adele Blanc-Sec topped the list. "Maggie is a survivor, who never stops kicking ass even she's dealing with depression and heartbreak." says Charlie Jane Anders and in reference to Adele Blanc-Sec:"She's a writer in pre-World War I Paris, which automatically makes her cool. . . She's not afraid to shoot guns, drink the hard stuff, or smoke like a man. She spent World War I in cryogenic suspension and then rocked the 1920s."
• Plug:The Last Vispo's editor Nico Vassilakis recently curated an online group of visual artists called Ten Turkish Visual Poets at Trickhouse.
• Interview: The powerful and deft Friedman brothers were interviewed about Any Similarity to Persons Living or Dead is Purely Coincidental by William Michael Smith of the Houston Press. Josh Alan Friedman talks about his brother's artwork,"Originally [Drew Friedman] worked with stippling technique, using a rapidograph pen. Bent over a desk like a watchmaker, doing thousands of dots. A technique made famous by 'Sunday in the Park with Georges' Seurat, but strictly shunned by art schools in the 20th century."
• Plug: Ron Regé, Jr. is up to something sneaky! At We Can Do It.
The newest, brightest bulb Online Commentaries & Diversions:
•Review: Sarah Hansen of Autostraddle looks at No Straight Lines. "I like my queer comic anthologies like I like my women. Handy AND beautiful. . .What No Straight Lines really achieves is putting all of these influential comics in one place. Together, they contextualize each other and the LGBTQ scene at the same time."
•Review:Paste's 'breeder' journalist Sean Edgar cracks open No Straight Lines and has a baller time. "The work in this book illustrates a sweeping chronology of our generation’s greatest civil conflict with all of the tears and smiles that follow. It’s a fascinating read and an essential perspective historically and socially. Even if you’re a breeder."
•Commentary:Publishers Weekly's coverage of Comic Con International in San Diego is THOROUGH. Shannon O'Leary talks up No Straight Lines. " . . .Hall focused on collecting 'literary queer comics in danger of being lost' with the focus instead on literary, self-contained works that would give the reader the experience of being 'satisfied' with each of the stories."
•Review: From the Librairie Drawn and Quarterly Bookstore, Jade reviews her six years of love for Love and Rockets, including keeping the store stocked with them."After all these years, the Hernandez Brothers continue to knock it out of the park with some of the best work in the industry."
•Commentary: Heidi MacDonald runs down the things that stuck out to her at Comic-Con in San Diego. The 30th Anniversary of Love and Rockets was a big one featured on THE BEAT. "While Los. Bros didn’t get the skywriting and theme park they deserved, they got a lot of love, and that will last longer. . . .We’ll give the final word to Jamie Hernandez, because he is the final word."
•Commentary: Eisner Award winner, Charles Hatfield, writes at Hand of Fire speaks about the Hernandez Brothers at Comic-Con International. "I love L&R, and credit it for keeping me in comics as a grownup. Great, great work."
•Plug: Longtime Love and Rockets reader, Robert Boyd, created a long and annotated list of the music found in the thirty-year series. "Each brother does his own very different stories, but both were (and presumably still are) punk rock fanatics and music lovers in general. This is reflected in their work."
•Plug: Sean T. Collins was spotted sporting the newest Love and Rockets shirts on television while discussing the tragic events of Aurora, CO.
•Review:Shelfari picked up two of our titles for the Graphic Novel Friday. Alex Carr starts with Joe Daly's Dungeon Quest Vol. 3: "if you can laugh at your obsession while still poring over weapon and armor upgrades, the Dungeon Quest series should be on your couch next to the game manual and open laptop. . .It's absurd, engrossing, very adult, and pitch perfect." On Jaime Hernandez's God and Science: Return of the Ti-Girls, "It's oversized and billed as a director's cut,ť with 30 additional pages."
•Interview: Timothy Callahan over at Comic Book Resources got the shimmy on new(er) cartoonist, Chuck Forsman, who has two books out next year from Fantagraphics: Celebrated Summer and The End of the Fucking World. "While at Forsman's studio, I saw the finished pages for 'Celebrated Summer' and it's such a fully-realized work, it's no surprise [Associate Publisher Eric] Reynolds was so quick to jump on it, even after seeing only a few pages."
•Commentary: The Best-Manga-Worst Manga panel of 2012 Comic-Con International has transcribed their views a la Deb Aoki at About.com. Shimura Takako's Wandering Son falls into the BEST MANGA (series) for Kids/Teens. Shaenon Garrity said, "I picked this as best manga for kids, but it's really a great manga for everybody. . . It's done in such a beautiful, sensitive way." Meanwhile, The Heart of Thomas by Moto Hagio is one of the Most Anticipated. Garrity again states, "Moto Hagio is probably the greatest manga artist after Osamu Tezuka. . . It's one of the two manga stories that practically invented the boys' love genre, along with Keiko Takemiya's Song of the Wind and Trees.
•Review:Jazz-Institute covers Listen, Whitey!: The Sights and Sounds of Black Poewr 1965-1975 and via a rough translation, Wolfram Knauer says, "Pat Thomas's book is a very valuable addition to the musical history of the 1960s and 1970s, precisely because the author attempts to establish and explain the political context. The coffee-table book is generously illustrated with album covers, rare photos, newspaper articles, and ads. A thorough index and a separately available CD with examples of the music mentioned in the text complete the concept."
•Review: Forbidden Planet makes people choose their eight favorite comics should they ever end up on the dreaded desert island. Some of those books included E.C. Segar's Popeye and Daniel Clowes' Twentieth Century Eightball. Across-the-pond artist Steve Tillotson states, "The Fantagraphics collections are great, and the character of Popeye is brilliant- I like how he just punches anyone who pisses him off, but he’s also got a really strong sense of morality, and he talks funny."
•Plug: Did you know Carl Barks was unknown for the first 16 years of his work on Disney comics? He was merely known as the good Disney artist, more on THE BEAT and MetaFilter.
• Review: "Josh Simmons' book The Furry Trap is truly disturbing in its depravity. Makes Ultra Gash Inferno look cute. An inspiring & exhilarating read! How many comics can you honestly say made you sick or upset when you read them? Furry Trap made me question the First Amendment at times." – Sammy Harkham
• Review: "By this point, the reader will know if [Dungeon Quest] is their cup of tea; anyone who enjoys alt-comics takes on fantasy and/or stoner humor will find this a sheer delight. I'd say the sheer level of craftsmanship and the way Daly shifts storytelling modes so quickly would at least interest other readers, especially those who enjoy deadpan absurdism, since that's the core of Daly's sense of humor. For the continuing fan of this series, Daly continues to raise the stakes in each volume and adds richness and depth for those who are looking for more detail. Above all else, he does for the reader what he does with his party: he keeps things moving even when his characters are navel-gazing." – Rob Clough, High-Low
• Review: "...Moto Hagio has more on her agenda than simply trotting out tired 'girly' storylines. Her protagonists struggle with loss, rejection, and insecurity in a manner sure to strike readers as honest and familiar, never reductive or patronizing.... The stories collected here [in A Drunken Dream] span 31 years of Hagio’s career and, while the later stories do seem a bit looser and more confident, the earlier stories certainly don’t suffer by comparison." – Andrew Fuerste-Henry, No Flying No Tights
• Review: "Boasting [Fantagraphics'] usual high-production values and showcasing the genesis of the indie comics icon, [Usagi Yojimbo, Book 1:] The Ronin is a meticulously curated artifact of comics history.... The book is worth buying for the art alone. Sharply reproduced on gratifyingly durable stock, the quality of the lines leap out from the page even in these early stories." – Abhimanyu Das, Slant Magazine
• Profile: At Comic Book Resources, Shaun Manning talks to Nicolas Mahler about his superhero spoof Angelman: "Mahler said he does not have an in-depth knowledge of the major events and storylines [in superhero comics] of recent years, but said he is still familiar with the culture. 'I think my point of view is very '80s, that is when I stopped reading them,' he said. 'After that, I only have very superficial information. I know more about the fanboys, actually. I enjoy the scene around superheroes more than the stories themselves. I like it when people take this very seriously, and can debate endlessly about little faults in a superhero's universe."'
• Interview: Following an introduction in his native Greek, Comicdom's Tomas Papadimitropoulos posts his untranslated (i.e. English) Q&A with Hans Rickheit: "I am compelled to draw these comics.... These stories follow a certain pattern of logic that makes sense to me. I don’t have the vocabulary to explain how it works, that is why I draw them as comic strips."
• Interview:The A.V. Club's Keith Phipps has a great Q&A with Daniel Clowes: "I can look at my early work and see what a pained struggle it was to draw what I was drawing. I was trying so hard to get this specific look that was in my head, and always falling short. I could see the frustration in the lines, and I remember my hand being tensed and redrawing things a thousand times until I finally inked it, and just having this general tense anxiety about every drawing. I think that comes through in the artwork, and gives it this certain kind of manic energy, this kind of repressed energy, so you feel like it’s sort of bursting at the seams or something."
• Interview (Audio):Daniel Clowes sits down for a chat on Bay Area NPR station KQED's Forum with host Michael Krasny
• Video: Via Meltdown Comics and Boing Boing, a charming short film by Rocío Mesa about a couple of dedicated Daniel Clowes fans
• Plug: "...[W]e recommend checking out Love and Rockets Library: The Complete Vol. 1 from Fantagraphics, which collects every issue of the landmark alt-comic series between 1982 and 1996. In Love and Rockets, Gilbert and his brother Jaime Hernandez wrote stories ranging from satire to political intrigue, and introduced such noteworthy characters as Luba, the temperamental, full-figured mayor of a Central American village, and Maggie Chascarrillo, a punk rock-loving Mexican girl who becomes a solar mechanic. ...[T]here's no better time to become a Los Bros Hernandez zombie than right now." – Phil Guie, Critical Mob
"This book is considered a pioneering example of shonen-ai (boys’ love), often referred to as yaoi in the United States. In a German boarding school, young Thomas Werner kills himself because of unrequited love for a schoolmate, who is in fact in love with Thomas, but secretly. Unpacking the emotional threads among the boys and their fellows leads to a sophisticated and beautifully drawn melodrama."
"Herewith a color and black-and-white sampler from a less-recognized underground of gay comics from the past four decades, including Bechdel and Cruse, Europe’s Ralf Koenig, and 2011 ALA keynote speaker Dan Savage (Savage Love; The Kid; It Gets Better). Fantagraphics promises 'smart, funny, and profound' — and uncensored."
"A serious yet sweet fifth-grade drama about several boys and girls who want to change their gender. Unlike many manga involving boy/girl reversals, this one does not play gender issues for laughs, even if gentle comedy enters the picture along with serious emotional drama."
• Review: "The seventeenth volume of this great series from Fantagraphics [The Compete Peanuts] is just as delightful as all the rest. Yes, the ink line of Charles Schulz is a little wobbly at times, but his humor is just as sharp as ever.... I’ve said it before, but if you want reading material that will make you smile and laugh it’s hard to beat this series. And I’m continuing to admire the subtle and classy cover designs by Seth. Highly recommended." – Todd Klein
• Interview: At The Art Newspaper, Sarah Douglas chats with Robert Crumb about his museum retrospective show in Paris: "The contemporary fine art world has never particularly interested me. They started to embrace me and have big fancy gallery shows and museum shows. I’m one of the few cartoonists who mainly work for print who is now finding their way into the fine art world, and it’s the choice of the fine art world; it’s not my choice. I haven’t consciously promoted myself in that world."
• Commentary: At The Comics Journal, R. Fiore uses Mark Kalesniko's graphic novel Freeway as a springboard to discuss the history of American animation: "The eponymous metaphor of Mark Kalesniko’s Freeway is almost too easy: A transportation network that once granted free and effortless mobility that’s become a morass of stagnation and frustration to symbolize an animation business that promised personal expression amid camaraderie but delivers forced mediocrity in an atmosphere of Machiavellian backbiting. Condemned to a purgatorial traffic jam, Kalesniko’s dog-headed alter ego Alex grinds his teeth to reminiscences about his thwarted career, potentially idyllic but presently in-law plagued romance, and his abortive first expedition into Los Angeles, intermixed with idealized visions of animation’s golden age and premonitions of [SPOILER REDACTED – Ed.]."
• Commentary: "I’d love to see Locas become a well-made animated television series, because I feel like Jaime Hernandez’ work deserves the widest-possible audience. But is such an idea messing with a classic that doesn’t need such 'help'?" – Graeme McMillan, Spinoff Online