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Category >> Nate Neal

Upcoming in MOME
Written by Eric Reynolds | Filed under Nate NealMomeJosh Simmons 15 Dec 2009 7:49 AM

2010 will mark the fifth year of our anthology MOME and we've got some good stuff lined up for the next few issues. We just sent MOME 18 (Spring 2010) to the printer and are already prepping MOME 19 (Summer 2010), and I thought I'd share the covers to both. 

The MOME 18 cover is by Nate Neal, who delivers "The Neurotic Nexus of Creation," a 15-page explication of the creative process that calls to mind his "Reality Comics Quartet" from MOME 12. The MOME 19 cover is by Josh Simmons, and the issue will feature the first part of his psychedelic extravaganza "The White Rhinoceros," written by co-conspirator The Partridge In a Pear Tree.

I don't want to give up too much about either issue, but MOME 18 also includes the first new comic in several years by Dave Cooper, the MOME debuts of Tim Lane, Ivan Brun, Joe Daly, and Jon Adams, as well as returning stalwarts Lilli Carré, Ben Jones, Frank Santoro, Jon Vermilyea, Nicolas Mahler, Ted Stearn, Renée French, Conor O'Keefe, Derek Van Gieson, and T. Edward Bak. 

MOME 19 will have some very exciting surprises, including an all-new, 12-page story by some guy named Gilbert Hernandez, as well as returning regulars such as Dash Shaw, Tom Kaczynski, and Olivier Schrauwen. Plus, an amazing 21-page debut by Seattle cartoonist DJ Bryant, riffing on an old horror comic by Steve Ditko. 

I recently calculated that with MOME 18, we have now published over 2000 pages of comics in the series over the last four and half years (2109, to be exact). By our count, this may be a record for an English-language alternative comics anthology (and no, I'm not counting Dark Horse Presents).

UPDATE: Olivier Schrauwen has a preview page up from his 25-page story for MOME 19 here. This guy is amazing.

Now in stock: Mome Vol. 16 - Fall 2009
Written by Mike Baehr | Filed under Ted StearnT Edward BakSara Edward-CorbettRenee Frenchnicolas mahlerNate NealMomeLilli CarréLaura Parkjon vermilyeaDash ShawConor OKeefeArcher Prewitt 28 Sep 2009 5:00 PM

Mome Vol. 16 - Fall 2009 by various artists

Mome Vol. 16 - Fall 2009
By various artists; edited by Gary Groth & Eric Reynolds

This issue features several of our favorite alternative comic artists of the last 15 years, bringing us great joy. Archer Prewitt is the first, with an all-new “Funny Bunny” strip created in between his active musical career. “The Moolah Tree” is the new Fuzz & Pluck graphic novel from Ted Stearn, following Fuzz & Pluck and Fuzz & Pluck: Splitsville, beginning serialization here. We are equally proud to debut new work from Renée French, whose work is also featured on the front and back cover of this issue. And Nicholas Mahler debuts to ask "What Is Art?" (translated by secret weapon Kim Thompson).

Also: the second chapter of T. Edward Bak's "Wild Man - The Strange Journey - and Fantastic Accounts - of the Naturalist Georg Wilhelm Steller, from Bavaria to Bolshaya Zemlya (and Beyond)"; a new "Cold Heat" story by the team of Ben Jones, Frank Santoro & Jon Vermilyea; Dash Shaw interprets an episode of "Blind Date" into comics form; and new stories from Lilli Carré, Conor O'Keefe, Laura Park, Nate Neal, and Sara Edward-Corbett, with incidental drawings by Kaela Graham.

112-page color/b&w 7" x 9" softcover • $14.99
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Mome Vol. 16: Fall 2009 - Preview, Pre-Order
Written by Mike Baehr | Filed under Ted StearnT Edward BakSara Edward-CorbettRenee Frenchpreviewsnicolas mahlernew releasesNate NealMomeLilli CarréLaura Parkjon vermilyeaDash ShawConor OKeefeArcher Prewitt 17 Aug 2009 9:50 AM

Mome Vol. 16 - Fall 2009 - cover by Renee French

It brings us great joy to welcome four of our favorite comic artists to the Mome fold in this Fall's Volume 16: Renée French (who graces the cover), Nicholas Mahler, Archer Prewitt and Ted Stearn. Of course, our returning artists are also nothing to sneeze at: T. Edward Bak, Dash Shaw, Lilli Carré, Conor O'Keefe, Laura Park, Nate Neal, Sara Edward-Corbett, and the "Cold Heat" crew of Ben Jones, Frank Santoro and Jon Vermilyea. This issue is now available for pre-order in our online shop. Download our free 12-page PDF excerpt for a sample page from each contributing artist. This book is scheduled be in stock and shipping in mid-September, and in stores approximately 4 weeks later (subject to change).

First look: The Sanctuary by Nate Neal (with video)
Written by Mike Baehr | Filed under previewsNate Neal 13 Aug 2009 1:49 PM

The Sanctuary by Nate Neal - announcement

Coming next year: The Sanctuary by Nate Neal (compiling the 3 issues of his self-published comic plus 75+ pages more). More details TBA. This promotional video is pretty darn great -- Raymond Scott ahoy:

The Sanctuary Promo #1 from Andrew Perrine on Vimeo.

Bookmark Nate's The Sanctuary blog for future updates and previews!

Fantagraphics MoCCA 2009 Signing Schedule
Written by Mike Baehr | Filed under Tom KaczynskiTed StearnSara Edward-CorbettPaul KarasikPaul HornschemeierNate NealMiss Lasko-GrossMichael KuppermanLilli Carréjohn kerschbaumJasonGary PanterFrom Wonderland with LoveeventsDash ShawDame DarcyBob FingermanArnold RothAl Jaffee 27 May 2009 4:43 PM

Start yer plannin'! These are all subject to last-minute change; we'll try to give advance notice of any changes if we can. We'll have more MoCCA-related announcements in the coming days so stay tuned.

FANTAGRAPHICS MoCCA SIGNINGS

SATURDAY SIGNINGS

11:00 am - Noon • Paul Hornschemeier, Dash Shaw & Derek Van Gieson (Mome - just added!) (Unfortunately Nate Neal, previously scheduled for this time, won't be able to make it to the Fest.)

Noon - 2:00 pm • Jason & Michael Kupperman

2:00 pm - 3:00 pm • Paul Karasik & Bob Fingerman

3:00 pm - 4:00 pm • Lilli Carré, Miss Lasko-Gross & Ted Stearn

4:00 - 5:00 pm • Arnold Roth & Al Jaffee

5:00 pm - 6:00 pm • John Kerschbaum & Dash Shaw

SATURDAY PANELS

3:00 pm - 3:50 pm
 • AH, HUMBUG! Arnold Roth and Al Jaffee in conversation

4:00 pm - 4:50 pm
 • Scandinavian Comics 101, With Steffen P. Maarup, Thomas Thorhauge and Ib Kjeldsmark (From Wonderland with Love)

5:00 pm - 6:00 pm
 • Paul Karasik on the Twisted Genius of Fletcher Hanks

SUNDAY SIGNINGS

11 am - Noon • Steffen P. Maarup, Christoffer Zieler, Ib Kjeldsmark, Allan Haverholm, Thomas Thorhauge, Simon Bukhave and Søren Mosdal (From Wonderland with Love)

Noon - 1:00 pm • Paul Karasik, Sara Edward-Corbett (Mome) & Ted Stearn

1:00 pm - 2:00 pm • Dame Darcy & Dash Shaw

2:00 pm - 4:00 pm • Jason & Michael Kupperman

4:00 pm - 5:00 pm • Bob Fingerman, Paul Hornschemeier & Miss Lasko-Gross

SUNDAY PANELS

11 am - 11:50 am
 • Kent Worcester and Tom Kaczynski in conversation

Noon - 1:00 pm
 • The Astonishing SVA Roundtable with Dash Shaw

3:45 pm - 4:45 pm
 • Gary Panter and Frank Santoro in conversation

WHAT:

2009 MoCCA FESTIVAL

The 8th annual art festival celebrating comics and cartoon art.

WHEN:

Saturday, June 6th and Sunday, JUNE 7th

11:00am - 6:00pm each day

WHERE:

The 69th Regiment Armory

68 Lexington Avenue at Lexington Avenue at 25th Street

New York City
By subway: 6 Train to 28th Street Station






Nate Neal Mome 17 cover sketch
Written by Mike Baehr | Filed under previewsNate NealMome 7 Apr 2009 4:47 PM

Nate Neal sketch for Mome Vol. 17 cover

This preliminary sketch for the cover of Mome Vol. 17 can be found on Flickr. Sez Nate: "Even though the image says vol. 16, Fantagraphics says that it must be used (if it is) for vol. 17...the story in that volume will connect to the cover image."

MOMEntum Report
Written by Eric Reynolds | Filed under Zak SallyTom KaczynskiNate NealMome 12 Mar 2009 10:39 AM

momentumlogo.png

Above: Me with my trusty MOMEntum tour guide. "And here we have the work of French master, David B." 

So this past weekend I had the extreme good fortune of visiting the great city of Minneapolis for the opening of MOMEntum, a retrospective exhibition of the first 15 issues of MOME at the Minneapolis College of Art & Design. The exhibition was the brainchild of MOME contributor and MCAD faculty member Zak Sally and his colleague, Barbara Schulz, who invited me to curate an exhibition of what I considered to be the cream of MOME's crop. Here's some scenes from the show:

MOMEntumOPEN.jpg

MCADfoyer.jpg

MCAD2.jpgMCAD3.jpg
BennettPages.jpg
Sallypages.jpg

The show was a raging success and I spent all of Friday at MCAD engaged in a variety of activities. We started the day with lunch and a quick tour of the facilities, including a look at both the MOME show and a student show that was also opening that night. I was immediately struck by the high level of craft that permeated all of the student work - clearly the students were learning something at MCAD. None of the most common (and easiest to avoid) mistakes that young cartoonists make in comics - poor lettering, unclear panel-to-panel transitions, lazy panel bordering, etc. - were on display. There was a fundamental clarity to all of the work that you rarely see in the work of 20-year-olds. I was impressed from the get-go, and only moreso as the day went on. 

lecture.jpg

In the afternoon, I gave a powerpoint lecture to the students. This was the most challenging part of the trip for me; I'd never spoken to such a large captive audience of young cartoonists and wasn't sure what to expect. I talked about how much the landscape has changed for aspiring cartoonists entering the professional world from when I began working in comics professionally about 15 years ago, for better and for worse, and how I saw MOME fitting into that landscape. It was a potentially unseemly blend of art and commerce that seemed to go over fairly well, or so everyone told me. I have no doubt that even if I had dropped my drawers and did my business on stage, these kind-hearted Midwesterners would have still complimented me and thanked me for my time.

After the lecture, I sat in on one of Barbara Schulz's afternoon comics classes and did an impromptu portfolio review... for three hours. To be honest, this could have been the most grueling, painful thing I've ever done in my life if not for the fact that, hey, these kids aren't bad at all. Giving a face-to-face portfolio review is incredibly awkward if you have nothing sincerely constructive to say. So it was not without some apprehension that I waded into the first review. But by the end, I was cruising, these kids made my job easy. None were perfect, but all had something uniquely going for them that was easy to sink my teeth into and use as a springboard for a larger conversation about strengths and weaknesses. I think I got as much out of it as they did.

I've always been a bit cynical about the ability to teach comics. But in the wake of schools like CCSSCAD, and MCAD, and coming out of last weekend, I am fully prepared to admit that this might be my own cross to bear having come from a time when there were virtually no accredited academic institutions that acknowledged comics as an artform or anything other than a strange bastard child of the illustration field. Yet here at MCAD, I had fine art professors coming up to me and thanking me for putting the show together and telling me how excited they were to talk about the work with their students. I'm not sure anyone under the age of 30 can appreciate how unusual it would have been throughout much of the last century for a Fine Art department at a serious art school to treat comics as a legitimate form of expression, what with all of that nasty representational imagery getting in the way of pure-hearted, abstract expressionism. Yet here I was, in Minneapolis, a guest of the school and being asked to do just that.

Kaczynskis.jpgSallys.jpg

The MOME show opening that night was a blast. MOME contributors Tom Kaczynski (pictured above with his mother!), Zak Sally (pictured above with his son and father -- it was a family affair!) and Nathan Neal were all in attendance, as was most of the Minneapolis comics scene, including Will DinskiSarah MoreanBrett Von Schlosser, and the notorious Mr. Mike, Mayor of Mt. Holly, MN. After the event, a bunch of us (including our old pal Eric Lorberer, proprietor of the excellent book review, Rain Taxi) headed over to the great Big Brain Comics to get our geek on and rendezvous with proprietor Michael Drivas. Big Brain is, hands-down, one of the finest comic shops I've ever been to, and my only regret is that I visited it after spending 11 exhausting hours at MCAD. I was literally too tired to shop, coveting beer and food more than comics by that point, although I still managed to almost unconsciously bring a small pile of goods to the counter, including the latest issue of Found magazine, which I literally had gone to about six different locations in Seattle to search out, only to find in about 30 seconds within Big Brain. Every city in America needs a Michael Drivas.

After Big Brain, we headed next door to Grumpy's, the Minneapolis institution owned by longtime friend of Fanta Tom Hazelmeyer, also the founder of Amphetamine Reptile records and perhaps better known to old school comic fans as the guy that made all of those cartoonist Zippo lighters back in the 1990s. The beer flowed and by the end of the night, even this urbane, sophisticated group of serious ah-teests were reduced to talking about -- what else? -- the Watchmen movie, of course, even though none of us had seen it. But this was not before Tom K and I made our case to Zak Sally and (I think) persuaded him to go rent the one, true great genre film classic of the last decade-plus: Starship Troopers.

And with thoughts of art comics and Paul Verhoeven still racing through my brain, I called it a day.

Saturday was our day to sightsee, and we spent the first half of the day at the Walker Art Center. We lucked out and happened to hit the museum on Free First Saturday, where this Sara Varon display greeted us right inside the front door:

Varon.jpg

I'll leave my critique of the Walker for another time. I liked some of it, disliked a lot of it. There's something wrong when the Lichtenstein starts looking better and better as the day wears on (and if you didn't think that was possible, try again after looking at one serious portrait of Kurt Cobain after another for an hour), while other installations made me think I'd inadvertently taken a left turn into an Ikea. I know, I am a sad dilettante who believes comics should be respected. That said, I found the Joseph Beuys exhibition surprisingly affecting and beautiful, totally contrary to what I expected going in, and would have loved to have absorbed more of it if not for the fact that my eight-month-old daughter really liked the acoustics in that room, necessitating a hasty exit. While waiting for an elevator, I noticed this peculiar typo in a stairwell:

YoeAreHer.jpg

Is the modern art world turning into the Modern Arf world? Speaking of which, one of my favorite parts of the Walker was actually the gift/book shop, where I was pleased to see Fantagraphics well-represented. It was particularly cool to see Jacob Covey and Adam Grano's designs alongside so many great art books:

WalkerBooks.jpg

Adam attended MCAD for a little less than two years and I'm guessing that young MCAD Adam would have been pretty thrilled to know that in a few short years he'd be able to find his work in the Walker. 

The highlight of the trip, however, came after MCAD, and after the Walker, and that was our tour of the grim and gritty La Mano offices, courtesy La Mano El Jefe, Zak Sally (after an absolute kick-ass lunch at Brasa, which singlehandedly made me consider moving to MN). Zak gave us the V.I.P. tour, showing us the La Mano printing press, as well as his art studio, where much of the forthcoming Sammy the Mouse #3 hangs on the wall. There are few things in life more enjoyable to me than seeing where an artist I admire does what he does, and La Mano was no disappointment. Here's a few pics:

LaManoPress.jpgRingerPlate.jpgSammyPages.jpg

And that's about all I got. Aside from the fact that Minneapolis was clearly settled centuries ago on a gorgeous spring or fall day with little regard for how the rest of the seasons might pan out, I could live there and look forward to returning. Oh, and to bring things full-circle, this was one of the last things we saw in Minneapolis before boarding our plane back to Seattle:

SnoopyMN.jpg

Thank you, MCAD!


New Comics Day 2/18/09
Written by Mike Baehr | Filed under New Comics DayNate Neal 17 Feb 2009 3:12 PM
We don't have any new titles scheduled to ship to comic shops this week, but we do have a reoffer of Nate Neal's The Sanctuary #1-3, so pester your local shop for this inventive Stone Age-set series.
Now in stock: Mome Vol. 13 - Winter 2009
Written by Mike Baehr | Filed under videoTim HensleyThomas Ottpreviewsnew releasesNate NealMomeKurt WolfgangJosh SimmonsDash Shaw 28 Nov 2008 2:51 PM

Mome Vol. 13 - Winter 2009

Mome Vol. 13 - Winter 2009
By various artists; edited by Gary Groth & Eric Reynolds

The latest issue of the 2008 Eisner, Harvey and Ignatz Award-nominee features the first chapter (of three) of an all-new graphic novel by superstar Freak Brothers creator Gilbert Shelton! Thomas Ott (The Number), Josh Simmons (House), David Greenberger (Duplex Planet) and rising minicomics star Laura Park all make their MOME debuts. Bottomless Belly Button creator Dash Shaw delivers an all-new story, "Satellite CMYK", and creates this issue's covers. Also featured: Tim Hensley, Kurt Wolfgang, Nate Neal, Sara Edward-Corbett and Derek Van Gieson.

Video & Photo Slideshow Preview (view in new window):

104-page b&w/color 7" x 9" softcover • $14.99
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Free Nate Neal Comics
Written by Eric Reynolds | Filed under Nate Neal 26 Aug 2008 1:57 PM

 

Cartoonist Nate Neal is serializing new pages from his caveman graphic novel, "The Sanctuary," on a newly dedicated Sanctuary blog. New pages will be posted every Sunday. These new pages pick right up after the third print issue of the series, which was originally self-published by Neal and will be available as a pack through Fantagraphics in the Diamond PREVIEWS catalog for January 2009 products. Order yours today! 

For more Nate, check out his non-cavemen work here, as well as his recent stories in MOMEs 11, 12 and the forthcoming 13.  


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