Recently Fantagraphics stopped by Ohio State University's Billy Ireland Cartoon Library and Museum in Columbus. This structural testament to housing and preserving original cartoon strips makes it a one-of-a-kind-place. Curator Jenny Robb said hello but my after-hours and behind the scene tour guide was librarian Caitlin McGurk!
Students of OSU and traveling scholars (like me!) can request to see original art and read books in the main reference room. The room itself is lined with popular comics reference material, less Marvel's Anatomy and more History of Chinese Comics that was written by a scholar rather than a draw-er.
Caitlin pulled everything I asked for from the collection and more! Fantagraphics utilizes the Billy Ireland Cartoon Library when creating our classic reprint lines. They even have an amazingly sophisticated camera for large scans---we're talking longer and wider than a human.
The stacks were automated, slowly sliding over on tracks after a crank is turned AND button pressed. To avoid trouble, the stacks are lined on the bottom with emergency-stop bars. It's pretty damn cool. The Library houses the larges manga collection in the United States, possibly the world.
The flat files have dim lighting, plastic sleeves around the strips and dust covers to fit over the artwork to prevent sliding or damage. GLOVES are a must.
Prince Valiant by Hal Foster lay inside one of the drawers, well many strips lay in there just begging to be looked at.
Dan DeCarlo's Betty & Veronica cover was not only environmentally topical but sassy like most of his artwork.
Ernie Bushmiller's Nancy. People seem to love her or hate her but Ernie Bushmiller's mathematically complex and erudite leading lady is a joy to see. Caitlin pulled one of the wackiest strips she could find for me dating back to November 16th, 1947.
How many can YOU blow?
Last but not least, was an original Nell Brinkley in a gold frame. Having won over the hearts of many a Gibson girl Brinkley's sparkling ladies went from pining lovers to adventurous maidens.
The collection also boasted some amazing newspaper inserts called The Book of Magic, originally printed with broadsheet newspaper The Seattle Post-Intelligencer. The Book of Magic was full of comics, stories and ads geared towards children.
A big, warm hug to Caitlin McGurk for the after hours tour and the Billy Ireland Cartoon Library and Museum for existing! You should make a stop there on your next visit to Ohio or on a road trip. Look out because in 2013 they are moving to a primo new building complete with comics festivities!
If you happened to miss the delightful and informative slideshow talk the wonderful Trina Robbins gave about the great Nell Brinkley at Fantagraphics Bookstore & Gallery back on October 8 (for instance, if you were at the Art Spiegelman talk that happened at the same time, or if you don't live nearby), never fear, our good friend and The Comics Journal contributor Gavin Lees captured it on video — watch above or over at his website Graphic Eye.
For over thirty years Nell Brinkley's beautiful girls pirouetted, waltzed, vamped and shimmied their way through the pages of William Randolph Hearst's newspapers, captivating the American public with their innocent sexuality. Accomplished cartoonist and women's comix "herstorian" Trina Robbins examines the work of this unjustly forgotten artist in The Brinkley Girls: The Best of Nell Brinkley's Cartoons from 1913 - 1940. Robbins will present the work of this remarkable illustrator with an exhibition, slide talk and book signing at Fantagraphics Bookstore & Gallery on Saturday, October 8 from 6:00 to 9:00 PM.
A brash Nell Brinkley arrived in New York in 1907 at the tender age of 22. Within a year, her work began to appear newspapers illustrating her high society gossip column. Her cartoon serials popularized the bobbed hairstyle and flapper fashions of the era, while reflecting period art nouveau and deco aesthetics. Such was her influence that the Ziegfeld Follies costumed their dancers as "Brinkley Girls." Pop music heralded her creations and a line of hair products carried her name. As the war years approached, her comic strip serials evolved from naive romantic themes like "Billy and Betty and Their Love Through the Ages" to presenting women in less traditional roles like "Heroines of Today." Championing the cause of better pay and conditions for workingwomen, Brinkley became an early archetype of the contemporary American woman.
Trina Robbins has long championed the work of women cartoonists. Her early underground work appeared in the groundbreaking Wimmen's Comix anthology. In 1969 she co-created the character Vampirella for Forrest Ackerman and later collaborated with Colleen Doran on a provocative Wonder Woman series. She has written several volumes on the role of women in comix including From Girls to Grrrlz: A History of Women's Comics from Teens to Zines. Robbins co-founded Friends of Lulu in 1994, a nonprofit organization promoting women's readership of comics and increasing profile in the comix profession. In addition to her appearance at Fantagraphics Bookstore, Robbins will be a guest at Geek Girl Con held at the Seattle Center October 8 and 9.
The "Brinkley Girls" exhibition includes a dozen Brinkley comics pages, as well as Brinkley-illustrated sheet music, hair accessories, photographs, and related ephemera. Robbins will discuss Nell Brinkley's fascinating career followed by an informal reception and book signing from 6:00 to 9:00 PM on Saturday, October 8 at Fantagraphics Bookstore & Gallery, 1201 S. Vale St., Seattle. Phone 206.658.0110.
This event coincides with the lively Georgetown Art Attack featuring visual and performing arts presentations throughout the historic neighborhood.
Make a habit of visiting Fantagraphics Bookstore & Gallery this fall as we approach five years of presenting comix culture to the masses. It just keeps getting better:
On Saturday, September 3 between noon and 3:00 PM, we host a sneak preview of "Hooked on Comix 3." Fimmakers David P. Moore and Audry Mandelbaum will be present for a continuous screening of the latest installment of their insightful documentary series on alternative comix. This one features the lovely Dame Darcy and always entertaining Tony Millionaire. Can't wait.
On Saturday, September 10 we open Drawing Power, an amazing exhibition of cartoon advertising curated by Warren Bernard. On Saturday, September 24 Bernard will present a slide talk followed by a book signing from 6:00 to 8:00 PM. He'll be joined by visual artist and cartoonist Tom Neely presenting his latest "painted novel" The Wolf.
On Saturday, October 1 we'll host a special preview of the topical graphic novel Oil and Water with journalist writer Steve Duin from 6:00 to 8:00 PM.
The following Saturday, October 8 we welcome comix legend Trina Robbins for an exhibition and slide talk on Nell Brinkley from her phenomenal book Brinkley Girls, who will be in town as an guest at the Geek Girl Con.
Don't miss a minute of the action. Visit Fantagraphics Bookstore daily. If you don't live here, with local housing prices remaining soft and the Seattle job market improving, now's a good time to move. See ya'll soon.
• Review: "...[L]ike the best coming-of-age stories — comics or otherwise —Wandering Son is meticulously accurate in its details, but universal in its emotions. Gay or not, readers shouldn’t find it too difficult to identify with kids who feel like their bodies and their friends are equally culpable in the worst kind of betrayal, preventing them from realizing the potential they see in themselves." – Noel Murray, The A.V. Club
• Review: "The tone of each book is very different, with the Gil Jordan collection favoring clever mysteries, narrow escapes, and broad comic relief, while the Sibyl-Anne book is subtler, dissecting the way miniature societies work, together and in opposition. Both are excellent, though, showing off the strengths of the Eurocomics tradition, with its sprawling narratives spread across small panels, mixing cartoony characters and elaborate backgrounds." – Noel Murray, The A.V. Club
• Review: "Reminiscent of the classic Michael Winner-helmed and Charles Bronson-starred The Mechanic, Tardi's follow up to his acclaimed adaptation of a Manchette crime novel West Coast Blues, Like a Sniper Lining Up His Shot... delivers a superior sequential thriller. Violent, sexy, and littered with enough shocks to excite the most hardened crime fiction fan, Tardi once again produces one of the finest examples of the genre." – Rick Klaw, The SF Site: Nexus Graphica
• Review: "McKean has long been established as a master of multimedia imagery and Celluloid represents possibly his finest work. The clarity and seamlessness with which he combines photography with drawings and paintings makes every scene entirely convincing. It’s this hyper-reality that encourages us to submit to the dream-logic of the story." – Gavin Lees, Graphic Eye
• Review: "[Celluloid] is a story of sexual growth and empowerment. ...McKean's artwork gains greater dimensionality as his central character grows more assertive.... The pace of the story is left up to the reader, but McKean has created such lush visuals that many will want to linger and examine the intricacies of the imagery presented....Many of the pages are so well crafted in their surrealistic imagery that they could easily hang beside Picasso. McKean has boldly stepped away from the confines of mainstream comic books with this endeavor, and the result is a masterpiece of eroticism that relies heavily on intellect and emotion, rather than just mere arousal or titillation." – Michael Hicks, Graphic Novel Reporter
• Review: "If Siamese Dream-era Smashing Pumpkins exploded inside a Victorian tea shop, it would look something like [Meat Cake]... The humour is perverse, like an alt-universe Kate Bush who grew up reading penny dreadfuls instead of Brontë, the drawings are obsessively crammed with fever-dream detail, and the author has the advantage of being able to make publicity appearances dressed as her own characters, which is not something most cartoonists should attempt." – Grant Buist, The Name of This Cartoon is Brunswick
• Profile: Rosalie Higson of The Australian talks to Robert Crumb in anticipation of his visit to Sydney next month for the GRAPHIC festival: "There's a unique timing and way of telling a story with comic panels, different to writing novels or a film script. And there are seasons in the life of any artist. Crumb has dropped all his ongoing characters. 'I'm sick of them all. I'm very critical of my own work, when I look back on it I'm not especially proud, I wasn't really serious enough about it. I'm not sure what it all means for posterity, I have no idea. You can be the world's most favourite artist, and be totally forgotten a few years later,' he says."
• Interview:At Print magazine's Imprint blog, Michael Dooley chats with Trina Robbins. Dooley: "Trina's 2009 The Brinkley Girls: The Best of Nell Brinkley's Cartoons from 1913-1940 is a stunning collection as well as a detailed pictorial chronicle of the evolution of fashion and style, from Nouveau to Deco." Robbins: "I love clothes. I love lipstick. I love glamor. And obviously, so have many other women, if you look at the large readership of artists like Nell Brinkley and Brenda Starr's Dale Messick. And in the case of younger readers, at all the girls who loved Katy Keene. There probably are still some women who might want to see me, if not guillotined, then at least sent off to a gulag for promoting such work."
• Review: "Peter Bagge’s not-so-yearly update on the life and times of his signature character Buddy Bradley takes up about half of Hate Annual #8... It’s a funny story with a confident, natural progression and some keen observations to make... [T]his is... a welcome renewal of one of alt-comics’ most treasured series… [Grade] A-" – The A.V. Club
• Review: "The mid-’70s found Schulz pushing the strip further and further into the oddball, mixing fantasy and reality in extended storylines... The strip as a whole feels less scrappy and more settled in this era, though it’s no less inspired, and Schulz was clever enough to keep working his own state of mind into the finished product. The Complete Peanuts: 1975 - 1976 collects comics clearly drawn by a successful man still nagged by feelings of inadequacy not easily explained away… [Grade] A-" – The A.V. Club
• Review: "Don’t be misled by High Soft Lisp’s cover. This isn’t just comic book smut or an adult version of Archie. Gilbert Hernandez has created some of the most fleshed-out and memorable women in comics since launching Love and Rockets with his brother Jaime in 1981. Their breasts might be outsized, but so are their minds and souls." – Garrett Martin, Boston Herald
• Review: "Fantagraphics’ fourth oversized collection of Elzie Segar’s legendary Thimble Theatre strips, famous as the birth place of Segar’s notorious Popeye the Sailor, continues the winning standard set by earlier editions. ... Fantagraphics’ enormous format remains among the best-looking strip reprints available." – Michael C. Lorah, Newsarama
• Review: "Levin’s is not often a forceful tone; he digs up information and can deliver it in a scholarly enough manner, but also will follow his muse, digressing into dry humor and even an admitted Faulknerian flight of fancy. He’s fully engaged, grappling with the facts and the issues as he uncovers them, and the reader grapples right along with him. [Most Outrageous] is a much more compelling book for the fact that Levin doesn’t try to wrap it all up in a bow." – Christopher Allen, Comic Book Galaxy
We are exceedingly pleased to report that Fantagraphics publications and artists received a record 18 nominations for the 2010 Eisner Awards. To celebrate, we're offering these titles at 18% off for a limited time! Click here for the full sale selection. (Sale is valid for online and phone orders only.) Winners will be announced at a ceremony on Friday, July 23, 2010 at Comic-Con International in San Diego. Congratulations to all the nominees! Fantagraphics' nominations are as follows:
• Best Adaptation from Another Work: West Coast Blues, by Jean-Patrick Manchette, adapted by Jacques Tardi • Best U.S. Edition of International Material: West Coast Blues, by Jean-Patrick Manchette, adapted by Jacques Tardi
• List: Look out, it's Tom Spurgeon's Best of 2009 list at The Comics Reporter. Fantagraphics category rankings are listed below, with complete lists and Tom's commentary to be found at the link above:
• Review: "Somehow, some way, Jamie Hernandez is getting better and better. ...Locas, the first gigantic hardcover compilation of Jamie’s 'Maggie and Hopey' stories, stands as one of the highlights of my life as a reader. Now, unbelievably, Locas II exceeds the original’s standard. ... In Locas II: Maggie, Hopey and Ray, he’s crafted perhaps his most universal work to date, a saga of three people who’ve left behind the postures of their youth to stumble, unsure and hesitant, across the landscape of their adult lives. It’s strange and scary, funny and sweet, confused and enlightening. Locas II is a master as the top of his game, and a true comic book classic." – Michael C. Lorah, Newsarama
• Review: "It is interesting to see the rapid evolution of the graphics and drawings [in Prince Valiant Vol. 1: 1937-1938], a little reticent and schematic at first, but soon becoming highly detailed and expressive. Adventure prevailed in the stories, but there was room for humor, romance and tragedy." – Top Comics (translated from Portuguese)
• Review: "OK sure but trust me it's not for those who just want to look at dumbed down pictures and drool on themselves as anorexic telepathic women parade in wonder bras nor is this Babar's color by number. [The Portable] Frank is engaging on all levels and asks the reader to not just lose themselves but to participate fully and that's why this is my pick of the week!!" – Coast City Comics
• Plug: "This book is amazing and bat%$#* crazy. There are no words, just check it out of the library asap." – Cold Bullets