Find your roomiest tote bag, and stop by the bank for dollar bills... It's time for the 2nd Annual Short Run Small Press Fest this Saturday, November 3rd at the Vera Project in Seattle Center!

Since Short Run is a celebration of small press, Fantagraphics won't be there ourselves, but many of our artists will have tables, including  Andrice Arp, Peter Bagge, Jim Blanchard, Jason T. Miles (with his distro Profanity Hill), Michael Dowers, Pat Moriarity, and Noah Van Sciver.

Short Run runs (heh) from 10:30 AM - 5:30 PM. A little advice, if I may: get there early! There is so much to do and see at Short Run, and this year's fest is even bigger, if you can believe it!

There's nearly 100 small press exhibitors offering their comics, zines, and art books, from $.50 to $50.00! Plus, enjoy local animation screening all day, featuring Seattle Experimental Animation Team (SEAT), Reel Grrls, and other independent filmmakers. Exhibitors will be showing off all the ways they blend genres, such as advice expert Nicole Georges, writer/professional barber Zach Mandeville who will be giving free haircuts, and puppet master Erin Tanner. You can participate in live silk-screening where you can screen print a comic drawn by local artists or print one of our designs onto clothes you bring yourself. And like last year, there will be another decadent bake sale with donated goodies from Macrina Bakery, Grand Central Bakery, The Bang Bang Cafe, Stumptown Coffee, and our exhibitors and supporters! 

So, run, run, run to Short Run Small Press Fest this Saturday! The Vera Project is located on the corner of Warren & Republican Ave N, next to the Key Arena in Seattle Center. See you there!

Today's Online Commentary & Diversions:

• Review (Audio): On the latest episode of the Give Me Comics or Give Me Death! podcast, hosts Michael Bradbury and Lee Scott [SP?] discuss Jason Conquers America

• Review: "[Newave: The Underground Mini Comix of the 1980s] was a treasure to find for me, because I got to read some of the stuff I was reading in the Chicago burbs being all 'punk rock' and 'rebel rebel.' You have to live it to understand it, and while I’ll look at 1960’s underground comics as a history tour, this comic brought back live living memories of awesome underage shows, best friends forever, hard dancing, stage diving, and all the other fun things that these comics represented to us. Rating this an enthusiastic five of five, it holds a place of honor on my book shelf, and oh you betcha, I’m reading this to my grand children. You need to go buy this one, because it is totally special." – Dan Morrill, Comics Forge

• Review: "This anthology [God's Bosom and Other Stories] is an interesting take on early American history and Texas.... Overall, this was a bizarrely wonderful journey through some of the things I missed because I was essentially a very small child during the time, and I doubt anyone would really have brought a four year old to a free love in concert in a park that goes horribly wrong.... I am rating this comic book five of five stars, because it is extraordinarily well done, and is an interesting and approachable way of getting a look at early underground comic books. This one is well worth owning, and loving in your physical comic book collection." – Dan Morrill, Comics Forge

• Interview (Audio): Zak Sally is host Mike Dawson's guest on the new episode of The Comics Journal's "TCJ Talkies" podcast

Seattle has always had a reputation for its strong underground comics scene, but dang it, how is it we haven't had our own small press show before?

Well, that all changes this Saturday, November 12th as the Short Run Small Press Fest makes its debut at the Vera Project at Seattle Center, from 10:30 AM to 4:30 PM.

Fantagraphics won't have a table there ourselves, but many of our artists will be exhibiting, including Andrice Arp, Jim Blanchard, Jason T. Miles (with his distro Profanity Hill), Megan Kelso, Michael Dowers, Pat Moriarity, and Roberta Gregory.

Afterwards, the Fantagraphics Bookstore & Gallery is thrilled to present the Short Run After Party and Art Show from 6:00 - 9:00 PM, featuring original comix art, illustrations and self-published books. Entertainment will be provided by DJ/musician "Brainfruit."

As we were preparing for the art show, I thought it'd be fun to chat with the organizers of Short Run -- that would be, Martine Workman
, Kelly Froh, 
Jenny Gialenes, 
Eroyn Franklin -- about the inaugural event:

So, how did the idea of Short Run come together?

Martine: I've been going to comics events since 2004, even though I don't really make comics. I always wanted to attend an event that welcomed all sorts of makers and small publishers of comics, writing, poetry, zines, and artist books. Last year Eroyn saw my work and contacted me out of the blue since we were both publishing our own books in Seattle. Our friendship grew out of conversations about self publishing, art, craftsmanship, and wanting to create a community for ourselves. Around this time, Profanity Hill was up and running for a bit, and it was exciting and surprising to see so much local work being made. After talking to my pal Jenny, who works in literary event promotion and moonlights as a zinester, it seemed possible to bring the self publishers of our region together by organizing a small press fest! She came up with the name -- which I love! -- and agreed to help coordinate the event. Kelly, a true blue mini-comix maker and fantastic organizer, joined us soon after and rounded out the group. We've had a lot of fun and I feel really lucky we work so well together as a team.

Jenny: The first night Martine and I spoke about Short Run, we were talking about the need for this kind of event - I had just come back from SF Zine Fest and felt like I found my mission in life. There was this sense of community there that I had only seen small glimpses of in Seattle.

What do you see as the main focus of Short Run?

Eroyn: Short Run hopes to extend Seattle's exposure to the small press world that exists within and around it. We want to expand the audience for small press work and let artists engage directly with the people who like what they do. Short Run will build on the small press community that we do have and foster communication between artists who work in different mediums and styles. As a group we don't commit to any particular medium or aesthetic -- we are not a comic-con or a craft fair or a zine festival but we encompass aspects of all of these because we think they can all be engaging.

How do you define what is "small press" to you?

Kelly: Small press, in regards to what you will see at Short Run, are hand-made, self-published, “short run” art books, comics, zines, and literary works. You’re going to see a lot of work that has been photocopied, screen-printed, side-stitched, glued, covered in gold leaf, stencil-cut, and folded in ways you can’t conceive of! Many of the artists and writers have had one or more of their books “professionally” published, or hope to some day, but Short Run’s heart is the home made.

Even though Fantagraphics won't have a table, several of our artists will be in attendance... like Megan Kelso! How did you get Megan involved?

Kelly: We are honored to say that Megan contacted us! In fact, when we received her email, we knew we were on the right track, and it gave us confidence. Megan might be a published cartoonist, but she has a career history built on DIY, Riot Grrls and self-published zines and minis. Her zine collection that was on display at Fantagraphics a few months ago was inspiring.

Speaking of Fantagraphics artists, also exhibiting will be Michael Dowers, editor of Newave! The Underground Mini Comix of the 1980s... Do you think underground mini-comix are making a resurgence?

Kelly: We are totally excited that Michael Dowers will be at Short Run! We don’t think mini-comix ever went away, but the people creating them scattered and many new comic artists were not aware of any kind of “scene”. Seattle does not have a Fallout Comix anymore, or a Confounded Books, or even a Pilot Books. Besides a few dusty spin racks, there is no physical hub for selling and sharing mini-comics. There are lone creators and drawing groups all over Seattle that meet on different nights in difference places, and mini-comics are being made.

Eroyn: The capability to self publish is more attainable than ever and people are definitely taking advantage of new technologies and affordable printing to produce great work.

Kelly: The problem is that once they’re made, they’re usually not going very far out into the world. Larry Reid is bringing in an assortment of minis at Fantagraphics, and there is a small press section at Elliot Bay Books but for the most part, you are on your own to market your mini-comic if you make one.

Eroyn: Along with these stores and a few independent distros like Jason T. Miles’ Profanity Hill, we hope to help foster underground press in Seattle.

And, finally, what sort of future do you guys envision for Short Run? Do you hope to keep it small and local? Or will it eventually be the Seattle-version of an APE or Stumptown?

Jenny: I would like to see Short Run grow into itself organically. Big is not necessarily better - unless there is a solid community there providing the support. It's the difference between a stadium concert and going to see a local band at your favorite club - both have equal measure, they are just two very different experiences.

Kelly: It was our experiences at these larger festivals that helped us to decide what we did and didn’t want to be. We want to always be free to the public, and we want to always have low cost tables. Being local was really important to us as well, and one aim of Short Run was to draw out first-time tablers and try to reach people who had maybe shied away from other larger conventions. Looking over our exhibitor list, you will see that we have a lot of exhibitors from Portland. We can learn a lot from the comics community that they have built but Seattle has its own history of alternative cartoonists, and we need to grow from there. Short Run not only has a few of these “legends” of small press in attendance, but we have a ton of more obscure artists and writers, not only from comics, but from zines, animation, and the literary world. It’s a great showcase of artists and writers and we are really excited to share Short Run with Seattle!

The Short Run Small Press Fest is this Saturday, November 12th at the Vera Project [ Warren & Republican Ave N ], and the Art Show & After Party is from 6-9 PM at the Fantagraphics Bookstore & Gallery [ 1201 South Vale Street ]. See you there!

Thanks to everyone who came out for our first day of signings at the San Diego Comic-Con! And, guess what? We've just added THREE more artists to our already action-packed schedule! 

On Saturday, we'll be joined by Zack Carlson from 3:00 to 4:00 PM, and he'll be signing copies of the epic tome he co-edited, Destroy All Movies!!!: The Complete Guide to Punks on Film.  Stop by and try to stump him on punk movie trivia... YOU WILL NOT WIN!  

Also on Saturday, from 1:00 to 2:00 PM, we'll be joined by Roger May, one of the contributors to our underground comix collection, Newave!  He'll be joining two of the greats of the underground scene, Joyce Farmer and Frank Stack -- It's sure to be a fascinating hour!

And finally, we welcome special guest Martin Olson, author of the encyclopedic satire Encyclopedia of Hell (Feral House), a book that features illustrations by our very own hell-raiser, Tony Millionaire!!  Martin will be signing on Friday, July 22nd from 5:00 to 6:00 PM.

So, to recap, here's our signing schedule for the rest of the weekend at Booth #1718!  Come by and say hello!

Friday, July 22nd:
11:00 - 12:00 PM    Joyce Farmer / Bill Schelly / Tim Hensley
12:00 - 1:00 PM    Floyd Norman / Wilfred Santiago / Frank Stack
1:00 - 3:00 PM    Gilbert Hernandez / Jaime Hernandez / Mario Hernandez
3:00 - 4:00 PM    Paul Hornschemeier / Anders Nilsen / Esther Pearl Watson
4:00 - 5:00 PM    Mark Kalesniko / John Pham / Malachi Ward
5:00 - 7:00 PM    Johnny Ryan
5:00 - 6:00 PM    Jon Vermilyea  / Martin Olson
6:00 - 7:00 PM    Robert Goodin

Sunday, July 24th:
11:00 - 12:00 PM   Joyce Farmer / Jon Vermilyea / Esther Pearl Watson
12:00 - 1:00 PM    Mark Kalesniko / Frank Stack
1:00 - 3:00 PM    Gilbert Hernandez / Jaime Hernandez / Mario Hernandez

For those wondering whether there would be a follow-up to our well-received 2010 anthology Newave! The Underground Mini-Comix of the 1980s, good news! Editor Michael Dowers is now seeking submissions for two more volumes with a wider chronological reach. Here's the announcement, as posted at the mini-comics community site Poopsheet Foundation:

This series will cover mini comics from the dawn of time (early 70's) to the present. Since Newave has already been covered, the main focus will be on the 1990's to the present although earlier minis will be covered too. The books will be the same size (only more like 700 pages each) but will only reproduce mini comics that are 5 1/2 X 4 1/4 or smaller just like the Newave book. The two volumes are to be simply titled "Treasury of Mini Comics" Volumes one & two.

I am looking for contributors. I am looking for the best of the best. Any creator can send me their mini comics, disks, or photocopies to be considered for publication for this project. Or email me and send low-res jpegs to: This e-mail address is being protected from spam bots, you need JavaScript enabled to view it .

Please send titles to: Michael Dowers, 361 E. Birnie Slough Rd., Cathlamet, WA 98612.

If they want their material returned it is important to enclose return postage. Any mini comics that are kept will be placed in the Fantagraphics collection after the books are published. Also anybody sending actual mini comics will receive comics in trade from Brownfield press.

Today's Online Commentary & Diversions:

• Review: "Former Haligonian and Coast contributor Ray Fenwick’s latest book [Mascots] extends the work that he began in this city: typography-heavy painting on found book covers. The books’ loose cloth weave is clearly visible through the paintings, and even though Fenwick’s lettering skills should be studied by scientists, there’s a refreshing sense of the typographer’s hand and thought. Using the traditional idea of mascots as symbolic figures, Fenwick’s collected creatures, characters, mantras and messages, some of which are connected through broken narratives, and others just appear like a slap to the head. Not for those with an aversion to weirdos or absurdity, Fenwick is hands-down one of the most clever contemporary artists and illustrators working in Canada." – Sue Carter Flinn, The Coast

• Review: "Kalesniko is a deft, widescreen storyteller... The final chapters [of Freeway] are paced like an action film, drawing Alex ever closer to his destination/destiny, and Kalesniko does skillfully edit his storytelling at a breathless clip. But the conclusion raises more questions than it answers..." – Brian Winkeler, Bookgasm

• Review: "There’s no doubt that Schulz lost his way in the 80s. But his strip was always about losing its way. As he grew doddering and inconsistent, he moved closer to the doddering inconsistency at the core of his art. The pleasures in this volume [The Complete Peanuts 1979-1980] are fewer, but, for fans at least, when they come they have a special bonk." – Noah Berlatsky, Splice Today

• Review: "Another hardboiled French thriller which violently riffs on the energy of New Wave cinema, Hitchcock and classic James Bond. ...[West Coast Blues] is a bit like The Bourne Identity, except on a lower budget and without anyone half as organised as the CIA involved. The captions are a bit wordy, as you’d expect with something adapted from a novel, but thankfully it’s in black and white — the constant spray of blood and bone fragments might be a bit off-putting otherwise." – Grant Buist, The Name of This Cartoon Is Brunswick

• Plug: The Huffington Post's Michael Glitz gives us a nice shout-out in his review of the Dennis the Menace tv-show DVD set: "Fans of the comic should definitely check out Hank Ketcham's collected works, lovingly presented by Fantagraphics. The jokes are just as familiar but his draftsmanship lifts it to high art."

• Profile: The Hartford Advocate's Christopher Arnott talks to Allan Greenier and Tom Hosier, creator of "The Purple Warp" minicomic included in Newave! The Underground Mini Comix of the 1980s, saying of the book "Newave!, which has the same small size, but hundreds more pages than the miniature comics it celebrates, is a handy overview of this largely overlooked subgenre," and getting a frank account of the book's success from our own Eric Reynolds

Today's Online Commentary & Diversions:

• List: At Entertainment Weekly, Ken Tucker names The 10 Best Graphic Novels and Comics of 2010, including:

"Ostensibly Japanese comics aimed at the adolescent-girl market, these so-called Ten Stories of the Human Heart are lush mixtures of dreamlike imagery and realistic depictions of young people’s yearnings, hopes, reveries, and fears. Gathering representative work from four decades of publication, A Drunken Dream [and Other Stories] exerts a hypnotic pull on the reader, Moto Hagio knows both her commercial audience and her ideal audience — which is to say, the world."

"A long-form narrative about the decline of her parents’ health, Special Exits avoids cheap pity and piousness by doing what any good art should: focusing on specifics — the ways in which Farmer’s parents slide into old age and ill health; the care they require and receive. That this is also a portrait of a strong marriage is an added benefit. Frank, never shying away from the awkward indignities of aging, Special Exits illuminates two lives, as well as that of the author’s."

• List: Comic Book Resources ranks Love and Rockets: New Stories #3 in the 7th spot on their Ten Best Comics of 2010:

"The best volume since Los Bros went with this yearly anthology, New Stories #3 has exemplary work from both, but Jamie's story of the young Hoppers is one of his best comics ever." – Timothy Callahan

"Love and Rockets properly hits its stride and the two brothers use their unique approach to do something quite insane. Surrealism and realism in equal doses." – Sonia Harris

"This year, I read nearly every comic ever created by Los Bros Hernandez; what a pleasure to discover at the end of my immersion that their two most recent comics are also two of their best, and thus two of the best comics by anyone. Gilbert and Jaime both tear furiously into love and sex; what they find inside is ugly; what they do with it is beautiful. I'll never forget that panel." – Sean T. Collins

• Review: "Is there a comic that's run longer than Love and Rockets and maintained the same level of quality? ...[T]his year's annual is as good or better than anything Los Bros. have yet produced. It starts off with a strange sci-fi story — fans will recognize this as one of Rosalba 'Fritz' Martinez's many B-movies, but you don't have to be in on the gag to find Gilbert's story weird and funny and disturbing. Jaime's contribution to the volume is a story about would-be couple Maggie and Ray having a first date, with an interstitial tale about Maggie's childhood that sheds heartbreaking light on her relationship with her brother. ...Los Bros. are plain-spoken and sympathetic, finding pathos in even the grimiest character." – Sam Thielman, Newsday

• List: Josh Blair of Candy or Medicine names Newave: The Underground Mini Comix of the 1980s one of the Top Ten Mini Comics of 2010: "Ok, ok, I realize this isn't actually a mini-comic, rather than a gigantic collection of mini-comics, but it's definitely a book worth owning."

• List: Brian Cronin of CBR's Comics Should Be Good chooses Tales Designed to Thrizzle #6 as the first entry on his Top Ten Comic of 2010 countdown: "Another hilarious issue by Michael Kupperman."

• Interview: At The Comics Journal, part 2 of Chris Mautner's Q&A with Mome editor Eric Reynolds (part 1):  "I’m not a real ballbuster when it comes to deadlines from issue to issue, so I’ll invite people to contribute and they’ll take their time, whether they hit the next issue or the following issue. They’re just juggling all these things, and it happens to come together every issue."

• Analysis: At Cinematical, John Gholson examines the role of Dash Shaw's comic artwork in John Cameron Mitchell's new film Rabbit Hole

Today's Online Commentary & Diversions:

• List: Cathy Malkasian's Temperance is one of Largehearted Boy's Favorite Graphic Novels of 2010: "I have been creating a list of my favorite graphic novels of all time, and as the list grows smaller, one title remains near the top of the pile. Cathy Malkasian's debut, Percy Gloom, skillfully told (and illustrated) its story, and wholly transported the reader into an alternative world. Malkasian is back with another stellar graphic novel, Temperance, a dark and literate dystopian fable centered on themes of violence and control."

• Review: "...Joyce Farmer... in the ’70s contributed to the feminist anthology Wimmen’s Comix and helped create a notorious series about women’s sexuality whose title can’t be reproduced here. She’s kept a fairly low profile since then, but her new book, Special Exits, is forceful, unsparing and equally concerned, in its way, with saying the unsayable. [...] Farmer’s tone recalls her underground days and suits the gently rambling narrative. [...] She renders her wobbly, minutely textured characters with wit and tough affection, and her habit of looking for the darkly funny side of everything keeps the book from getting too bleak." – Douglas Wolk, The New York Times Sunday Book Review

• Profile: Cindy Frazier of the Laguna Beach Coastline Pilot talks to Joyce Farmer and her early publishing partner Lyn Chevli: "'So I put a sign in the window saying, "Artist Wanted,"' Chevli said. Farmer, who worked at a bail bonds office next door, responded. The rest is comic book history, as the pair became pioneer women comic book publishers."

• Profile: Jennifer Erickson of the Laguna Beach Independent talks to Joyce Farmer: "While she honed very useful skills of observation at art school, 'reading about Socrates was life changing,' said Farmer, struck by inequities of contemporary society that echo ancient times. 'I wanted to do things to improve our culture – make the world a better place,' she said."

• Review: "Norwegian cartoonist Jason is a genius, full-stop, and that statement is undeniable by anyone who has even a passing knowledge of his work. ....What I Did... practically sell[s] itself, but those still in doubt can be assured that, apart from it being an excellent deal, the quality of the work within this book is impeccable. [...] Each story on its own is unquestionably superb, and readers will delight in the moods Jason evokes and the artistic techniques he employs. Together the stories in What I Did are sterling examples of Jason’s fantastic skill as both an illustrator and a storyteller that are well worth the purchase in spite of their vast differences in tone, style, and content." – Steve Higgins, PLAYBACK:stl

• Review: "Well, no children are brutally murdered in this one, so thank heaven for small favors! Of the Fritz B-movie books so far... [The Troublemakers] is the most straightforwardly a product of genre. Grifters and gunplay, seductions and quadruple-crosses, all that stuff. [...] And there’s magic, too, but like everything else it’s just used to fuck other people over." – Sean T. Collins, Attentiondeficitdisorderly

• Review: "The chief surprise with Newave! is the vitality and merit it sustains throughout its length and not so much in its content, although there is a lot of content … well over 70 complete minis from the day. This is altogether riveting stuff, a host of guerilla comics from so many different hands offering an astonishing variety of visual experiences." – Rich Kreiner, The Comics Journal

• Plug: "Compiled... to catalog the sometimes glorious, sometimes ignominious, always entertaining history of punks-on-film, this anthology [Destroy All Movies!!!] features over 1,100 mohawked rockers, funky new-wavers, and down-and-out weirdos..." – Thrillist

• Plug: "Fantagraphics have done an amazing job putting together this huge slab of Stan Sakai's samurai epic [Usagi Yojimbo: The Special Edition]. Over a thousand pages in a gorgeous slipcased two-volume set that may be overkill, but isn't that what the holidays are about?" – "Lydia Park," The Rack

• Coming Attractions: Greek site Comicdom reports on the triumphant return of The Comics Journal with issue #301 (coming in February 2011)

• Coming Attractions: Bleeding Cool reports on our Spring 2011 publication of Jim Woodring's Congress of the Animals and also reports on our Summer 2011 publication of Dave McKean's Celluloid

While supplies last get a copy of Newave: The Underground Mini Comix of the 1980s FREE from contributing artist J.R. Williams with an original art purchase of fifty dollars (or more) from his Comic Art Collective page. Whatta deal! More details here.

Online Commentary & Diversions:

• Review: "By the 1980s, however, the anti-establishment sensibility of the underground comix had been replaced by a faith in just 'do-it-yourself' — making your own 'zines,' and that sense of independence is what [editor Michael] Dowers praises [in Newave! The Underground Mini Comix of the 1980s]." – George Elliott Clarke, The Chronicle Herald

• Review: "...Jim Woodring's Weathercraft creates a fantastic alternative universe. ...Woodring constructs a nightmarish tale in which Manhog falls victim to the villainous depredations of the all-too-aptly named Whim and the spells of the witchy pair Betty and Veronica. Those unfamiliar with the Woodring dreamscape may want to pick up The Frank Book collection as a primer, but the stand-alone Weathercraft requires no real prep work — just an openness to disturbing, id-derived imagery." – Cliff Froehlich, St. Louis Post-Dipatch

• Review: "Although King of the Flies... is anchored in a sharply delineated but deliberately generic suburbia, the book plunges us into an often violent, always profane environment that recalls David Lynch's Blue Velvet. Using multiple narrators, the book is an intricately constructed series of interlocking short stories that acidly etch a disquieting portrait of modern alienation and unease." – Cliff Froehlich, St. Louis Post-Dipatch

• Review: "French master Tardi gives an infantry-level view of World War I's meat-grinder carnage in grim vignettes that primarily keep tight, telling focus on the stories of individual soldiers. ...[It Was the War of the Trenches] deserves a place on the top shelf of graphic lit." – Cliff Froehlich, St. Louis Post-Dipatch

• Review: "Reading Jacques Tardi's It Was the War of the Trenches, I realized just how short most American war comics fall in portraying the reality and horror of war. ... Tardi brings every ounce of his talent to the task of trying to articulate the sheer horror of this war. And while he doesn't flinch once, neither does he resort to trite 'war is bad' or 'good versus evil' oversimplifications. He merely puts you directly in the soldiers' viewpoint and then tries to relate their experiences to you. ... It's a raw, uncompromising, devastating book, and, I'm kind of sad to say, unlike anything that's been published on these shores." – Chris Mautner, Robot 6

• Review: "...[O]ne of comics' purest entertainments... Combining cartoony figure drawing and considerable humor with rousing adventure, Captain Easy, Soldier of Fortune: The Complete Sunday Newspaper Strips, Vol. 1 exceeds even Steven Spielberg's Indiana Jones films in exuberant action and breathless pace." – Cliff Froehlich, St. Louis Post-Dipatch

• Review: "...St. Louisan Tim Lane's Abandoned Cars, one of 2008's essential comics, has recently been reissued in paperback with two variant covers that vividly recall the lurid pulps of the 1930s." – Cliff Froehlich, St. Louis Post-Dipatch

• Review: "It can sometimes be hard to get a grip on what Jason is going for in his stories, since even when he approaches a familiar subject, he takes a strange angle and dwells on the types of moments that wouldn’t normally receive focus in these sorts of tales. Werewolves of Montpellier goes even further afield... Leave it to Jason to dwell on the awkwardness of the 29 non-full-moon days of the month in which the werewolf has to pass as a normal human." – Matthew J. Brady, Indie Pulp

• Review: "What I think is most interesting about [The Best American Comics Criticism] is that in his choices of pieces, [editor] Schwartz is laying out a theory of lit comics. It's a theory that rings very true to me. Part of this theory goes that as literary comics grew, they made necessary a reevaluation and relearning of certain classic comics." – Robert Boyd, The Great God Pan Is Dead (via The Comics Reporter)

• Profile: Steve Duin of The Oregonian talks to Patrick Rosenkranz about assembling The Artist Himself: A Rand Holmes Retrospective: "With rare access to Holmes' journals and sketchbooks, Rosenkranz succeeds in giving readers access to the cartoonist that Holmes denied his closest friends. And he succeeds because of a compulsion, born 45 years ago, to understand the world in which these artists moved 'and how what happened in their lives affected their work.'"

• Interview: Listen as Chris Rosa of Meltdown Comics talks to Blake Bell about his book Fire & Water: Bill Everett, the Sub-Mariner and the Birth of Marvel Comics on the convention center floor at Comic-Con in this episode of the Meltcast podcast

• Interview: A 1992 Q&A with Jim Woodring, dug out of the archives by Chris Reilly and presented at TCJ.com's Guttergeek blog

• Links: Another Love and Rockets link-stravaganza from the fine folks at Love & Maggie

• Comic-Con: At About.com: Manga, Deb Aoki gives a quick report from the Moto Hagio Spotlight Panel at Comic-Con 2010, with a promise of more to come: "...Hagio-sensei charmed the audience with her self-effacing wit and matter-of-fact responses to questions..."