Happy New Year's! Here's to a great year of books and the next year and the year after that. We salute you and thank you for your friendship and purchases. Some of you sent in photos reading books from this year (and a few past ones).

Cartoonist Zack Giallongo reads The Complete Syndicated Pogo Vol. 1: "Through the Wild Blue Yonder" by Walt Kelly. He's also surrounded himself with favorite things: banjos, dogs and crazy couches.

Cartoonist Chris Haley enjoys The Complete Syndicated Pogo Vol. 1: "Through the Wild Blue Yonder" by Walt Kelly.

Writer Chris Roberson (MonkeyBrain Comics publisher as well) reads Spacehawk by Basil Wolverton.

Producer Allison Baker and kiddo Georgia Roberson read Walt Disney's Donald Duck: "A Christmas for Shacktown" by Carl Barks.

Erica reading Heads or Tails by Lilli Carré.

OSU Librarian Caitlin McGurk reads No Straight Lines edited by Justin Hall.

HEEB editor Jeff Newelt reads Blacklung by Chris Wright.

Chris Sims from Comics Alliance reads Nancy Likes Christmas by Ernie Bushmiller.

Playwrite Ian McDonald reads Ghost World by Daniel Clowes.

Writer Jamie S. Rich reads Is That All There Is? by Joost Swarte.

Cartoonist Laura Terry checks out Olivier Schrauwen's The Man Who Grew His Beard.

Kyle reads the now sold out Destroy All Movies edited by Zack Carlson.

Cartoonist Joseph Remnant reads The Hypo by Noah Van Sciver.

Campaign organizer Evan Loeb ALSO reads The Hypo by Noah Van Sciver.

Linda Walker reads Flannery O'Connor edited by Kelly Gerald. Looking gorgeous.

Cartoonist Tom Hart (SAW founder as well) reads The Cartoon Utopia by Ron Regé Jr.

Radio extrodinaire and Fanta staffer Janice Headley reads The Cartoon Utopia by Ron Regé Jr.

Alex Cox of CBLDF reads Harvey Kurtzman's Corpse on the Imjin!

Cartoonist Jason Week and educator Ky Flynn read Harvey Kurtzman's Corpse on the Imjin!

Fantagraphics Marketing Director Mike Baehr reads Steven Weissman's Barack Hussein Obama.

Anna Pederson of CBLDF (former Fantagraphics intern) reads The Crackle of the Frost by Mattotti and Zentner.

Real estate agent Janora Apple reads Charlie Brown's Christmas Stocking by Charles M Schulz.

Comics scholar and professor, Andrew Friedenthal, enjoys Peanuts by Charles M Schulz. 

Cartoonist Colleen Frakes reads that lovely Castle Waiting #18 by Linda Medley.

The Cartoon Utopia by Ron Regé Jr absorbs Kyla.

Neighbor of the SAW workshop, Julie, reads The Cartoon Utopia by Ron Regé Jr.

June, grand dog of cartoonist and Otaku USA writer Jason Thompson, enjoys the hell out of The Heart of Thomas by Moto Hagio.

Cartoonist Sean Ford reads The Furry Trap by Josh Simmons and then hands it of to…

Charlie, master cat of Inkstuds radio/podcast host Robin McConnell, flips through The Furry Trap by Josh Simmons. She's a bit surprised!

Cartoonist Allen Duffy reads Joe Sacco's But I Like It.

Jim on Jim. Cat on Cat. Cartoonist Jim Rugg reads Jim Flora.

Linus and Lucy, cat masters of Alex Cox, read Carl Barks and Charles M. Schulz.

Kjerstin Johnson of BITCH Magazine reads The Lost Women by Jaime Hernandez and some Mary Fleener!

Ryan Anderson reads The Book of Mr. Natural by Robert Crumb.

Jessica Underhill reads Low Moon by Jason.

Jordan Shiveley of Grimalkin Press reads some The Comics Journal Library .

Cartoonist Annie Murphy reads Love and Rockets (The Death of Speedy) by Jaime Hernandez.You can find this story in the collection The Girl from H.O.P.P.E.R.S.

Billie, my three-legged dog reads Nancy Is Happy by Ernie Bushmiller.

And Dr. Butler wants to read my copy of Dungeon Quest Book 3 by Joe Daly. Keep reading! Happy 2013!

The most symmetrical cake slice of Online Commentaries & Diversions:

• Review: Publishers Weekly occasionally lets smart and famous people recommend books. Jeopardy Master Ken Jennings "skipped the obvious Marjane Satrapi and Alison Bechdel entries in favor of this lesser-known three-volume masterpiece, about Tyler’s complicated relationship with her distant dad, a World War II vet. With her playful, fluid brush line and busy patchwork of watercolor woodgrain, Tyler’s art looks like the past feels." Carol Tyler's complete series You'll Never Know is available.

• Review: Booklist Online cooks up a review from some Pogo (The Complete Syndicated Comic Strips Vol. 2: "Bona Fide Balderdash"). Ian Chipman writes, "[Walt Kelly's] hallmarks of deft wordplay, daft swamp critters, and poisonously sharp sociopolitical satire are in full blossom here. The highlight is the 1952 election season that saw Pogo’s first and entirely reluctant presidential run and the birth of the “I Go Pogo” slogan. Mimicking “I Like Ike. . . A must for all collections of comic-strip history."

• Plug: Forces of Geek throws out some good gift recommendations for kids like Walt Disney's Uncle Scrooge "Only a Poor Old Man" by Carl Barks. "Comic books have always been an excellent gateway into reading, and when it comes to smart, imaginative and engaging, you don't have to go much further than Carl Barks. . . What better way to introduce your own Huey, Dewey or Louie to comics?"

• Review: Paste Magazines's 10 Best Collections of 2012 include two Fantagraphics titles. Hillary Brown loved Young Romance, by Joe Simon and Jack Kirby edited by Michel Gagné who "painstakingly restored them (without making them look exactly new, thus giving the book the feel of a vintage compilation that just happens to be in amazing shape). . . Simon and Kirby tried to bring as much excitement to primarily psychological and interpersonal goings-on as to punching and flying." And this might be the last year anything by Carl Barks is on the list, "We’ll just grant it permanent honorary status as the best of the best, like when John Larroquette removed himself from Emmy consideration after winning four straight for Night Court. . . [Walt Disney's Donald Duck "A Christmas for Shacktown] once again proves Barks to be one of the finest draftsmen and storytellers we’ve ever had." Well put, Garrett Martin.

• Plug: The KUER Radiowest Show hosted many book sellers with their holiday gift ideas. Ken Sanders of Rare Books chose Walt Disney’s Donald Duck: “A Christmas for Shacktown” by for the "brilliant, brilliant artwork by Carl Barks" and Walt Disney’s Mickey Mouse: Volume 4 “House of the Seven Haunts” by Floyd Gottfredson to top his 2012 list for kids.

• Plug: The Scotsman lists some of the Best of 2012 as told by the best scotsman. Withered Hand's singer/songwriter Dan Willson has eyes only for Ron Rege, Jr. and states, "[The] Cartoon Utopia , his magnum opus, is quite a head-trip. Thousands of very dense little drawings and words resemble a psychedelic illuminated manuscript peppered with themes of spiritual redemption and good versus evil. It’s a very unusual and beautiful work."

• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. On Ron Rege Jr.'s The Cartoon Utopia , "The first esoteric text of the new century. The harbinger of the New Aeon. This book will be a staple of Esoteric Lore for millennia to come."

• Plug: Boing Boing makes my job easy by providing the Best Damn Comics of 2012. Compiled by Brian Heater, a lot of creative people offered up their favorite books of the year. Nick Abadzis thinks Kolor Klimax (edited by Matthias Wivel), "feels startling and vital to me and features a wide variety of styles, each as absorbing as all the others contained within these pages. I don't think I've enjoyed an anthology as much as this one in years."

• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Box Brown on Barack Hussein Obama, "Steven Weissman does stuff with actual analog comic materials that most dudes can't even do with photoshop." Jeffrey Brown chimes in on BHO, "Strange, funny and beautiful. Weissman reinvents his comics with the kind of book I wish I would make." Will Dinksi agrees, "Barack Hussein Obama is pretty much my favorite book of the year. . . I get a better appreciation for Weissman's craft in the printed collection where it can feel like you're actually looking at the finished artwork." Mari Naomi says,"I just love what this book is. If I didn't know better, I wouldn't even recognize this as Weissman. And I like that."

• Review: Paris Review checks out The Last Vispo, edited by Nico Vassilakis and Crag Hill. Nicole Rudick states,"it makes sense that in visual form poetry would elicit a kind of motion, an unfolding over the space of a page, and that even its sound would be voiced as a series of discoveries. Movement disrupts the continuity of a sentence, a phrase, a word. And language, unsettled, is unbound."

• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Box Brown continues to wax poetic on Josh Simmons' The Furry Trap, "Funny, even as it makes your hair stand on end and your skin start to crawl... Horror comics that gash their way below the surface."

• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Shaenon K. Garrity says that The Heart of Thomas by Moto Hagio "is a book I've been awaiting for over ten years, and it exceeds my expectations."

• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Nate Powell on Interiorae by Gabriella Giandelli, is "just what I look for in a narrative: patient, dreamy, full of seemingly endless layers of shadow, slowly revealing the sweetness inside the rotten, all within the confines of a single high-rise apartment building, surrounded by snow and static."

• Review: Slate finds themselves choosing Heads or Tails, going for broke. Dan Kois says, "Lilli Carré’s short stories are dreamy, unlikely, and unsettling. What transforms the stories from nightmares to fables is Carré’s artwork, which varies with each story. . ."

• Review: Page 45 looks at Heads or Tails by Lilli Carré. "The art reminds me a little of Lynda Barry and the flow of the pages reminded me a little of Walt Holcombe. . .I recently recommended this book to a customer who named their favourite film as Amelie (good choice!) precisely because it has that feeling of whimsy about it."

• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Jeremy Tinder on Heads or Tails by Lilli Carré, "A nice encapsulation of many of the ways Lilli has been pushing herself both narratively and stylistically over the last few years. If only there was a way to squeeze her animation in there too." Will Dinksi comments on Heads or Tails by Lilli Carré, "Beautiful artwork. Thoughtfully paced. "Of The Essence" is one of the best comic book short stories I've ever read."

• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Robert Kirby on No Straight Lines edited by Justin Hall, "Long overdue, this beautifully-produced, sharply edited retrospective may usher in a new era of respect and recognition for a long-neglected realm of the alt-comics world."

• Review: Blacklung by Chris Wright is whittled on by Tucker Stone at TCJ. It's called "the big, trippy brother to Drew Weing’s Segar influenced Set To Sea. . . . [and] Gore saturates this comic. . .  Brutality for its own sake is the point of some entertaining movies, no reason it can’t be the point of some entertaining comics as well."

• Review: On Filth and Fabulations, Jeppe Mulich states that Chris Wright's "[Blacklung is] not a work of splatter punk or mindless gore, but rather an engaging, breathless, and humorous tale of the dregs of the sea, including a colorful assortment of pirates and madmen, quite clearly drawing inspiration from both Melville, Stevenson and Peckinpah."

• Review: Paste Magazine reviews Charlie Brown's Christmas Stocking by Charles M. Schulz. "Seeing this work isolated and expanded only reinforces the sheer timelessness and brilliance inherent; Schulz was a master of mood and line in equal measure. . . it’s some of the finest nostalgia porn you can put under the tree," quips Sean Edgar. 

•Review: Pheonix New Times unwraps their present early and Jason P. Woodbury interviews Nat Gertler on Charlie Brown's Christmas Stocking by Charles M Schulz. "[Schulz] had done a Christmas book, Christmas is Together-Time, using red and green," Gertler says, explaining the minimal color palette. "We wanted to keep that simplicity and Christmas-sense in there." The stable of Schulz characters transcend fads and time because as Gertler points out "It's not the way kids talk, but they way they feel is the way that kids feel."

• Plug: Drawn blog tops off another the Best of 2012 list with some Ernie Bushmiller. John Martz points out, "Nancy seems to be a love-it-or-leave-it strip, and I am firmly in the Love It camp. . . Often surreal, and always impeccably drawn, there is nothing quite like it. . . these books are a virtual masterclass in cartooning."

• Review: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Tom Kaczynski on Ernie Bushmiller's Nancy is Happy, "The minimalism of the art, the quirky humor, the amazing consistency, it all started with these strips." 

• Review: Getting ready for the hardback release of Delphine by Richard Sala, Carrie Cuinn of SF Portal reviews the tale complete with "dark duotone inking style, little dialogue, and gothic, shadowy, art. . . Overall I think that Sala’s retelling of that well-known love story is affectingly tragic. . . It is, in a word, creepy."

• Review: If MTV Geek knows about The End of the Fucking World then the secret is out: Charles Forsman is amazing! "[It] pulls you in like no other comic this year. Stunning in its simplicity and brave in its subject matter. Charles Forsman is a future force. . . [it] is like stumbling onto the ultimate secret in comic books, but based on how great TEOTFW is, it won't be much a secret longer." 

• Review: Ashley over at Bibliophibien looks at Wandering Son series by Shimura Takako, "While the story is focused on transgender topics, I think that this is a wonderfully moving coming-of-age story and captures the complexities of sexual identity, friendships, and family that teens face."

• Review: Rick Klaw at SF Site enjoys the glossy glory of Action! Mystery! Thrills!, edited by Greg Sadowski. "As in his previous volumes. . . Sadowski supplies copious end notes and annotations. Though this time, the information additionally reads as an entertaining history of early comics. . . Sadowski once again delivers an essential book for anyone with an interest in comics history."

• Plug: John McMurtrie of SF Gate (San Francisco Gate) lists Listen, Whitey! by Pat Thomas as one of the Music Books to Buy of 2012. 

The first snowflake of Online Commentaries & Diversions: 

• Review: Publishers Weekly enjoys Naked Cartoonists, edited by Gary Groth. "The litmus test for any collective work based on the idea of one page per artist is whether the whole is greater than the sum of the individual parts. . . [Naked Cartoonists] no trouble achieving that goal. . . Dan Piraro (Bizarro) deserves kudos for his strategically-located likeness of Garfield . . ." 

• Plug: Elliot Bay Book Company shows off a copy of Naked Cartoonists from their store and Dave states, "Hilarious. Scary. Weird. And just plain bawdy. If this is wrong, I don’t want to be right."

• Review: Print Magazine (issue 66.3 June 2012) gingerly flips through the pages of Naked Cartoonists. "Does your Sunday morning routine consis of reading The Wizard of Id and thinking, Gosh, I wish it had more nudity? Then Fantagraphics Books has just the thing for you." While out-and-about obscenity is rare, "there are moments of genuine creepiness, as when Jeff Keane, heir to The Family Circus, drops trou along side his fictional self, Jeffy." 

• Review: Speaking of nudish things, Slate takes the time to slog through Prison Pit 4 by Johnny Ryan. Noah Bertlasky states, "For those who find filthy, blotchy tactile ink clots, überviolence, or body horror even remotely appealing, you need to buy this and its predecessors immediately."

• Review (audio): The boys on the block (Comics Books are Burning in Hell) review violent comics so naturally Blacklung by Chris Wright is included. The book affected the reviewers since it's "basically Chris Wright drawing terrifying shit" and Wright's drawing style falls in between "Old newspaper comics, like E.C. Segar's Popeye and Roy Crane's Wash Tubbs and Usagi Yojimbo [by Stan Sakai]."

• Review: New York Journal of Books looks at Walt Disney's Donald Duck: A Christmas for Shacktown by Carl Barks. Mark Squirek writes, "What he was really doing was showing us the absurdity of human behavior. . . This is a book that can be enjoyed by everyone from six to eighty. . . This is classic art and storytelling from a master of the form. Carl Barks ranks right up there with Jack Kirby and Will Eisner. If you love the frustrated, quacking, crazed Donald from the cartoons of the forties, you have to read A Christmas for Shacktown." 

• Review: The Christian Science Monitor unwraps Charlie Brown's Christmas Stocking by Charles M. Schulz. Rich Clablaugh takes another sip of cider and says, "The design of the book is marvelous, thick off-white stock printed in two colors – red and green of course. . .Charlie Brown's Christmas Stocking is sure to bring a warm smile to readers young and old. A yearly reading of this little gem can in itself become a new tradition for the Christmas season."

• Review: Westfield Blog looks at archival prints from Fantagraphics. Roger Ash recounts, "Popeye, Pogo, Charlie Brown, Mickey Mouse, and many other classic comic strip characters live on at Fantagraphics in outstanding collections. If you aren't reading any of these, you should be."

• Review: Forbidden Planet International writes about Rich Tommaso's graphic novel, The Cavalier Mr. Thompson. "What the Cavalier does very well is encompass the zeitgeist of an era and people vividly. . . or the most part you’re happy to be led through the rooms and ravines, over train tracks and down corridors as a gentle narration of tales from times gone by ensconces you comfortingly," says Zainab.

• Review: Glen Weldon writes a large article in the New York Times Book Review on our newest anthology on queer comics. "With No Straight Lines [editor Justin Hall] has produced a useful, combative and frequently moving chronicle of a culture in perpetual transition; to read it is to watch as an insular demimonde transforms itself, in painful fits and joyful starts, and steps out into a wider monde."

• Review: Graphixia looks at Jacques Tardi's It Was the War of the Trenches. Scott Marsden states, "Seeing Tardi’s portrayal of the horrors of trench warfare and his vision of the random senselessness and brutality that accompanies it reminds us to reflect on our (mis)conceptions of history, drawing attention to the fractal realities that are embedded in events that have been experienced internationally. . . it feels far closer to reality than the propagandized historical materials offered by the typical academic publishing industry. . ." 

• Review: Rob Clough reposts his review of our Hotwire anthology, this time on High Low. "A book for those who read Ghost World or American Splendor and [want] to know where to go next."

• Review: Chris Ware is profiled on the NY Review of Books on Jimmy Corrigan through Building Stories.

Now that the mess of Halloween is swept under the rug and Thanksgiving is over or has turned into subcutaneous fat around your middle-section, we can get back to what is really important: egg nog and books to buy for your loved ones be they the birthday-celebrating Sagittarius or Capricorn in your life or for an annual wintertime holiday. Many of our books have been featured on holiday gift guides and we even have thematic releases coming out just in time for the holidays. So peruse while you finish up your holiday shopping lists. (And remember our CYBER MONDAY sale is going on RIGHT NOW for 30% off 2012 titles and more)

For the monster in you and that book to connect generations of family members, look no further than SPACEHAWK by Basil Wolverton. Cory Doctorow of Boing Boing believes "what you read it for is the character design, that amazing Wolverton grotesque that is as unmistakable as it is unforgettable. I mean to say, this guy could really draw monsters [in this] weighty tome that almost strobes with awesome."

For the completist and nostalgic fan, Publishers Weekly gift guide highlights the first three volumes of Krazy & Ignatz: Complete Sunday Strips 1916-1924 by George Herriman (for a whopping $95). PW states "One of the most admired and influential comic strips of all time, Krazy & Ignatz is collected in Krazy & Ignatz: Complete Sunday Strips 1916–1924, which contains the first nine years of George Herriman’s masterpiece into one (of three) handsome tomes." 

For more strip and comic book archival collections Tom Spurgeon of The Comics Reporter suggests Walt Kelly's Pogo Vol. 1-2 Box Set. "I love the early Pogo work best of all the Pogo work, and these volumes are attractive in a way that's extremely difficult to guarantee with a post-World War 2 offering. They were cramming the strips into papers by then, making tear sheets and originals an even greater premium than is usual." A little history with your recommendation.

Speaking of history Publishers Weekly calls it a 'good yarn,' but The Hypo by Noah Van Sciver is also for 'that person who loved the film Lincoln' as Comic Book Resources puts it. "This is an angle of Lincoln that rarely gets seen, and Van Sciver's strong plotting and detailed artwork make this an engaging and easily accessible read to any reader."

In the mood for more biographies or memoirs? Publishers Weekly suggests No Straight Lines: Four Decades of Queer Comics, edited by Justin Hall. The NY TIMES also featured this "sampling of comic books and comic strips featuring gay, lesbian, bisexual and transgender themes and characters has strong language and sexual situations, but a lot of laughs too. It is a wonderful toe dip into the genre," states George Gene Gustines.

"For the person who reads John Hodgman" cartoonist, quippest and sharpest tack on the internet block Michael Kupperman is the man for you. Rob McMonigal at Panel Patter continues, "He's the author of my favorite book of 2011, Mark Twain's Autobiography 1910-2010, as well as the Tales Designed to Thrizzle anthology series. His work features outrageous satire . . . sending Twain off on wacky hijinks with Albert Einstein. Nothing is sacred and everything is skewered by Kupperman, who is a perfect fit for the lovers of Daily Show-like comedy.

For the person who enjoys process over narrative the "punk icon Gary Panter’s angular world of neon brutalism" Dal Tokyo is the perfect gift for the 'Visual Splendor', says Publishers Weekly.

Tom Spurgeon of The Comics Reporter recommends comics for people WHO ALREADY LIKE THEM. #1 on his list is anything by The Hernandez Brothers. "They made some of the very best comics the year that Love and Rockets began; they made some of the very best comics this year." Start from the beginning with Gilbert's Palomar Series in the book Heartbreak Soup or with Jaime's Locas Series starting with Maggie the Mechanic. Is your loved one a huge fan? Get the latest book, Love and Rockets: New Stories #5.

But wait! (There's more) We also have blue spruce trimmed books for your holiday and year-long enjoyment. First up is the perfect stocking stuffer Charlie Brown's Christmas Stocking, this adorable little package collects two of Charles M. Schulz's best "extras" from the 1960s: two Christmas-themed stories written and drawn for national magazines are FINALLY collected in book form. The Comics Reporter says, "There aren't a whole lot of Charles Schulz-related items that have yet to be published; this holiday-related book is one of the few hold-outs." Charlie Brown's Christmas Stocking was also featured on The LA Times Gifts for Under $25 "Charlie, Snoopy, Lucy, Linus, Schroeder, Frieda, Violet, Shermy and Sally all make appearances, and the book also includes a pocket-sized biography of Schulz." Created in the classic square style of Charlie Brown small book collections, this book is sure to warm your hearts without the need of a glowing fire or mug of mulled cider.

Walt Disney's Donald Duck: A Christmas for Shacktown by Carl Barks is the third book in our Carl Barks Library which chronologically prints stories from this master. "A Christmas for Shacktown" is a rare 32-pager that stays within the confines of Duckburg, featuring a storyline in which the Duck family works hard to raise money to throw a Christmas party for the poor children of the city’s slums (depicted by Barks with surprisingly Dickensian grittiness). The Comics Reporter's Tom Spurgeon states, "I used to love the unabashed sentimentalism that saturates a story like this one, at least in the initial pages."

The rest of the book is also full of GOLD and not necessarily snow-covered. 240 pages in full-color glory make this a must-have no matter what the season. Featured on The LA Times Gifts for Under $50 "Fantagraphics has been reprinting Carl Barks’ classic Donald Duck and Uncle Scrooge work, and this third volume focuses on Barks’ peak period in the early 1950s."

Finally, the second book of Ernie Bushmiller's famous strip Nancy is out for pre-order. Nancy Likes Christmas: Complete Dailies 1946-1948 is three more punny years of the fabulous life of an odd looking little girl. Order through us and you'll receive an FBI mini comic to throw in that stocking over the fireplace (be it real or the Netflix fireplace) as well. Spurgeon again, "it sounds good. I'm pro-Nancy and everything." It's kinda like being pro-education. We all agree it's a good thang.

Order now for the holidays! We even have the you must buy by this date to ensure proper delivery and minimum tears.

• Interview: Steven Weissman is a popular man with his presurrealidential comic, Barack Hussein Obama. Comic Book Resources and Alex Dueben interviews Weissman on the evolution of a comic and re-engaging your audience. 

• Interview: Comics Alliance's J. Caleb Mozzocco interviews Steven Weissman on Barack Hussein Obama. "The Barack Hussein Obama that ultimately emerges from the book is a pretty regular guy trapped in a comic strip, struggling to be all things to all people," states Mozzocco.

 • Review: Jim Woodring's sneak peek at his sketchbooks that eventually became Problematic was up on BoingBoing before the video went 'kaput,' now there is Jim inking like a badass with a nib. You can still see sample pages here for Problematic. Video made and featuring the hands of Marketing Director, Mike Baehr, coming soon!

• Plug: Comics Reporter comments on a few of our releases from this week. In reference to The Cartoon Utopia, Tom Spurgeon states, "Ron Regé Jr. is one of those special cartoonists where I buy everything he does without asking questions first. On the strength of this latest collection, with which I'm only about halfway done, Lilli Carré may join that group of cartoonists much sooner than I thought possible. . . " with her collection of stories in Heads or Tails.

• Interview: Andrew Wheeler of Comics Alliance interviews Justin Hall, editor of No Straight Lines. "It's also a testament to how good those early creators were. Howard Cruse, Trina Robbins, Roberta Gregory, they're some of the best cartoonists in the business and they were doing work of surprising sophistication from the very beginning."

The cuddliest cat at the shelter of Online Commentaries & Diversions:

• Review: Body Literature reviews The Last Vispo Anthology: Visual Poetry 1998-2008 edited by Nico Vassilakis & Crag Hill. Stephan Delbos writes "The Last Vispo Anthology is strange. It is also challenging, eclectic, confounding, erudite, punchy, and, by turns, beautiful. . .overall there is an elegiac note to this anthology, which extends from the title to the feeling, put forth by several of the essays, that visual poetry is facing a turning point.. .visual poetry is the bastard hermaphrodite of arts and letters. In a good way."

• Review: David Fournol looks at The Cavalier Mr. Thompson by Rich Tommaso, a rough translation states, "Exemplified by its beautiful design and the use of only two colors gives the book a slightly dated, authentic look.  . . Describing and illustrating people's lives is a major talent of Rich Tommaso's. It is a process that has already been perfected in another of his works. . ."

• Review: Los Angeles I'm Yours gets Barack Hussein Obama by Steven Weissman in a big way. Kyle Fitzpatrick says, "The novel follows a gangly Barack Hussein Obama who is a constant prankster and has absolutely no manners. . . It’s a dark world and Obama is the smarmy asshole king. . . It’s a great pre-election graphic novel with some great, dark laughs."

• Review: Comic Book Resources and Tim Callahan looks at two books from the 'W' section of his library. Barack Hussein Obama by Steven Weissman "seems part of a larger movement (from IDW's Artist's Editions to years of Kramers Ergot) to signify the artwork as the end result rather than as a means of producing an end result. . . And Weissman's work demands ingestion and interpretation rather than declaration. Oh, it's good, too, if that has any meaning after all that abstraction." On Wallace Wood's Came the Dawn from the EC Library, Callahan posits, "This is a serious-looking, important comic, for serious-minded, important people. This isn't some lascivious spectacle. Heck, there's only one female on the cover, and she's facing away from us. No one is carrying around any chopped-off heads or limbs. There's no blood anywhere. No shrieking to be seen."

• Plug: Chris Mautner of Robot 6 looks through our next season catalog. The End by Anders Nilson, I tend to consider this book. . . to be his best work to date, an absolutely shattering and deeply moving account of dealing with loss and grief." On The Cabbie Vol. 2 by Marti, Mautner mentions, "Oh man, I seriously love me some Cabbie. I don’t think the first volume exactly sold like hotcakes, but I’m glad to see their continuing on with Marti’s ultra-dark Chester Gould homage." In reference to Storm P.: A Century of Laughter: "Kim Thompson is going to school us all in the world of Eurocomics or die trying. I, for one, am always eager to learn, however.  This coffee-table book features the work of Danish gag cartoonist Robert Storm Petersen, whose work is reminiscent of O. Soglow and other New York cartoonists from the same era." 

• Plug: Boing Boing covers a few of their favorite books. Mark Frauenfelder enjoyed flipping through Weird Horrors and Daring Adventures by Joe Kubert, edited by Bill Schelly. "Best known for Sgt. Rock, Tarzan, and Hawkman in the 1960s and 70s, this anthology of Kubert's 1940s work reveals his versatility in a variety of genres, including horror, humor, and romance." In regards to the Is That All There Is? by Joose Swarte Frauenfelder admits, "I prefer his work over Hergé's (don't shoot me). This anthology of Swarte's alternative comics from 1972 showcases his famous clean-line style that makes reading his work a pleasure."

• Review: Jason Sacks of Comics Bulletin interviews Justin Hall, editor of No Straight Lines, on queer comics, teaching comics and preserving history. Hall says, "I think in general the queer comics underground is – if you could categorize it with anything, there is a directness and honesty to the work – a real rawness that's quite impressive. I think that comes out of the feminist underground comics: Wimmen’s Comix, Tits and Clits, etc."

• Review: Gay Comics List talks about No Straight Lines, edited by Justin Hall. Francois Peneaud says, "Hall wisely chose to follow a (more or less) chronological path instead of anything fancier, but that doesn’t mean he has nothing interesting to say, far from it. The tension between specialized comics (by which I mean comics made by and for a specific group of people) and mainstream audience, the evolution from the urgent need for visibility to the creation of complexified issues and characters, all these and more are covered in a few pages."

• Review: Editor Kim Thompson speaks to World Literature Today about translating Nicholas Mahler's Angelman and other books in the Fantagraphics library. "Humor is far more difficult to translate than anything else. If you translate a dramatic sequence and your words or rhythm aren’t quite right, it still can work."

• Review: Page 45 enjoys Special Exits by Joyce Farmer. "No punches are pulled, this is life, specifically the twilight years and subsequent demise of elderly parents, told with such honesty, candour and compassion that I actually find myself welling up again as I'm typing this. . . SPECIAL EXITS becomes a testament to the human spirit and the value of a positive outlook on life, especially in one's latter years when faced with failing health," says Jonathan.

• Review: The Comics Reporter enjoys Buz Sawyer Vol. 2: Sultry's Tiger by Roy Crane. Tom Spurgeon says, "To get the obvious out of the way, this book has some almost impossibly beautiful cartooning in it. Even for someone like me that finds the basic visual approach of Buz Sawyer less thrilling than the more rugged, crude cartooning of Crane's Wash Tubbs work, there are several panels of stop and whistle variety."

Thank you to everyone who came by our booth this past weekend at APE: the Alternative Press Expo in San Francisco, CA! Look at how happy you made our Marketing Director, Mike Baehr! We hope we were able to make you guys happy, too, with all our amazing debuts and wonderful guests.

Our good pal Daniel Clowes made an unofficial appearance, and braved the crowds for a visit with The Hernandez Bros! I think that lady to the right just realized who cut in front of her in line...

Jim Woodring delighted fans with sketches of his iconic characters, and he somehow did it with just a cheapie ballpoint pen! (His usual drawing pen decided to give up the ghost right before signings began.)

The great Mark Kalesniko was all-smiles as he signed copies of his books for fans! Mark also brought both an electronic slideshow and some originals, which was a wonderful lesson in cartooning for everyone who stopped by.

photo credit: Ted Abenheim from Prism Comics!

It's the unstoppable Justin Hall, moderating the Queer Cartoonists Panel before his No Straight Lines signing with us! That man is a trooper, I'm tellin' ya.

And we were lucky to steal the always-busy Shannon Wheeler away from his own booth for a couple of signings of Oil & Water!

Our all-star line-up kept us hoppin', but I did manage to sneak away a few times for some shoppin' and some photos of our Fantagraphics friends!

It's an annual tradition to sit side-by-side with our good buddies (and fellow Northwesterners) Jim Blanchard & J.R. Williams! 

Wake up, Gabrielle!!! Oh, well, I'll let her rest up for her signing with Tom Kaczynski (and Charles Burns, not at APE) this coming Saturday, October 20th at the Fantagraphics Bookstore & Gallery...

Here's Mome-veteran Jon Vermilyea, with his incredible prints and zines. He told us he was planning to hit the Brooklyn Comics and Graphics Festival, so make sure to visit his table, New Yorkers!

Here's fellow Mome-vet Malachi Ward in a rare quiet moment at his booth -- we were excited to get the latest volume of Expansions from him!

We had a quick visit with No Straight Lines-contributor Ed Luce, merchandising mad genius! 

We didn't manage to snap a pic of the elusive Tim Hensley, but he was at APE, debuting his Ticket Stub collection with Rina Ayuyang's Yam Books! And, good lord, can I tell you people, it is a thing of freakin' beauty. Get one, seriously.

Speaking of elusive, the rumors were true: Zak Sally did make an unexpected secret appearance at the show! He snuck away before I could take a photo, though!

While I visited with Fanta-friends Tom Neely and Emily Nilsson of Sparkplug Comics, Mike had to contend with that line you see in the upper-righthand corner of this pic for the Love and Rockets signing! Yikes, sorry, Mike!

A quick run back to our own booth, and I was able to catch the adorable Brett Warnock of Top Shelf kanoodling with Rich Koslowski across the aisle!!!

Going through our photos, I was surprised that neither Mike nor I snapped any pictures of my birthday-buddy Tom Devlin of Drawn & Quarterly. (We both turned a year older on Saturday of the show.) But his v-neck sweater really did look great with the collared-shirt. Happy birthday, dear Tom!

Yay, that was fun! Let's do it again next year, San Francisco!

We're going ape-shit for APE: the Alternative Press Expo!  Join us this Saturday, October 13th and Sunday, October 14th at the Concourse Exhibition Center in San Francisco, CA!

As we reported back in February, we're bringing special guests Jaime, Gilbert and Mario Hernandez, continuing their Love and Rockets 30th Anniversary Tour, and the one and only Jim Woodring!

Well, we're also excited to announce that we'll be joined by Mark Kalesniko, Justin Hall, and Shannon Wheeler! Come meet these fine gentlemen of cartooning!

Saturday, October 13th
12:00-1:30 PM     Mark Kalesniko
12:00 - 1:00 PM   Shannon Wheeler
1:30 - 3:30 PM    Jim Woodring
3:30 - 5:30 PM    Gilbert Hernandez // Jaime Hernandez //  Mario Hernandez
5:30 - 6:30 PM    Justin Hall // Mark Kalesniko

Sunday, October 14th
12:00-1:00 PM    Justin Hall // Mark Kalesniko
1:00 - 2:30 PM    Gilbert Hernandez // Jaime Hernandez //  Mario Hernandez
2:30 - 3:30 PM    Jim Woodring // Shannon Wheeler
4:00 - 5:00 PM    Gilbert Hernandez // Jaime Hernandez //  Mario Hernandez
5:00 - 6:00 PM    Jim Woodring // Mark Kalesniko

We'll also be carrying the following fine debuts:

• The Lost Art of Ah Pook Is Here: Images from the Graphic Novel by Malcolm McNeill
• Observed While Falling: Bill Burroughs, Ah Pook, and Me by Malcolm McNeill
• Barack Hussein Obama by Steven Weissman

• The Cartoon Utopia by Ron Rege, Jr. 
• The Hypo by Noah Van Sciver 
• Is That All There Is? by Joost Swarte [softcover & hardcover 2nd edition debut] 
• Love and Rockets: New Stories #5 by Gilbert & Jaime Hernandez

• Ralph Azham Vol. 1: Why Would You Lie to Someone You Love? by Lewis Trondheim 
• Tales Designed to Thrizzle #8 by Michael Kupperman
• Walt Disney's Mickey Mouse Vol. 4: House of the Seven Haunts by Floyd Gottfredson 
• You'll Never Know Book 3: Soldier's Heart by C. Tyler
• Your Vigor for Life Appalls Me: Robert Crumb Letters 1958-1977 by Robert Crumb; edited by Ilse Thompson

Saturday, October 13th

• 2:45 PM // Queer Cartoonists Panel: LGBT comics, with a storied history of over four decades, have never been more vibrant. A true renaissance of queer stories is taking place, as they begin to take their rightful place in the comics world and fans increasingly demand more material that speaks to them and represents the genuine diversity in which we all live. It's all happening at the ninth annual APE Queer Cartoonists Panel, with talented, fabulous, and uppity panelists Tara Madison Avery (Dirtheads, Gooch), Tony Breed (Finn and Charlie Are Hitched), Dylan Edwards (Transposes), Steve MacIsaac (Shirtlifter), and Leia Weathington (The Legend of Bold Riley), with moderator Justin Hall (No Straight Lines, Glamazonia). On top of all that, at the end of the panel the recipient of the Prism Comics Queer Press Grant 2012 will be announced.

• 4:45 PM // Using Childhood Experiences to Create Adult Stories: The experiences from our youth are often those that have the biggest impact on the adults we grow up to be, but how do we share those stories with others? Miriam Libicki (jobnik!), Jim Woodring (Jim, Weathercraft), Kraig Rasmussen (monkeygong.com), and Derek Kirk Kim (Tune, Same Difference) explain how they molded their childhood memories into stories aimed at adults. Moderated by the Cartoon Art Museum's Andrew Farago.

• 5:45 PM // Spotlight on the Hernandez Brothers: 30 Years of Love and Rockets: The creators of the acclaimed Love and Rockets discuss the trials, tribulations, and joy that go into writing and drawing a series for over 30 years! Jaime, Gilbert and Mario Hernandez, talk to Andrew Farago (Cartoon Art Museum) about their three decades on one of comics' most popular and acclaimed indie series.

Sunday, October 14th

• 2:30 PM // "Gigantes" Walk Among Us!: Almost 100 years of cartooning takes the stage as APE special guests Jaime, Gilbert and Mario Hernandez of Love and Rockets fame join legendary MAD cartoonist Sergio Aragonés to discuss how their Latino/Hispanic experiences contributed to their amazing comic art. Join moderator Ricardo Padilla (Latino Comics Expo) as we celebrate these unique creators of this American artform.

• 3:45 PM // Spotlight on Jim Woodring: APE special guest Jim Woodring, the creator of the wordless Frank comics, waxes eloquent about his influences, motivations, and career experiences in "Please Stand By," a 45-minute narrated slide and video presentation followed by a 15-minute Q&A session. Topics include Woodring's animation studio work with Jack Kirby and Gil Kane, and the cartoon that irreversibly changed his life. If you have ever wondered what drives his enigmatic work, this is your chance to get the inside dope.

Marketing Director Mike Baehr and I can't wait to see you! Just swing by our usual spot at APE, tables 112-115! (Right by our good friends Jim Blanchard and J.R. Williams at table 116!)

Justin Hall, our wonderful editor of No Straight Lines: Four Decades of Queer Comics, is just one of many, many guests participating in the Escapist Comics Small Press Fest this week.

On Friday, September 21st and Saturday, September 22nd, there will be live readings and a Q&A, artwork projections, and even musical guests, all gathered to showcase underground comics in the Bay Area! The fun starts at 5:00 PM on both days, so don't be late!

The Escapist Comic Bookstore is located at 3090 Claremont Ave. in Berkeley.

The fully charged Online Commentaries & Diversions:

• Review: School Library Journal will happily be lending out copies of Flannery O'Connor: The Cartoons to library patrons. Francisca Goldsmith says, "O’Connor’s viewpoint as a college student during the early years of World War II at an all-female Southern institution adds another layer of texture, too, for contemporary teen artists and observers of places and situations that fall outside popular media’s scope."

• Review: On Comics Worth Reading, Johanna Draper Carlson checks out Walt Disney's Mickey Mouse Vol. 3: High Noon at Inferno Gulch by Floyd Gottfredson, edited by David Gerstein with Gary Groth. "While the strips are surprisingly entertaining to readers not used to such a vibrant version of the title character, I enjoy the supplemental material just as much. The introduction by Thomas Andrae puts the work in context and point out key observations that aid in getting more out of the comics."  

• Review: AV Club thumbs through the finest of our collection. Flannery O'Connor: The Cartoons, edited by Kelly Gerald, features "a Barry Moser introduction into how O’Connor used the medium and a Kelly Gerald-penned look at how O’Connor’s early life influenced her art. The Moser and Gerald pieces are so well-researched that they’d be worth reading even without the cartoons between them." Noel Murray continues onto Mort Meskin's Out of the Shadows, "Not tied down to any one character, Meskin was free to work in a variety of genres, most of which are represented here: jungle adventure, supernatural horror, westerns, science fiction, romance, crime, etc." The trip down comics-memory-lane makes at stop at Uncle Scrooge: Only a Poor Old Man by Carl Barks: "[the stories] are just as rich in their original form, packed with clever plans, narrow escapes, and a lead character who enjoys amassing and hoarding his huge fortune, even though it makes him a little nutty." On Walt Disney's Mickey Mouse Vol. 3: High Noon at Inferno Gulch by Floyd Gottfredson, Murray points out, "[editors] Gerstein and Gary Groth have assembled the usual outstanding array of contextual material, including a Gottfredson-inspired Italian Donald Duck strip from 1937 that helped seed that country’s still-fertile contributions to Disney comics…"

 • Review: Nick Gazin at Vice looks Sexytime up and down. The Jacques Boyreau-edited collection is a mighty fun read because ". . . every one of the posters in this book is fascinating for one reason or another. It might just be that design is so ugly that even the lowest-level design from the 70s is better than the best of what anyone's making right now. . . Portable Grindhouse was a nearly-perfect book and so is this one."

• Plug: Comic Book Resources mentions the The Art of Joe Kubert edited by Bill Schelly and mainstream comics. Augie De Blieck Jr. says, "I learned a lot about Joe Kubert from Fantagraphics' biography on him that I read last fall. It immediately made me want to go buy some reprints of 50 year old DC material that I previously had no affection for." Kubert was a master and will be missed.

• Review: San Francicso Chronicle reviews No Straight Lines edited by Justin Hall. Charlie Wells writes, "Hall's book provides a striking example of how entwined the history and literature of the gay rights movement have been since the early days of the battle.

• Plug: The Daily Cartoonist takes a sneak peak at Naked Cartoonists, edited by Gary Groth. Alan Gardener says "What a fun project. Well done." 

• Review: Chicago Tribune likes the premise of the Significant Objects edited by Joshua Glenn and Rob Walker but was not bowled over by the micro-fiction. Christopher Borrelli said, " . . . attaching a story is partly the appeal of a farmer's market, a Happy Meal. The right back story for a brand such as Apple, the editors argue, helps build a phenomenon. . . A note about the physical book, itself a gorgeous, significant object. . ."

• Review: Recently found a Robot 6 review from SCAD cartoonig professor and cartoonist, Chris Schweizer, on Chris Wright's Black Lung before it was signed to Fantagraphics. According to Schweizer, his opinions still hold true: "It’s a graphic novel, both in its vernacular term and in a more literal sense, violent and horrible and poetic at the same time – the sort of thing McCarthy might write if he were more interested in pirates than cowboys or Appalachians."

• Plug: Torsten Adair posts on The Beat how to order and find those SPECIAL Halloween comics that your store may or may not give out for free. Buy a stack of 20 comics for $5 and this exclusive Spacehawk comic by Basil Wolverton can be yours! "You should offer to pay for them in advance, since the comics shop will most likely consider these unusual items, and be hesitant to place the order. Of course, if they’re a cool store, they are probably participating in Halloween ComicFest, and will be happy to add your order to their store order."

• Plug: Speaking of shopping, Johanna Draper Carlson gives some tips on finding that first volume of Wandering Son by Shimura Takako on Comics Worth Reading. Good news though, the second printing will arrive within the month!

• Plug: Tom Spurgeon gets worked up over the Daniel Clowes Reader on The Comics Reporter. Fantagraphics is releasing a "Ken Parille-edited book on Dan Clowes in early 2013. Ken Parille's stuff is routinely pretty great. . . Count me in."