Justin recently taught the Engage: Queer Comics Project class at the California College of the Arts, and now his students are curating an art show opening this Saturday, December 17th at the S.F. Cartoon Art Museum.
The show will feature art from LGBTQ comics over the last four decades made by local creators, as well as a film composed of interviews of major figures in queer cartooning conducted by the students, and Quiltbag, a zine of original material created by the students themselves.
Among the featured artists is our very own Trina Robbins! Other artists featured in the show include: Burton Clarke (Gay Comix), Jaime Cortez (Sexile), Ed Luce (Wuvable Oaf), Jon Macy (Teleny and Camille), MariNaomi (Kiss and Tell), Joey Alison Sayers (Just So You Know), Christine Smith (The Princess), Mary Wings (Come Out Comix), and Rick Worley (A Waste of Time).
Plus, there will be comics-inspired drag performances by the uncanny Sue Casa, Trangela Lansbury (ohmygod, best name ever), Karma Zabetch, and others. The party runs from 5:30 to 7:30 PM at the S.F. Cartoon Art Museum [ 655 Mission Street, San Francisco ].
• Review: "Charles Schulz's lovable gang bring hilarity to the Reagan era in the latest volume of The Complete Peanuts 1981-82. Now up to Volume 16, the comic strip shows no signs of getting stale as the years go by and the antics continue.... As usual, the strip reproduction is flawless, each appearing in crisp black and white with 3 daily strips per page and full page Sundays. The handy index to quickly find a favorite character or subject returns as well.... So make sure your trick or treat bag is a big one and fill up on the fun, you’ll enjoy every morsel. It’s almost as if the 'Great Pumpkin' arrived after all!" – Rich Clabaugh, The Christian Science Monitor
• Interview:Comic Book Resources' Alex Dueben talks with Steve Duin, Mike Rosen and Shannon Wheeler about Oil and Water, illustrated by some exclusive looks at Wheeler's sketchbooks from the trip that led to the book. Says Duin: "I approached this project as I usually approach my newspaper column: You have to personalize the tragedies, and celebrations, you're writing about. What's more, I was blown away by the characters we stumbled upon."
• Plug: At O Grito's Jazz Metal, Paolo Floro says No Straight Lines: Four Decades of Queer Comics "...is set to be the most important work of its kind ever published.... For those who enjoy history, investigating the gay world or simply love comics and the endless possibilities that it can generate, this book is a treasure." (Translated from Portuguese)
• Profile: At Giant Robot, a quick introduction to Eleanor Davis based on her participation in the Robots art show at GR2
• Interview: Dan Wagstaff, a.k.a. The Casual Optimist, has a Q&A with Jason: "I have ideas in my brain, just lying there, that I sometimes think about. This can last years. Then suddenly I can get ideas for dialogues. I write this down. It’s maybe four or five pages. I can start working on those, and at the same time think about what’s going to happen next. I don’t write a full script. It’s based on improvisation. I write pieces of dialogue. Or sometimes I sketch out the pages first, the images, and write the dialogue after. I usually work on nine or ten pages at the same time, pencil a bit here , then ink it, and then pencil a bit there and ink that. It’s the completely wrong way of doing it, by the way, but it seems to be the only way I can work."
• Plugs: Martha Cornog of Library Journal spotlights a few of our upcoming releases in the latest "Graphic Novels Prepub Alert":
Creeping Death from Neptune: Horror and Science Fiction Comics by Basil Wolverton: "The line between horror and humor dissolves easily, and Wolverton's extravagantly grotesque drawings drew chortles and chills from readers of MAD magazine and numerous comics from the 1940s to the 1950s.... Now a few years after a successful New York exhibit plus several published collections of illustrations and shorter pieces, this volume reprints important sf/horror sequential work, carefully restored, plus material from his personal ledgers and diaries."
Jack Jackson's American History: Los Tejanos & Lost Cause: "With the pen name of 'Jaxon,' Jackson (1941-2006) drew Texas history into comics that included Mexican as well as Anglo legacies. Los Tejanos ('the Texans' of Mexican ancestry) fixes on Juan Seguín, a tragic figure in the 1835-75 Texas-Mexican conflict. Lost Cause chronicles the state's turmoil during Reconstruction, in the wake of the Civil War. Jackson's detailed, realistically drawn accounts will be useful for anyone interested in those coordinates of U.S. history or in Latino-Anglo heritage."
No Straight Lines: Four Decades of Queer Comics: "Herewith a color and black-and-white sampler from a little-recognized underground of gay comics from the past four decades, including [Alison] Bechdel and [Howard] Cruse, Europe's Ralf Koenig, and 2011 ALA keynoter Dan Savage. Huh? Dan Savage wrote comics?! Indeedy, indeedy. Fantagraphics promises 'smart, funny, and profound' — and uncensored."
The Comic-Con programming schedule for Friday July 22 is up — it's a bit less hectic than Thursday, so this will be a good day to come spend some time browsing our booth (#1718)! (We will, of course, give a complete run-down along with our signing schedule and more info in the near future):
10:30-11:30 Comics Arts Conference Session #5: Critical Approaches to Comics: An Introduction to Theories and Methods—Matthew J. Smith and Randy Duncan (powerofcomics.com), co-editors of the forthcoming textbook Critical Approaches to Comics (Routledge 2011), moderate a panel of contributors including David A. Berona (Plymouth State University), Andrei Molotiu (Indiana University), Stanford Carpenter (School of the Art Institute of Chicago), Jennifer K. Stuller (ink stainedamazon.com), Peter M. Coogan (Washington University), and Henry Jenkins (University of Southern California). They'll explain methodologies that can be used to analyze meanings in comics and comics culture, as well as engage in an interactive exchange with the audience members about how they can incorporate these approaches into their teaching of comics Room 26AB
11:30-1:00 Comics Arts Conference Session #6: Wordless Comics — Andrei Molotiu (Indiana University) makes the case that the sequential dynamics of abstract comics echo complex self-organizing systems such as occur in biological, mathematical, and sociological processes and that the same transmedia values underlie more traditional storytelling comics. Dietrich Grünewald (Universität Koblenz-Landau) examines the picture story principle and why it is not advisable to refer to what Rodolphe Töpffer called "literature in pictures" with a fixed general term. David A. Berona (Plymouth State University) investigates social, personal, and literary themes in contemporary woodcut novels. Room 26AB
12:00-1:00 CBLDF Master Session 3: Jaime Hernandez — No one can touch Jaime Hernandez's art as the gold standard for visual characterization in contemporary comics. Through a complex use of body language, facial acting, and the playful mix of exaggerated and realistic visuals, Hernandez's characters come to life in a way that is instantly recognizable and wholly unique. Witness his singular approach to visual storytelling at this CBLDF Master Session. The pieces created during this event will be available for bidding in Saturday's CBLDF Benefit Auction. Room 30CDE
1:00-2:00 Publishing Queer: Producing LGBT Comics and Graphic Novels— Queer-themed comics, once solely the domain of the gay press, are breaking into the mainstream. What are the challenges and rewards of producing this work and getting it in front of an audience hungry for the material? How can it be marketed and publicized, both to an LGBT readership and beyond? Should queer cartoonists self-publish or look to established publishers? Moderator Justin Hall (Glamazonia, Prism Comics Talent Chair) leads a spirited conversation with a diverse panel of publishing pros: Brian Andersen (self-publisher, So Super Duper), Charles "Zan" Christensen (publisher, Northwest Press), Jacquelene Cohen (publicist, Fantagraphics), Shannon O'Leary (comics editor and journalist), Bob Schreck (editor-in-chief, Legendary Pictures), and Tony Valenzuela (executive director, Lambda Literary Foundation). Room 9
1:00-2:30 The Golden Age of the Fanzine— Once upon a time...before the Internet and publishing on demand, a hearty group of comics lovers produced their own publications, called "fanzines," and comics fandom was born. Spinning off Comic-Con's 50th anniversary celebration of the birth of comics fandom, these pioneers of the fanzine will talk about those heady days and what it was like to publish their own zines. Panelists include Jean Bails (the widow of Dr. Jerry Bails, creator of Alter-Ego), Richard Kyle (Graphic Story World), Paul Levitz (The Comic Reader), Dick and Pat Lupoff (Xero), Roy Thomas (Alter Ego), Maggie Thompson (Comic Art), and some surprise fanzine publisher-type guests. Moderated by Bill Schelly, a fanzine editor himself and the guy who wrote the book on fandom (The Golden Age of Comic Fandom). For more on the Golden Age of Fanzines, check this year's Comic-Con Souvenir Book for a special feature! Room 24ABC
Not comics, but tangentially related:
10:30-11:30 Cartoon Network Comedy: Regular Show/The Problem Solverz and More!—Johnny Test! The Amazing World of Gumball! Adventure Time! Regular Show! MAD! The Problem Solverz! Cartoon Network is dominating Monday nights with the funniest night on television! Join creators and talent from Regular Show and The Problem Solverz as they talk about how these two comedy hits came to life, perform unique live readings, and show exclusive clips from upcoming episodes. The panel features Regular Show creator J. G. Quintel (Mordecai), Bill Salyers (Rigby), Sam Marin (Pops, Benson, Muscle Man), Janie Hadad (Margaret), and Mike Roth (creative director). The Problem Solverz talent includes acclaimed artist and show creator Ben Jones (Alfe and Roba) and Kyle Kaplan (Horace). Room 6A
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