|Denver ComicFest this weekend|
|Written by Mike Baehr | Filed under Tim Lane, Noah Van Sciver, events||14 Apr 2010 9:59 PM|
Search / Login
Sign up for our email newsletters for updates on new releases, events, special deals and more.
Category >> Noah Van Sciver
Daily clips & strips — click on for improved/additional viewing at the sources:
Daily clips & strips -- click for improved viewing at the sources:
The first Online Commentary & Diversions of the new year might be the longest one ever, so let's get to it:
• List/Review/Interview: As part of The Comics Reporter 's unique series of critical discussions on notable comics of the decade, Tom Spurgeon talks to Tucker Stone about Kevin Huizenga's Ganges: "That's the thing about Ganges #3 that makes it a unique comic -- it cannot be told in another medium and work. How are you going to write that down, that aspect of Glenn chasing his own thoughts and memories about completely personal, mundane life aspects, without drawing the character swimming around in his own head?" Elsewhere, Sean T. Collins responds to some of Stone's points
• List: Robot 6 lists The 30 Most Important Comics of the Decade. In part one, Safe Area Gorazde by Joe Sacco is at #19 ("What's more, it showed that comics could handle not only tough subject matters, but deal with timely, true-life subjects in a hard-hitting, journalistic fashion"). In part two, The Complete Peanuts is at #15 ("If you believe, as I do, that we are living in the Golden Age of Reprints, chances are The Complete Peanuts is your Exhibit A")
• List: Newsarama's J. Caleb Mozzocco names his top 10 comics of the year, with The Red Monkey Double Happiness Book by Joe Daly at #8: "...[W]hat he delivers in the two stories collected in this book are unlike anything else I’ve seen in popular comics."
• List: Gil Roth names his Favorite Comics of the Decade, including Ice Haven/Eightball #22 by Daniel Clowes, Eightball #23 by Clowes, The End #1 by Anders Nilsen, Locas II by Jaime Hernandez, Safe Area Gorazde by Joe Sacco, I Killed Adolf Hitler by Jason, Kevin Huizenga's work including the Ganges series, and Fred the Clown by Roger Langridge (via The Comics Reporter)
• List: Joe McCulloch of Jog - The Blog prefaces his Top Ten Comics of 2009 list with a "Top Five Caveats of 2009" list of reprinted or unread comics which includes Supermen! The First Wave of Comic Book Heroes 1936-1941: ("Supermen! excited me... for suggesting a burning, manic soul of superhero comics, a reckless freedom differentiated from pulp writing and feature films by gnarled visual style while set apart from newspaper strips by virtue of a restless hunger to entertain quick and hard. It felt like the start of a future, and the comedown only hit when I realized I enjoyed it more than any new superhero comic of 2009") and The Squirrel Machine by Hans Rickheit. On the Top Ten list proper: West Coast Blues by Tardi & Manchette at #8 ("Teeming with fleshy characters prone to bleeding and puking, rippled with burn lines of existential dismay, the story keenly exploits how the thrills promised by bloody adventure outside the law segue into the terror of governmental systems failing to protect their cozy consumer citizens") and Prison Pit: Book 1 by Johnny Ryan at #4 ("as visceral and gory as fantasy throwdowns get, while remaining almost contemplative in its plain-paneled studies of bodily movement").
• List: Patrick Montfort, blogging at Articulate Nerd, names his Favorite Comics of 2009: at #10, West Coast Blues by Tardi & Manchette ("A masterfully constructed crime story with an unlikeable protagonist caught in an unlikely circumstance, this very French graphic novel is superior to anything I've seen in the genre from an American cartoonist"); at #9, Abstract Comics: The Anthology ("Handsomely designed and smartly edited... one of the year's most unique releases... thrilling"); at #8, Prison Pit: Book 1 by Johnny Ryan ("Refreshingly devoid of any literary or artistic pretensions, this first of what I hope will be many, many volumes nevertheless comes across as somehow one of the smartest and well crafted books of the year"); at #7, The Complete Peanuts 1971-1972 and The Complete Peanuts 1973-1974 by Charles M. Schulz ("Really strong stuff here, including the 'Charlie Brown wears a sack on his head to summer camp' sequence, surely the 'Poison River' of Peanuts"); and at #2, The Squirrel Machine by Hans Rickheit ("Reminiscent of the best work of David Lynch, there are a lot of powerful themes humming just beneath the surface of the creepy and dreamlike narrative. This one hit hard, and I can't wait to read it again. Really, really impressive")
• List: On the Family blog, Sammy Harkham lists 2008's Most Outrageous: The Trials and Trespasses of Dwaine Tinsley and Chester the Molester by Bob Levin as one of his Favorites of 2009
• List: Cartoonist David Lasky's Best Graphic Novels of the Decade include Safe Area Gorazde by Joe Sacco at #8 ("More haunting and harrowing than any TV news report on the subject") and The Frank Book by Jim Woodring at #10 ("Jim Woodring's cartoon animal, Frank, learns about life (the hard way) in an odd, visually lush, surreal world")
• List: At the Forbidden Planet International Blog Log, Richard Cowdry's Best of the Year picks include E.C. Segar's Popeye ("beautiful Depression era comics") and Johnny Ryan's Prison Pit: Book 1 ("Johnny Ryan takes ideas and styles that have been knocking around the art comics scene for the last few years, and injects them with gallons of fun, attitude and humour. My favourite new comic of the year!"); he also names Noah Van Sciver as a talent to watch; for favorites of the decade he names Love and Rockets ("jaw-droppingly amazing"), Eightball #22, Hotwire Comics, and various issues of Mome ("REALLY good")
• List: At Comic Book Galaxy, Marc Sobel declares You'll Never Know, Book One: A Good and Decent Man by C. Tyler to be Book of the Year: "Although this is only the first volume..., You’ll Never Know feels like Tyler’s masterpiece, the crowning achievement that she’s been building toward." (We also racked up 5 Honorable Mentions.)
• List: Newsarama's Henry Chamberlain names the comics he was most intrigued by in 2009, including The Squirrel Machine by Hans Rickheit ("Hans Rickheit has been producing work like this for years and he has perfected a certain haunted and exquisite comics style. Take it from me, this story of two very strange brothers is the real deal.")
• List: Matthew Price of The Oklahoman names his top 10 graphic novels of the decade, with Joe Sacco's Safe Area Gorazde at #9 ("Joe Sacco's nonfiction account of the war in Bosnia was among the best ever examples of graphic novel journalism.")
• List: Edward Kaye of Hypergeek selects The Best Graphic Novels of 2009, including Low Moon by Jason ("At times both bleak and humorous, these beautifully absurd stories will leave you as speechless as one of Jason’s silent characters."), Love and Rockets: New Stories #2 by the Hernandez Brothers ("Los Bros. Hernandez continue to blaze trails with their originality, and the comic industry is better for it. This essential collection should be on every fan’s shelf."), Luba by Gilbert Hernandez ("It’s an astounding collection of stories about family, life, love, and heartbreak... [W]hen you read all of these powerful tales together in one place, you realise that Beto has created an epic here, unrivaled in its scale and depth. Words fail to express just how wonderful this collection is."), Everybody Is Stupid Except for Me by Peter Bagge ("It’s a brilliant piece of work, and perhaps Bagge’s finest achievement to date."), Locas II by Jaime Hernandez ("These tales of the lives of Maggie, Hopey, and Ray, are some of the most enthralling, and sometimes bizarre, stories ever told in the comic medium.") and You Shall Die by Your Own Evil Creation! by Fletcher Hanks ("...[T]hese surreal tales from the dawn of the super hero are uncompromisingly vivid, brutal, and at times, completely insane!")
• List/Coming Attractions/Plugs: Hypergeek lists The Essential Comics and Graphic Novels of 2010, including Almost Silent by Jason ("Jason is one of the greatest cartoonists in the world") and the year's books from the Hernandez Brothers: The Troublemakers ("I loved Chance in Hell, so this follow-up is a must for me. Beto is a wonderful storyteller, and an astonishing artist, so you can't go wrong picking this up, even if you've never read any L&R!"), High Soft Lisp ("This collection is essential for all L&R fans, as it collects together many of Beto's stories from the second L&R series, for the first time."), Penny Century ("Another essential collection for fans of L&R, collection Xamie's Penny Century stories from the Penny Century series and from Love & Rockets Volume II."), and Love and Rockets: New Stories #3 ("If it's a tenth as good as the first two volumes, we're in for a treat!")
• Review: "...[G]oofy fun... Supermen! The First Wave of Comic Book Heroes 1936-1941... is worth it for Fletcher Hanks’ 'Fantomah' and 'Stardust' strips and Basil Wolverton’s Spacehawk. The fact that you also get stuff like 'Yarko the Great' and 'Rex Dexter of Mars' can only be counted as a bonus." – Jeff Kapalka, The Post-Standard
• Review: "Magnificent art. Panels that range from three or so across medium-sized panels and the occasional painfully detailed and colored super-sized panel. An ongoing story...with blood and gore even! Dooming predictions, wounds, loss and death. Fantagraphics is to be thanked for working so hard to produce a book [Prince Valiant Vol. 1: 1937-1938] that shows Foster's artwork in a decent size and with the colors corrected." – Fred Kiesche, The Lensman's Children
• Review: "For a change of pace, it's nice to delve into some work from the great Steve Ditko and find nary a spider-man nor a strange doctor among them. Fantagraphics provides the ideal venue for doing so in Strange Suspense: The Steve Ditko Archives Vol. 1... With the Fantagraphics logo on the sturdy spine, readers can expect — and receive — a top-quality package with crisp pages and handsome design. It's certainly attractive for some stories Ditko dismissed as 'junk,' but we all know there's treasure buried in trash." – Rod Lott, Bookgasm
• Review: "Issue #2 [of Sublife] saw a lot of [the] promise [of the first issue] fulfilled in a group of stories that ranged across both genres and visual styles... What connected each story was a common theme: the desire for family and the ways in which that need either created surrogate families or metastasized into something darker." – Rob Clough, The Comics Journal
• Plug: Robot 6 guest contributor Shaenon Garrity got Humbug for Christmas: "I love Harvey Kurtzman's failed magazine projects... Kurtzman never had much success in all his long career, but he had a talent for making smart people want to give him a hand... fun stuff. It's got a lot of work by Arnold Roth, whom I love."
• Coming Attractions: Robot 6 surveys numerous comics pros as to what they're looking forward to in 2010: in part 1, Evan Dorkin mentions several of our upcoming reprint collections; in part 2, Chris Schweitzer mentions Drew Weing's Set to Sea (July); in part 3, Jamie S. Rich mentions Lucky in Love by Chieffet & DeStefano
• Interview: The Daily Cross Hatch's Brian Heater continues (in part 3 of 4) his conversation with Carol Tyler: "I thought I could knock it out really quickly. That’s not case. But that’s not really stopping me, or anything. It’s just that, if it takes another six months to make this nicer, sweeter, and more wonderful, I want to. At first I thought I could get it all out in one package. I had it ready. But I’m not person who can write a script and then go illustrate it. I’m intuitive and I’m intuiting my way into this huge subject matter that hits me like a rock. There’s times when I can’t work because it makes me cry."
• Profile: Comic Book Resources' Shaun Manning talks to Dash Shaw about The Unclothed Man in the 35th Century A.D.: "I realize that some people think of comics as being storyboards, or as some kind of preliminary work for a movie, and that's very funny to me. But usually the people who think that are film-industry people who think EVERYTHING is preliminary work for a future film! A book, play, whatever! Ha!"
• Survey: The Beat's year-end survey of comics pros includes the following responses. From Jay Lynch: "When I think of comics in the 00s I think of: Johnny Ryan." From Mike Dawson: "What was the biggest story in comics in 2009? The Comics Journal moving almost exclusively online."
• Come on, people: One of my rare editorial comments: Why the hell haven't any "best covers of 2009" lists included Jordan Crane's Uptight #3? Critics: Get with the program!
The year's penultimate Online Commentary & Diversions:
• List: Comic Book Resources begins their countdown of the Top 100 Comics of 2009. At #82, "Because I Love You So Much" by Nikoline Wedelin: "Found in the pages of the recent anthology of Danish comics, From Wonderland with Love, this collection of strips about a mother who discovers that her daughter is being sexually abused by her dad is one of the most harrowing and utterly stunning stories about a difficult subject matter I've ever read and easily equal to the works of, say, Phoebe Gloeckner or Debbie Dreschler." (Chris Mautner)
• List: The Brazilian editions of The Complete Peanuts 1950-1952 and Dash Shaw's Bottomless Belly Button have been voted among As melhores HQs de 2009 (The Best Comics of 2009) by a panel of critics at O Globo (via The Comics Reporter)
• List: Robin McConnell of Inkstuds re-posts his Best of 2009 and Best of the 2000s lists previously run at The Daily Cross Hatch
• List: Comicdom continues their Top 100 of the 00s with Black Hole by Charles Burns at #2: "I start, taking for granted that with Black Hole, Burns played the blues of the pelvis with unparalleled mastery."
• Review: "...[A] love letter to 70s exploitation movies. Beto being Beto, there’s a depth of visual symbolism and complexity of character that provides an emotional structure to the narrative not seen in the source material that inspired these stories. ...Elmore Leonard meets Roger Corman. ... There’s a wonderful luridness to the story that Hernandez revels in... The Troublemakers... shows the artist at the height of his powers, capable of crafting characters with surprising depth even in the basest of genre stories." – Rob Clough, The Comics Journal
• Plug: Paul Constant of The Stranger picks up on our report of the recent Fletcher Hanks discovery and says "If you haven't read I Shall Destroy All the Civilized Planets! and its sister volume You Shall Die by Your Own Evil Creation!, you're in for a treat."
• Interview: Comic Book Galaxy's Alan David Doane presents an exactly-decade-old chat with Barry Windsor-Smith, conducted on the occasion of the release of OPUS Vol. 1: "I mean, if I'd really wanted to sell it, I could have called it 'Tits Galore' or something like that." (I pulled the goofiest quote, but really, it's a substantive read.)
Online Commentary & Diversions:
• List: Critic John Seven names Safe Area Gorazde by Joe Sacco one of the Decade's Best Graphic Novels, in a list focused on "graphic novels for people who don’t want to read comics." (via The Comics Reporter)
• List: Matthew Price of The Oklahoman gives Ganges #3 the 9th position on his 10 Best Periodical Comic Books of 2009: "Kevin Huizenga continues to be one of comics' brightest indie creators... Huizenga uses his talents to immerse the reader inside Ganges' head."
• List/reviews/analysis: On the Inkstuds radio program, a roundtable of prominent critics (Sean T. Collins, Tim Hodler, & Chris Mautner) join host Robin McConnell for a discussion of 2009's standout books, including our two "You" books, You Are There by Tardi & Forest and You'll Never Know, Book 1 by C. Tyler
• Reviews/analysis: The Hooded Utilitarian's contrarian critical roundtable of Ghost World marches on with Ng Suat Tong, Vom Marlowe, Kinukitty again, and more Noah Berlatsky, who also points out that you can follow the whole thing here
• Review: "What's better than a new story by Jason? Why, several in one volume, of course! ...[T]he more of Jason's weird energy and quirky, poignant storytelling that I can consume at one time, the better. ... It's kind of a mystery how well he's able to do it, crafting easy-to-follow stories in such a minimalist style, but luckily, they're incredibly enjoyable, so one can easily get lost in them, forgetting questions of craft and technique because those aspects become all but invisible. ... [Low Moon] is another great example of the strange alchemy that Jason has mastered, drawing readers in to compelling tales of people caught up in oddly familiar situations, even when they're dealing with something that's off-kilter from reality as we know it. That's the Jason touch, and long may it continue to grace our pages." – Matthew J. Brady
• Plug: In Richard Metzger's profile of Steve Ditko for Dangerous Minds, he says "I may be a little late to the game on this one, but I recently got a copy of Blake Bell’s Strange and Stranger: The World of Steve Ditko, a coffeetable book published by Fantagraphics last year and it is a wonderful and fascinating look at Ditko’s life and work. Kudos to Bell for putting together such a volume which was clearly a labor of love and unique erudition."
• Things to see: If you haven't seen the comics section in the San Francisco Panorama from McSweeney's yet (featuring Dan Clowes, Chris Ware, Kim Deitch, Seth, Art Spiegelman etc.), Flickr user Steve Rhodes has a mess of photos of the whole dang paper
• Things to see: Paul Pope draws Captain Easy in action (our Captain Easy, Soldier of Fortune: The Complete Sunday Newspaper Strips Vol. 1 is currently scheduled for February) (via The Comics Reporter)
Online Commentary & Diversions:
• List: Who says we don't publish superheroes? Tom Spurgeon of The Comics Reporter counts several of our publications among his 83 Best Superhero Projects of the past decade: Supermen!, the two Fletcher Hanks books, Eightball #23, and"Ti-Girls Adventures" by Jaime Hernandez from Love and Rockets: New Stories (also mentioned: Josh Simmons's unauthorized self-published mini-comic... you know the one)
• Review: "[Pim & Francie]'s spine calls its contents 'artifacts and bone fragments,' as if they're what's left for a forensic scientist to identify after a brutal murderer has had his way with them; Columbia obsessively returns to images of 'bloody bloody killers.' ... Many of the pieces are just one or two drawings, as if they've been reduced to the moment when an idyllic piece of entertainment goes hideously awry. But they're also showcases for Columbia's self-frustrating mastery: his absolute command of the idiom of lush, old-fashioned cartooning, and the unshakable eeriness of his visions of horror." – Publishers Weekly
• Review: "With [Pim & Francie], Al Columbia has created not only one of the more unsettling works of horror in the medium of comics, but it also happens to be one of the greatest myth-making objects... Whether Columbia planned more complete stories for any of the efforts collected here is an interesting question, but for my money he has instead come up with dozens of nightmarish scenarios that have a greater cumulative effect by skipping set-ups or endings. The ending, one suspects, is always going to be a variation of horrific death and dismemberment." – Christopher Allen, Comic Book Galaxy
• Plug: "I am not nostalgic for VHS... However, where VHS leaves a trace, it is surely through the covers... In December Portable Grindhouse: The Lost Art of the VHS Box appears... the book looks quality." – Forgotten Silver (translated from French)
• Links: I'm proud to be credited as the primary source in essential Love and Rockets fansite Love & Maggie's latest link-dump mega-roundup, but there's plenty of stuff in there that I've missed so hop to it! They do good work over there
Today's Online Commentary & Diversions:
• Review: "Monte Schulz has proven that his father isn’t the only Schulz with considerable storytelling talent. This Side of Jordan is a strong vision of the American Heartland at a time when America was a little less jaded, yet many in the country had already developed a malaise of directionlessness. Schulz manages to capture a moment in history, a piece of humanity in transition. It’s bleak, but funny, and smartly written. It may not have any pictures, but readers of good fiction should appreciate what Schulz has accomplished." – Michael C. Lorah, Newsarama
• Review: "Hans Rickheit’s The Squirrel Machine, published by Fantagraphics Books, is a beautiful 179 page hard cover graphic novel. ... Much is left to mystery in this book. We can let Rickheit’s exquisite drawings, with their ornate detail and patterning, speak for themselves. ... This is for mature readers as well as discriminating ones. And it’s also for those who love a good coming-of-age story. ... Very romantic and strange at the same time, like any good coming-of-age tale. Primarily, this is adult, dark and disturbing work provided to you in healthy doses." – Henry Chamberlain, Newsarama
• Review: "Johnny Ryan draws the bad pictures. Unapologetically and lots of ‘em and I hope to god he never stops. He has consistently put out pure and uncensored strips, cartoons, and books that defy every politically correct bone in your body. Drawings that cock-slap America. His new book is out. It’s called Prison Pit and it kinda’ sorta’ kicks serious ass. ... The story definitely puts the GORE in phantasmagorical as characters twist and mutated into strange new forms while pounding the stuffing out of each other. ... Put plain, in Prison Pit, Ryan creates art out of the steaming piles of human waste that litter our cultural landscape. The bodies and excrement are grist for his mill. He erects mountains of shit and semen, carving the faces of sacred cows in them, and then sets them afire so even if you can’t see the work… you can smell it from miles away." – Jared Gniewek, Graphic NYC
• Review: "[Pim & Francie] isn't a collection of [Al Columbia's] work up till now..., but more a collection of what 'might have been' — it's uncompleted stories and art featuring Columbia's two naif-child characters, forever hurtling into one dangerous situation after another but never reaching any conclusion. It's probably worth noting that a good deal of the pages are torn or pasted back together, the victims, no doubt, of Columbia's perfectionism. It's the sort of thing that will frustrate some, but it does offer an elliptical, sideways path into Columbia's world, which perhaps makes the journey all that more frightening." – Chris Mautner, "Pick of the Week," Robot 6
• Plug: "Strange Suspense: The Steve Ditko Archives Vol. 1... [is g]ruesome stuff for the most part, but you can see the artist trying to forge his way through. Definitely a must for anyone who calls themselves a Ditko fan." – Chris Mautner, Robot 6
• Interview: Tim O'Shea talks to Monte Schulz about the latter's novel This Side of Jordan: "Taken all together, no single element was the most critical because I believe everything had to work together, all forms of language, for instance: poetic, lyrical, narrative, dialogue. The way the characters speak in This Side of Jordan was especially important, given that I mix ordinary dialogue with lyrical exposition and both rural and Jazz Age slang."
• History: At Bleeding Cool, Rich Johnston offers up the groundbreaking "Gays in Comics" article by Andy Mangels from Amazing Heroes #143 (June 15, 1988) as a 2-part PDF download, with commentary