The year's penultimate Online Commentary & Diversions:
• List:Comic Book Resources begins their countdown of the Top 100 Comics of 2009. At #82, "Because I Love You So Much" by Nikoline Wedelin: "Found in the pages of the recent anthology of Danish comics, From Wonderland with Love, this collection of strips about a mother who discovers that her daughter is being sexually abused by her dad is one of the most harrowing and utterly stunning stories about a difficult subject matter I've ever read and easily equal to the works of, say, Phoebe Gloeckner or Debbie Dreschler." (Chris Mautner)
• List: Robin McConnell of Inkstuds re-posts his Best of 2009 and Best of the 2000s lists previously run at The Daily Cross Hatch
• List:Comicdom continues their Top 100 of the 00s with Black Hole by Charles Burns at #2: "I start, taking for granted that with Black Hole, Burns played the blues of the pelvis with unparalleled mastery."
• Review: "...[A] love letter to 70s exploitation movies. Beto being Beto, there’s a depth of visual symbolism and complexity of character that provides an emotional structure to the narrative not seen in the source material that inspired these stories. ...Elmore Leonard meets Roger Corman. ... There’s a wonderful luridness to the story that Hernandez revels in... The Troublemakers... shows the artist at the height of his powers, capable of crafting characters with surprising depth even in the basest of genre stories." – Rob Clough, The Comics Journal
• Interview:Comic Book Galaxy's Alan David Doane presents an exactly-decade-old chat with Barry Windsor-Smith, conducted on the occasion of the release of OPUS Vol. 1: "I mean, if I'd really wanted to sell it, I could have called it 'Tits Galore' or something like that." (I pulled the goofiest quote, but really, it's a substantive read.)
• List: Matthew Price of The Oklahoman gives Ganges #3 the 9th position on his 10 Best Periodical Comic Books of 2009: "Kevin Huizenga continues to be one of comics' brightest indie creators... Huizenga uses his talents to immerse the reader inside Ganges' head."
• List/reviews/analysis: On the Inkstuds radio program, a roundtable of prominent critics (Sean T. Collins, Tim Hodler, & Chris Mautner) join host Robin McConnell for a discussion of 2009's standout books, including our two "You" books, You Are There by Tardi & Forest and You'll Never Know, Book 1 by C. Tyler
• Review: "What's better than a new story by Jason? Why, several in one volume, of course! ...[T]he more of Jason's weird energy and quirky, poignant storytelling that I can consume at one time, the better. ... It's kind of a mystery how well he's able to do it, crafting easy-to-follow stories in such a minimalist style, but luckily, they're incredibly enjoyable, so one can easily get lost in them, forgetting questions of craft and technique because those aspects become all but invisible. ... [Low Moon] is another great example of the strange alchemy that Jason has mastered, drawing readers in to compelling tales of people caught up in oddly familiar situations, even when they're dealing with something that's off-kilter from reality as we know it. That's the Jason touch, and long may it continue to grace our pages." – Matthew J. Brady
• Plug: In Richard Metzger's profile of Steve Ditko for Dangerous Minds, he says "I may be a little late to the game on this one, but I recently got a copy of Blake Bell’s Strange and Stranger: The World of Steve Ditko, a coffeetable book published by Fantagraphics last year and it is a wonderful and fascinating look at Ditko’s life and work. Kudos to Bell for putting together such a volume which was clearly a labor of love and unique erudition."
• Review: "[Pim & Francie]'s spine calls its contents 'artifacts and bone fragments,' as if they're what's left for a forensic scientist to identify after a brutal murderer has had his way with them; Columbia obsessively returns to images of 'bloody bloody killers.' ... Many of the pieces are just one or two drawings, as if they've been reduced to the moment when an idyllic piece of entertainment goes hideously awry. But they're also showcases for Columbia's self-frustrating mastery: his absolute command of the idiom of lush, old-fashioned cartooning, and the unshakable eeriness of his visions of horror." – Publishers Weekly
• Review: "With [Pim & Francie], Al Columbia has created not only one of the more unsettling works of horror in the medium of comics, but it also happens to be one of the greatest myth-making objects... Whether Columbia planned more complete stories for any of the efforts collected here is an interesting question, but for my money he has instead come up with dozens of nightmarish scenarios that have a greater cumulative effect by skipping set-ups or endings. The ending, one suspects, is always going to be a variation of horrific death and dismemberment." – Christopher Allen, Comic Book Galaxy
• Review: "Monte Schulz has proven that his father isn’t the only Schulz with considerable storytelling talent. This Side of Jordan is a strong vision of the American Heartland at a time when America was a little less jaded, yet many in the country had already developed a malaise of directionlessness. Schulz manages to capture a moment in history, a piece of humanity in transition. It’s bleak, but funny, and smartly written. It may not have any pictures, but readers of good fiction should appreciate what Schulz has accomplished." – Michael C. Lorah, Newsarama
• Review: "Hans Rickheit’s The Squirrel Machine, published by Fantagraphics Books, is a beautiful 179 page hard cover graphic novel. ... Much is left to mystery in this book. We can let Rickheit’s exquisite drawings, with their ornate detail and patterning, speak for themselves. ... This is for mature readers as well as discriminating ones. And it’s also for those who love a good coming-of-age story. ... Very romantic and strange at the same time, like any good coming-of-age tale. Primarily, this is adult, dark and disturbing work provided to you in healthy doses." – Henry Chamberlain, Newsarama
• Review: "Johnny Ryan draws the bad pictures. Unapologetically and lots of ‘em and I hope to god he never stops. He has consistently put out pure and uncensored strips, cartoons, and books that defy every politically correct bone in your body. Drawings that cock-slap America. His new book is out. It’s called Prison Pit and it kinda’ sorta’ kicks serious ass. ... The story definitely puts the GORE in phantasmagorical as characters twist and mutated into strange new forms while pounding the stuffing out of each other. ... Put plain, in Prison Pit, Ryan creates art out of the steaming piles of human waste that litter our cultural landscape. The bodies and excrement are grist for his mill. He erects mountains of shit and semen, carving the faces of sacred cows in them, and then sets them afire so even if you can’t see the work… you can smell it from miles away." – Jared Gniewek, Graphic NYC
• Review: "[Pim & Francie] isn't a collection of [Al Columbia's] work up till now..., but more a collection of what 'might have been' — it's uncompleted stories and art featuring Columbia's two naif-child characters, forever hurtling into one dangerous situation after another but never reaching any conclusion. It's probably worth noting that a good deal of the pages are torn or pasted back together, the victims, no doubt, of Columbia's perfectionism. It's the sort of thing that will frustrate some, but it does offer an elliptical, sideways path into Columbia's world, which perhaps makes the journey all that more frightening." – Chris Mautner, "Pick of the Week," Robot 6
• Interview: Tim O'Shea talks to Monte Schulz about the latter's novel This Side of Jordan: "Taken all together, no single element was the most critical because I believe everything had to work together, all forms of language, for instance: poetic, lyrical, narrative, dialogue. The way the characters speak in This Side of Jordan was especially important, given that I mix ordinary dialogue with lyrical exposition and both rural and Jazz Age slang."
• History: At Bleeding Cool, Rich Johnston offers up the groundbreaking "Gays in Comics" article by Andy Mangels from Amazing Heroes #143 (June 15, 1988) as a 2-part PDF download, with commentary
• Film: Lilli Carré's animated short Head Garden plays at the San Francisco International Animation Festival this weekend; more info at Lilli's blog
• Theory in action: At Blog Flume, Ken Parille applies an Ivan Brunetti cartooning principle to a 1970s issue of The Avengers
October, when kingdoms rise, and kingdoms fall, but Online Commentary & Diversions goes on and on:
• Review: "If the world of alt-comics feels appealing but intimidatingly vast (what doesn’t these days), MOME is the perfect place to start. ... The volume is thick, slick and printed in what looks like Technicolor. An anthology is only as good as the sensibilities of those who compile it, of course, so it’s worth noting that a subscription of MOME equals four issues per year of work culled from the depths by an outfit that not only has keen vision in such matters, but also a stake in finding the very best. What’s not to trust?" – Molly Young, We Love You So
• Review: "...[Locas II,] the latest collected chunk of the (mis)adventures of locas Maggie and Hopey (and the occasional 'loco,' like Ray, the consort of sexy Frogmouth -- does it seem like a good soap opera yet? -- and their sprawling, recurring cast of compelling, sometimes hard-to-figure supporting characters) all brought me squarely back to Los Angeles. In the 80s. ... But returning to L&R, even sporadically, isn't simply an exercise in nostalgia. ...[W]hat's ultimately compelling about the L&R saga is the way the characters change over the years. ... So it's not just a [madeleine] cookie from our past, but something still fairly warm from the oven." – Mark London Williams, The SF Site: Nexus Graphica
• Review: "There is such a relentlessly fervid, even crazed, sheen to all [Fletcher Hanks's] work, that you can't look away. ... Hanks seemed nearly demon-driven in these stories of constant fighting, killing, betrayal and revenge. The panels are often cramped, and the color schemes are nearly incandescent, and you're not sure whether to liken the rawness of it all -- elastic, rubber-boned physiognomies included -- to listening to a record by Fear, circa 1980, or watching a half-dressed man shouting on the corner." – Mark London Williams, The SF Site: Nexus Graphica (same link as above)
• Review: "Tardi's intricate, cartoony, and beautiful art perfectly expresses Forest's ideas and words. The humorous You Are There masterfully satirizes French society and politics unlike any comic before or since." – Rick Klaw, The SF Site: Nexus Graphica
• Plug: "It always amazes me how [Kevin] Huizenga can take everyday moments, like, in [Ganges #3], trying to get to sleep, and turn them into extravagant, elaborate displays of cartooning genius." – Chris Mautner, Robot 6
• Interview: At Comic Book Galaxy, Alan David Doane poses 5 questions to our favorite Associate Publisher, Eric Reynolds
• Profile: "Comics creator Hans Rickheit's new graphic novel, The Squirrel Machine, is a stylish and surreal tale of brothers dabbling in the forbidden unknown. ... He lives in Philadelphia, but his work pulls from the style and antiquity of 19th Century New England. 'The objects, places, and people from that time period in New England grabbed my imagination," Rickheit says. 'I find them visually more interesting than modern trappings, modern buildings. And they're more fun to draw, because they're just so ornate.'" – John Seven, Worcester Magazine
Cripes, September is over already? Here's your Online Commentary & Diversions:
• Review: "The Red Monkey Double Happiness Book makes for pleasant midday reading, maybe perched somewhere outdoors in the sun with a glass of ginger ale at your side. Read it in a lazy mood, identify with the slacker characters, and speculate on whether you could solve demented mysteries as well as they could. (Answer: probably not.)" – Molly Young, We Love You So
• Plug: "Man, if that Crumb book weren't coming out [Prison Pit: Book 1] would easily be my main pick for the week. Johnny Ryan does straight on fantasy/action, with no tongue in cheek, but without forsaking a single ounce of blood or guts. In fact, this may be even more gory and gruesome than his humor stuff... but those with strong stomachs will thrill to Ryan's grotesque and truly imaginative fight fest." – Chris Mautner, Robot 6
• Interview: Sean T. Collins's series of interviews with Marvel Strange Tales MAX contributors at Marvel.com continues with Peter Bagge: "The Hulk story's about both the Hulk and Bruce Banner trying to cope with their many issues via the use of modern pharmacology, in the form of head pills, Viagra, et cetera. Needless to say, wackiness ensues."
• Interview: And another one from Sean at Marvel.com, this time with Jason: "With the Spider-Man story I pretty much followed the Stan Lee formula of him being a super hero but a screw-up as a private person."
• Interview: In the second part of his talk with Brian Heater at The Daily Cross Hatch, Seth discusses his involvement and design for The Complete Peanuts series: "The design evolves slightly for each decade, but it’s all about subtle change. For example, the end papers change each decade. The color scheme changes each decade, but it’s a very subtle shift."
• Review: "Fantagraphics' recent release Abstract Comics, while nicely designed and filled with some fantastic artwork (kudos to editor Andrei Molotiu and the Fantagraphics team), brings up an interesting argument...: at what point do you stop calling something comics and start calling it... well, something else?... I'm not sure there is an answer, but it's an interesting debate. Check out this book and come to your own conclusions." - Paul DeBenedetto, Wednesday's Child
• Review: Comic Book Bin's Leroy Douresseaux examines The Comics Journal #298, calling the Trevor Von Eeden interview "scandalous and provocative," saying R.C. Harvey's "Comicopia" column is "both thoughtful and insightful, the kind of exceptional writing that would normally earn a magazine about comic books an Eisner Award," and overall grading the issue an A-
• Plug: "I can't recommend Johnny [Ryan]'s comics highly enough. They go places no one else would dare and, like all great art, show you something you've always known but never have seen before." - Benjamin Marra
The Pirates and the Mouse author Bob Levin tracks down the El Dorado of comics, a lost collection of unpublished strips by 190 of the world’s most important cartoonists, including Will Eisner, Vaughn Bodé, Jack Kirby, Harvey Kurtzman, Art Spiegelman, Arnold Roth, Bill Griffith, Ralph Steadman, Don Martin, Gahan Wilson, Jeff Jones, Guido Crepax — even William Burroughs, Tom Wolfe and Frank Zappa! The comics were assembled in the 1970s by Michel Choquette (creator with Neal Adams of National Lampoon’s Son o’ God comics) for a book called Someday Funnies, which never saw print. Levin and Choquette reveal for the first time the whole catastrophic story of what might have been the comics anthology of the century.
Also in this issue: Sean T. Collins interviews Skyscrapers of the Midwest’s Josh Cotter; Noah Van Sciver's cartoon interview with King Cat's John Porcellino; our classic comics section features Myron Waldman’s Eve, with an introduction by Mark Newgarden; our usual smattering of insightful and incisive columns; reviews of Kramers Ergot 7, The Times of Botchan, Chaykin, Clowes, Tezuka and many more!
• Review: "You Shall Die By Your Own Evil Creation!... collects all the [Fletcher] Hanks material not included in the first book. Hanks' hyperactive, colorful, robust, and crazily disproportionate art is perfectly matched to his over-the-top storytelling... There are few artists, from the Golden Age to today, that so deftly blended goofy dialogue with terrifying violence and surreal situations; for better or worse, Hanks was a real original. [Grade] B+" - The A.V. Club
• Review: "[Ho! The Morally Questionable Cartoons of Ivan Brunetti] is a brutally funny and disturbing attempt to push some buttons, either uncomfortably or comfortably mired in taboo. The aesthetic of freaks, geeks, nerds and ugly men and women, all with dark pasts, dirty fetishes, sociopathic tendencies, and murderous habits all play out over 120 odd pages of frenetic cartoon violence, sometimes sexual, sometimes suicidal, sometimes offensive, but always funny." - Geek Pie
• Review: "Explainers [is] a veritable Bible of middle class American dysfunction... [Jules] Feiffer reveals the depths of his subject not only through the dialogue — which are filled with psychological, social and politic depths that few cartoonists have ever plumbed — but also through an amazing skill to capture the body language so crucial to human communication... Explainers is 500 pages of startling truth captured in sequential squiggles on paper, a real masterpiece worth delving into." - John E. Mitchell, North Adams Transcript
• Profile/Review: Robert Birnbaum of The Morning News proposes "a Mount Rushmore of American illustration" consisting of Bill Mauldin, Jules Feiffer, Ed Sorel, Seymour Chwast, and David Levine, adding "American Presidents is a 128-page compilation that assembles Levine’s survey of American leaders and their coteries and skewers them with delightful results. It should be a required text in American history courses—Levine’s images powerfully expose the venality, duplicity, and hypocrisy of the upper reaches of our government."
• Interviews: Inkstuds presents a two-fer of audio talks with newly-minted Mome contributors: first up, it's Noah Van Sciver (whose comics "read like they came from the mind of a crazed hobo. Seriously, they are great"); up second, it's T. Edward Bak (described simply as "great")