Special double-sized FINAL issue! After 6 years and over 2500 pages of comics, MOME heads into the sunset with an all-star, jam-packed farewell bonanza. Several past MOME favorites return for the swan song, including Kurt Wolfgang, Tom Kaczynski, Joe Kimball, Eleanor Davis, Anders Nilsen, Tim Hensley, Paul Hornschemeier, Gabrielle Bell, and Zak Sally (those covers!). Meanwhile, several newcomers get in just under the wire: Jesse Moynihan, Malachi Ward, James Romberger, Nick Drnaso, Joseph Lambert, Nick Thorburn, Victor Kerlow, and Ignatz Award-winners Jim Rugg and Chuck Forsman! Recent MOME favorites also return, such as Sergio Ponchione, Steven Weissman, Sara Edward-Corbett, Laura Park, Josh Simmons (plus collaborators The Partridge in the Pear Tree and Wendy Chin), Derek Van Gieson (with collaborator Michael Jada), Tim Lane, Nate Neal, Lilli Carré, T. Edward Bak, Dash Shaw, Ted Stearn and Noah Van Sciver. Over 30 artists in all, including a surprise contributor we don't want to give away!
Download and read a 29-page PDF excerpt (13 MB) with a sample page from nearly every artist and story (barring some surprises).
• Buy Dame Darcy's mermaid print to help send her to the annual Mermaid Parade on her 40th birthday! She's also now an ordained Wiccan minister! Good luck and congrats! All this and more in her latest blog update
• Feature: At Care2, Wilfred Santiago, creator of 21: The Story of Roberto Clemente, writes about Clemente the humanitarian: "Clemente was aware that being a baseball player gave him the resources to do even greater good than he could have imagined. Most importantly, we have the opportunity to know and share his life story, and for that, we all are very fortunate to come across the history of a man like Roberto Clemente."
• Review: "The art is wonderful. Tardi has this rounded style that is unique and easily identifiable, all at once his signature. The level of detail is astounding, in the background and mechanical details as rendered faux woodcuts...: be sure to drink in every inch of this black and white work. [...] At $17 for a sixty-four page oversized hardcover [The Arctic Marauder] is a great value: ...it stands as a great period work with wonderfully detailed art." – Scott VanderPloeg, Comic Book Daily
• Review: "As an art book From Shadow to Light is stunning; ...it offers a remarkable and overdue testament to [Mort] Meskin (1916-1995), one of the seminal yet overshadowed figures of the comic book’s formative era. I can’t imagine not having this book in the Platonic comics studies library. [...] Of the recent bounty of deluxe books exhibiting vintage comic art — surely this is the Golden Age for comic book historiography and appreciation? — From Shadow to Light is one of the best. It is beautiful. Its design is dynamic yet coherent... The survival of so many Meskin originals, from comic book pages through storyboards and advertising comps to paintings, even to sketches on (!) paper towels, is itself cause for celebration, and, man, Brower exhibits these objects to advantage." – Charles Hatfield, The Panelists
• Plug:Reason's Brian Doherty touts: "Reason's cartoonist genius Peter Bagge will be leaving his Seattle stronghold and blessing the people of New York with his luminous presence this week in multiple venues [MoCCA, Desert Island & Scott Eder Gallery]. ... It'll be a Baggapalooza weekend! If you live anywhere near New York, check out one or all of his appearances. If you live on Earth, buy all [his new] books [Hate Annual #9 and Yeah!]."
• Interview:The Daily Cross Hatch's Brian Heater begins a multipart conversation with Mome contributor Noah Van Sciver: "I have some Zap Comics, but besides the Crumb stuff, it just does nothing for me. But I like the freedom that they had in the 60s. I’m more into the 80s and 90s."
• Review: "The main thing I kept thinking about while reading Wandering Son— beyond the continuous undercurrent of general squee — is how things that seem insignificant to one person can be secretly, intensely significant to someone else. [...] The story is subtle, simple, poignant, and innocent. The tone is matched by Shimura’s uncluttered artwork, which features big panels, little screentone, and extremely minimal backgrounds." – Michelle Smith, Soliloquy in Blue
• Interview:The A.V. Club Denver talks to "arguably Denver’s premier underground comic artist" Noah Van Sciver: "People e-mail me to ask if they can send me a comic. They’re sending me these hand-stapled comics and asking me what I think. It’s great. If you’re not going to be paid a lot, you might as well meet like-minded people and start a gang." (Via Robot 6)
• Profile: "Olivier Schrauwen is not the first Belgian cartoonist that I would have pegged for success in the United States, but I'm certainly not going to complain about the opportunities that he is receiving. Since the publication of his book My Boy in English translation, he has published short pieces in Mome and elsewhere, generating a solid buzz for his idiosyncratic take on human disconnectedness. His new book, L'Homme qui se laissait pousser la barbe (Actes Sud/L'An 02) collects a number of short works that have been anthologized around the world, and was nominated for a prize at this year's Angouleme Festival. It will be published later this year in English as The Man Who Grew His Beard by Fantagraphics. [...] L'Homme is a collection of seven short pieces that can be read very quickly or studied for days." – Bart Beaty, The Comics Reporter
• Profile:iFanboy's Chris Arrant profiles Fantagraphics Bookstore & Gallery as part of their "Publishers Who Have Their Own Comic Book Stores" feature: "Opening in late 2006, this Seattle store acts as defacto gift shop and gallery extension of the long-time publisher's comics line. The store boasts a complete repository of everything Fantagraphics has in print — as well as a number of rarities you wouldn't find most anywhere else."