FLOG! Entries tagged 'Norman Pettingill'

Norman Pettingill exhibit in Sheboygan, WI

mike

Norman Pettingill is the subject of a newly-opened art exhibit in Sheboygan, Wisconsin. From the announcement, as reported by NewsoftheNorth.Net: "Forty Pettingill drawings, now part of the John Michael Kohler Arts Center collection in Sheboygan, are on display or the first time in 15 years and will remain so until Jan. 16. More than 100 drawings from this renowned collection are featured in Norman Pettingill: Backwoods Humorist, a new hardcover book published by Fantagraphics." (Note that the JMKAC website seems to be down at press time.)

Daily OCD: 9/29/10

mike

Today's Online Commentary & Diversions (with one carried over from yesterday's post-less day):

• Review: "Normally I wouldn’t put in a spoiler warning for a few blog notes, but this is a special case. I’m going to be talking about Love and Rockets: New Stories #3, which contains what is arguably one of the best comics stories ever... It’s so easy to take the Hernandez Bros. for granted: they’ve been around so long, put out work regularly, and often use the same characters. So the temptation is to just think that they’re a stable public resource, like the library or a museum: they’ll always be there and we can ignore them for years, checking in on them only when we need to. But really, these guys are among the best cartoonists who have ever lived. Like Seth, Chris Ware, Dan Clowes, and Kim Deitch, they are constantly pushing themselves to do better work, and are now at a career peak. We need to give thanks for this, loudly and publicly." – Jeet Heer, Comics Comics

• Review: "Really, it’s hard to know what to make of [Norman Pettingill:] Backwoods Humorist, the first time you flip through its lovingly-curated pages. [...] I fell in love with it almost immediately, first caught completely off guard by the amateurish art in a book compiled by Fantagraphics. Why, precisely had the publisher chosen to compile these works in such a beautiful volume? There is, however, something disarmingly bewitching amongst Pettingill’s grotesque caricatures of country life. [...] In the great scheme of 20th century art, it’s difficult to imagine that Pettingill’s work will ever be regarded as much more than a somewhat high profile curiosity. For those seeking to discover an utterly fascinating body of work, however, that curiosity is certainly worth the price of admission." – Brian Heater, The Daily Cross Hatch

• Review: "Greg Sadowski and John Benson did a superb job on this collection of early 1950s horror stories [Four Color Fear]... In addition to Greg's attractive design throughout, he delivers meticulous, pixel-perfect restorations... There are 25 pages of fascinating, informative notes by both Greg and John. [...] This book is like time-traveling, a document of an era. [...] This will stand as an important reference work that should be shelved alongside David Hajdu's The Ten-Cent Plague." – Bhob Stewart, Potrzebie

• Review: "...Mome 19... is the best volume of the series so far. [...] Josh Simmons' 'White Rhinocerous Part 1'... is short, makes sense, is funny: great comic. The rest of Mome 19 doesn't fall apart on the job either... But the real prize here is DJ Bryant... Alongside a group of contemporaries who possess some of comic's most innovative talents, he chose refinement. It fucking worked." – Tucker Stone, The Factual Opinion

• Review: The Hooded Utilitarian's Noah Berlatsky continues his story-by-story examination of Moto Hagio's A Drunken Dream and Other Stories with the title story

• Plugs: "Fire & Water... is a look at the life and body of work created by Bill Everett, the man who created the Sub-Mariner - the character upon which Marvel Comics would be built. [... In] The Sanctuary [Nate] Neal uses a cave-dwelling tribe to explore themes of communication and language and reveals himself to be a master storyteller. [...] Ding Dong Daddy from Dingburg... is the newest collection of comics legend Bill Griffith's Zippy the Pinhead comic strip. In this volume — Joan Rivers, Charles Bukowski, God, riboflavin, and more! Surreal and absurd yuks abound." – Benn Ray (Atomic Books), Largehearted Boy

• Plug: "...[I]f you’re in the mood for some dazzling, filthy violence then perhaps Johnny Ryan’s Prison Pit Volume 2 is... up your alley. It’s got CF the barbarian from outer space on the cover, dripping in blood and wearing nowt but pants." – The Gosh! Comics Blog

• Plug: At Comix 411, Tom Mason, profiling Leslie Turner, Roy Crane's successor on Captain Easy, notes "For those interested in the origins of Captain Easy, you can’t do better than Fantagraphics Books which is reprinting Roy Crane’s classic strip, starting at the beginning."

• Almost Plug: The 1930s "Human Centipede" image that Mark Frauenfelder Boing Boinged today happens to be found in our book Catalog No. 439: Burlesque Paraphernalia and Side Degree Specialties and Costumes

Daily OCD: 9/13/10

mike

Today's Online Commentary & Diversions:

• List: Publishers Weekly's Calvin Reid and Heidi MacDonald run down some "Graphic Novels as Gifts" suggestions, including Norman Pettingill: Backwoods Humorist ("A wooden cover introduces the amazing outsider art of Pettingill, who crafted detailed postcards of wildlife and rustic humor") and A Drunken Dream and Other Stories by Moto Hagio ("Haunting stories of longing, memory, and love from the legendary manga-ka who changed the face of Japanese comics").

• Review: "When experienced animators turn to creating comics or illustrating children’s books, I usually find the results successful and quite satisfying. That’s certainly the case with animator Mitch Schauer (Angry Beavers) and his first graphic novel, RIP M.D. (from Fantagraphics). [...] RIP M.D. would make an amazing 2D animated feature — if Hollywood were still making those. For now, graphic novels such as this are a great outlet for ambitious creators with ample imaginations. Check it out." – Jerry Beck, Cartoon Brew

• Review: "Temperance is a fascinating comic. Malkasian gives us an odd, fairy-tale-esque world where we must accept unreal things so that she can make her points. [...] Malkasian does a fine job of grounding the tale of Blessedbowl in a real-world concern while still making sure it’s fantastical enough so a sentient wooden doll doesn’t seem too out of place. Malkasian’s art is tremendous, as well. [...] Temperance is a fascinating book to read, and while it’s not difficult to figure out, it does raise some important questions about society and what people do to live in one. Malkasian has a lot on her mind, and it’s impressive that she manages to get her real-world concerns into this fable without becoming preachy. [...] It’s a very thoughtful comic, and I encourage you to check it out." – Greg Burgas, Comic Book Resources

• Interview: Robot 6's Tim O'Shea talks to Jason about Werewolves of Montpellier and other topics: "I’ve done boy meets girl and one of them dies in the end several times, so yes, I was a bit afraid of starting to repeat myself. But I think Werewolves is sufficiently different. It’s a platonic relationship between the two characters for one thing, and none of them dies in the end."

• Interview: At About.com: Manga, Deb Aoki presents a transcription of Moto Hagio's panel appearances at Comic-Con (with translator Matt Thorn) and conducts her own Q&A with the creator of A Drunken Dream and Other Stories: "Well, when I was a child, I used to read manga and cry myself. I had similar reactions watching movies and reading comics. Basically, I'm just expressing my own feelings like that. So it was with my own parents, and for a lot of people of that generation, who said that manga is just for small children, it's very simplistic. But from my point of view, manga is just one medium like movies and novels; it can be just as deep and just as moving."

• Interview: io9's Cyriaque Lamar, who brilliantly sums up Prison Pit: Book 2 as "not unlike Masters of the Universe...if Masters of the Universe was a hentai that starred Gwar," talks to its creator Johnny Ryan: "I wanted to do a book about monster-men beating the shit out of each other. That's my main idea, that's all it's about. There's no real subtext to it. It's about the fighting."

• Interview: Thomas Papadimitropoulos of Comicdom catches up with Bill Griffith on the latest Zippy the Pinhead developments (the intro is in Greek but the interview is presented in English): "I keep trying to surprise myself with the daily Zippy strip. Zippy’s 'discovery' of his hometown, 'Dingburg,' where everyone is a pinhead like him, has taken the strip in a new direction for the last few years. It’s still a lot of fun for me to explore all the different pinhead personalities in Dingburg."

• Interview: At Marvel.com, Sean T. Collins talks to Frank Santoro about his match-made-in-heaven Silver Surfer story for Marvel's Strange Tales II: "I thought of this as my try-out for Marvel. I didn't take this as a chance to do a funny mini comic kinda thing. This was my shot! Was I ever gonna get another one? I'm gonna try to knock it out of the park! That was my thinking."

• Interview: At Pikaland, Melanie Maddison has an extensive chat with Lilli Carré: "My book The Lagoon, which is very mood-driven, took me about 3 years to finish, because I had a lot of starts and stops when working on it. This was partially due to still being in school and working at that time, but also because it was hard to always be in the right mindset to work on such a moody piece and figure out the trajectory of the story."

• Plug: "The inimitable Drew Friedman has a new hardcover book out of his incredible celebrity portraits and caricatures drawn over the last 15 years... Our pals at Fantagraphics published the handsome hardcover, titled Too Soon?: Famous/Infamous Faces 1995-2010." – David Pescovitz, Boing Boing

• Plug: "A new Love and Rockets is out. It apparently contains one of the best Jaime Hernandez stories ever, which makes me shiver with excitement. In celebration, I photographed and uploaded my current favorite Jamie Hernandez story ever 'Penny Century.'" – Will Hines [Ed. note: Reproducing so much of the story is a little borderline, but what the hey.]

• Analysis: Love & Maggie continue their series of detailed, annotated rundowns of their Top 10 Issues of The Comics Journal with the third part of their examination of issue #71

Daily OCD: 9/3/10

mike

Today's Online Commentary & Diversions:

• Review: "The real reason to read Lucky in Love, of course, is DeStefano's art, which is intensely expressive and cartoony, among his best work, with fabulous panel designs, wonderful grotesque characters, and amazing energy throughout." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.

• Review: "The Book of Mr. Natural by the legendary and infamous... R. Crumb is a gorgeous mini-coffee table comic book published by Fantagraphic Books. [...] This book is for Mr. Natural’s legions of cult followers, 60’s believers, as well as new and younger readers who can hack the raunchy non-PC wisdom the guru ejaculates." – Phil Semler, San Francisco Book Review

• Review: "Culled from the output of postcard self-publisher and Wisconsin native Norman Pettingill, this triumphant collection of outsider art offers an insider view of a world that most viewers of the work probably won’t enter. Pettingill’s concern was with the insular existence of backwoods hunters, from their lodges to their excursions, pulling humor from the grotesque and bawdy elements in a style that mixes the works of cartoonists like Basil Wolverton and Harvey Kurtzman, and the sweeping tapestries of Hieronymous Bosch. Satire abounds, but no matter how ugly it gets, it’s never vicious — this weirdness is all part of the landscape of Pettingill’s life." – John E. Mitchell, North Adams Transcript

• Interview: Comic Book Resources' Shaun Manning has a thought-provoking chat with our own Kim Thompson about his translation projects, including our recent Jacques Tardi books and the upcoming Milo Manara collections for Dark Horse: "Generally, my core belief is that you have to betray the source material to remain faithful. The Italians have the phrase, 'Traduttori, Traditori,' meaning, 'translators, traitors,' which most would read as an insult but I read as sound advice."

• Interview in the Future: Drew Friedman will be the guest on Bob Andelman's Mr. Media show on BlogTalkRadio on October 4 at 11 AM (not sure what time zone) — start prepping your questions for the call-in session!

Daily OCD: 9/1/10

mike

Today's Online Commentary & Diversions:

• Reviews: "Both of these books — Blake Bell's Fire and Water: Bill Everett, The Sub-Mariner, and the Birth of Marvel Comics and Steven Brower's From Shadow to Light: The Life and Art of Mort Meskin — do fine jobs of chronicling the artists' lives and careers. [...] The Everett book... is beautifully designed by Adam Grano and as much an art book as biography. Filled with great examples of Everett art — some of which is from the Everett family's own archives — this book opens up a whole new arena for appreciation of this almost lost seminal artist. The Mort Meskin book is fascinating, too. Brower and the Meskin sons do a great job in capturing what the artist was really like, both in his career and his home life. [...] Again, it's an impressive package (something I think Fantagraphics has become famous for) and a welcome addition to any comics fan's library." – Gary Sassaman, Innocent Bystander

• Review: "Four Color Fear: Forgotten Horror Comics of the 1950s is... a cool collection of stories that definitely would have given me nightmares if I read them as a kid. ...Fantagraphics... puts together a wonderful package once again. Some of these stories are almost unreadable, but all of them are enjoyable and strange and wonderful in their own way." – Gary Sassaman, Innocent Bystander

• Review: "The Best American Comics Criticism, edited by Ben Schwartz, is a fascinating collection of assertion, appraisals, debate, reconsiderations, and recollections about comics. This thick, superbly-selected anthology features extremely well informed, exceptional voices... With a fantastically rendered cover by Drew Friedman (spot the critic!), this is a huge assortment of fantastic writing about a field that has had many parallels with and tendrils in rock and pop. If you’re yearning to own a non-music comics book of criticism that isn’t something from the academe yet still creates an alternate world of popular culture magic to teach how to rail and rave and expose and detail, The Best American Comics Criticism is the book to buy." – Chris Estey, The KEXP Blog

• Review: "Fantagraphics always produces beautiful books, but this is one of my favorites they have ever published. [...] A few weeks ago, I carefully slid You’ll Never Know off the shelf. I was ready for it. It was time. It was a deeply emotional read. [...] The art and lettering is stellar in You’ll Never Know, filled with little details that make every page - especially full page panels. [...] You’ll Never Know is excellent example of autobiographical/biographical non-fiction sequential art, and has made my short list of favorite graphic non-fiction..." – Syndicate Product Covert HQ

• Plug: "Norman Pettingill is an underground cartoonist's underground cartoonist. His obsessive linework, his out-of-control hillbilly wonderland — and even his medium — wood, all make for a fascinating experience. And yes, the cover of this book is plywood." – Benn Ray (Atomic Books), Largehearted Boy

• Plug: Comix 411's Tom Mason spotlights Stephen DeStefano's Lucky in Love and his upcoming art show

• Feature: Seattle Weekly's Brian Miller previews the "Counterculture Comix" exhibit at Bumbershoot and talks to curator Larry Reid

• Coming Attractions: "For me, and I admit I have specialized taste, the best news coming out San Diego was the announcement that Fantagraphics is going to reprinting Floyd Gottfredson’s Mickey Mouse comic strips, which really was during the 1930s one of the great adventure strips. This will be hard for anyone who hasn’t read Gottfredson’s work to believe, but his Mickey Mouse was as rousing as Roy Crane’s Captain Easy and as rich in invention as Barks’ longer Duck stories." – Jeet Heer, Comics Comics

• Commentary: Mike Sterling remarks on pop culture references in the current volume of The Complete Peanuts: "Maybe it’s that Peanuts was just so much of its own little world that the occasional intrusion from outside really stands out."

New Comics Day 8/25/10

mike

This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators are saying about our releases this week, and contact your local shop to confirm availability.

The Complete Peanuts 1977-1978 (Vol. 14)
by Charles M. Schulz
introduction by Alec Baldwin

344-page black & white 8.5" x 7" hardcover • $28.99
ISBN: 978-1-60699-375-0

The Complete Peanuts 1975-1978 Box Set
by Charles M. Schulz
designed by Seth

two 344-page black & white 8.5" x 7" hardcovers in a custom slipcase • $49.99
ISBN: 978-1-60699-376-7

"Continuing Fantagraphics’... presentation of Charles Schulz’s original iteration of eventually finite childhood, in spite of it all. Alec Baldwin greets you at the front. There’s also a two-volume ’75-’78 box set due." – Joe McCulloch, Comics Comics

"I always forget what a smart strip Peanuts was. I just opened this volume to a random page to remind myself of what the vibe of this period of Peanuts was like, and there was a joke about Christo. What comic strips were making Christo jokes in 1978?" – Douglas Wolk, Comics Alliance

"I thought the latest volume was really strong, full of odd Peppermint Patty stories and a lot more bold and confident than I remember the strip at the time. Plus the Alec Baldwin intro was pretty good, too." – Tom Spurgeon, The Comics Reporter

"Covering the years 1977-78, and featuring an introduction by Alec Baldwin (of all things), this latest book features some great sequences, like the one where Charlie Brown bites the kite-eating tree and ends up going on the lam to hide from the EPA. Those who feel Schulz’s best work was in the late 50s and 60s really need to re-evaluate these strips." – Chris Mautner, Robot 6

Note to NYC shoppers: Jim Hanley's Universe is offering 25% off all Complete Peanuts volumes for one week 8/25-8/31/10 — click here for details!

Norman Pettingill: Backwoods Humorist
by Norman Pettingill; Introduction by Robert Crumb

144-page full-color 12" x 9" hardcover (with wood cover) • $39.99
ISBN: 978-1-60699-319-4

"The strangest and perhaps greatest book I saw at last month's Comic-Con International. It's like it was art designed by a tree full of elves that don't quite get human publications." – Tom Spurgeon, The Comics Reporter

"An apparently first-ever print retrospective of postcard illustrator Pettingill, a Wisconsin native whose self-printed drawings documented both calm natural settings and teeming, wrinkled, riotously parodic rural living. With an introduction by Robert Crumb (who published some of the artist’s work in Weirdo), an appreciation by Johnny Ryan, and a biographical essay by Gary Groth (online here)." – Joe McCulloch, Comics Comics

Now in stock: Norman Pettingill: Backwoods Humorist

mike

Just arrived in our warehouse and ready to ship:

Norman Pettingill: Backwoods Humorist
by Norman Pettingill; Introduction by Robert Crumb

144-page full-color 12" x 9" hardcover (with wood cover) • $39.99
ISBN: 978-1-60699-319-4

Add to Cart • More Info & Previews

Norman Pettingill is a true underground cartoonist, known and admired by a small coterie of cartooning connoisseurs, but completely unknown in the wider world.

Norman Pettingill was an avid trapper and fisherman from Northern Wisconsin, and a self-taught artist. In 1947, at the age of 51, he created hundreds of pen-and-ink drawings and marketed many of them as postcards, printing and distributing them himself. His cartoon drawings were relatively huge and his postcards, therefore, had to be uniquely over-sized at 7” x 10”. He combined a gift for the fine detail and verisimilitude of illustration with the visual exaggeration and outrageous wit of cartooning.

By merging his fascination with nature and backwoods culture with his wild sense of humor, he depicted an out-of-control hillbilly wonderland of talking grizzlies, dancing morons, nightclubs, giant mosquitoes, tumble-down shacks, pipe smoking grannies, flying skunk fur, google-eyed drunks, hilarious hunting mishaps and moonshine soaked fishermen! Pettingill’s world is reminiscent of Al Capp’s Li’l Abner comic strip, but Pettingill’s hillbilly heaven is made grittier and more tangible by his obsessive penwork and the attention he gives to each teetering outhouse, every overflowing spittoon and each wiry hair growing out of a mountain man’s warty face. He reveled in exposing the commercialization of outdoor activities, debunking the romance of a woodsman’s life, and demythologizing the expertise of the outdoors-man. His landscapes and drawings of wild animals could be breathtakingly wondrous, and even his most grotesque depictions of hillbillies were fused with a love and respect for the rituals of a primitive life in the boondocks.

This book is the first published retrospective of Pettingill’s work, containing over a hundred of the artist’s best and rarely seen drawings, printed in an oversized format under a unique cover printed on plywood.

Download an EXCLUSIVE 10-page PDF excerpt (13.4 MB).

Norman Pettingill: Backwoods Humorist - Previews, Pre-Order

mike

Norman Pettingill: Backwoods Humorist
by Norman Pettingill; Introduction by Robert Crumb

144-page full-color 12" x 9" hardcover (with wood cover) • $39.99
ISBN: 978-1-60699-319-4

Ships in: August 2010 (subject to change) — Pre-Order Now

Norman Pettingill is a true underground cartoonist, known and admired by a small coterie of cartooning connoisseurs, but completely unknown in the wider world.

Download an EXCLUSIVE 10-page PDF excerpt (13.4 MB).

Video & Photo Slideshow Preview (view in new window):

Covey Does Pettingill

Eric

With an unusually Spring-like day yesterday in Seattle, Jake "The Snake" Covey took the opportunity to bring his art directing outside, shooting a few original Norman Pettingill paintings (on cross-sections of wood) in the sunlight for our upcoming coffee-table collection of his work. This book is gonna blow more than a few minds. Here's Gary Groth's bio of the infamous "backwoods humorist."

Gary Groth's biography of Norman Pettingill

mike

On The Comics Journal website, Gary Groth writes:

"In June, Fantagraphics Books will publish a collection of Norman Pettingill’s work. Comic fans may remember that Robert Crumb published some of Pettingill’s cartoon drawings in Weirdo in the mid-’80s. The idea of publishing an entire book collecting Pettingill’s work was first broached to me by Johnny Ryan, a Pettingill fan (and the cartoonist behind Angry Youth Comics and Prison Pit), a few years ago. The John Michael Kohler Arts Center in Sheboygan, Wisconsin, is the repository for most of Pettingill’s work, and agreed to help us put together a book. Johnny wrote a brief appreciation; R. Crumb loved Pettingill’s work and wrote a brief introduction. But, so little is known about Pettingill himself that I felt the book required a short biography of the man — so I wrote one."

Read the rest of Gary's intro, and the biography itself, starting here.