Turns out Steven Weissman did his weekly strip in his mind-blowing sketchbook in the car from Portland to Seattle but couldn't get to a scanner, so I photographed it at his signing at Fantagraphics Bookstore & Gallery tonight. Left turn! (The rest of the photos from the night will follow.)

This is the original art for a 1985 J.R. Williams comic reprinted in Newave! The Underground Mini Comix of the 1980s; J.R. seized the opportunity to offer it for sale on Comic Art Collective — it's already sold, but still worth a look! This is the sort of thing you can expect to see at our yet-to-be-officially-announced Newave art show opening Jan. 30 at Fantagraphics Bookstore...

Pretty much every page of Johnny Ryan's Prison Pit: Book 1 is amazing, so you really can't go wrong with any of the 15 that he's just put up for sale at Comic Art Collective, now can you?

If you're like me you like seeing stuff like this: over at his blog Richard Sala posted this snapshot of the original paintings for the front and back covers of Delphine #4. Head over there for a better view.

Online Commentary & Diversions:

• List: The American Book Center in Amsterdam names Rock Candy: The Artwork of Femke Hiemstra one of its Books of 2009

• Review: "...[T]here’s one reason why Pim & Francie pulls off the unlikely feat of being more than the sum of its fragmented, disconnected, half-inked parts: it’s terrifying. ... The book... hangs in your head long after you close your eyes." – Martyn Pedler, Bookslut

• Plug/Name Drop: Whitney Matheson of USA TODAY's Pop Candy blog calls Dash Shaw's IFC.com web series The Unclothed Man in the 35th Century A.D. "colorful and captivating" (and mentions that writer/director Paul Feig liked Dash's graphic novel Bottomless Belly Button, so that's cool)

• Plug: Thanks to Hef for plugging Gahan Wilson: Fifty Years of Playboy Cartoons on Twitter today!

• Plugs: Lots of Popeye plugs and Segar tributes today, in addition to Google: Technologizer, Mike Lynch, The Beat, Robot 6, Super I.T.C.H., and The Daily Cartoonist

• Plug: "If you ever skipped school to zone out to stacks of rented VHS tapes, or exhausted the wealth of movies at your local video store by 1995, then this is the perfect item for you, or someone like you. Packaged lovingly to resemble an VHS tape from days gone by, the book Portable Grindhouse: The Lost Art of the VHS Box contains some of the greatest crap-rack video covers of all time." – The Incubator

• Interview: Publishers Weekly's Calvin Reid talks to Joe Sacco about returning to Palestine

• Reviewer: For The Wall Street Journal, Alexander Theroux reviews a new biography of Patricia Highsmith

• Things to see: Original Al Columbia artwork for sale from Floating World

A message from Hans Rickheit:

In a desperate effort to raise funds to escape Philadelphia, I am now offering the original pages from my 2001 Xeric-Winning graphic novel, CHLOE for purchase. (I am also using this as an opportunity to try out PayPal.) The pages are listed HERE and are priced accordingly. Each page will be mailed to any area within the U.S.A. in a flat cardboard envelope with no shipping charge. Adorn your home with a unique piece of cartooning perversity, or conceal your newly-obtained treasure in your precious vaults! Frame it or deface it with your own doodles! Give it as a gift to your stranger relatives or discerning friends! Don't delay: they are available only first come - first served basis!

(Note : Those unfamiliar with the book can obtain a copy here.)

And don't forget Rickheit's phenomenal new book The Squirrel Machine, available here.

Get a custom "JUMBLE" from Jeremy Eaton for a mere $50, thru Dec. 27. That's right, choose any two cartoon characters and the artist will create an 8" x 10" Custom Jumble on heavyweight manila drawing paper, featuring both of your favorites in an exclusively-styled combination. I own one of these and you should, too. Contact him through his website.

I always love when we get Jason art in the mail and I really love these sheets of translated text he sends for upcoming books. (Bad iPhone photo blurred so as not to create any spoilers.) A long time ago Jason allowed me to give away a small piece of lettering to the first Flog reader to respond to my posting of it. We should really try to do things like that more often, huh?

No, not today. But sometime.

There are a dozen things each week that I'm not Flogging due to No Time. I hope to soon do some postings on recent and upcoming books that I've been involved with. Until then, I've made a habit of annually encouraging Flog readers to support artists with their holiday shopping and this year I'm digging into it a little deeper. Some of these notes are aimed at artists who are looking to connect with audiences and some are aimed at audiences looking to support artists.

• Chuck Close as recorded here has some thoughts about Art and its cultural importance. Especially relevant are "Justifying Public Art Expenditures" and "Advice to Artists During a Crisis". (Though, contrary to Close, I think the WPA projects of people like Lester Beall epitomize great art concepts aligning with popular public receptivity, making the 1930s/40s an amazing time for Art to speak to the mainstream. And in that way, we may be in a similar place with this economy. But I digress.)

• Economy tips for artists: Etsy. The only time I've used Etsy was to buy art, starting back when I bought a beautiful and ridiculously-cheap print ("Helpful") from John Hankiewicz on Etsy. And Souther Salazar does it right by offering up doodles and art that he doesn't otherwise have an art show home for. Work sells as quickly as it goes up and I know it means a lot to me to get to buy an affordable, small piece of art from him. I wish established artists would do this more often. 

• Turns out Etsy also has a lot of poster artists offering work and Dan Grzeca has found a way to use it for unusual offerings like a tube of misprints for cheap. 

• Aspiring cartoonists might be interested in the Kickstarter site and, specifically, Jamie Tanner's model for publishing his next book. By offering special offers to people who preorder the not-yet-made book, he's managing to make it a reality on his own.

• I finally acquiesced to Facebook and, sure enough, within a day I had people I went to high school trying to contact me. Man I hated high school. But I've noticed one thing on Facebook that was interesting: Martin Ontiveros making a request for a ride to the airport, saving himself $30, and offering the ride-giver a small piece of art. That's a great use of Facebook and alternative economy. (Tip to artists: if you use Facebook for getting news out to fans and "the industry," I quickly discovered that I end up hiding anyone who posts more often than a fifteen-year-old girl gone off ritalin.)

• Most of the artists who aren't utterly canonized have some online presence where you can buy original art or at least limited run prints. And a lot of artists like Steven Weissman and Zettwoch/May/Huizenga have affordable commissions available and set up to click-n-buy. Many of the bigger "names" will do commissions but you have to approach them about it... and pay considerably more. (Tony Millionaire told me his commissions start at $1,000 but I happen to know he also wants a radiometer. If you hand-forged him a giant one for his den then, hey, maybe you'd get a break.)

• My biggest holiday tip is obvious: find those links to buying art from your favorite artists and then forward the links to your friends, Santa Claus, and your mom. Especially your mom. (Seriously, I don't know what you get but I got a Tommy Hilfiger coat one year and burlesque-rocket-ship table lamps another and I'm about fed up with surprises.) You'll find tons of original art being sold in one place at the old stand-bys: Comic Art Collective and The Beguiling, among others. 

• Lastly, you could just buy some books. Fantagraphics sells those all over this site you're looking at. Artists like their books selling.

Online Commentary & Diversions? Yes:

• Review: "An abstract comic? What the hell is that? And more importantly, what’s the point of a comic if it doesn’t tell a story? These are the questions a book like Abstract Comics raises right off the bat. Thankfully, it also answers them. The anthology, edited by Andrei Molotiu, covers the time period of 1967-2009 and is in all respects a Serious (capital S) volume. ... Worth a look, for sure, and maybe more." – Molly Young, We Love You So

• Plug: Ulrich Scheele of artblog peeks at the "charming" and "wonderful" Rock Candy: The Artwork of Femke Hiemstra

• Plug: "When it comes to creepy comics, Al Columbia isn't only a member — he's the president. And in Fantagraphics' Zero Zero #4, Columbia produced a short story called 'I Was Killing When Killing Wasn't Cool' that is so startling and nightmarish in its quiet elegance that it'll stick with you forever." – Rickey Purdin, Rowdy Schoolyard

• Plug: Some Love and Rockets nostalgia from California retailer/comics blogger Mike Sterling

• Commentary: At Comics Comics, Jeet Heer declares "It’s a good time to be a Nancy-boy."

• Interview: The Inkstuds radio program talks to Abstract Comics editor Andrei Molotiu, with musical selections by Andrei

• Things to see and buy: From the Robert Pollard camp, "New collages and price reductions on Bob art work for Rocktober. All collages from EAT 7 are avaliable." Available framed and unframed.