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Category >> Patrick Rosenkranz

Pirates in the Heartland: The Mythology of S. Clay Wilson Vol. 1 - First Look
Written by Mike Baehr | Filed under S Clay WilsonPatrick RosenkranzComing Attractions 30 Apr 2014 3:58 PM

Pirates in the Heartland cover photo

Pirates in the Heartland pages photo

Pirates in the Heartland pages photo

A lovely book filled with depraved, degenerate art and the colorful story of the man who made it, Pirates in the Heartland: The Mythology of S. Clay Wilson Vol. 1 is due out in about 2 months, and we've got our advance copies to begin showing off. Above, one of the only borderline-SFW comics spreads we can show you from the book, and the beginning of a middle chapter of this volume's part of the biography by underground comix historian Patrick Rosenkranz, who also compiled the comics. This book is An Event and we're excited to get it out into the world! You can check out some excerpts and reserve your copy right here.

Pirates in the Heartland: The Mythology of S. Clay Wilson Vol. 1 - Excerpt
Written by Mike Baehr | Filed under S Clay WilsonpreviewsPatrick RosenkranzComing Attractions 29 Apr 2014 11:24 AM

How did a nervous, creative kid from a normal family in Nebraska grow up to make some of the most outrageous, transgressive, Id-ful comics ever put to paper? You'll find the answer — and the comics — in Pirates in the Heartland, the first book in our 3-volume biography and retrospective of S. Clay Wilson by Patrick Rosenkranz. Wilson, of course, is a member of the Zap Comix collective and creator of the Checkered Demon; Rosenkranz is one of the preeminent authorities on underground comix and the author of the definitive history of the genre, Rebel Visions. Their mighty powers combine in this essential series that takes an unflinching look at the man and his work.

In our downloadable excerpt, read about Wilson's childhood in the heartland, see some of his youthful artwork, and read some of his earliest underground comix stories with, yes, pirates. Expected availability is in about 8 weeks, give or take;pre-sale is on now!

Pirates in the Heartland: The Mythology of S. Clay Wilson Vol. 1

Pirates in the Heartland: The Mythology of S. Clay Wilson Vol. 1 - Cover Uncovered, Designer's Notes
Written by Mike Baehr | Filed under S Clay WilsonPatrick RosenkranzComing Attractions 17 Mar 2014 12:36 PM

Pirates in the Heartland: The Mythology of S. Clay Wilson Vol. 1

The man. His work. They coexist on the cover and in the pages of Pirates in the Heartland: The Mythology of S. Clay Wilson Vol. 1, compiling Wilson's seminal underground comix work along with the first part of Patrick Rosenkranz's authoritative biography. Wilson unleashed a cannon barrage on the boundaries of the comics art form and rushed through, flintlocks blazing, cutlass in teeth, and fly open, taking no prisoners with his outrageous output. This book, combined with its two forthcoming sequels, will be the last word and the ultimate collection of a comics legend. Look for more previews between now and its release this summer.

And for lots more insight into the cover design, art director Jacob Covey wrote these notes on his personal Facebook page, re-presented here with his kind permission:

Here's the cover design for the new Fantagraphics book from Patrick Rosenkranz, The Mythology of S. Clay Wilson, Volume One: Pirates In the Heartland. This is the result of more comps than I have ever produced before and I figured I'd write about it to get at some idea of why.

For one thing, I went into this project with little enthusiasm. Wilson is a pioneering Underground Comix artist who inspired R. Crumb to let loose his id, to break comics wide open for self-expression. But Wilson on the surface -- and after forty years of being built upon (back to before I was born) -- lacks the contrasting dignity of Crumb's linework and his compositions are DENSE. Wilson art is recognizable: His line, and his humor, is crass; there is no white space and there are no taboos.

There are artists you have to recalibrate for and, for me, Wilson turns out to be one of those. It took a lot of sitting with the stories to let down my guard and enjoy how powerful the work is. A lot of artists talk about wanting to get back to creating like a kid again. Wilson manages to remain as unfiltered as an adolescent in detention. His is not the art of an innocent kindergartner who draws fanciful anatomy in a surreal landscape but that of the self-realizing, hormone-raging, unclean middle-beast that is boys who are becoming men. He still draws like a kid, just not the kid we romanticize about. At a time when most of us become self-conscious and begin self-censoring Wilson did not.

That accomplishment in itself is remarkable but his relentless creating is the application that makes him genius. Wilson seems to exist solely to get his sprawling imagination down on paper. His prolific output is that of the consummate artist. That it is also very graphic, violent, and offensive to most all social norms takes a little adjusting to.

So all of this is what I had to assimilate just to start my job. To feel like I had enough grasp on Wilson to "brand" his life by designing this cover to (volume one of) his biography. My first attempts weren't about Wilson but associations with his Underground brethren and the psychedelia connected to the period. Pinks, Cyans, solid clashing color. All completely missing the character of Wilson. Wilson was (is) certainly a drug user but of the escapist, rebellious variety, not the trippy, feel-good variety. He's a meat-and-potatoes guy who creates fevered worlds, including his own. Hence the title "The Mythology of S. Clay Wilson" -- a smart nuance on the part of Rosenkranz.

In publishing, one has to approach a cover with the information of an expert and the ignorance of a browser. In biographies, a photo of the subject is generally employed for good reason: The viewer immediately knows this is a book about a person. (Hence the trend in fiction of generally cropping off the heads of models or having them looking away -- this is not about THEM.) But Wilson is recognizable only by his artwork, so a photo alone isn't enough information. Ultimately, my solution is a kind of psychedelia but a practical one: Pirate art (a favorite theme of Wilson) overlaying a mythic portrait of young Wilson. Creation and creator in color overlays that force your eye to try to unhook one from the other.

I generally consider it a failure when cover design requires a band of color upon which to set the type. In this case, it allowed for the art to be the primary feature, to be a bit uncontrolled, while the type treatment is an anchor that harkens classic album design. This kind of visual messaging is trying to align Wilson with rebels and rockstars without making false promises. The trickiest part was simply finding Wilson art that had ANY white space so his portrait could connect with the viewer. The dual function of his artwork blowing the brains out, simultaneously, of Wilson and another of Wilson's creation was too wonderful to pass up but I'm going to leave the symbology of such things to the viewer.

Pirates in the Heartland: The Mythology of S. Clay Wilson Vol. 1 cover 

Spring-Summer 2014, part 11: Myths & Legends, Pirates & Heroes
Written by Mike Baehr | Filed under S Clay WilsonPatrick RosenkranzKickstarterDrew FriedmanComing Attractions 20 Nov 2013 6:15 PM

Our campaign to support our Spring-Summer 2014 season on Kickstarter is ongoing, and we're continuing to spotlight the books in question, a couple at a time. We've also put our season catalog online for you to browse. (Please note that all artwork, contents, prices, specs, and release dates are preliminary and subject to change.)

Pirates in the Heartland prelim cover

Pirates in the Heartland: The Mythology of S. Clay Wilson Vol. 1
by S. Clay Wilson; edited by Patrick Rosenkranz

224-page color/black & white 7.5" x 11" hardcover • $34.99
ISBN: 978-1-60699-747-5 

This is the definitive account of the boldest and most audacious of the legendary underground cartoonists: the taboo busting, eyeball blistering S. Clay Wilson. This first volume contains all of his underground comic stories from ZAP Comix, Snatch, Gothic Blimp Works, Bogeyman, Felch, Insect Fear, Pork, Tales of Sex and Death, and Arcade magazine as well as the many adventures of the Checkered Demon, Star-Eyed Stella, and Captain Pissgums, and even his earliest collaborations with William Burroughs. Also: selections from his teenaged and college years, both in comics and painting form. First person accounts from his peers, as well as Wilson’s own words, offer a revealing portrait of the artist who hid his shyness behind brash behavior and bluster. This first of a three-volume biography and retrospective gets to the heart and soul of an artist who lived his dreams and his nightmares.

For a Kickstarter pledge of $50 or more, pre-order this book signed by S. Clay Wilson and Patrick Rosenkranz while supplies last! Or, for a pledge of $200 or more, get an exclusive print signed by Wilson! (Or increase your pledge for one or the other to $250 and get both!)

Heroes of the Comic Books prelim cover

Heroes of the Comic Books: 75 Portraits of the Pioneering Legends of American Comic Books
by Drew Friedman

160-page full-color 9" x 12" hardcover • $34.99
ISBN: 978-1-60699-731-4

Featuring approximately 75 full-color portraits of the pioneering legends of American comic books, including publishers, editors, and artists from the industry's birth in the '30s, through the brilliant artists and writers behind EC Comics in the ’50s. All lovingly rendered and chosen by Drew Friedman, a cartooning legend in his own right. Featuring subjects popular and obscure, men and women, as well as several pioneering African-American artists. Each subject features a short essay by Friedman, who grew up knowing many of the subjects included (as the son of writer Bruce Jay Friedman), including Stan Lee, Harvey Kurtzman, Will Eisner, Mort Drucker, Al Jaffee, Jack Davis, Will Elder, and Bill Gaines. More names you might recognize: Barks, Crumb, Wood, Wolverton, Frazetta, Siegel & Shuster, Kirby, Cole, Ditko, Wertham... it’s a Hall of Fame of comic book history from the man Boing Boing calls "America’s greatest living portrait artist!"

(Note that the final cover art will feature Drew's portrait of Jack Kirby, rather than Siegel & Shuster as shown here.)

For a Kickstarter pledge of $50 or more, pre-order this book signed by Drew Friedman while supplies last! Or, for a pledge of $200 or more, get an exclusive print of Friedman's portrait of Steve Ditko, signed by Friedman! Or, for a pledge of $40 or more, get an exclusive t-shirt with art by Drew! (Or increase your pledge to the appropriate sum for multiple rewards!) 



SDCC publishing news (so far): Tony Millionaire, Eleanor Davis, S. Clay Wilson
Written by Mike Baehr | Filed under Tony MillionaireS Clay WilsonPatrick RosenkranzEleanor DavisComing AttractionsCCI 19 Jul 2013 5:23 PM

Tom Spurgeon at The Comics Reporter has the scoop on three new publishing projects we're undertaking in stories which have rolled out during this first half of Comic-Con International:

Sock Monkey Treasury

First up, details about Sock Monkey Treasury: A"Tony Millionaire's Sock Monkey" Collection, collecting the material released in comic book, trade, and storybook form by Dark Horse in a big fancy hardcover, and confirmation that it will be followed by an all-new original Sock Monkey story, Sock Monkey in the Deep, Deep Woods.

Eleanor Davis

Second, the announcement of an as-yet-untitled collection of comics work by Eleanor Davis, compiling her stories from Mome and comics posted online along with new work. 

S. Clay Wilson

Third, news of a massive 3-volume retrospective/biography of S. Clay Wilson compiled and written by Patrick Rosenkranz, with the first 300-page volume coming next year. 

Hit those links for more details, and keep your eyes peeled for more news! 

Stumptown Photos
Written by Jen Vaughn | Filed under Ulli LustTom KaczynskiSpain RodriguezPatrick RosenkranzLove and RocketsJulia GfrörerinternsGilbert HernandezDash Shaw 8 May 2013 11:28 AM

New School everywhere

Holy comicsolly! Here's photos from the Stumptown Comics Fest in Portland, OR. Dash Shaw was in attendance with New School, which flew off the table. WHY THE WAIT on pictures? We forgot our own con rules. To remain human you must 5-2-1-I: At least 5 hours of sleep, 2 meals a day, 1 shower and Ibuprofen at night. Four hours of sleep one night wrecked this gal and boy, did she pay for it.

Lots of our Fantastaff came to the show since it was so close! Me, Designer Emory Liu, PR Director Jacq Cohen, Dash and Office Manager Steph Rivers.

Fanta Staff

Table service: Dash Shaw signs the fore pages of Bottomless Belly Button

Stumptown Dash Shaw

Patrick Rosenkranz held some long, lovely conversations with fans of comics history and his book Rebel Visions. Patrick also led a Spain Rodriguez tribute panel, if you can ever take a class by him bring a recorder!

Patrick Rosenkranz

Dash talks to fans, cartoonists and the awesome Ming Doyle (who is both).

Ming and Dash

Obligatory "WE LOVE THESE BOOKS" shot, I'm holdin' Julio's Day by Gilbert Hernandez, Jacq is rockin' Ulli Lust's Today is the Last Day of the Rest of Your Life.

Stumptown

Talking comics and Fantagraphics with Julia Gfrörer (Black is the Color coming out in September), Patrick Rosenkranz and Dash.

Friends

Jacq sells Love and Rockets.

Jacq and Rockets

This cutie was all about the Carl Barks' Donald Duck and Uncle Scrooge books.

Babies and Barks

Portland is awesome because there are cartoonists everywhere. And by everywhere I mean at bars or restaurants. We ran in to Greg Means, Alec Longstreth and Claire Sanders at the Red Flag on the way to the Top Shelf party.

Portland

Having the warehouse van proved useful driving home slightly drinky cartoonists. James Kochalka, Rachel Foss and Dash Shaw hold court in the back. 

Back of the van

ACCESSORIES. We saw quite a bit. Ed Luce rocked some additional tags.
Ed Luce

Dash signed the Stumptown sketch poster HIS WAY.

Dash poster

Patrick Yurick had the best NEW comics-related tattoo. It even has the Wattersonesque dropped panel borders for that comic beat.

Patrick Yurick

Speaking of PANELS: Dash tickled the audience with this animation and comic panel. He's got comedic timing DOWN.

Dash Shaw

Here I am looking goofy alongside some of the smarter people in comics on a submissions panel: Allison Baker of MonkeyBrain Comics, Jamie S. Rich (talking about old Oni days), Bob Schreck and Sina Grace of Image and Skybound. Panel photo by Glenn Peters.

Stumptown panel

Our Kristy Valenti, Patrick Rosenkranz and Tom Spurgeon gave a beautiful Spain Rodriguez tribute panel. Photo by someone who still rocks a flash.

Spain panel

Book Appreciation! James Kochalka is a Jim Woodring fan!

James Kochalka and Jim Woodring

Karl Stevens ooohhs and aaaahhs over Dash Shaw's New School.

Karl Stevens and New School

Dark Horse's Brendan Wright caught Bark-handed!

Brendan Wright and Carl Barks

INTERN POWER. We had several interns tabling with their own comics. Low-res intern Kevin Uehlein and Ben Horak on the edges of a beautiful comics table, Beth Hetland and Pat Barrett in the middle. Ben's shy so all you get is his sideburns.

Interns

Intern Nomi Kane and her comic spread. The Back of Ben Horak.

Nomi Kane

Dead dog after dinner at Hungry Tiger Too with Dash Shaw, Bayard Baudoin, Tom Neely, Zack Soto, Benjamin Marra and his lovely lady.

Dead dog

Tom Kaczynski gets goofy when others aren't watching.

Tom and Dash

Thanks for coming out! Olan Mills family photo by Joshin Yamada with me, Dash, Jacq and Tom Kaczynski of Beta Testing the Apocalypse.

Stumptown

Fantagraphics at Stumptown Comics Fest 2013 in Portland!
Written by janice headley | Filed under Tom KaczynskiT Edward BakstaffSpain RodriguezPatrick RosenkranzJulia GfrörereventsDavid LaskyDash Shaw 22 Apr 2013 12:00 PM

Stumptown Comics Fest 2013

Join us this weekend for the 10th Annual Stumptown Comics Fest at the Oregon Convention Center this Saturday, April 27th and Sunday, April 28th!

We're thrilled to announce that we'll be joined by special guests Dash Shaw, in town all the way from New York, and Portland's own Patrick Rosenkranz!


Speaking of Dash, we're also excited to present the debut of his latest books, along with a few other exciting debuts! Such as...

3 New Stories by Dash Shaw

New School by Dash Shaw

Castle Waiting Vol. 2: Definitive Edition by Linda Medley

Julio's Day by Gilbert Hernandez

Today Is the Last Day of the Rest of Your Life by Ulli Lust

Walt Disney's Donald Duck: The Old Castle's Secret (The Complete Carl Barks Disney Library Vol. 6) by Carl Barks

50 Girls 50 and Other Stories (The EC Comics Library) illustrated by Al Williamson et al.; written by Al Feldstein et al.

'Tain't the Meat... It's the Humanity! and Other Stories (The EC Comics Library) illustrated by Jack Davis; written by Al Feldstein


Our artists will be partaking in programming throughout the weekend, so check out their panels!

Saturday, April 27th

12:00-12:45 pm // Meathaus Reunion: Becky Cloonan, Brandon Graham, Farel Dalrymple and Dash Shaw: A reflective spotlight on Meathaus luminaries, Becky Cloonan, Brandon Graham, Farel Dalrymple and Dash Shaw whose work has appeared in various Meathaus anthologies since 2002. These artists have each maintained their own strong modern stylistic identity receiving both critical and commercial acclaim. Marc Arsenault (Alternative Comics) will introduce the panel with a look at the SVA art groups and graduates that led to the creation of the Meathaus comics collective. (Room B114)

1:00-1:45 pm // Angels and Demons: The Mythology of S. Clay Wilson: Mythology may be the key to understanding the work of highly influential underground cartoonist S. Clay Wilson, from the self-mythology that Wilson invented and polished over the years as a dashing and dangerous figure, to his personal inner landscape where his archetypal characters dwell when they arena gracing the pages of Zap Comix, Thrilling Murder, or Insect Fear, to the body of language and lore passed down from his hillbilly ancestors. With Patrick Rosenkranz. (Room B117)

2:00-2:45 pm // Two-Faced Artist Lives Double Life in Single Body!: The joys and perils of straddling the worlds of fine art and comics with cartoonists Jon McNaught, Julia Gfrörer, and Daniel Duford, moderated by Chloe Eudaly. Join us for a conversation with our panel of artists, each of whom are experienced in the realms of fine art and comics. We'll explore how they came to work in two seemingly disparate mediums, how their work in each converges with, diverges from, and influences the other, and the the sometimes arbitrary or artificial distinction between the two. (Room B117)

5:00-5:45 pm // Dylan Williams Tribute Panel: Share some time with the friends and colleagues of comics' best friend as we all recount our favorite stories about the late Sparkplug publisher's life and celebrate his philosophy and work as an artist, scholar and publisher. Time permitting, we will also attempt to make sense of his passion for unsettling any and everyone who dared point a camera at him at festivals like this one. Panelists include:  T Edward Bak, Julia Gfrörer, Tim Goodyear, David Lasky, Tom Neely; moderated by Milo George. (Room B114)

Sunday, April 28th

1:00-1:45 pm // Submissions Do's and Don'ts: Jen Vaughn (Fantagraphics), Jamie Rich (formerly Oni Press), Bob Schreck (Legendary Comics), Allison Baker (Monkeybrains Comics), and Sina Grace (Image/Skybound) will share their experiences slogging through the submissions pile, everything from finding a diamond in the rough to bartering with the mailman to stop delivering submissions. Your questions? Answered! Your comics published? We'll see. (Room B114)

2:00-2:45 pm // Dash Shaw's New School: Dash Shaw is a cartoonist and animator whose graphic novel New School debuts at Stumptown from Fantagraphics Books. In this spotlight presentation, he will screen and discuss his animations, including his Sigur Ros video and Sundance short Seraph, and show slides of the process behind creating New School as well as some of his other comics. Moderated by FantagraphicsJen Vaughn. (Room B111)

4:00-4:45 pm // DIY Publishing: For many micropublishers, making good books is easy; it's the marketing and the selling that's hard. Panelists Tom Kaczynski (Uncivilized Books), Zack Soto (Study Group), Chloe Eudaly (Reading Frenzy), Jason Leivian (Floating World Comics), Keenan Keller (Drippy Bone), and moderator Milo George will look at different printing processes and their costs and compare notes on production/distribution issues including pricing and sustainability. (Room B111)

5:00-5:45 pm // Spain Tribute Panel: Spain Rodriguez, legendary underground cartoonist, tore his way into hearts of readers like the beloved motorcycles that grace the pages of his comics. Patrick Rosenkranz, Jen Vaughn, Eric Reynolds, and Charles Brownstein take you though the wild days of Spain's work from his groundbreaking ZAP anthology contributions to adapting the life of Che Guevara. Get acquainted with this revolutionary cartoonist and his award-winning work. (Room B117)


So, stop by the Fantagraphics Booth this weekend at Stumptown, Booth Q1 right down the aisle when you first walk in!

The Oregon Convention Center is located at 777 NE ML King Blvd, several blocks away from the Lloyd Center Shopping Mall, and conveniently located next to a Portland Tri-Met MAX Line stop for accessibility.

Daily OCD: 4/26/12
Written by Mike Baehr | Filed under Steve DitkoSpain RodriguezSignificant ObjectsRob WalkerreviewsPatrick RosenkranzGreg SadowskiFletcher HanksDiane NoominDaily OCDBlake BellAlex Toth 26 Apr 2012 7:52 PM

Today's Online Commentary & Diversions:

Cruisin' with the Hound

Profile: Esteemed underground comix historian Patrick Rosenkranz at The Comics Journal: "Spain Rodriguez acknowledges that age hasn’t necessarily brought wisdom, but it does help him appreciate his youthful adventures more, especially the unique experience of growing up in Buffalo, New York in the 1950s, which he portrays in his latest book, Cruisin' with the Hound.... This new volume from Fantagraphics Books tells more about his childhood, the guys and girls in his neighborhood, early encounters with sex, religion, and science fiction, and the birth of rock and roll." Sample quote from Spain: "Each moment is unique. That’s the thing about comics. If affords you the potential to be able to capture that moment, probably more than anything else. It has certain objective and subjective potentiality. It’s something that nobody else can do. Each person is unique, each person sees things in their individual way and comics give you that opportunity."

Setting the Standard: Comics by Alex Toth

Review: "A book with 400 pages of Alex Toth comics is a dream come true. Toth is one of the early greats of comics. Many of the golden age and early silver age comic artists made drawings that were charmingly crude, but there were a few supergeniuses among them. Alex Toth's art is obviously a cut above a lot of his peers. His understanding of how to use areas of black is unequaled. Cartoonists like Frank Miller and Charles Burns, who really like to use as much black as possible, owe a lot to Toth as a guy who really broke new ground in blacking it up. If you want to learn something about shading and composition you go get this book [Setting the Standard] and just black out." – Nick Gazin, VICE

Mysterious Traveler

Review: "I still like looking at Ditko's stuff and think his work is valid. He's not a great drawer but he is clearly full of intense feelings and a lot of rage. Although his actual rendering skills aren't as strong as someone like Toth his ideas, feelings, and visual concepts are strong. This book [Mysterious Traveler] collects various sci-fi and horror comics he drew that are all pretty fun to look at and have neat visual ideas littered throughout." – Nick Gazin, VICE

Glitz-2-Go

Review: "[Glitz-2-Go] deals with feeling unattractive and dressing kinda like a drag queen and being dissatisfied with relationships. The Didi Glitz comics were produced at a time when doing art about the hidden perversions of the 50s was big. Pee Wee Herman, Blue Velvet, John Waters, a lot of stuff Devo did — it all fits in with this book." – Nick Gazin, VICE

Significant Objects

Interview: At PSFK, an excerpt of Rob Walker talking about Significant Objects in Need to Know Magazine: "People value and are attracted to stories, and this often plays out in the world of objects. What we tried to do is take that observation in a different direction. Instead of a traditional story ‘about an object’ (where it was made, why it’s so great, how it will make your life better), we wanted creative writers to invent stories inspired by objects, which can lead to all kinds of unpredictable results. And in this case, the results turned out to be strong enough that the stories stood on their own."

You Shall Die by Your Own Evil Creation!

Commentary: A Fletcher Hanks creation tops Pip Ury's list of "6 Great Old-Timey Comics for (Traumatizing) Kids" at Cracked: "Fantomah, Mystery Woman of the Jungle is often credited as the first comic book superheroine, debuting in early 1940 and predating Wonder Woman by almost two years. Whoever decided she counted as one, however, has an extremely loose definition of what superheroing entails -- for starters, as far as we know superheroes aren't meant to be mind-numbingly terrifying."

Daily OCD: 8/4/11
Written by Mike Baehr | Filed under Willie and JoeThe Comics JournalSteve DitkoreviewsRand HolmesPatrick RosenkranzKrazy KatKim DeitchinterviewsGilbert HernandezGeorge HerrimanDisneyDaily OCDCarl BarksBill MauldinaudioAlex Chun 4 Aug 2011 7:59 PM

Today's Online Commentary & Diversions:

Krazy & Ignatz 1935-1936: A Wild Warmth of Chromatic Gravy

List: The Hooded Utilitarian, nearing the top of their results in their International Best Comics Poll, reveals George Herriman's Krazy Kat at #2, with a brief essay by Jeet Heer 

The Comics Journal #301

Review: "...The Comics Journal #301... is crammed with fantastic content. The volume's texture, heft, and text make it the readers' equivalent of a dense slab of chocolate cake.... In short, Gary Groth and his editorial team have produced a stellar contribution to comics history and scholarship. It is a feast for comics aficionados and neophytes alike. " – Casey Burchby, SF Weekly

http://www.fantagraphics.com/images/flog/mike/201108/donald-blad1.jpg

Plug: The Forbidden Planet International blog shares our latest update on Walt Disney's Donald Duck: Lost in the Andes with its readers, and then bums them out with news of the book's unavailability in the UK

Willie & Joe: Back Home

Plug: "I second Tom Spurgeon’s recommendation of Bill Mauldin’s Willie and Joe Back Home. I was amazed by how brutally frank the comics are, and how affecting. I actually prefer it to his WWII work — it’s even more impassioned, and the cartooning loosens enough to show off a really expressive, cutting line." – Dan Nadel, The Comics Journal

The Pin-Up Art of Humorama

Plug: "Alex Chun has a new volume available from Fantagraphics Books in his series which profiles the 'few dollars a drawing' gag writers who sold work to the Humorama line of digest publications during the 1950s and into the early 1970s. As I have been writing on the lesser known artists who contributed, with the scant information available...I eagerly await the book!" – Jim Linderman, Dull Tool Dim Bulb

The Artist Himself: A Rand Holmes Retrospective [Pre-Order]

Interview (Audio): Patrick Rosenkranz discusses Vancouver-based underground comix artist Rand Holmes with Vancouver-based Inkstuds host Robin McConnell in advance of the Holmes exhibit and presentation this Saturday at Vancouver comic shop Lucky's. Vancouver!

http://www.fantagraphics.com/images/flog/mike/201108/beto_dimension.jpg

Analysis: At Entrecomics, Alberto Garcia examines the Steve Ditko influence/homages in some of Gilbert Hernandez's early work — even if you don't read Spanish, the images will have you going "ah-haaaa..."

The Search for Smilin' Ed!

Lore: Kim Deitch's "Mad About Music: My Life in Records" column returns over at TCJ.com, with more on Elvis Presley and the early days of rock 'n' roll

Rand Holmes Retrospective This Saturday
Written by janice headley | Filed under Rand HolmesPatrick Rosenkranzevents 3 Aug 2011 11:13 AM

Rand Holmes Retrospective

Vancouver residents are surely "lucky," because this weekend, Lucky's Comics presents a Rand Holmes Retrospective featuring original artwork by Rand Holmes, curated by Martha Holmes and Patrick Rosenkranz, author of The Artist Himself: A Rand Holmes Retrospective.

Author Patrick Rosenkranz will be in attendance, and will be giving a presentation on one of Canada’s most revolutionary artists! Don't miss it!

The event kicks off at 7:00 PM. Lucky's is located at 3972 Main Street in beautiful Vancouver, BC, Canada. 


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