|Tonight, Tomorrow, Saturday!|
|Written by Eric Reynolds | Filed under Paul Hornschemeier||2 Apr 2009 5:37 AM|
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Category >> Paul Hornschemeier
This weekend is the Emerald City Con, our hometown comics event of the year. We'll be exhibiting all weekend and showcasing a host of new spring books including Gilbert Hernandez's LUBA, Bob Fingerman's CONNECTIVE TISSUE, Miss Lasko-Gross's A MESS OF EVERYTHING, the great HUMBUG boxed set, Archie Goodwin's BLAZING COMBAT, Boody Rogers' BOODY, Paul Hornschemeier's MOTHER, COME HOME, and much, much more. We'll also be hosting signings, including:
JAIME HERNANDEZ: all weekend!
PAUL HORNSCHEMEIER: all day Saturday!
DAME DARCY: Saturday from 1 to 3PM
BILL SCHELLY (author of MAN OF ROCK, the excellent JOE KUBERT bio): Saturday from 11 to 2PM
Also, STAN SAKAI will be in attendance in Artist's Alley all weekend, signing copies of USAGI YOJIMBO.
After the con on Saturday, join us at the Fantagraphics Bookstore & Gallery from 6:00 to 9:00 PM for an extraordinary exhibition of original artwork by Jaime Hernandez and Stan Sakai. Jaime and Stan, together with special guest Paul Hornschemeier, will be signing books and mingling with fans.
It's impossible to overstate the enduring influence of LOVE & ROCKETS on the comics medium, so we'll skip the superlatives. Suffice to say that Jaime will be on hand to greet fans and sign books. Stan's epic USAGI YOJIMBO adventure series has introduced generations of young readers to the world of comics, and his books are more popular than ever. His original drawings and paintings are inspiring. Jaime and Stan will be joined by their young colleague Paul Hornschemeier signing copies of his wonderful new graphic novel MOTHER, COME HOME.
It's a honker today! Lots of good stuff out there:
• Review: The Tearoom of Despair pens a loving ode to The Comics Journal: "...[I]t remains the best magazine about comics I’ve ever had the pleasure to read, offering in-depth analysis that has changed my entire opinion of certain comics... And it has some of the best interviews with comic writers, artists and editors that have ever peen published in any medium... Overall, it is still an absolute pleasure to sit down with a new issue of The Comics Journal and read about the craft and love for the medium that is out there... It has recorded the history of comics with style and panache, has published the liveliest letter page in magazines and has been unfailing in its bid to raise comics as an art form."
• Review: Rob Clough has a typically thoughtful take on The Complete Peanuts 1971-1972: "The latest volume of The Complete Peanuts finds Charles Schulz still at his peak... a perfect blend of fantasy, whimsy, jokes, heartbreak, topical references and sturdy characterization."
• Preview: Fictional or not, The Rack's Lydia recommends Mother, Come Home by Paul Hornschemeier ("Paul Hornschemeier's comics always make me miserable, and in a good way. This is a new edition of my favorite work he's done so far.") and Ho! The Morally Questionable Cartoons of Ivan Brunetti ("I like him a lot, but I think that Johnny Ryan should be cutting Ivan Brunetti a check every month and this collection of gag cartoons will show you why") from this week's new comics
• Preview: Rounding up the week's new comics, Jog highlights Boody. The Bizarre Comics of Boody Rogers ("you will doubt your sanity") and Ho! The Morally Questionable Cartoons of Ivan Brunetti ("excellent, take-no-prisoners gag panels")
• Preview: The Comics Reporter, same tune, different lyrics: on Boody, "Some of the greatest, oddest comics of all time"; on Ho!, "relentlessly naughty... I like these quite a bit"; and on Supermen!, "I liked this book quite a bit... a bunch of frequently weird, hallucinatory adventure fantasies"
• Preview: Atomic Romance also anticipates Supermen!: "In your face golden age stories by some of the greats of comic book history... I love this because it’s a time of experimentation. The writers and artists are learning their craft and there aren’t any established rules yet. Sure to please fans of I Shall Destroy All the Civilized Planets."
• Preview: Yet more blurbage about this week's new comics, this time from Blog @ Newsarama: on Boody, "comics super-genius Boody Rogers’ work... is almost as beautiful as it is weird. Or almost as weird as it is beautiful. At any rate, it’s really weird and really beautiful"; on Supermen!: "[A] must-read... I can’t recommend this one highly enough"
• Interview: Publishers Weekly chats with C. Tyler about her new book You'll Never Know, Book 1; of the book they say "[Tyler] recreates the experience of thought, in which past and present, parents and children, relationships and variations of the self co-mingle, intersect, and layer over one another. Evocative words and images appear in the background or the margins of Tyler’s panels, drawing out subtleties of the story, or clueing us in to unspoken emotional tones."
• Good deed: Please consider donating to the S. Clay Wilson Special Needs Trust
• Review: Entertainment Weekly gives Supermen! an A-, saying "Supermen!, this anthology lovingly assembled by Greg Sadowski, makes the case that these earliest endeavors by the future creators of masterworks like The Spirit, Captain America, and Plastic Man were more than crude throat-clearings — they were unfiltered manifestations of psyche, lousy with erotic charge and questionable politics."
• Review: Graphic Novel Reporter on Abandoned Cars by Tim Lane: "Abandoned Cars doesn’t arrive at a clear-cut solution to the American Myth, but Lane’s effort to understand it for himself is beautifully presented... every last detail of the book seems perfectly devised by Lane to bring the stories together and make the reader join the inner dialogue on the subject of the Great American Mythological Drama. It is a brilliant debut."
• Review: Andrew Wheeler says Mome Vol. 11 is "a solid, interesting anthology"; following up with Mome Vol. 12, says "I expect anybody who likes 'alternative' cartooning at all will find something to enjoy here"; and finds Funeral of the Heart by Leah Hayes not to his taste
• Things to see (and buy if you're filthy rich): The Daily Cartoonist reports that the original art for the April 1, 1973 Sunday Peanuts is up for auction. Go bid, or save yourself a few thou by collecting the strip in The Complete Peanuts 1972-1973, coming this Fall
• Things to see: Look upon the bookshelves of Eric Reynolds and weep... WEEP
We have a whole mess of exclusive short excerpts of new and upcoming books that have gone up on the ICv2.com site recently. They're intended for "industry pros" but there's no reason everyone can't check 'em out:
• Mother, Come Home by Paul Hornschemeier (our product page)
• Review of the Year: Brick Weekly holds forth on The Wolverton Bible: "If you think that God was the greatest contributor to the Bible then you are wrong. In fact, when compared to the creative feats of legendary cartoonist Basil Wolverton, God’s work seems trite and superficial at best. So, throw out all of your old Bibles because you don’t need them any more..." And it goes on from there...
• Reviews: The San Antonio Current says "The Wolverton Bible collects everything [Basil Wolverton] did for the [Worldwide Church of God], presenting illustrations in chronological Biblical order — from Adam springing up from earth á la Spider-Man’s nemesis the Sandman all the way through the Old Testament and then hopping to the fantasy-friendly Book of Revelation, where eyeless corpses run rampant and jet planes tumble helplessly from the sky"; furthermore, "Humbug could be a comics blockbuster... it fills gaps in some cartoonists’ CVs and entertains like hell while doing it."
• Reviews: Andrew Wheeler rounds up some recent books: of The Lagoon by Lilli Carré he says "Carré has an expressive style reminiscent of Richard Sala -- and her stories are in the same literary territory as Sala's as well, so the gloomy blacks and busy cross-hatching add to the ominous, overwhelming feeling... there's real spookiness in these pages -- and she's telling a story in ways (particularly trying to evoke sounds and scents through a comics page) that I've rarely seen"; and of Jessica Farm Vol. 1 by Josh Simmons, Wheeler says "Josh Simmons might just be the Gutzon Borglum of comics. Simmons's... plan... is crazy, and I admire it for that."
• Reviews: Read About Comics reads The Complete Peanuts 1961-1962 and states "Now that I've finally hit the 1960s strips... I can't help but feel that I've entered the real Golden Age of Peanuts... I can’t wait to dive into the next volume."
THE 2009 PACIFIC NORTHWEST TOUR
April 2, 5:30-8:30PM: CHARLES A. HARTMAN FINE ART, Portland
"Paul Hornschemeier: Cloistered in Crowds" First Thursday reception and book signing
134 NW 8th Ave. • hartmanfineart.net
April 3, 6PM: LUCKY'S COMICS, Vancouver
Book signing and author talk
3972 Main St. • luckys.ca
April 4, All Day: EMERALD CITY CON, Seattle
Appearing at the Fantagraphics Books tables
Seattle Convention Center • emeraldcitycomicon.com
April 4, 7PM: FANTAGRAPHICS BOOKSTORE & GALLERY, Seattle
A book signing and Emerald City Con after-party with Stan Sakai & Jaime Hernandez
1201 S. Vale St. • fantagraphics.com/bookstore
Read the new book MOTHER, COME HOME from Fantagraphics
• Review: For Robot 6, Chris Mautner waxes rhapsodic about Humbug: "It's very easy with a book of this nature to engage in wild hyperbole... And yet, how else to talk about a project of this nature, a large collection of work featuring some of the most stellar cartoonists of their day, originally edited by one of the most important and influential humorists (and I really don't think this is hyperbole here - I'd put him up there with Richard Pryor in terms of significance) of the 20th century?... Something should be said about the packaging and restoration work, which is nothing short of astounding... I think it’s pretty safe to say that this collection will be on my top ten/best books of 2009 list at the end of the year. Really, how could it not? Apparently I like it more than breathing."
• List: From GQ, another one of those ubiquitous "what to read after Watchmen" lists, this one with The Girl from HOPPERS by Jaime Hernandez ("Hoppers... makes Gotham and Metropolis seem as bland as Scranton"), Safe Area Gorazde by Joe Sacco ("Graphic in every sense of the term... it’s the best argument around for comics as a journalistic medium"), and Bottomless Belly Button by Dash Shaw ("honest, meditative"), as well as work by Jessica Abel and Charles Burns
Mother, Come Home is Paul Hornschemeier’s piercing graphic-novel debut, long out of print and now available for the first time in hardcover. It secured the cartoonist’s place as one of his generation’s most skillful and ambitious practitioners, and proved a harbinger of the subject matter that the artist would go on to explore most consistently in later work: the nuclear family.
Mother, Come Home quietly studies the inner lives of recently widowed David and his 7-year-old son, Thomas; both are unable to deal with their grief directly. Thomas, protected by a lion’s mask that his mother gave him, constructs an identity for himself as “the groundskeeper”: ritual and routine, already important to children that age, become paramount to him. He struggles desperately to keep up appearances while his father, a professor of symbolic logic, becomes lost in abstractions. Father and son begin to retreat into their fantasies, but only one emerges.
Mother, Come Home is masterfully drawn: Eisner-, Harvey-, and Ignatz-Award-nominated Hornschemeier’s controlled brushwork is clean, and his nine-panel page layouts pace David’s inexorable descent into utter despair. Hornschemeier is equally precise when it comes to Mother, Come Home’s color palette: subdued but warm, which suits the story’s melancholy and contemplative mode. Mother, Come Home is a powerful work with universal themes of anguish and loss.