|Hornschemeier Tours Northwest|
|Written by Eric Reynolds | Filed under Paul Hornschemeier, events||18 Mar 2009 10:18 AM|
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Category >> Paul Hornschemeier
THE 2009 PACIFIC NORTHWEST TOUR
April 2, 5:30-8:30PM: CHARLES A. HARTMAN FINE ART, Portland
"Paul Hornschemeier: Cloistered in Crowds" First Thursday reception and book signing
134 NW 8th Ave. • hartmanfineart.net
April 3, 6PM: LUCKY'S COMICS, Vancouver
Book signing and author talk
3972 Main St. • luckys.ca
April 4, All Day: EMERALD CITY CON, Seattle
Appearing at the Fantagraphics Books tables
Seattle Convention Center • emeraldcitycomicon.com
April 4, 7PM: FANTAGRAPHICS BOOKSTORE & GALLERY, Seattle
A book signing and Emerald City Con after-party with Stan Sakai & Jaime Hernandez
1201 S. Vale St. • fantagraphics.com/bookstore
Read the new book MOTHER, COME HOME from Fantagraphics
• Review: For Robot 6, Chris Mautner waxes rhapsodic about Humbug: "It's very easy with a book of this nature to engage in wild hyperbole... And yet, how else to talk about a project of this nature, a large collection of work featuring some of the most stellar cartoonists of their day, originally edited by one of the most important and influential humorists (and I really don't think this is hyperbole here - I'd put him up there with Richard Pryor in terms of significance) of the 20th century?... Something should be said about the packaging and restoration work, which is nothing short of astounding... I think it’s pretty safe to say that this collection will be on my top ten/best books of 2009 list at the end of the year. Really, how could it not? Apparently I like it more than breathing."
• List: From GQ, another one of those ubiquitous "what to read after Watchmen" lists, this one with The Girl from HOPPERS by Jaime Hernandez ("Hoppers... makes Gotham and Metropolis seem as bland as Scranton"), Safe Area Gorazde by Joe Sacco ("Graphic in every sense of the term... it’s the best argument around for comics as a journalistic medium"), and Bottomless Belly Button by Dash Shaw ("honest, meditative"), as well as work by Jessica Abel and Charles Burns
Mother, Come Home is Paul Hornschemeier’s piercing graphic-novel debut, long out of print and now available for the first time in hardcover. It secured the cartoonist’s place as one of his generation’s most skillful and ambitious practitioners, and proved a harbinger of the subject matter that the artist would go on to explore most consistently in later work: the nuclear family.
Mother, Come Home quietly studies the inner lives of recently widowed David and his 7-year-old son, Thomas; both are unable to deal with their grief directly. Thomas, protected by a lion’s mask that his mother gave him, constructs an identity for himself as “the groundskeeper”: ritual and routine, already important to children that age, become paramount to him. He struggles desperately to keep up appearances while his father, a professor of symbolic logic, becomes lost in abstractions. Father and son begin to retreat into their fantasies, but only one emerges.
Mother, Come Home is masterfully drawn: Eisner-, Harvey-, and Ignatz-Award-nominated Hornschemeier’s controlled brushwork is clean, and his nine-panel page layouts pace David’s inexorable descent into utter despair. Hornschemeier is equally precise when it comes to Mother, Come Home’s color palette: subdued but warm, which suits the story’s melancholy and contemplative mode. Mother, Come Home is a powerful work with universal themes of anguish and loss.
Well, second look if you follow Paul Hornschemeier's blog. I'll just steal Paul's text outright:
"Arriving in stores in the fall of this year, All and Sundry is a collection of various illustrations, posters, comics, and drawings that have been scattered in publications and galleries all over the world, but never collected in a single volume. This will include the strip currently running in the German newspaper Frankfurter Allgemeine Sonntagszeitung, as well as the sixteen page comic recently drawn for the album Yonlu. The book will be rounded out by over one hundred scans from sketchbooks, documenting weirdness that has never seen the light of day, and projects still in a primitive state."
• Things to see: Happy Friday the 13th from the Jim Flora Blog
• List: In the holiday spirit, the UCD Advocate's rundown of "Cartoon Sex" names Charles Burns's Black Hole "Creepiest," Robert & Aline Crumb's Self Loathing Comics "Kinkiest," and The Girl from HOPPERS by Jaime Hernandez "Most Realistic"
• Social networking: If you're on the Twitter, you can follow cartoonists Paul Hornschemeier and Mack White; meanwhile, we just got our 1,000th Twitter follower, who appears to be a fictional albatross named Fredrik Lotsie (and you could be our 1,014th)
Now available for preview and pre-order: the new, first-ever hardcover edition of Paul Hornschemeier's acclaimed graphic novel debut Mother, Come Home. Praised by everyone from Will Eisner to Entertainment Weekly when it was first released, this book has been out of print for quite some time. Mother, Come Home is scheduled to be in stock in late February and in stores approximately 4 weeks later.
View a photo and video slideshow preview above (click here if it is not visible, and/or to view it larger in a new window), and visit the product details page for a downloadable 14-page PDF excerpt and bonus desktop wallpaper downloads!
Paul Hornschemeier announcement: Paul will be designing and illustrating every release from Paper Egg Books, a new subscription-only book series from featherproof Books. No images yet, but the books are sure to be as "hotly handsome" as the Paper Egg site says Paul is. More info in the official announcement.
Paul Hornschemeier states:
Starting [January 5], and for the next seventeen weeks, I'll be contributing a weekly strip in the German newspaper Frankfurter Allgemeine Sonntagszeitung.The strip is in their "Tragic Strip" slot of their political section, and has been previously occupied by a slew of artists, including one of my major idols and influences, Heinz Edelmann. My contribution will feature Huge Suit (who made an appearance in Fantagraphics' 2006 Free Comic Book Day issue and is inarguably one of my more Heinz Edelmann-influenced characters). The strips aren't apparently going to be available online, but a clip is above.