|Things to See: Carl Barks by Paul Hornschemeier|
|Written by Mike Baehr | Filed under Things to see, Paul Hornschemeier, Carl Barks||20 Nov 2011 9:24 PM|
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Category >> Paul Hornschemeier
• A Grotesque "family portrait" and Mr. O'Blique postcards that Sergio Ponchione will be giving away to lucky attendees (I think? the autotranslation's a little iffy) at an upcoming festival in Italy
• Speaking of The New Yorker, Paul Karasik got a cartoon in there! Congrats Paul! (via Facebook)
• Steven Weissman and Jordan Crane are putting together an elementary school haunted house for some LUCKY KIDS and here's Steven's flyer for it with Jordan's logo for the school (from Steven via email); also from Steven, his latest "I, Anonymous" spot and Stincker sketchin'
• A fun Dave Cooper gig poster for his friend's band (via Facebook)
• Trubble Club is always fun even if we can't tell who drew what
Two more great pieces of artwork up now in the benefit auctions for the family of Dylan Williams & Sparkplug Comic Books: above, Megan Kelso's one-page story about Nirvana, "My Little Piece of Kurt," from 1994 (as recently seen in the Quiet Rrriot exhibit at Fantagraphics Bookstore & Gallery); below, an original page from Paul Hornschemeier's Life with Mr. Dangerous, as seen in Mome Vol. 17. Click each image to go to the respective eBay auctions, and see additional contributions at The Divine Invasion and Profanity Hill.
Hey Chicago! Guess who's hosting this month's Doodleganza: The Drawing Extravaganza at the Museum of Contemporary Art? GIVE UP?
Today's Online Commentary & Diversions:
• Profile: CT.com's Alan Bisbort talks to Michael Kupperman in advance of his appearance at Hartford's Mark Twain House tomorrow: "Kupperman, to be clear and fair, is quite fond of Twain, so his own caricatures are done with the affection one has for an eccentric uncle. His portrayals of Twain are interchangeable with his equally affectionate depictions of Albert Einstein — Twain and Einstein have, in fact, regularly appeared together in Kupperman's comic strips over the years — so he was pleasantly surprised by a recent serendipitous Internet purchase. 'I ordered a Twain wig and mustache from the official Twain website,' he says. 'And the label said "Twain/Einstein" so I must be on the right track.'"
• Interview: Paul Hornschemeier has a brief chat with MSN Postbox: "I think both my stories’ trajectories and my [philosophy] degree are both symptoms of a central disease. While I tend to gravitate toward comedy and joking around in a social context, I think that I’ve always been pretty introspective when I’m sitting around by myself. Which you tend to do a lot as a cartoonist — as in all of the time."
• Review: "Fantagraphics keeps the hits rolling throughout 2011 and The Arctic Marauder is the latest in their Jacques Tardi translations line.... The art is wonderful. Tardi has this rounded style that is unique and easily identifiable, all at once his signature. The level of detail is astounding, in the background and mechanical details as rendered faux woodcuts. The 9×11.75″ pages present the art in gloriously large detail: be sure to drink in every inch of this black and white work.... At $17 for a sixty-four page oversized hardcover this is a great value: while the vintage prose was lost on me it stands as a great period work with wonderfully detailed art." – eBabble
As if you need another reason to go to the Alternative Press Expo in San Francisco this weekend, publisher Chance Press will be offering The Daily Forlorn, a collection of artwork from Paul Hornschemeier's sketch blog of the same name in a limited-edition and fancy-sounding package. Deets chez Paul.
Today's Online Commentary & Diversions:
• Review: "Sala creates stories in which brightly colored, cartoony art and characters who speak in casual idiom tell of events that aren’t so much humorous or casual as provocative and scary. In [The Hidden], he combines motifs of a postapocalyptic landscape, wanderers, some vampiric businessmen, and, ultimately, Dr. Frankenstein. The stew works perfectly: readers have no chance to engage in incredulity... Characters are introduced at a steady but manageable pace, and it is only at story’s end that the opening pages become horrifyingly clear. Sala works with a full palette of beautiful, gemlike hues held in generous panels. Even the monsters have individuated faces, which only ramps up the horror." – Francisca Goldsmith, School Library Journal
• Interview: Comic Book Resources' Shaun Manning talks to Richard Sala about The Hidden: "It's a story about consequences. It's about what happens when you set wheels in motion that maybe you can't control, that in fact spin completely out of control. What do you do? Do you take responsibility for what comes next or, or do you run away and distance yourself from what you've caused and try to pretend it doesn't matter. And it's about what happens when you finally realize that it's up to you to stop what you started. Is that vague enough?! It's not exactly a 'high concept' description, I'm afraid."
• Review: "A dark horse contender for comics creator of the year can be found in the unlikely personage of the late artist Alex Toth... Setting the Standard aims at... a conceptually sound and compelling [goal]: the publication of Toth's work between 1952 and 1954 for the long-defunct comics publisher Standard... The work is in a variety of sturdy, popular genres. The presentation of the comics themselves proves crisp and strong. The manner in which the increasingly valuable Sadowski and his publisher chose to present the supporting material is even better." – Tom Spurgeon, The Comics Reporter
• Review: "I think the most important thing you need to know about [Mark Twain's Autobiography 1910-2010] is that it made me laugh out loud not once, but close to a dozen times. At one point, during an exchange with a famous cartoon strip writer, I think I laughed for a solid minute. It might have been longer, except the neighbors threatened to shoot me. And if they'd done me in, I'd never have gotten a chance to review this and tell you that this is one of the best books -- if not *the* best book -- I've read all year." – Rob McMonigal, Panel Patter
• Interview: Comic Book Resources' Alex Dueben chats with Gahan Wilson about Nuts: "On the whole, [the comic] was mostly autobiographical. It just rolled out and it was and continues to be very satisfying to me. It helped me see kids better, too. They're just wonderful. The creativity of children is kind of frightening. They all do these drawings which are just gorgeous and profound, and they'll do poetry. They're brilliant.... I think they're very encouraging because they give you a peek at what we could be if we grew up right. I think there's hope for us all, and kids are evidence of that."
• Interview: At The Comics Journal it's a Mome dude tête-à-tête as Frank Santoro quizzes Jesse Moynihan: "I did some color guides with Photoshop for a piece called Simon Magus (MOME 22). That was helpful but not usually how I do things. Since I’m using a medium that can build layers, it’s not difficult to go back in and edit the color scheme to an extent. For the most part I trust that my eye can decide what needs to happen on the fly."
• Interview (Video): At SPX, Paul Hornschemeier sat down for an on-camera chat with Joe Mochove and Rusty Rowley. "We discuss all of the important topics of the day: Earnest Borgnine, mobility scooters, terrorism, and delicious orange juice," says Paul at his blog. (What is it with the Borgnine?)
Read that again. A mustachioed duck tee.
• Cartoon Utopia drawings by Ron Regé Jr. (still raising cash to aid in the completion of the book)
Kim Thompson's wife Lynn Emmert went to SPX and came back with a mini photo gallery. Kim wrote the captions.