"Charles Schulz was an American treasure — an artist, philosopher, and keen observer of human life." – Bill Clinton
"The Complete Peanuts has framed Charles Schulz’s enduring masterpiece about as well any lifelong fan could’ve hoped." – "The Best Comics of the '00s: The Archives," The A.V. Club
"The Complete Peanuts confronts us afresh with what a brilliant, truly modern and totally weird idea it was to create a comic strip about a chronically depressed child..." – TIME
"Fantagraphics has won numerous awards for this series and they deserve them all for creating such a wonderful archive of this American treasure. This series is a must have for any Peanuts fan and can be enjoyed by the whole family. I wouldn't miss a volume." – The Christian Science Monitor
"Fantagraphics' heroic project (designed with subtle, quiet beauty by the caroonist called Seth) enables us to glimpse the moment when 'good ol' Charlie Brown' could say with frowning vehemence, 'The rest of this day can’t possibly hold any good for me!'... [Grade:] A” – Entertainment Weekly
The bestselling, award-winning, critically acclaimed series that sparked a renaissance for fans of classic comic strips upon its debut in 2004 is now in softcover! This first volume, covering the first two and a quarter years of the strip, features hundreds of strips rarely reprinted before this series. Three major cast members — Schroeder, Lucy, and Linus — initially show up as infants and only “grow” into their final “mature” selves as the months go by. Even Snoopy debuts as a puppy! The Complete Peanuts offers a unique chance to see a master of the art form refine his skills and solidify his universe, day by day. This volume is rounded out with Garrison Keillor’s introduction and a biographical essay by David Michaelis (Schulz and Peanuts).
This week's comic shop shipment is slated to include the following new title. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
64-page black & white (with spot color) 5.75" x 5.75" hardcover • $9.99 ISBN: 978-1-60699-725-3
"If baseball had a fictional Hall of Fame for philosophical managers, an entire wing could be devoted to Charlie Brown who invests new meaning in that old line that 'hope springs eternal.'... In every game, one team has to lose. Batter Up is for anyone who's ever lost." -Bob Minzesheimer, USA Today
"Three stories of his endearing, but routinely fruitless, outings are collected in this handsome booklet, perfect for Peanuts and baseball fans alike." -Publishers Weekly
Peanuts enters its final decade, and The Complete Peanuts enters its homestretch, with material that is perhaps the most overlooked of Schulz’s career and soon to be reconsidered by scholars with this volume. Schulz’s cartooning has never looked more confident, and his sense of humor never more unrestrained. This is the 21st volume (of 25) of the perennial, bestselling series that collects every single one of the 18,000-plus Peanuts strips created by Charles M. Schulz, from its debut in 1950 to the end in 2000.
For the new softcover editions, we redesigned The Complete Peanuts inside and out, as you can see in these snapshots of a just-arrived advance copy of the kick-off volume, The Complete Peanuts 1950-1952. Looks pretty snappy, huh?
Even if you've been collecting the hardcover volumes, you'll want to have these affordable paperbacks around for the kids and for loaning out or giving as gifts to friends and relatives, and of course the brilliance of Charles M. Schulz's beloved strip endures no matter what the format. Pre-order your copy (it'll be available a couple of months from now) and read a free excerpt right here.
If there's anyone out there who's been holding out for a softcover edition of The Complete Peanuts, your patience is soon to pay off! Or if you're late to the Peanuts party and want to start from the beginning, now is the time. Our paperback of The Complete Peanuts 1950-1952, the first volume in our definitive, unexpurgated collection of Charles M. Schulz's decades-spanning masterpiece, is due in a couple of months, and we have a bunch of pages to share with you!
We've pulled our downloadable excerpt from the middle of the book at the beginning of 1952, when Schulz began doing Sundays, with five full weeks of strips for your enjoyment! Reserve your copy today for delivery in May.
Happiness is a new Peanuts book on my desk! Here's a just-delivered advance copy of The Complete Peanuts 1991-1992 by Charles M. Schulz — Vol. 21 in the series. Marcie on the cover, two full years of daily and Sunday strips in crisp black and white inside, an introduction by Tom Tomorrow, and those thoughtful design touches by Seth that make these books so inviting... ahhh. Don't you just want to hug it?
If you missed it, we shared the first month of strips for free, and we're taking pre-orders for delivery in May — get all the info and take action right here.
On Monday, the fine folk at Peanuts let me grace their campus for a rather incredible visit. Nomi Kane, former Fantagraphics intern, Center for Cartoon Studies' 2011 alum and Donna Almendrala, CCS 2012 alum, were kind enough to show OSU librarian Caitlin McGurk and me around!
The waiting room was chock full of Peanuts paraphenalia including some VERY familiar reprints of Peanuts. One could even call them the COMPLETE PEANUTS.
Vicki works on some of the ad and the pencilling the graphic novel Peanuts produces (Paige Braddock inks). She also could make ANYTHING out of anything --- her chair was refurbished with a Japanese Peanuts banner as the cushion fabric --- very cool.
Vicki's pencils go off to Paige Braddock (also the cartoonist behind Jane's World) who was busy showing off some of Sparky's old nibs she was using and breaking in a new one. Her office is one of the coolest I've ever seen but you'll just have to visit to see what I mean!
Nomi and Donna both approve merchandise from licensees and of course, kept some cool stuff. Like these motorcycle/scooter helmets. They were so nice you would buy a Vespa to match. (Donna and Caitlin demonstrate the proper way to wear a helmet)
Speaking of baseball! And yes, basically everything was Peanuts-themed SAVE the toilet paper but I have hopes for my next visit:
Some other coworkers worked with specific items like plush dolls and cell phone charms/key fobs:
Apparently, Japanese readers of Peanuts are wild about Olaf, Snoopy's brother 'with more to love.' He was everywhere there, which was pretty cool. (Olaf hangs tough with sister, Belle, and brother, Spike)
We met another working cartoonist at home at Peanuts (along with Paige, Donna and Nomi). Alexis E. Farjado of Kid Beowulf works there and his bookshelf was IMPRESSIVE to me (read: a lot of comics and many Fantagraphics' books). Here he models the Snoopy puppy socks that I obviously stole when his back was turned for one-eyed Wanda back at my office.
In fact, everywhere I went from the 'family office' to the Peanuts and Associates to the museum, had a near full set of The Complete Peanuts and the new Peanuts Every Sundayon the employee's desk. It was like being at home (except I didn't hear any cursing).
Off to the museum next! The quote that burns into your soul the minute you walk in is "A cartoonist is someone who draws the same thing day after day without repeating himself." PERFECT. (yeah, I know it says 'himself' but if you worked as hard as Schulz, you'd probably use your own gender since you're talking about yourself!).
One of the best and permanent objects in the museum was a ceramic tile mural composed of 3,588 ceramic tiles equaling TEN years of daily strips (published between 1956-1988). Designed by Yoshiteru Otani, this was one of the most fun to see from a distance and up close.
In the courtyard, many sculptures wait for visitors and "Under Construction Brown" is a delight. Made by TivoliToo in 2001.
And a lil' something by CHRISTO was hanging out in the permanent collection.
One of the rotating exhibits was about the night sky in Schulz comics and even had an interactive constellation board. The presentation of one of the main walls was both striking and still warm enough to invite kids in.
The other special exhibit was, of course, about heartbreak in Peanuts comics. More on THAT later. A shot of all of us, who have dedicated our lives to comics! Donna, Denis St. John (CCS '08 alum), Nomi and me.
We hit the gift shop by the skating rink and GUESS what was there? A Red Baron flying ace and alllll the Complete Peanuts. I'm very easily pleased.
There was one last special visit and this was behind the scenes in Charles M. Schulz's actual studio (there is a recreation in the museum). His tools were preserved and the symbolic 'next strip' lay on his desk.
A big thank you to Jeannie Schulz for taking the time to jabber on with us, Nomi for arranging/giving the tour and Donna for graciously answering our questions as well. It meant a tremendous amount to me, Caitlin and Denis because we all worked at the Schulz Library at some point during our time at the Center for Cartoons Studies in White River Junction.
Feel inspired? Grab a copy of Peanuts today! Grab a pencil, the nearest ONE, and start drawing.
We are pleased to debut the final cover art for The Complete Peanuts 1950-1952 Softcover Edition! The acclaimed, award-winning series, in paperback, with a new design by art director Jacob Covey, and following the same release pattern as the original hardcovers: 2 volumes per year, with an annual slipcased 2-volume set. This first volume arrives in early Summer and you can pre-order now.
(By the way, we premiered this image yesterday on The Complete Peanuts Facebook fan page, so you hardcore Schulz-philes ought to go give that a "like" if you want first dibs on stuff like this!)
Register and Login to receive full member benefits, including members-only special offers, commenting privileges on Flog! The Fantagraphics Blog, newsletters and special announcements via email, and stuff we haven't even thought of yet. Membership is free and spam-free, so Sign Up Today!