344-page black & white 8.5" x 7" hardcover • $28.99 ISBN: 978-1-60699-634-8
Ships in: March 2013 (subject to change)
So what do we have for Peanuts fans this time around?
An ill-considered attempt at flirting sends Charlie Brown to the school doctor... Linus's ongoing romance with the too-young "Lydia" of the many names continues... Snoopy is joined in the trenches by his brother Spike... Sally engages in a career as a playwright by penning the school Christmas play but mixes up Gabriel and Geronimo... A hockey mishap sends Snoopy to the doctor for knee surgery, in a (clearly autobiographical) sequence that lasts only until everyone figures out that dogs don’t have knees... Linus and Lucy’s kid brother Rerun begins to take on the greater role that will lead to him being one of the dominant characters in the 1990s... and Snoopy, inevitably, writes a "kiss and tell" book.
As we reach the 19th (!) book in this epochal, best-selling series collecting arguably the greatest comic strip of all time and head toward the end of the 1980s, Charles Schulz is still as inventive, hilarious, and touching as ever... and this volume even features a surprise format change, as the daily strip switches from its trademark four-square-panels format to a more flexible one-to-four-variable-panels format which, along with Schulz's increased use of gray tones, give this volume a striking, distinctive look.
This volume's introduction is by a fellow comic strip legend, Doonesbury creator Garry Trudeau.
Hot on the heels of our exciting Peanuts Every Sunday announcement, we present this sneak peek at an advance copy of The Complete Peanuts 1987-1988 by Charles M. Schulz, the upcoming 19th volume in the series! I've laughed out loud multiple times with just the merest glance at the contents so far, so put that in your supper dish and, uh, smoke it. And you won't want to miss the foreword by another giant of the comics page, Doonesbury's Garry Trudeau. The book should be hitting shelves in April, and we'll certainly have more detailed previews for you between now and then. Right now, you can dig into a PDF excerpt including all the January, 1987 strips right here.
When Dorothy first finds herself in Oz, the whole world refocuses and shifts from black and white to full color. The time has come for Peanuts to turn a page into the same spectrum! Coming in the Fall of 2013, Fantagraphics will be releasing Peanuts Every Sunday: 1952-1955 in resplendent remastered colors. Each volume will contain four years of Sunday comics just the way Charles M. Schulz intended, in crisp full color released annually. You don't have to be a white witch to see the beauty in these comics.
Publisher Gary Groth stated, "We always felt that the best format for The Complete Peanuts was a black and white reprinting of every Peanuts strip ever drawn and that reprinting the Sunday strips in color would be too distracting. But, we always wanted to reprint just the Sunday Peanuts in full color at a size closer to what they were originally printed in in the newspapers — and so we are, gloriously re-colored using Charles Schulz's original palette." Created by Charles Schulz in 1950, Peanutsran for 50 years until he retired on February 12th, 2000. He passed away that day with one final strip ready to print.
$49.99 Hardcover • 288 pages Full color • 12.75" x 10" ISBN: 978-1-60699-692-8
Designed as a series of ten massive coffee-table quality books, each one containing a half-decade's worth of Sunday strips, Peanuts Every Sunday is a book to be enjoyed any day, not just Sundays. Recolored by Joanne Bagge, the striking colors of the Red Baron dashing across the sky to the soft blue hue of Linus' blanket to Woodstock's fuzzy yellow head all grace the pages of Peanuts Every Sunday. Enjoy the secret pleasure of seeing Charlie's original zigzag shirt in many colors before becoming its trademark yellow.
Don't be a blockhead – get ready for for the majestic beauty of Charles M. Schulz in full color.
Hey Luuuucy! She's got her dander up about something on Seth's cover design for The Complete Peanuts 1987-1988 by Charles M. Schulz. It's the 19th volume in the series and we've reached the milestone point where Schulz switched from 4 uniform panels to a variable layout. And this volume's Foreword is by another comic strip legend, Garry Trudeau. You won't want to miss it when it comes out in March! We're giving you a sneak peek excerpt with all the strips from January 1987 which you can read right here.
We missed this in the holiday rush of making sure you got those beautiful Peanuts books but Saturday Night Live created a laugh-and-fart-out-loud parody of the beloved characters created by Charles M. Schulz. Hats off to Bill Hader's Al Pacino as Charlie Brown and Martin Short's Larry David as Linus.
Also, a friend sent us this odd text-based adventure of a future society that learned how to be through a Peanuts filter. Walk around the world in your mind (live an hut made of baseball gloves)! Read a little bit of Charlie Brown, Snoopy and the gang before immersing yourself.
Happy New Year's! Here's to a great year of books and the next year and the year after that. We salute you and thank you for your friendship and purchases. Some of you sent in photos reading books from this year (and a few past ones).
The last peanut of a day of Online Commentaries & Diversions aka the news you missed while present shopping, latke eating and flying:
• Review: The Comics Journal and Rucker crack the two books focusing on Malcom McNeill and William S. Burrough's artistic collaboration, Observed While Falling (the memoir) and The Lost Art of Ah Pook is Here. (the art book) "The art is awesome, the memoir is engaging. . .Ah Pook is in a characteristic style of Burroughs’s middle period. He mixes a true-adventure story with bitter anti-establishment scenarios, gay sexual fantasies, science-fictional visualizations of chimerical mutants, and apocalyptic visions of a biological plague. . .The results are staggering—the best pictures of dicks that I’ve ever seen. . . ."
On the memoir "One of the pleasures of McNeill’s memoir, Observed While Falling, is reading about hear about his conversations with Burroughs. Old Bill laid down some tasty aphorisms. . . Ah Pook is a word/image virus. Study these new books and enjoy the disease."
• Interview:Jaime and Gilbert Hernandez of Love and Rockets are interviewed by Tim Hodler, Dan Nadel and Frank Santoro on The Comics Journal. Jaime talks about becoming more popular cartoonists, "So Gilbert and I kind of set up our own ground where we go. We go, you love Raw? Raw’s East Coast? Love and Rockets is West Coast. And they go, 'So West Coast is primitive and old-fashioned?' Fine. It’s not art school."
• Review:Comics Alliance features several of our box sets on their Holiday Gift Guide: Deluxe Editions. On the Love and Rockets Library Collection, by Gilbert and Jaime Hernandez Andy Khouri states, “This indie comics mainstay has been going for nearly 30 years, making Love and Rockets as intimidating to some new readers as even the densest superhero mythologies. Luckily, Fantagraphics has made the Los Bros Hernandez saga about a massive cast of startlingly lifelike characters digestible in the form of affordable reprint volumes published in chronological order."
• Review: Douglas Wolk reviews Harvey Kurtzman’s EC stories in Corpse on the Imjin! for the New York Times. "Kurtzman’s writing could be bombastic — nearly all of these stories’ titles end in exclamation points — but, as the United States became mired in the Korean War, his reeling disgust at the horrors of war (and his thick, slashing brush strokes) made for shockingly bold rhetoric."
•Review:The Atlantic lists Mark Twain's Autobiography 1910-2010 by Michael Kupperman as one of The Best Books I Read This Year. Chris Heller says "Kupperman’s brilliance isn’t just in his humor, though. Mark Twain’s Autobiography is meant to be read in small doses, no more than half a dozen pages at a time. Trust me: You don’t want to gorge on a book that’s this weirdly amusing. But after a peek into Kupperman’s hysterically twisted mind, you’ll keep wanting to go back for more."
• Review:Comics Bulletin releases its 2012 Best Graphic Novel List and The Hypo by Noah Van Sciver makes it. "Van Sciver's toolkit includes the pens and pins of pathos and pain, self-doubt and angst, as much as it contains determination and fortitude. The Lincoln of The Hypo transcends his time, place, and even (or maybe especially) his name. . . It stands as a true example of the capabilities of this medium to deliver stories in a truly visceral manner," writes Daniel Elkin.
• Review:Unshelved comics review The Hypo by Noah Van Sciver. Gene Ambaum writes,"The mood of Lincoln’s life in Springfield, Illinois, is well-expressed via the rough-hewn, cross-hatched skies, floorboards, and backgrounds."
• Review: Tim Callahan has nothing but love for Spacehawkby Basil Wolverton on Comic Book Resources. He states, "Wolverton's world is a weird and ugly and beautifully innocently horrible charmingly delightful one, and it has more in common with the absurd genre riffs from something like Pendleton Ward's Adventure Time or Jesse Moynihan's Forming or Tom Gauld's Goliath than it does the bland superhero melodrama of 'Marvel Mystery Comics'."
• Review:Comics Bulletin's Favorite Reprints Books of 2012 include Gary Panter's Dal Tokyo and our Carl Barks reprints. In reference to Carl Barks' Uncle Scrooge and Donald Duck, "I would not hesitate to say that Fantagraphics’ reprints of Barks’ Duck comics may very well be the best collection series that any comic company is doing today! . . Each story is funny, smart and just plain fun and Fantagraphics treat each and every panel on the page with care and detail," states Nick Boisson. Jason Sacks writes "[Dal Tokyo is] a freaking godsend from the reprint editors at Fantagraphics because it unearthed an amazing, surreal, brilliant lost classic that's like an artifact from some amazing parallel dimension.. . Readers are asked to bring our perceptions to these pages, to bring our intelligence and passion and appreciation for abstraction and love for everything that feels different and yet the same as everyday life."
• Review:School Library Journal files Walt Disney's Donald Duck: A Christmas for Shacktownby Carl Barks in the Dewey (Huey and Louey) decimal of their hearts. J. Caleb Mozzocco says "[It] features another 200 pages of master cartooning from 'The Good Duck Artist' in a nicely produced bookshelf- or backpack-ready hardcover edition. . . the Barks books are great comics for kids and adult fans of the medium."
• Review: Uncle Scrooge: Only a Poor Old Man makes the Best of or Our Favorite Books of 2012 list on the Village Voice. Alan Scherstuhlstates, “Sprightly, inventive, wise, and more exciting than 60-year-old-duck tales should be, Barks's work already stands at the top of any list of history's greatest comics. It should also rank high among stories, period.”
• Review:Brooklyn Based thinks Sexytime edited by Jacques Boyreau is for youand suggests books for reading and giving. "This book is a journey into the aesthetic of porn," states Jon Reiss.
• Interview: Alex Dueben interviews Lilli Carré on Comic Book Resources about comics and animation. "I loved designing and arranging the [Heads or Tails]. Figuring out which pieces to include and the best order for them took quite a while, since I wanted each story to speak to the one before and after it, and to have a good flow despite the shift in styles. It was like making a high-stakes mix tape."
• Review: North Adams Transcript and John Seven look at Heads or Tails by Lilli Carré. "The multi-faceted Lilli Carre -- author, illustrator, animator -- presents stories that are as gentle as they are cryptic, in which the darkness of her themes meld perfectly with the sweetness of her style. . .Carre’s short work is collected and celebrated, revealing a creator of power, easily on the level with lauded types like Chris Ware."
• Review:Hooded Utilitarian makes it through Josh Simmons' The Furry Trap (probably with all the lights on in the house). James Romberger writes it is “packed cover to cover with shudders that cannot be anticipated, that grow worse as they progressively become less clearly defined. The last narrative is the most frightening because it is a straightforwardly articulated bit of cinematography on paper that, as with the most effective of suspenseful creations, gains in impact from what is never shown, the reader’s mind having already been prepared by the foregoing tales to expect the worst.”
• Review:Comics Alliance features several of our box sets on their Holiday Gift Guide: Deluxe Editions. On The Complete Peanuts Collection box setsby Charles M Schulz. Andy Khouri writes, “Reprinted in chronological order with the highest production values, any one of these books would make an auspicious addition to any bookshelf.”
• Review:School Library Journal looks at Charlie Brown’s Christmas Stocking by Charles M. Schulz. J. Caleb Mozzocco says, "Schulz’s Peanuts has always been unique in its ability to speak to audiences of adults and children simultaneously. . . Nice then to have a comic that can speak to kids, adults and the little kids the adults used to be all at the same time—even if only for a quick 40 pages or so."
• Review: HeroesOnline looks at The Complete Syndicated Pogo Vol. 2 "Bona Fide Balderdash" by Walt Kelly. “Pogo certainly belongs on any informed list of the top 5 newspaper comic strips of all time. The artwork is stunning, the pacing is fast, the characters simply come alive on the page; the plot-lines are crazy and labyrinthine and above all hilarious . . . Fantagraphics does the Kelly oeuvre proud with beautiful production values and insightful introductory material,” states Andy Mansell.
• Review:Dungeon Quest 3 by Joe Daly is the Best ofYear 2012 on the Forbidden Planet International site.Clark Burscough writes, “Deceptively simple looking artwork contains hidden depths, and the mythology that Joe Daly is building up around these characters and their world is starting to get properly out there.. . And on top of that – it’s laugh out loud funny. I can’t go into precisely why, because it’s also laugh out loud filthy. Something for everyone in these books.”
• Interview:Comic Book Resources and Alex Dueben interview James Romberger on his collaboration of 7 Miles a Second (and Post York). On his love of New York-centric books, “It is strange that I'll get used to an aspect of the landscape, but so often, I will come out to find it gone and replaced with something completely different. Still, I also love that shifting quality and the multiculturalism of the city; it is my primary subject,” says Romberger.
• Review:Listen, Whitey!on NPR Music for its MUSIC compilation. Matt Sullivan, assistant to author Pat Thomas, talks to Michaelangeo Matos about the project to accompany the book. "There's no way that Sony or EMI were going to [automatically] say yes to the Bob Dylan or John & Yoko tracks, because they get those requests all day. Years ago, Pat went to Bob Dylan's office and got those guys to approve it. The same thing with Yoko. . ."
• Plug: Speaking of 2013, Johanna Draper Carlson of Comics Worth Reading can't wait for Pretty in Ink: American Women Cartoonists by Trina Robbins to come out!
Hello, loyal mail-order customers! Just a friendly reminder that in order for your shipment to be delivered in time for the Christmas holiday, we must receive your order before 5 PM Pacific time on the following dates (note that these are guidelines and not a guarantee of delivery):
International – Global Mail: Tuesday, November 27 International – Airmail: Monday, December 10 Domestic – Media Rate/UPS Ground: Friday, December 14 Domestic – Priority Mail: Monday, December 17 Domestic – 2nd Day UPS: Thursday, December 20
The first bit of frost of Online Commentaries & Diversions:
• Review (video):Last Gasp's John Longhi reviews The Lost Art of Ah Pook by Malcom McNeill, a story originally created with William Burroughs. Longhi says, "I can see why Burroughs wanted to work with McNeill because he's one of the few guys who could capture the crazy wacked out details of his story writing. . . [It contains] all the wonderful social discord that made his writing fantastic."
• Review:Blacklung by Chris Wright gets high marks on Paste Magazine. Sean Edgar says, "Blacklung is a weird, compelling creation, telling a harrowing story of redemption and savagery through art that could initially pass as adorable before you get to the tongue necklaces. Highly recommended for those with strong stomachs."
• Review:School Library Journal announces their BEST BOOKS OF 2012 and in the graphics novels section, Noah Van Sciver's The Hypo is listed. "Van Sciver makes Lincoln real by picturing one of the hardest times in his younger life. . . Dickens-style squalor and melodrama plus Austen-style romance, all done in gritty cross-hatching."
• Plug:The NY Times listed Flannery O'Connor: The Cartoons at the top of the Best Bathroom Reads of 2012. Dwight Garner believes "the prints collected here are droll and strange." Two of our favorite words to describe Fantagraphics-style creators such as Flannery O'Connor.
• Review: Roughly translated from Ediciones La Cupula, Jaime Hernandez's God and Science: Return of the Ti-Girls is reviewed. "Theexcitementthat overwhelms usafter readingeach of theinstallments ofthe sagaof [Ti-Girls] isdirectly proportional to itsartistic excellence,histalentas a storytellerandhuman greatnessthat livesin his cartoons."
• Review:Lanacion reviews the writings and works of Alexander Theroux (Laura Warholic, Estoniaand The Strange Case of Edward Gorey) and translated, barely, Matias Serra Bradford states, "If left as an untreated rarity,AlexanderTherouxseemsmysteriousto the fantasticand impossible point of determiningthe trajectoryofa particle and itsposition."
• Review:The Snipe News looks at Joe Sacco's Journalism collection. "the decade’s worth of stories. . . are most notable not from any kind of torn-from-the-headlines sensationalism but for the empathy the author brings to his subjects. . . . Sacco has a feel for displaced persons in general."
The first rain-free (HA!) day of Online Commentaries & Diversions:
• Review:The Comics Journal looks at Ron Rege Jr.'s The Cartoon Utopia. Katie Haegel writes, "Almost impossible to categorize, the work in Cartoon Utopia is both fully realized in a formal sense and wonderfully idiosyncratic. Like, it’s really out there. . . to me the work is much stronger when it depicts magic in action, which Regé accomplishes by telling us stories about historical figures and their relationship to the natural world."
• Review:Robot 6 reviews The Cartoon Utopia by Ron Rege Jr. Chris Mautner writes "with Rege drawing science, new age spiritualism, the occult, astrology and Jungian archetypes to come up with a personal grand unification theory. There are no plots or characters in the book to speak of, instead Rege merely muses and illustrates his theories, which mainly have to on the interconnectedness of all living matter."
• Plugs: Best covers of the week by Andy Khouri on Comics Alliance. Ron Regé Jr'sThe Cartoon Utopia: "This cover really makes me smile, and maybe gives me a sense of four-color spiritual well-being. But cartoon utopia looks more outdoorsy than I expected."
• Review:Page 45 enjoys the gentle pages of The Cartoon Utopia. Stephen L. Holland states, "Regé is back with a spiritual manifesto and ode to creativity: a singular, secular vision delivered with all the fervour of a religious sermon. It’s a call not to arms but to peace and perception unshackled from the conditioning of ages, exhorting all to see new possibilities, infinite possibilities, so enabling one’s full potential to be realised in both senses of the word."
• Review:Barack Hussein Obamaby Steven Weissman is reviewed on Bookslut. Martyn Pedler says, "His Obama begins as a kind of smug, stoner everyman: telling 'your momma' jokes, discussing old movies with visiting dignitaries . . . Weissman’s pages -- drawn in ballpoint into a moleskin notebook -- use a four-panel gag structure that makes the book immediately addictive."
• Review:Publishers Weekly takes on Barack Hussein Obama by Steven Weissman.". . . readers will likely have to be content with being one part giddy and three parts puzzled. . . Perhaps that’s Weissman’s point: that the farce of contemporary politics has the capacity to make one simultaneously giddy, confused, and disenchanted."
• Interview (audio): Speaking of Steven Weissman, Obama and the elections, he is interviewed on KPFK 90.7 FM's show Beneath the Surface.
• Review: Cartoonist Lilli Carré finds herself Boing-Boing-ed. Brian Heater describes Heads or Tails collection, "These strips, which originally in the pages of places like The Believer and Mome, find the artist dipping her toes into new pools, the sort of freedom afforded by the low commitments of the short story form, often to truly wonderful effect."
• Interview: Eddie Wright of MTV Geek interviews Johnny Ryan about Prison Pit 4 and why us humans love it so much. "Well, I think it connects to comic fans because it's the stripped down essence of what popular superhero comics are, which is men beating the living shit out of each other. People love it."
• Review:Reglar Wiglar spit takes while reading Johnny Ryan's Prison Pit 4. Chris Auman says, "This is Ryan’s depraved ID unleashed in its purest form: blood, guts, genitalia and fecal matter abound—actually they don’t abound so much as they’re sprayed all over absolutely everything in a fantastical sci-fi orgy of digustedness."
• Plugs: Best covers of the week by Andy Khouri on Comics Alliance. continues with Wallace Wood's Came the Dawn: "And while we're talking smart use of interior art, here's another superb example. This collection is all about the mastery of Wally Wood, so the cover presents a taste of his work in an uncluttered and respectful way, while also establishing a trade dress for Fantagraphics' new EC artists line." Chris Wright's Blacklung: "I see a lot of Joann Sfar in this densely demonic and stylishly constructed cover, and that's enough to convince me to investigate the work of newcomer Chris Wright." Spacehawk mini-comic by Basil Wolverton: "Basil Wolverton may be best known for his grotesque caricatures in MAD Magazine, but he worked in a lot of genres. Spacehawk was evidently one of his early works, and if this gorgeously lurid cover is anything to go by it was a delightfully daffy sci-fi pulp."
• Review:Booklist Online carves out a place in their hearts for Wallace Wood's Came the Dawn. Ray Olson writes, "This volume presenting all his horror and crime stories chronologically shows him refining what is at first a crude though powerful sense of mise-en-scène into one that is assured, highly detailed, and lightly caricatural."
• Review:AV Club reviewed all our new books Came the Dawn by Wallace Wood and Corpse on the Imjin by Harvey Kurtzman. Noel Murray writes, "in writer/artist-driven volumes, printed in black and white, with additional essays and archival material . . . [and] both immediately reveal the value in the artist-driven approach. . . Feldstein’s stories were like the comic-book equivalent to some of the seediest B-movies, and Wood’s art fit Feldstein’s text, with lots of deep shadows and wrinkles reflecting a complicated world." On Basil WolvertonSpacehawk, "As with Kurtzman’s war comics, it’s remarkable to see art so twisted applied to such vivid pulp tales—almost as though Wolverton was trying his hardest to be Alex Raymond, but couldn’t help turning out images to rival Salvador Dalí." Gary Panter's "Dal Tokyo would evolve, strip-by-strip, into a distinctly Panter-esque swirl of science fiction and pure abstraction, in keeping with the artist’s one-of-a-kind sense of design, and his pursuit of comics that resemble music and poetry."
•Plug:Web Cast Beacon reviews all free Halloween Comics Fest freebies. They enjoy Tales from the Crypt and Spacehawk. YES, mail in those ad coupons, people.
• Interview:Jim Woodring is interviewed by Peter Bebergal on hippies, hallucinations and all the good stuff that goes into his latest work, Problematic, a skechbook. "I frequently saw things at night — silently jabbering heads at the foot of my bed, distorted animals and objects hanging in the air over me. Often I saw a huge staring eye that made me vomit with fear."
• Plug: On Boing-Boing, Mark Frauenfelder tips his digi-hat to Floyd Gottfredson: "Gottfredson's Mickey is a plucky, goodhearted imp, bursting with energy and impulsively eager for adventure. . . [Carl] Barks will always have a special place in my heart, but I've added Gottfredson to my short list of great American cartoonists."
• Review: Page 45 looks at The Lost Art of Ah Pookand Stephen L. Holland ponders "Malcom Mc Neill has taken the time to put this eye-frazzling book of art – some of it sequential – into context, for the work itself is very much lost. . . There are vast scenes of ancient ritual, carnal lust and very modern warfare transcending time just as they were always intended."
• Review:Booklist Online likes Walt Disney's Uncle Scrooge: Only a Poor Old Manby Carl Barks. Ian Chipman states, "from the bitter cold of the Klondike to the bottom of the Caribbean. . . Barks’ comics are an absolute treasure that have aged remarkably well, and are finally getting wide-scale publication to introduce them to a new generation of readers."
• Review: Gene Ambaum of Unshelved happily views covers from Action! Mystery! Thrills!, edited by Greg Sadowski. "Beautiful full-color reproductions of unblemished comic book covers show the amazing art and the breadth of genres on the newsstands before Fredric Wertham screwed everything up in the 1950s. . . The colors are bright, and the art is just plain fun."
• Review: Is That All There Is? by Joost Swarte gets reviewed on Bookgasm. JT Lindroos states, ". . . it’s impossible not to enjoy this ultimately all-too-brief volume for every single panel it presents. Swarte is consistently projecting an incisive and curious mind at work, perfectly tuned to his showstopping skills as an artist nonpareil."
• Review: Rod Lott of Bookgasm spends a long, loooong time checking out Sexytime. "[Editor Jacque Boyreau] has a knack for picking images; much like Supreme Court Justice Potter Stewart and hardcore porn, Boyreau knows it when he sees it. And luckily, he shares it, this time from the visual-presentation experts of Fantagraphics Books — a match made in poster-art heaven."
• Plug: Matt Bielby writes about The Complete Crumb Volume 1 by R. Crumb in Comic Heroes Magazine: "It's incredible stuff, much of it obviously for completists only, but even the most obscure volumes track a fascinating, and developing, world view."
• Interview: Charles Burns is interviewed on Cult Montreal by Emily Raine about The Hive, his creepy artwork and the Black Hole movie. "It’s not my intention to be creepy per se, or that’s not the reason I’m writing stories. I think they end up being whatever they are. Maybe I’m just a creepy guy, I don’t know."
• Interview (audio): One of our favorite creators, Ellen Forney, speaks to KUOW/NPR on bi-polar disorder, comics and her new work, Marbles.
• Plug:Jaime Hernandez will be at the Copenhagen Comics Fest in Copenhagen, Denmark in June of 2013. Mark them calendars!
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