• List:Oil and Water by Steve Duin & Shannon Wheeler is #5 on Comics Bulletin's Top Ten Best Graphic Novels of 2011, with Jason Sacks saying "This book is very much about misconceptions and preconceptions, about how we all can feel inadequate when facing enormous problems and how little we often feel we can do in when facing even the small incidents in our lives -- let alone the large ones."
• Review:Booklist's starred review of Nuts by Gahan Wilson (previously reported here) is now featured online: "The scenarios include summer camp, going to horror movies, being sick and obsessing about it, making models, eating too much, not knowing the answer (or even the subject) in school, selecting comics in the local cigar store, and other normal-enough stuff that holds the potential for humiliation, failure, and maybe worse. In Nuts, that potential is always realized and, as memory colors it, so uproariously that you just about choke with laughter. For sheer hilarity, this is Wilson’s masterpiece." – Ray Olson
• Plugs:Comics Alliance's Andy Khouri runs down their Holiday Gift Guide to Deluxe Edition Comics and Art Books, including:
"You've read our effusive praise for the incredible cartooning and hilariously grim Mickey Mouse stories of Floyd Gottfredson, and this excellent two-volume set leaves you with few excuses for not reading these classic comics for yourself.... It's hard to go wrong with this as a gift for your comics fan friends (or yourself), as it's a superlative example of the form from one of its greatest masters."
"I can tell you from personal experience that even one of these books makes a fantastic present, but to give the gift of the complete Love and Rockets is to provide your friend or loved one with a reading experience richer than virtually any other."
"Charlie Brown and the Peanuts gang are often associated with the holiday season (also with Halloween, and that counts), so there's no better time to give to yourself or your loved ones one or all of Fantagraphics' hardcover collections of Charles Schultz's beloved cartoon strip. Reprinted in chronological order with the highest production values, any one of these books would make an auspicious addition to any bookshelf."
• Plug: "Reading cartoons is a good way to relax and the latest volume of The Complete Peanuts covers the years 1979 and 1980.... The strips with Woodstock and Snoopy are particularly funny. This latest collection of Charles M. Schulz's Peanuts cartoons would make a nice gift." – Glenn Perrett, Simcoe.com
• Review: "The book is lovingly made and the strips presented with care and pleasure. But is it any good? Oh yes. It's funny and charming, bursting with witty wordplay and vivid characters you love immediately. You can see the influence the Marx Brothers and Krazy Kat and Mark Twain had on Pogo and its love of silly grammatical puns and Southern dialect. And you can see the influence Pogo had on Doonesbury and Calvin & Hobbes... In short, read Pogo and you can immediately see it slide into the pop cultural matrix and how it drew upon the work that came earlier, moved forward the art form of comic strips and influenced artists after it for generations to come. But most of all you'll laugh..." – Michael Giltz, The Huffington Post
• Review: "The only real problem with this beautifully produced book [Jack Davis: Drawing American Pop Culture ] is that it’s much, much too short.... The art reproduces gorgeously, scanned in many cases from the original material, and the volume as a whole is an effort to give Davis the respect he deserves as a legitimate artist.... A few essays, slotted at the front and back of the back, rather than next to the art itself, place him in context and give some biographical details, but the work, with Davis’s fluid, effortless line and gift for characterization, speaks for itself." – Hillary Brown, Paste
• Review: At Greek site Comicdom, Tomas Papadimitropoulos looks at Mark Twain's Autobiography 1910-2010 by Michael Kupperman: "Δεν είμαι σίγουρος αν είναι ο καλύτερος τρόπος για να γνωρίσεις τον Kupperman και τις ιδιαιτερότητές του, αλλά σίγουρα θα ικανοποιήσει (και θα χορτάσει) τους fans του (ίσως και αυτούς του Twain – ο Αμερικανός συγγραφέας δεν έγινε γνωστός για το συμβατικό χιούμορ του, άλλωστε), οι οποίοι θα βρεθούν σε γνώριμα μεν νερά, αλλά με κάποιες καλοδεχούμενες διαφορές."
• Review: At his blog Mandorla, Santiago Garcia looks at the latest chapters of Jaime Hernandez's "Locas" saga: "Estas últimas semanas he comentado que uno de los mejores tebeos que he leído en el 2011 ha sido 'The Love Bunglers,' historieta que Jaime Hernandez ha publicado en los números 3 y 4 de Love and Rockets: New Stories. Pero no había dicho nada sobre ella todavía, quizás porque es de esas historietas sobre las que uno se queda casi sin nada que decir. Son demasiado inmensas para encerrarlas en un puñado de palabras. Pero eso es lo que tenemos aquí, un puñado de palabras, así que vamos a dejar que lleguen hasta donde lleguen, al menos."
• Interview: The writer of Straight 2 DVD blog talks with editor Michel Gagne about Young Romance: The Best of Simon & Kirby's Romance Comics: "I quickly realized that if someone didn’t make an effort to preserve this material, most of it would vanish into oblivion. That’s when it hit me! Perhaps I should be the one to start the ball rolling. I had been itching to do a comic book preservation project for many years and this would be the perfect opportunity."
• Plug: "Another comprehensive package is going to take a bit longer to collect: the complete Peanuts library from Fantagraphics.... Currently the collection has progressed to the early 1980s, where the strip is at its peak... There's nothing that says 'holidays' like the Peanuts gang. Didn't all of us watch A Charlie Brown Christmas and A Charlie Brown Thanksgiving a thousand times?" – Andrew A. Smith, Scripps Howard
• Scene: At Examiner.com, Christian Lipski reports from the Oil and Water discussion group at Bridge City Comics recently, which was crashed by writer Steve Duin, artist Shannon Wheeler and editor Mike Rosen: "Those who had attended the team's convention panels and saw video clips from the trip tended to expect more of a straight travelogue, and were surprised by the addition of fiction to the equation. On the other hand, it was noted that the reader could identify with the observers as an entry into the story. The characters also allowed Duin to tell a side of the story through the reactions of outsiders. 'I think that Fantagraphics was as surprised as you guys,' the author confided."
• Plug: At The Huffington Post, Dave Scheidt's "2011 Holiday Gift Guide Comic Books" include Tales Designed to Thrizzle Vol. 1 by Michael Kupperman: "The funniest comic you've never read. Laugh out loud funny. Spastic, bizarre and gut busting. Fans of Saturday Night Live, Mad Magazine and just anyone who likes to laugh will love this book. A fair warning, if you read this book in public, you will laugh like a mad man and most likely frighten people like I did."
"Kelly's Pogo is a masterclass in wordsmithing, satire, and relatable art. Although this collection apparently doesn't get to the more overtly political satire that made Pogo so famous, it does promise to be a great look at the start of an important and quintessential comic strip. The statements Kelly makes in these early stories are about character relationships, design, and humor as well as use of the English language in surprising and touching ways. This is the surely the ground floor of what looks to be the next great collection series in comics literature."
"Charles M. Schulz's relatable characters are literally part of the fabric of my being. Peanuts helped forge my earliest appreciation for sequential art and, funny as it seems, philosophy. I can't wait until the day I have a shelf filled with every strip ever starring Snoopy, Charlie Brown, Pig-Pen and the rest of the Peanuts gang."
• Plugs:iFanboy's "2011 Holiday Gift Guide: Lost Treasures," written by Paul Montgomery, includes:
"Mickey’s grown soft in his old age, but back in the day he was my kind of bastard. Dude’s a straight up rascal, and launches headlong into danger, starting with the seminal 'Race to Death Valley.' Floyd Gottfredson’s wily take on the character is revered by the best cartoonists, and Fantagraphics has packaged these earliest serial strips from the 30s in some truly handsome volumes. Take advantage of the two volume slipcover edition for a great value and the publisher’s now signature excellence in presentation."
"Every year, the top item on my own Christmas list is the annual box-set collecting Fantagraphics’ latest volumes of Charles Schulz’s Complete Peanuts.... Watching Chuck and Snoopy evolve from their original designs of the early 50s to the more familiar iterations I grew up with in the Funnies is an incredible experience."
"Turns out it wasn’t that easy navigating the Arctic Ocean from Russian to France at the turn of the 20th century. If you dig on Poe and Verne and antique diving helmets, this woodcut melodrama is just for you."
"Years in the making, this new collection of Walt Kelly’s Pogo dailies and weekend strips does due justice to a comic that ought to be as much a household name as Peanuts or Doonesbury.... Mix in Kelly’s whimsical, lyrical 'Swamp speak' and you’ve got some real poetry on your hands."
"This is as beautiful a book as I’ve purchased this year, and the stories within have much to offer both children and adult fans of visual storytelling and even comedy. Barks knew how to contract a joke, and this is a masterclass."
• Plug:Robot 6's Michael May makes an unexpected choice when spotlighting upcoming titles listed in the current issue of Previews: "The Big Town- Charles Schulz’ son wrote this novel (the last in his jazz-age trilogy) about the end of the Roaring Twenties and 'the role of business, crime, morality, and love in our lives.' It’s not comics, but it sounds ambitious and transporting."
Please drop by and see us this Saturday, December 10 to celebrate the 5th anniversary of the store. Holiday cheer galore with "Playing Possum: The Pogo Art of Walt Kelly," music by Sawsome (a female banjo and saw duet), Christmas carolers, and complimentary seasonal refreshments.
I can scarcely believe it's been 5 years already. This wonderful experiment in promoting comix culture has been an awesome experience for me. I've always pictured myself as a kind of crossing guard at the uncontrolled intersection of fine art and pop culture. The bookstore has seen a lot of traffic. Here's to another 5 busy years at the crossroads.
The new Diamond Previews catalog is out today and in it you'll find our usual 2-page spread (download the PDF) with our releases scheduled to arrive in your local comic shop in February 2012 (give or take — some release dates may have changed since the issue went to press). We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions.
• Plug: Pamela Paul of The New York Times asks "Diary of a Wimpy Kid" creator Jeff Kinney about his favorite books from childhood: "...[T]he works that stood head and shoulders above the rest were Carl Barks’s ‘Donald Duck’ and ‘Uncle Scrooge’ comics from the 1940s through the 1960s. Mr. Barks wrote tales of high adventure generously peppered with moments of high comedy.... Classics such as ‘Lost in the Andes,’ ‘Only a Poor Man’ and ‘A Christmas for Shacktown’ left a deep impression on me. Mr. Barks taught me that comics could be high art, and I consider his work to be the best storytelling I’ve experienced in any form. ...Fantagraphics has announced that it is publishing the Barks collection in beautiful hardcover books that do great honor to the cartoonist and his stories, and I can’t wait to buy them for my kids. Proof that great storytelling endures from generation to generation."
• Review: "This volume [Walt Disney's Donald Duck: Lost in the Andes] reprints tales from December 1948 through August 1949, when Barks was in high feather as a creator of breathless adventures and light comedies for his Ducks... Great pop culture, great analysis. Scrooge is always searching for more gold, and there’s plenty here. [Rating] 10/10" – Michael Barrett, PopMatters
• Review: "The finale of the story Jaime has been telling over the past couple of annual issues [of Love and Rockets: New Stories] is a moment of bravura comics storytelling, but the buildup to it in the opening portions of this issue is pretty great as well... Ah, but as nice as these stories are, they all seem to be prelude to the dazzlingly virtuosic end of this chapter in the Locas saga... This could signal an end to the current era of Locas stories, but these characters are less figures of Jaime's imagination than real people alive in the minds of readers everywhere at this point, and even if another story featuring them never appears, we can rest assured that they will continue to live on, somewhere, sometime." – Matthew J. Brady, Warren Peace Sings the Blues
• Review (Audio): Introducing the latest episode of the Wait, What? podcast, co-host Jeff Lester says "we dollop more praise on Ganges #4 by Kevin Huizenga because honestly that sucker could probably use another five or six dollops."
• Plugs: "Fantagraphics’ collections featuring Charles Schulz’s comic strip masterpiece, Peanuts, are fantastic and if you’re a Peanuts fan, you need to be reading these. Floyd Gottfredson probably did as much to shape the personality of Mickey Mouse and his supporting cast as Carl Barks did for the Disney Ducks, yet his work has never received the same degree of attention as the work of Barks. Fantagraphics is correcting that with Walt Disney’s Mickey Mouse. The first two volumes of this series are fantastic and the strips probably look better here than they did when they were originally published. It’s a joy to watch Gottfredson develop as a storyteller as Mickey and the gang evolve along with him.... There’s also plenty of background material to place the stories into historical perspective. And the collection of Walt Kelly’s Pogo that hits stores this week is gorgeous. I have some of Fantagraphics’ previous Pogo volumes and this one blows them away. I’m also getting into Popeye for the first time with their collections of Segar’s classic strip." – Roger Ash, Westfield Comics Blog
• Commentary: At Comic Book Resources, Laura Sneddon, who is documenting her experiences in the postgraduate Comic Studies program at the University of Dundee in Scotland, examines the work of Robert Crumb and Aline Kominsky-Crumb for the class topic "Comics and Gender"
In this month's issue of Booklist you can find praise for three of our recent releases:
The Complete Peanuts 1981-1982 by Charles M. Schulz: "These early 1980s episodes see Snoopy reunite with his brother Marbles (who’s baffled by his sibling’s WWI fantasies), Linus and Lucy plant a garden, and Peppermint Patty apply to a school for gifted children (she thinks they’re going to give her presents). But the strip’s fragile heart remains good ol’ Charlie Brown, who faces a crisis when liability issues bar him and his team from their baseball field. In a moving introduction to the volume, cartoonist Lynn Johnston (For Better or For Worse) writes about her close friendship with Schulz." – Gordon Flagg
The Extraordinary Adventures of Adèle Blanc-Sec Vol. 2 by Jacques Tardi: "The second collection of the Belle Époque exploits of Adèle Blanc-Sec sees the intrepid occult investigator confronting things walking the streets of Paris that shouldn’t be: a prehistoric ape-man revived by a mad scientist and a reanimated mummy from her own collection of artifacts. With their wryly overwrought captions, melodramatic dialogue, and convoluted plotlines, the stories work both as gentle genre parodies and full-out fantasy-detective thrillers, thanks in great part to Tardi’s lithe cartooning, which vividly evokes the period while sporting an entirely contemporary sensibility." – Gordon Flagg
Walt Disney's Mickey Mouse Vol. 2: Trapped on Treasure Island by Floyd Gottfredson: "For contemporary audiences who know Mickey Mouse only as the bland corporate mascot of the Disney empire, these 1932–33 newspaper comic strips featuring the famous rodent will be a revelation. As in his contemporaneous animated cartoons, this Mickey is a feisty, wisecracking daredevil, who searches tropical lands for buried treasure (encountering stereotyped cannibals that are offensive even by the era’s insensitive standards), treks to the frozen north to recover a stolen orphanage fund, and starts a detective agency with second banana Goofy. Gottfredson’s charmingly old-fashioned drawings accentuate the gags and briskly propel the plotlines." – Gordon Flagg
• Review: "Charles Schulz's lovable gang bring hilarity to the Reagan era in the latest volume of The Complete Peanuts 1981-82. Now up to Volume 16, the comic strip shows no signs of getting stale as the years go by and the antics continue.... As usual, the strip reproduction is flawless, each appearing in crisp black and white with 3 daily strips per page and full page Sundays. The handy index to quickly find a favorite character or subject returns as well.... So make sure your trick or treat bag is a big one and fill up on the fun, you’ll enjoy every morsel. It’s almost as if the 'Great Pumpkin' arrived after all!" – Rich Clabaugh, The Christian Science Monitor
• Interview:Comic Book Resources' Alex Dueben talks with Steve Duin, Mike Rosen and Shannon Wheeler about Oil and Water, illustrated by some exclusive looks at Wheeler's sketchbooks from the trip that led to the book. Says Duin: "I approached this project as I usually approach my newspaper column: You have to personalize the tragedies, and celebrations, you're writing about. What's more, I was blown away by the characters we stumbled upon."
• Plug: At O Grito's Jazz Metal, Paolo Floro says No Straight Lines: Four Decades of Queer Comics "...is set to be the most important work of its kind ever published.... For those who enjoy history, investigating the gay world or simply love comics and the endless possibilities that it can generate, this book is a treasure." (Translated from Portuguese)
• Profile: At Giant Robot, a quick introduction to Eleanor Davis based on her participation in the Robots art show at GR2
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