Online Commentary & Diversions, back from a short vacation:
• Review: "In the first volume of Tyler's planned trilogy of graphic memoirs [You'll Never Know], she dug into the eruptive, violent memories of her father's WWII experiences while simultaneously dealing with a husband who decided to go find himself and leave her with a daughter to raise. This second volume is no less rich and overwhelming. [...] While the language of Chicago-raised and Cincinnati-based Tyler has a winningly self-deprecating Midwestern spareness to it, her art is a lavishly prepared kaleidoscope of watercolors and finely etched drawings, all composed to look like the greatest family photo album of all time. The story's honest self-revelations and humane evocations of family dramas are tremendously moving." – Publishers Weekly (Starred Review)
• Review: "Friedman's hyper-realistic pen-and-ink and water-color portraits of show business and political luminaries have made their way into the likes of Entertainment Weekly, The New Yorker and Rolling Stone over the years, and a stunning new collection has just been published by Fantagraphics Books — Too Soon?: Famous/Infamous Faces 1995-2010. [...] To say that Friedman's drawings are unsentimental or unsparing is just to scratch the surface. Known for depicting every last liver spot, burst capillary and wrinkle, his work is truly a Warts and All procedure. [...] You might say the super-realistic portraits are loving ones, but only in the sense that you love your own family members, whose soft spots and selfishness one is forced to forgive. Drew Friedman's heart is as big as his capacious eye for the telling detail. Seek him out or forever hold your peace." – David Weiss, Life Goes Strong
• Review: "...Four Color Fear offers some of the finest pre-code comic book horror tales ever produced. Extensively researched, complete with story notes, editor Sadowski compiled a superior collection of non-EC tales, many of which rarely reprinted in color. A 30-page cover art section and a fascinating article by historian John Benson, who also supplied the book's intro, about the little remembered, but prolific Ruth Roche, round out this sensational historical tour of the Golden Age of Horror Comics. Highly recommended!" – Rick Klaw, The SF Site: Nexus Graphica
• Review: "The wait [for Love and Rockets: New Stories #3] has been long, no doubt, but I dare say that it was not only worthwhile, but it has proved an inspiration to continue to have faith in mankind, because with artists like these, it is worth living. For the third annual issue..., Beto gets really wild and Xaime creates a stunning tapestry of memories and narrative levels." – Mauricio Matamoros, Iconoctlán (translated from Spanish)
• Interview: As part of his ongoing "Love and Rocktoberfest," Sean T. Collins posts his 2007 Wizard interview with Gilbert & Jaime Hernandez at Attentiondeficitdisorderly: "I liked drawing rockets and robots, as well as girls. [Laughs] It really was no big game plan. It was almost like, 'Okay, I'll give you rockets and robots, but I'll show you how it's done. I'm gonna do it, and this is how it's supposed to be done!' I went in with that kind of attitude." (Jaime)
• Review: "Like much of Hernandez’s work, there’s light amongst all this darkness, particularly later in this section of Fritz’s story. But [High Soft Lisp] remains a bleak book, with Fritz’s own cheerful optimism one of the few beacons of hope amongst a cast of incidental characters whose main purpose seems only to exploit her. Hernandez rarely performs below his best and this is no exception..." – Andy Shaw, Grovel
• Review: "Vast swaths of Wally Gropius appear — at least to my eye — to be visual homages to images that Hensley particularly loves. (The alternative is that he lays his panels out in his static, staccato rhythm just for that feeling, which is close to the same impulse.) It's all very loud and manic and bright and bizarre, veering towards and away from coherence often within the same panel. [...] The end result has that go-go energy and restless heat of the authentic products of the era Hensley sets his story in..." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Interview:Illustration Friday talks to Jim Woodring: "Names and labels don’t matter much. Besides, there are things that cannot be said in words. So if you say them in pictures, are they not things being said? If I draw a hill that looks like a woman, it works differently that if i write 'there’s a hill that looks like a woman.' Also there are clues that one doesn’t want discovered too quickly, or not at all. Because one wants the emanations to proceed from an unknown source."
• Plug: "Nate Neal's first graphic novel [The Sanctuary] is dumbfoundingly ambitious: it takes as its subject nothing less than the invention of comics, in the sense of narrative-in-pictures, meaning that its cast is a bunch of cave-people. Cave-people who speak a cave-person language that Neal has invented himself (he offers the translation of a few key words on its jacket copy, but that's it). The working title of the book was a drawing of a bison. A man's reach should exceed his grasp, or what's a heaven for?" – Douglas Wolk, Comics Alliance
The very first Peanuts strip ran on October 2nd, 1950, which means that tomorrow is the 60th Anniversary of the strip! It's been our honor and privilege to continue publishing the definitive collected edition of Charles M. Schulz's immortal masterwork, The Complete Peanuts, and we're joining in the celebration by offering every volume and box set of the series (to date) for 20% OFF from now through the end of October. Treat yourself and your loved ones (I hear there's some kind of gift-giving season coming up) to these beautifully designed and universally acclaimed collections of America's most beloved comic strip. And hooray for Peanuts!
Periodic clips & strips — click for improved/additional viewing and possible artist commentary at the sources:
• Jason presents two cover illustrations: one for a biography of Henrik Ibsen, the other for a 1989 issue of a Norwegian fanzine (oh yeah, and the cover for his next Fanta collection What I Did is in there too)
"Greetings, stranger of the future. If you are reading this, it means the written word has survived, that the world of tomorrow still exists, and that for some reason my ramblings are still considered worth reading. My name is Mark Twain, and I write these words to you in the good old days of August 2010."
• Richard Sala presents a whole bunch of production, concept, and storyboard art from his animated serial "Invisible Hands" from MTV's Liquid Television, in 4 installments (so far) hereherehere and here, with commentary
• Profile:The Stranger's Paul Constant profiles the newsweekly's 2010 Literature Genius, Jim Woodring: "There are only a small number of medium-changing geniuses in the history of cartooning who have managed to develop a singular visual language, and Jim Woodring is one of them."
• Review: "...[D]amned if [Prison Pit: Book 2] isn’t one of the most entertaining, hilarious, and addictively fun comics I’ve read all year. [...] The violence itself is both brutish and ugly, but is direct and unapologetic, and drawn with such passion and beauty by Ryan. [...] It’s over-the-top, extreme, uncompromising, and very, very funny. It’s the sort of book you can’t put down even after you’re done; you just keep jumping around and admiring the stark viciousness that jumps off the page." – Chad Nevett, Comic Book Resources
• Review: "...[Mort] Meskin was and is one of the unsung greats of the Golden and Silver Ages, was influential on many of the later legends such as Joe Kubert and (especially) Steve Ditko (Ditko's style, especially early on, is VERY reminiscent of Meskin), and is definitely someone any right-thinking comics and/or illustration fan should get better acquainted with. [From Shadow to Light] is a very good place to start. It also works wonderfully as a snapshot of a time and a way of life in the comics industry that is gone, never to return." – Johnny Bacardi, Popdose
• Roundtable:Techland's panel of critics (Douglas Wolk, Evan Narcisse, Mike Williams, Lev Grossman and Graeme McMillan) has an opinionated (and spoiler-filled) discussion about Love and Rockets: New Stories #3
• Coming Attractions:Library Journal's Martha Cornog spotlights Stigmata by Lorenzo Mattotti & Claudio Piersanti in the latest Graphic Novel Prepub Alert: "A hand-to-mouth lowlife makes do day to day, and then his palms begin to bleed. This apparent gift of sainthood brings certain benefits, but tragedy as well. The original Italian comic inspired a 2009 Spanish live-action film and was one of British comics guru Paul Gravett's 2004 picks for the 'twenty best untranslated European graphic novels you haven't read' and only the fifth to be translated since. Intense, swirly black-and-white linework."
• Interview: The San Francisco Chronicle's Peter Hartlaub talks to Jean Schulz about the Peanuts legacy and other topics: "I don't want to say the last 10 years have been an awakening, because I always felt that he was a genius. But the last 10 years have been a really wonderful experience for me. And without me realizing it, this museum has been the forum for me to explore all these things." (Via The Daily Cartoonist)
• Review: "...A Drunken Dream and Other Stories... is a deeply impressive — and immersive — piece of work that's full of complex emotional truths. And deep weirdness. [...] I dug this, and I think many, many people not conversant with manga will, too. Stylistically, it's a curious mix: Her linework gives each page a sense of openness, conjuring a world of light breezes, flowers and sunshine, even as her characters struggle with inner darkness. This darkness can take many forms: doomed eternal love, grief, guilt or — in the collection's most satisfyingly creepy/affecting tale — a parasitic conjoined twin. It’s not overwrought or melodramatic – Hagio's got too good an eye for locating the emotional center of her work for that. But it is sincere, and often abashedly poignant." – Glen Weldon, NPR.org
• Plugs: "It’s a relatively smallish week but Fantagraphics have beefed it up with two brilliant looking books. Lucky in Love: A Poor Man’s History is the first of a two-part story written by George Chieffet about Lucky Testatuda, a rascally teen from New Jersey’s Little Italy and his experiences before, during, and after the war. But it’s not your usual take on the old familiar when-I-went-to-war tale... The other offering from Fantagraphics is From Shadow to Light: The Life & Art of Mort Meskin, a coffee table art book, biography and critique of a highly influential Golden Age artist... This book not only looks at his entire comics career which spanned for about 30 years from the 40’s but also goes on to include stuff from 1965 and onwards, when he went on to become some sort of Don Draper character (one cheerily imagines) in an advertising firm in 1965." – The Gosh! Comics Blog
• Plugs: "A beautiful retrospective on the 30 year career and work of an under-appreciated comics legend. From Shadow to Light makes an excellent argument that [Mort] Meskin has a home in the comics pantheon next to the likes of Jack Kirby and Alex Toth. [...] Both visually stunning and gripping narrative-wise, Lucky [in Love] is like an epic feature length classic cartoon with a modern sensibility — in book format." – Benn Ray (Atomic Books), Largehearted Boy
• Profile: At The Metabunker, Matthias Wivel profiles Nikoline Werdelin, creator of the Eisner-nominated story "Because I Love You So Much" from From Wonderland with Love, on the occasion of her 50th birthday: "And she is indeed merciless. A borderline if not full-blown cynic, her coldness is tempered by an exacting sense of humor that betrays her involvement. Plus it brings a rare clarity to her vision — she is a diagnostician rather than a nihilist. [...] A cartoonist for our age."