• List: We published 3 of "The 6 Most Underrated Comics of 2009" according to Robot 6's Chris Mautner, including Giraffes in My Hair: A Rock 'n' Roll Life by Bruce Paley & Carol Swain ("Swain's low-key, nonchalant art fits perfectly with Paley's tales of hippie wanderings and punk-era decadence, stripping the stories of any rock glamor and tinging them with a genuine sadness. Really, this book just underscores how talented and sharp an artist Swain really is") From Wonderland with Love: Danish Comics in the Third Millennium ("...Nikoline Wedelin's haunting, chilling Because I Love You So Much... still resonates with me months after I wrote this review. The unflinching regard for its subject matter is not going to have people beating a path to its door, but the sheer daring artistry on display deserved much more attention than it got") and Gahan Wilson: Fifty Years of Playboy Cartoons ("It's a testament, not only to Wilson's genius (the material never flags or gets rote, no matter what the decade) but also to Fantagraphics skill in presenting this material in such a stellar fashion. Really, it was the best retrospective collection of the year, and I wish more people had noticed it.")
• Panel: The concluding installment of The Comics Journal's presentation of a never-before-published panel discussion between Charles Burns, Chip Kidd, Seth and Chris Ware, moderated by Jeet Heer, that occurred October 29, 2005 at the International Festival of Authors in Toronto, Canada, turns things over to audience Q&A
• Review: "There are two types of war stories: war as the great human drama, man accomplishing amazing feats in the most horrible of circumstances, or war as the great human tragedy, the ultimate loss of life without any rhyme or reason. Tardi’s book fits very firmly into the latter category. ... Ink-soaked and gory, Tardi’s detailed renderings drive home the grotesquery of the war and the ordeal of the young men fighting in it. ...It Was the War of the Trenches creates an aura of loss, regret and terror." – Michael C. Lorah, Newsarama
Good grief, Charlie Brown, we're halfway there! That’s right! With this volume, The Complete Peanuts reaches the halfway point of Charles M. Schulz’s astounding half-century run on the greatest comic strip of all time.
These years are especially fecund in terms of new canine characters, as Snoopy is joined by his wandering brother Spike (from Needles), his beloved sister Belle (from Kansas City), and... did you know he had a nephew? In other beagle news, Snoopy breaks his foot and spends six weeks in a cast, deals with his friend Woodstock’s case of the “the vapors,” and gets involved in a heated love triangle with Linus over the girl “Truffles.”
The Complete Peanuts 1975-1976 features several other long stories, including a rare “double track” sequence with two parallel narratives: Peppermint Patty and Snoopy travel to participate in the Powderpuff Derby, while Charlie Brown finally gets to meet his idol Joe Shlabotnik. And Peppermint Patty switches to a private school, but commits the mistake of allowing Snoopy to pick it for her; only after graduation does she realize something’s not quite right!
Plus: A burglary at Peppermint Patty’s house is exacerbated by waterbed problems... Marcie acquires an unwanted suitor... Charlie Brown and Peppermint Patty become desk partners... The talking school building collapses... Lots of tennis jokes... and gags starring Schroeder, Lucy, Franklin, Rerun, Sally, and that vicious cat next door. It’s another two years of Peanuts at its finest! Featuring an introduction by comedian Robert Smigel (Triumph the Insult Comic Dog, Saturday Night Live).
"The Complete Peanuts has framed Charles Schulz’s enduring masterpiece about as well any lifelong fan could’ve hoped." – "The Best Comics of the '00s: The Archives", The A.V. Club
Download an EXCLUSIVE 14-page PDF excerpt (1 MB) containing all the strips from January, 1975!
344-page black & white 8.5" x 7" hardcover • $28.99 ISBN: 978-1-60699-345-3
Checking in with the comics bloggers' new-release roundups, Comics Comics' Joe McCulloch notes "The intro here is by Robert Smigel, which will probably be good." At Comics Alliance Douglas Wolk says "Words cannot tell you how much I love this era of Charles M. Schulz's masterwork. So forget it." (Nicely done, Douglas.) Comic Book Galaxy 's Alan David Doane says "New Complete Peanuts is... always great news."
Don't forget to check out our previews! Just click the cover above for all the info. We imagine most comic shops will have ordered copies to have in stock, but maybe give your local shop a shout first.
• For the Venn diagram intersection between numismatists and Snoopy-philes, it's the British Virgin Islands commemorative coin celebrating the 60th anniversary of Peanuts (reported by Coin News, via The Daily Cartoonist)
• Review: "Strange and Stranger: The World of Steve Ditko by Blake Bell... [is] fantastic! ... It’s part biography, part art book - an amazing recap of Steve Ditko’s entire career in comics, from the early days with Charlton to the present. ... It’s also one of the best designed books I’ve read recently, including lots of rare pencil pages, out-of-print rarities, and full color scans on virtually every page. There’s a lot more to Steve Ditko than just Doctor Strange and Spider-Man." – Marc Sobel, Comic Book Galaxy
• Review: "Vitally, Anderson draws an earthy King, one who likes soul food and soulful women, but who is also capable of inspiring and challenging oratory, theological radicalism and courageous leadership, even when faced with fists, firebombs, and F.B.I. persecution. Anderson reminds one of U.S. poet Walt Whitman: He keeps publishing the same book, in different editions. But what a book!" – George Elliott Clarke, The Halifax Herald
• Review: "This is a very strange comic... You Are There works best as an absurdist critique of society and politics. ... The absurdity of Forest's script is brought to amazing life... It's a tremendous work of art, heightening the weirdness of the narrative very well. ... I would recommend You Are There because it's a thoughtful look at the pressure of conformity and what drives a man mad. ... Tardi is fantastic and makes the book even wackier, which isn't a bad thing." – Greg Burgas, Comic Book Resources
• Review: "It is hard to convey how much of the joy of Unlovable comes not only from the wandering plotline (if there is any in this book) but also from the accompanying visuals. Tammy's attentions, interests and emotions are all scattered. The author's style of drawing lends to the feeling of chaos and scatteredness; the reader senses it in the erratic lines and messy fonts of various sizes. An erratic view of an erratic time of life." – Julia Eussen, AnnArbor.com
• Review: "Johnny Ryan’sPrison Pit is something I keep coming back to — and not just because it’s the only comic book I’ve ever seen that can actively liven up a party. It’s a hilarious, visceral and quick read... for really dumb fun, this is pretty much unbeatable. I’ve considered that maybe the fun isn’t as dumb — that maybe Cannibal Fuckface’s journey through the wastes of the prison pit are a Bunyan-style metaphor for, I don’t know, man coming to terms with the restrictions of modern life, but then I remember it’s a comic that features the term 'burnt jizz,' and I stop thinking and laugh." – David Uzumeri, Robot 6
• Review: "I'd ignored Hal Foster's knights-and-adventure strip until Fantagraphics remastered, recolored and repackaged the first two years of [Prince] Valiant (1937-38) into one of the loveliest reprint volumes of 2009. I became a Foster fan immediately, and bought Brian Kane's Definitive Prince Valiant Companion to learn more about Foster and the other talents (John Cullen Murphy, Gary Gianni and Mark Schultz) who'd worked on the comic during its 70+ years." – Craig Fischer, Thought Balloonists; the remainder of Fischer's take on the Companion is mixed-to-unfavorable, but we still recommend checking it out for his insights and some additional commentary he brings to the table
"Peanuts always had a bite to it; Schulz’s favorite source of comedy was the anxieties and humiliations of childhood. Still, some of these strips are unnervingly bitter even for him, as when Marcie destroys Snoopy’s doghouse in a rage, then screams at Peppermint Patty that she needs to 'face up to reality.' It provokes laughter, of course, but shocked laughter: you can tell these kids aren’t going to grow up happy."
"Jacob Covey’s design for E. C. Segar’s Popeye series is appropriately tall, imposing and sturdy, with a big die-cut in the middle of each volume’s front cover, as if the sailor man himself had punched somebody through it. ... ['Plunder Island'] is crude, jolting, scary and funny, and there’s nothing like it in the beaten-down funny pages of the present."
• List: The great John Porcellino names Zak Sally's Like a Dog as one of his favorite comics of 2009 (unsurprising, since he wrote the introduction): "It's impossible for me to be objective about this book, as Zak is one of my closest friends, but this is a really powerful, fascinating collection of comics. Very dark, and even brutal sometimes, but bracing, and highly original."
• Interview:Blogcritics' Michael Jones talks to Femke Hiemstra about her art book Rock Candy: "I do not deliberately strive for a 'childlike' feel or a 'children's book gone wrong' atmosphere in my work. But I'm aware that that's what's in me and therefore in my work, so a vibe like that will of course be a part of it. It's a funny thing, now that I think about it."
• Plug:School Library Journal's "Good Comics for Kids" column recommends some snow-day reading, including The Complete Peanuts ("The volumes from the mid-1960s onward... feature the gang that younger readers know from the numerous TV specials, newspaper strips, and products, and would be a great way to occupy an eight or ten-year-old for a few hours on a snowy day") and Hank Ketcham's Complete Dennis the Menace ("his penchant for mischief has enduring appeal")
• Review: "Anderson’s King is most definitely NOT your feel-good, sanctifying version of King’s life that most readers are probably used to. ...[T]he MLK presented here is a multi-dimensional, gifted man … but still very much a man, nevertheless, filled with doubt, frustration, anger, arrogance, and even deceit. ... While Anderson starkly presents King’s less-than-saintly episodes... the final reaction is a fuller understanding of a great man, with inspiring ideals, and an unshakeable dedication to equality through nonviolent, loving means. ... MLK’s legacy undeniably lives on in Anderson’s King." – Terry Hong, Bookdragon (Smithsonian Asian Pacific American Program)
• Review: "Dash Shaw was praised to the skies for his hefty 2008 graphic novel Bottomless Belly Button, but the 26-year-old cartoonist’s real strength so far in his career has been his short strips, which have displayed a diversity of subject matter and style that make each piece feel like something wholly new. The Unclothed Man in the 35th Century A.D.... does reveal a future master in his formative stages, working to find a balance between his interest in subtle adult relationships—teacher/pupil, flirter/flirtee, etc.—and his yen to try out new approaches to drawing and coloring. Shaw may be the cartoonist of the rising generation most capable of delivering a long-form work with the formal daring and humanity of a David Mazzucchelli or an Art Spiegelman. Consider The Unclothed Man a document of his baby steps… B+" – The A.V. Club
• Plug: "The Complete Peanuts 1975-1976 comes out in March, meaning we'll be halfway through this amazing, historical publication. I can't say enough about these collections. It's not only remarkable in its simple, truthful capturing of the human condition, but a beautiful historical document of the second half of the 20th Century." – Rob Kozlowski
• Interview: On the Inkstuds radio programme, Jordan Crane and Sammy Harkham have a feisty conversation with host Robin McConnell about their webcomics concern, What Things Do
• Commentary:NPR 's Glen Weldon, surveying some of the connections between comics and pop music, says "Love and Rockets, by Los Bros Hernandez, wasn't just about a punk band, it was a book steeped in an anarchic punk sensibility that even today, 30 years later, still seems bracing and unapologetic."