Starting with today's Online Commentary & Diversions, some minor formatting changes to hopefully make it easier to scan all that text:
• Review: "Published in the oversize Sunday page format ala the Fantagraphics’ Popeye collection (also, brilliant), Prince Valiant Vol. 1: 1937-1938 collects the earliest of Foster’s tales of the exiled Prince of Thule. ... The colors are warm and vibrant, and the line art pristine. The stories themselves are a delight. ... The art is consistently stunning... each page is spectacular to behold. ... The strips in Prince Valiant Vol. 1: 1937-1938 are merely the first installment of a massive, groundbreaking, and thoroughly exciting adventure saga that was better than nearly anything during its time, and remains better than nearly anything on the shelves today." – Michael C. Lorah, Newsarama
• Review: "Like a Dog compiles several of [Zak Sally's] stories from the last 15 years in one sweet, annotated hardcover. I'm amazed by how the styles vary -- one minute Sally can talk about working in a punk-rock T-shirt shop, the next he's going on about Dostoevsky -- but most stories are quite compelling and, man, the guy is just so cool. Sally is an intensely personal writer, and I appreciate how much he reveals about himself within these pages. His work can get a little messy sometimes, but I say that's just another reason to like it." – Whitney Matheson, USA TODAY Pop Candy
• Review: "...[T]he work contained in [Strange Suspense: The Steve Ditko Archives Vol. 1] (and kudos to Fantagraphics on the excellent and handsome production work) constantly reminds you of just how stellar an artist Ditko would prove to be. ... For historians, both amateur and otherwise, who thrill to the prospect of seeing that maturity take place, this is the book for you." – Chris Mautner, Robot 6
Huffington Post contributor Michael Giltz writes: "The best way to celebrate Schulz and his work is the ongoing series being published by Fantagraphics. The latest volume -- The Complete Peanuts, 1973-1974 ($28.99; Fantagraphics) -- is a lovingly produced volume that includes every strip from those two years in a handsome hardcover book designed by Seth. Like earlier editions, it's a thrill to read the strip chronologically and in one fell swoop. You get a far better sense of Schulz's creative zig-zagging as he suddenly and unexpectedly finds himself at the tip of a pop culture juggernaut." Read the rest here.
Online Commentary & Diversions observes the U.S. holiday tomorrow and returns on Friday:
• Review: "Children of the early Cold War who grew up with a pre-Spider-Man Ditko will find plenty to love in these restorations... Contemporary fans will no doubt find a lot to like in this volume, as well, both as a piece of mid-century pop-art, and as a first-hand look at the singularly warped sensibilities of one of the artists that would go on to shape the modern superhero book as we know it. Ditko clearly revels in his pre-Code world, constructing giant man-eating worms, and serial killers, and goblins. The artist draws on a broad scope of genre, demonstrating diverse artistic and storytelling talents... Strange Suspense is a treasure trove of weird excitement from one of the mavericks of mid-century comics." – Brian Heater, The Daily Cross Hatch
• Plug: "I want to marry this comic book: ...John Pham’s Sublife Vol. 2... is so lovely. I have a preview copy on my nightstand, and I just can’t keep my eyes — and hands! — off it." – J. Caleb Mozzocco, Newsarama
• Plug: The Brazilian edition of the first volume of The Complete Peanuts was released earlier this year; Diário do Barão says of it "Definitely, this was the best gift that I gave this year. It is even better than the Transformers Collection Megatron."
• Review: "[Pim & Francie]'s spine calls its contents 'artifacts and bone fragments,' as if they're what's left for a forensic scientist to identify after a brutal murderer has had his way with them; Columbia obsessively returns to images of 'bloody bloody killers.' ... Many of the pieces are just one or two drawings, as if they've been reduced to the moment when an idyllic piece of entertainment goes hideously awry. But they're also showcases for Columbia's self-frustrating mastery: his absolute command of the idiom of lush, old-fashioned cartooning, and the unshakable eeriness of his visions of horror." – Publishers Weekly
• Review: "With [Pim & Francie], Al Columbia has created not only one of the more unsettling works of horror in the medium of comics, but it also happens to be one of the greatest myth-making objects... Whether Columbia planned more complete stories for any of the efforts collected here is an interesting question, but for my money he has instead come up with dozens of nightmarish scenarios that have a greater cumulative effect by skipping set-ups or endings. The ending, one suspects, is always going to be a variation of horrific death and dismemberment." – Christopher Allen, Comic Book Galaxy