|Good grief, Geithner|
|Written by Mike Baehr | Filed under Peanuts, Drew Friedman||27 Mar 2009 11:18 AM|
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Category >> Peanuts
• Review: Entertainment Weekly gives Supermen! an A-, saying "Supermen!, this anthology lovingly assembled by Greg Sadowski, makes the case that these earliest endeavors by the future creators of masterworks like The Spirit, Captain America, and Plastic Man were more than crude throat-clearings — they were unfiltered manifestations of psyche, lousy with erotic charge and questionable politics."
• Review: Graphic Novel Reporter on Abandoned Cars by Tim Lane: "Abandoned Cars doesn’t arrive at a clear-cut solution to the American Myth, but Lane’s effort to understand it for himself is beautifully presented... every last detail of the book seems perfectly devised by Lane to bring the stories together and make the reader join the inner dialogue on the subject of the Great American Mythological Drama. It is a brilliant debut."
• Review: Andrew Wheeler says Mome Vol. 11 is "a solid, interesting anthology"; following up with Mome Vol. 12, says "I expect anybody who likes 'alternative' cartooning at all will find something to enjoy here"; and finds Funeral of the Heart by Leah Hayes not to his taste
• Things to see (and buy if you're filthy rich): The Daily Cartoonist reports that the original art for the April 1, 1973 Sunday Peanuts is up for auction. Go bid, or save yourself a few thou by collecting the strip in The Complete Peanuts 1972-1973, coming this Fall
• Things to see: Look upon the bookshelves of Eric Reynolds and weep... WEEP
• Review: From Publishers Weekly's starred review of Humbug: "MAD's early years have been justly lauded for their japing assault on postwar American culture, but this outstanding two-volume boxed set reflects the history of comedy in the period after staff stars like Kurtzman jumped ship in 1956... for dry cocktail laughs and low schoolboy snorts, it's hard to think of a better pair of books to have at your nightstand."
• Review: Comics Bulletin takes a good look at the revelations contained in The Complete Peanuts 1971-1972, concluding "The Complete Peanuts 1971-1972 reprints [some] of what many consider the peak years of the comic strip... [it] was better than perfection; it was glorious."
I think I might start posting weekend updates -- these Monday roundups are getting bananas...
• Review: John Mitchell on Supermen!: “Supermen points to a time when comic books were a new and exciting form — admittedly low brow in presentation, but filled with visual and narrative leaps that would affect how we told stories visually for decades to come... This book chronicles the exciting, silly, fun and experimental world in which these kinds of [superhero] characters were forged — fairy tales from the modern era."
• Review: Lady, That's My Skull takes lunch with The Wolverton Bible, saying "It is a fascinating look at the side of an artist that most fans are not familiar with due to the scarcity of the material."
• Review: My Year Online on Ted Stearn's first Fuzz & Pluck collection: "[I] laugh[ed] out loud at many points. This is all down to Ted Stearn’s genius in depicting expressions, his excellent slapstick timing and great storyboards, where you can never tell what will happen next..."
• Review: Newsarama enthuses about Popeye Vol. 3 (scroll about halfway down): "As with previous volumes of Popeye, it's a cornucopia of mangled English, slapstick, violence and hamburger soliciting... Fantagraphics continues to knock it out of the park with their work on the production of these books... With his fun designs and slapstick exaggeration, Segar's art has always been a plus, and nothing about that changes here... It's packed with adventure and humor, strong art, inventive and complex stories, and features more slam-bang punching than any other ten comics. It is a true, to use a much abused word, classic."
• Review: I'm not sure if this review originally ran in Rain Taxi or is original to the Powell's Books blog where it appears now, but: John Pistelli delves into The Lagoon by Lilli Carré: "The Lagoon's artisanal craftsmanship and child's-eye ironies reflect the baffled wisdom of a heroine too young to be foolish... it is a gorgeously bleak work for so young an artist."
• Interview: Baldur Bjarnason presents a 21-minute audio interview with el jefe Gary Groth recorded at the 2000 San Diego Comic Con
• Commentary: In re Strange and Stranger, here's some further Ditko analysis from Ken Parille at Blog Flume
• Review of the Year: Brick Weekly holds forth on The Wolverton Bible: "If you think that God was the greatest contributor to the Bible then you are wrong. In fact, when compared to the creative feats of legendary cartoonist Basil Wolverton, God’s work seems trite and superficial at best. So, throw out all of your old Bibles because you don’t need them any more..." And it goes on from there...
• Reviews: The San Antonio Current says "The Wolverton Bible collects everything [Basil Wolverton] did for the [Worldwide Church of God], presenting illustrations in chronological Biblical order — from Adam springing up from earth á la Spider-Man’s nemesis the Sandman all the way through the Old Testament and then hopping to the fantasy-friendly Book of Revelation, where eyeless corpses run rampant and jet planes tumble helplessly from the sky"; furthermore, "Humbug could be a comics blockbuster... it fills gaps in some cartoonists’ CVs and entertains like hell while doing it."
• Reviews: Andrew Wheeler rounds up some recent books: of The Lagoon by Lilli Carré he says "Carré has an expressive style reminiscent of Richard Sala -- and her stories are in the same literary territory as Sala's as well, so the gloomy blacks and busy cross-hatching add to the ominous, overwhelming feeling... there's real spookiness in these pages -- and she's telling a story in ways (particularly trying to evoke sounds and scents through a comics page) that I've rarely seen"; and of Jessica Farm Vol. 1 by Josh Simmons, Wheeler says "Josh Simmons might just be the Gutzon Borglum of comics. Simmons's... plan... is crazy, and I admire it for that."
• Reviews: Read About Comics reads The Complete Peanuts 1961-1962 and states "Now that I've finally hit the 1960s strips... I can't help but feel that I've entered the real Golden Age of Peanuts... I can’t wait to dive into the next volume."
This is a meaty one:
• Review: For The Savage Critics, Sean T. Collins says The Last Lonely Saturday by Jordan Crane is "pretty much the best love story in comics form I've ever come across... It's an intelligent, moving, beautiful, terrific little comic."
• Review: Rob Clough says that Beasts! Book 2 "mingles myths, warnings, fairy tales, correctives, and genuinely unexplained phenomena and allows its artists to run with them. The end result is a consistently beautiful, lovingly assembled book that forms a kind of metacommentary on the entire notion of the fantastic."
• Review: The SF Site's "Nexus Graphica" says R. Crumb & David Zane Mairowitz's Kafka is "a terrific guide to Kafka's life and work — Mairowitz deftly sums up Franz' family/Jewish/pre-Holocaust European experiences and influences, and Crumb's heavy inkings lend the exact tones of darkness to recreations of both Kafka's life — and work." (See sidebar)
• Blurb: Gear Live's "Comix 411" "vote[s] yes" on Ho! The Morally Questionable Cartoons of Ivan Brunetti
• List: Tom Spurgeon of The Comics Reporter weighs in with his Best of 2008 lists. In the top 10 "Archival Editions" there's Where Demented Wented by Rory Hayes at #7, Popeye Vol. 3 at #6, The Complete Peanuts Vols. 9-10 at #3, Explainers by Jules Feiffer at #2, and Willie & Joe: The WWII Years by Bill Mauldin at #1; Most Outrageous: The Trials and Trespasses of Dwaine Tinsley and Chester the Molester by Bob Levin is named "Best Book on the Subject of Comics"; the top 25 "Best Comics (First Run, First Translated, Definitively Collected) of 2008" includes Fuzz & Pluck: Splitsville by Ted Stearn at #19, Bottomless Belly Button by Dash Shaw at #15, Sammy the Mouse #2 by Zak Sally at #12, and Ganges #2 by Kevin Huizenga at #4
• Interview: Robot 6 talks to Anders Nilsen about his most recent book, Monologues for Calculating the Density of Black Holes
• Interview: The final installment of The Daily Cross Hatch's interview with the great Al Jaffee finally gets around to Humbug
• Preview: The First Post presents a slideshow of images from Humbug, saying "the short-lived Humbug [was] an exquisite satirical work that, over its 11 issues, routinely equalled MAD in its displays of creative genius... providing a level of trenchant satire that was almost unheard of at the time."
• Preview: Bryan Munn, in "hyping" The Complete Peanuts 1971-1972, states "Now that two whole decades of Peanuts have been reprinted in the deluxe hardcover format published by Fantagraphics and designed by Seth, we can really get a sense of what a huge achievement this project is and will continue to be for a generation."
• Bookmark: Quotes on Comics gives you what's in the name, presented randomly for your diversion
The Complete Peanuts 1971-1972 (Vol. 11) marks our first appearance on The New York Times' new "Graphic Books Best Seller List (Hardcover)," debuting at #5 with a bullet this week. Only Watchmen, Superman, Batman and Spider-Man could beat Sally Brown.
• Things to see: On his blog, Dash Shaw presents a Bottomless Belly Button ex libris plate he created for French comics shop Super Heros (you may also have seen Jason Miles's photo of Dash at Super Heros here on Flog recently)
Peanuts surges into the 1970s with Schulz at the peak of his powers and influence: a few jokes about Bob Dylan, Women’s Liberation and “Everything You Always Wanted to Know About Sex” (!) aside, these two years are as timeless as Peanuts ever was.
Sally Brown — school phobia, malapropisms, unrequited love for Linus and all — elbows her way to center stage, at least among the humans, and is thus the logical choice for cover girl... and in her honor, the introduction is provided by none other than Broadway, television and film star Kristin (Wicked) Chenoweth, who first rose to Tony-winning fame with her scene-stealing performance as Sally in You’re a Good Man, Charlie Brown.
Two long Summer-camp sequences involve Charlie Brown and Peppermint Patty, who has decided that Charlie Brown is madly in love with her, much to his clueless confusion. Snoopy shows up at camp as well, as does Peppermint Patty’s new permanent sidekick, the one and only Marcie.
The eternally mutable Snoopy mostly shakes off his World War I Flying Ace identity and turns into Joe Cool, college hipster extraordinaire. And in three long sequences he writes a fan letter to his favorite author, Miss Helen Sweetstory, then goes on a journey to meet her, and finally enlists Charlie Brown’s help when her latest opus, “The Six Bunny-Wunnies Freak Out,” falls afoul of censors.
Also, Woodstock attends worm school, falls in love with a worm (perhaps the most doomed unrequited Peanuts love story ever!), and is nearly eaten by the neighbors’ cat... Peppermint Patty is put on trial for another dress code violation and makes a very ill-advised choice in terms of lawyers... Snoopy turns Linus’s blanket into not one but two sportcoats... Lucy hits a home run... and the birth of one Rerun Van Pelt!
344-page black & white 8.5" x 7" hardcover • $28.99
View a photo & video slideshow preview embedded here. Click here if it is not visible, and/or to view it larger in a new window (recommended). And visit the product details page for a downloadable, 17-page PDF preview containing all the strips from January, 1971!