"Gilbert's stories are typically excellent in this issue, as he manages a certain luridness in one story that brings sexuality to the fore, and goes the other direction in a more oblique, subtle story. Of course, the story that got everyone buzzing was the second half of Jaime's "The Love Bunglers", which is an ending for this thirty-year cycle of stories--and one where Jaime sticks the landing with authority."
"This was Bagge's first feature-length Buddy Bradley story in years, and it's a doozy. Buddy, Lisa and young Harold visit Lisa's parents in a story called 'Hell,' and Bagge truly pulls out all the stops in depicting extreme familial weirdness. His dialogue is as sharp as ever, his line is quite lively and his uncanny ability to depict the creeping weirdness of suburbia is even more disturbing than in the initial run of New Jersey stories in Hate."
"Kupperman's 'Quincy, M.E.' story in this issue is a tour-de-force of twisting narrative structures and just plain crazy silliness. Kupperman's art has become increasingly bland as his aesthetic references have changed from 1920s comic strips to 1950s comic books, forcing the reader to perform double-takes at the crazy juxtapositions he creates. If his comics aren't as visually exhausting and exciting as they once were, he still provides an avalanche of ideas and jokes for the reader to sort through."
• Review: "Norwegian cartoonist Jason has returned with more full-color stories populated by lonely, and at times sociopathic, anthropomorphic characters. Cats, dogs, and ducks steal, fight, murder, and drink themselves into oblivion. Although brimming with black humor, the tales are far from ridiculous; the disjunction between the cute creatures and their actions often serves to highlight the despair inherent in their lives. Text is light, as the images drive the narratives. In these spare, mute panels, infused with flat oranges, greens, and browns, small movements covey great meaning and emotion.... Visually exciting, at times hilarious and at times devastating, Athos in America will only add to Jason’s well-deserved reputation as a star of the graphic novel world." – Publishers Weekly
• Review: "This volume [Amazing Mysteries: The Bill Everett Archives Vol. 1] provides an illuminating look at the artist’s numerous attempts at catching Sub-Marineresque lightning in a bottle for a second time, a task that mostly eluded him. The comics studios of the golden age were product mills that threw any idea against the wall in hope it would stick, and Everett did much the same. Forgotten sci-fi and superhero creations, as well as forays into westerns, historical retellings, and crime comics, populate this loaded volume, which reads like it fell straight out of some four-color twilight zone." – Publishers Weekly
• Review: "Over 150 pages of reprints, a brilliant back-of-the-book by Benson running 26 pages, and an introduction by my old buddy, cartoonist/historian Jay Lynch..., this book is a welcome addition to any comics library.... [I]f nothing else, The Sincerest Form of Parody saves you a lot of time separating the wheat from the chaff. But in and of itself, it is a very worthy book – entertaining on his own, and critical from a historical point of view. You should check this one out..." – Mike Gold, ComicMix
• Review: "[Jordan] Crane’s comic, The Last Lonely Saturday, explores the trials and release of life after loss. Crane’s story beautifully follows a husband’s weekly ritual to pay respect to his wife. In no more than a few pages, Crane retells the husband and wife’s entire history. From the comic’s meticulous book design, with its quaint size and the rounded, hand-lettered type in the first pages, readers can expect the story to be heart-warming. But Crane pulls at readers’ heartstrings with surprising grace. While the story is rooted in the traditional American cliché of lovers reunited in the afterlife, the story is told deftly." – Juan Fernandez, The Tartan (via Robot 6)
• Review: "[Freeway] captures the frustration of being stuck in traffic, particularly the array of images (violent and otherwise) that traffic brings to my mind (even better than Falling Down). Like me, Alex also relieves his frustrations with a lot of swearing." – Gene Ambaum, The Unshelved Book Club
• Plug: "I ran into animator Michel Gagné at the Annie Awards last week (where he picked up an Annie for Best Video Game, Insanely Twisted Shadow Planet) and asked him about his next project. Turns out Gagne had been toiling on a labor of love (literally) that has just gone on sale this week.... That book, Young Romance: the Best of Simon & Kirby’s Romance Comics, is not the usual thing we endorse here at Cartoon Brew – but as a life-long Jack Kirby fan and oddball comic book buff, this project is right up my alley.... I’ve ordered my copy and highly recommend it, sight unseen. Thanks, Michel!" – Jerry Beck, Cartoon Brew
• Plug: "Joe Simon and Jack Kirby created Captain America but they literally created the romance comic genre. The pages [of Young Romance] were packed with dialogue and dramatic art as women fought for love." – Will Harris, KOMO News
Original paintings by celebrated Southern California artist SHAG.
A multimedia homage by Seattle artist (and frequent Fantagraphics printmaker) Art Garcia.
Plus awesome works by graphic design legend Art Chantry, ceramicist Charles Krafft, and cartoonists Tom Neely, Johnny Ryan, Roberta Gregory, Pat Moriarity, Peter Bagge (from the pages of MAD), and a dozen others, including the master himself, Jack Davis. Arrive at 6:30 to experience a virtual visit with Davis via Skype, hosted by Gary Groth.
FUNNY VALENTINES: A TRIBUTE TO JACK DAVIS Group art exhibition opens February 11 at Fantagraphics Bookstore
Fantagraphics Bookstore & Gallery celebrates the legacy of legendary artist Jack Davis with a group exhibition "Funny Valentines: A Tribute to Jack Davis" opening Saturday, February 11 from 6:00 to 9:00 PM. Davis is among the most influential American artists of his time. He created comics art for the seminal EC imprint and contributed to subversive magazines like MAD, as well as illustrating popular record albums, memorable movie posters, trading cards, mainstream magazines, and advertising campaigns.
Seattle-based Fantagraphics Books recently published the career retrospective Jack Davis: Drawing American Pop Culture. To commemorate the occasion, a stellar group of accomplished artists from diverse disciplines have created works demonstrating the influence of this prolific artist. Between 1959 and 1963 Davis drew four sets of "Funny Valentines" for the Topps trading card company. This series provided the inspiration the show featuring two-dozen contemporary cartoonists, illustrators, graphic designers, and fine artists. Exhibiting artists include Peter Bagge, Nikki Burch, Art Chantry, Tom Dougherty, Jesse Edwards, Ellen Forney, Art Garcia, Roberta Gregory, Charles Krafft, Jason T. Miles, Pat Moriarity, Tom Neely, Joe Newton, Ries Niemi, John Ohannesian, Augie Pagan, Eric Reynolds, Bob Rini, Johnny Ryan, Frank Santoro, SHAG, Matthew Southworth, and Jim Woodring. Original works by Jack Davis will also be displayed.
The opening reception on Saturday, February 11 promises to be a festive affair. Davis will appear at 6:30 PM via Skype from his home in Atlanta. Many exhibiting artists will also be present. A limited number of advance copies of Jack Davis: Drawing American Pop Culture will be available with a special signed bookplate. Please join us to pay homage to this extraordinary artist. This event coincides with the 4th anniversary installment of the colorful Georgetown Art Attack, featuring visual and performing arts presentations throughout the historic neighborhood.
FUNNY VALENTINES: A TRIBUTE TO JACK DAVIS
An exhibition featuring Peter Bagge, Nikki Burch, Art Chantry, Jack Davis, Tom Dougherty, Jesse Edwards, Ellen Forney, Art Garcia, Roberta Gregory, Charles Krafft, Jason T. Miles, Pat Moriarity, Tom Neely, Joe Newton, Ries Niemi, John Ohannesian, Augie Pagan, Eric Reynolds, Bob Rini, Johnny Ryan, Frank Santoro, SHAG, Matthew Southworth, and Jim Woodring.
Opening Reception Saturday, February 11, 6:00 to 9:00 PM
• List:Comics Bulletin names Walt Disney's Donald Duck: Lost in the Andes the Best Archival Reprint of 2011, with Jason Sacks saying "Universally acclaimed as one of the finest reprints of Barks's works by even the most exacting Duckophiles, Lost in the Andes finally presents an English-language collection of Duck stores behind two hard covers and with the typical exacting standards for which Fantagraphics is justifiably famous. The good people at Fantagraphics outdid themselves with this reprint, which will undoubtedly be a treasure enjoyed by fans for many years."
...and they also name Dave McKean's Celluloid the Best Erotic Graphic Novel of 2011, with Daniel Elkin saying "Dave McKean is a tremendous artist. He creates work of enormous emotional impact with a deftness and subtlety that is so often missing in modern art. McKean can tell an entire novel's story in a single picture. He's that good.... Celluloid is beautiful and it is powerful and it is mysterious and engaging. It is art as defined by every iteration of the word. It is also another example of what comics can do that no other form of media can match."
• List:Forbidden Planet International's Joe Gordon names The Extraordinary Adventures of Adèle Blanc-Sec Vol. 2 one of his Best of the Year: "For my money Jacques Tardi is one of Europe’s great comics creators, a true maestro... This second helping collects two of the original French albums and serves up a heady cocktail of conspiracies, secret societies, black magic practicioners, mad scientists (and boy does Tardi do a great, cackling mad scientist – he even brings in some from his brilliant The Arctic Maruader into this) and all set against a beautifully realised backdrop of Belle Epoque, pre-war Paris. Fantagraphics are translating a huge swathe of Tardi’s work and in fact I’d recommend and and everything they have so far translated and republished, but for the sake of this piece I’ll go with the wonderful Adèle."
• List: One more Best of the Year list at Forbidden Planet International, with festival organizer Clark Burscough putting Joe Daly's Dungeon Quest Book 2 at the top of his Graphic Novels list: "Childish, purile, hilarious, brilliant. I am completely in love with Joe Daly’s series at this point, and the second volume continues in the same vein as the first; namely, silly stoner-esque humour, with a love for RPGs at its heart."
• Review: "...[Young Romance] is a real treat, an inexpensive way to read a nice sampling of some Kirby comics that any Kirby fanatic has to be curious about. Michael Gagne did a great job assembling a fun cross-section of stories, and noted romance comics historian Michelle Nolan provides an insightful introduction. These might not be the first classic Kirby comics that you would choose to pick up, but they are a lot of fun to read. Rating: ★★★★★" – Jason Sacks, Comics Bulletin
• Review: "The art is evocative and detailed, still in a very Ub Iwerks-ian rubber-hose style... The character of Mickey [Mouse] -- and the simple fact that he has a character, and isn't just the waving silent mascot of the last couple of decades of Disney -- will be surprising to most readers, but this mouse was a tough little guy, ready for both adventures and fun at any minute, and he's deeply enjoyable to read about." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Profile:The Portland Mercury's Matt Stangel catches up with Tony Millionaire on working the illustrator's beat (as documented in 500 Portraits): "'Making a living off comics is almost impossible,' says Millionaire, musing on the illustration work that's kept him fed through the years."
The first Online Commentary & Diversions post of the year might very well end up being the longest:
• List: Humorist and television personality John Hodgman, asked to name his 5 favorite comics in an open Q&A session on his Tumblr blog, says "Love and Rockets: I don’t like to choose between brothers, but Jaime Hernandez is one of the greatest drawers of human faces and human want on the planet."
• List:Walt Disney's Uncle Scrooge: Only a Poor Old Man by Carl Barks is #39 on The A.V. Club 's list of "most anticipated entertainments of 2012": "Only a Poor Old Man will bring Scrooge McDuck, possibly Barks’ greatest creation, into the spotlight. The bespectacled miser will dive around in his money bin and burrow through it like a gopher, and his timeless adventures will get the treatment they deserve."
• List: Tucker Stone, whose Best of 2011 previously appeared at comiXology, presents a slightly modified list for Flavorwire's "10 of the Year's Most Buzzed-About Comic Releases":
"Last year’s Love and Rockets was a huge deal, but this year’s installment is arguably even better.... Comics has yet to provide Love and Rockets with anything approximating 'competition,' but it doesn’t appear that the Hernandez brothers have any reason to be concerned about that quite yet. They’re still way better at this than everybody else on the planet."
"The big thing this year was watching all the great young cartoonists of the early 2000s carving out their places in the pantheon. Huizenga’s a perfect example — he’s been regularly turning out excellent comics for years now, and yet Ganges #4 still reads like a revelation.... It’s a fascinating experience reading these comics, and they’re gorgeous to boot."
"The continuing adventures of Johnny Ryan’s most violent fantasies run amuck, [Prison Pit] is rapidly becoming the comic that I look forward to the way a fat kid looks forward to syrup-encrusted cake. There’s no getting around the hoary old cliche — 'these aren’t for everybody' — so God help you if you can’t figure out a way to enjoy these books."
• List: The prolific Sean T. Collins, after having contributed to CBR's Top 100, runs down his personal 20 Best Comics of 2011 on his Attentiondeficitdisorderly blog AND at Robot 6, withGanges #4 by Kevin Huizenga at #15...
"Huizenga wrings a second great book out of his everyman character’s insomnia. It’s quite simple how, really: He makes comics about things you’d never thought comics could be about, by doing things you never thought comics could do to show you them. Best of all, there’s still the sense that his best work is ahead of him, waiting like dawn in the distance."
"...[T]he payoff... feels like a weight has been lifted from Woodring’s strange world, while the route he takes to get there is illustrated so beautifully it’s almost superhuman. It’s the happy ending he’s spent most of his career earning."
"Religious fundamentalism... has worn a thousand faces in a millennia-long carnevale procession of war and weirdness, and David B. paints portraits of three of its masks with bloody brilliance. Focusing on long-forgotten heresies and treating the most outlandish legends about them as fact, B.’s high-contrast linework sets them all alight with their own incandescent madness."
"I picture Gilbert Hernandez approaching his drawing board these days like Lawrence of Arabia approaching a Turkish convoy: 'NO PRISONERS! NO PRISONERS!' In a year suffused with comics funneling pitch-black darkness through a combination of sex and horror, none were blacker, sexier, or more horrific than this gender-bending exploitation flick from Beto's 'Fritz-verse.'"
"...[L]et's add to the chorus praising Jaime's 'The Love Bunglers' as one of the greatest comics of all time, the point to which one of the greatest comics series of all time has been hurtling toward for thirty years.... You can count the number of cartoonists able to wed style to substance, form to function, this seamlessly on one hand with fingers to spare. A masterpiece."
"The hype and acclaim surrounding Xaime Hernandez’s conclusion to his 'Love Bunglers' saga has been overwhelming, and every ounce of it is deserved. This is simply a phenomenal achievement in comics. A moving, thoughtful story of missed opportunities, loss and eventual reconciliation that provides in many ways a fitting conclusion to all of Xaime’s 'Locas' stories. I’d be hard pressed to think of a better comic that came out this year."
"More than the new Carl Barks collection, more than the return of Pogo, the resurrected, re-appreciated comic strip I found myself falling in love the most with this year was Gottfredson’s plunky, adventure-loving mouse, a scrappier version of Disney’s iconic creation. More to the point, I was completely taken with the stunning packaging and background information Fantagraphics and the books editor put together for this series. It’s new benchmark for reprint projects."
"Three volumes into this grand guginol series and it continues to surprise and delight, this time introducing a new character and suggesting via an end sequence that Ryan has been reading a lot of Fort Thunder comics."
"Incredibly inventive, Schrauwen, like Yokoyama, seems intent on pushing the comics medium into new and interesting directions. But where Yokoyama is concerned mainly with motion and exploration, Schrauwen is concerned mainly with perception and the interior world of the mind. This is great, mind-blowing work."
• List: Also on Robot 6's roundup of best-of lists from its writers, Tim O'Shea ranks Pogo Vol. 1 at #9: "Damn if this was not worth the wait... Volume 1 of the complete syndicated daily strips of Pogo would be enough to put this book on my list. But the fact that Fantagraphics has a foreword by Jimmy Breslin; an introduction by Steve Thompson; a piece on the Pogo Sunday Funnies by Mark Evanier; and Swamp Talk (R.H. Harvey annotations on the strips) is just icing on the cake."
• List: David McKean's Celluloid gets a "See Also" shout-out on Cyriaque Lamar's list of The Best Science Fiction and Fantasy Comics of 2011 at io9: "A decidedly adult erotica graphic novel with no dialogue, this is the famed Sandman cover artist going at page after page of a sexy hallucination, whipped up by a magic porno movie projector. Dreamscapes with boners."
"After 'Browntown' in last year’s installment of New Stories, there was a worry that Jaime might have peaked — how on earth was he going to top that story? The achingly beautiful conclusion to 'The Love Bunglers' in this volume was the answer. Pulling together strands from Maggie’s entire 30-year history in two pages was nothing short of stunning, with his art as cooly confident as ever, making it a real emotional sucker punch. Gilbert’s work developing Fritz’s movie back-catalogue is a real mind-bender, too, weaving inter- and meta-textual strands together that lets his characters say so much, while saying so little. It is terrifying how talented these guys are."
"Forget Pogo and Carl Barks — we already knew they were classics — the real reprint revelation of 2011 was good ole' Mickey Mouse.... To read these strips is to rediscover a love for Mickey and marvel at Gottfredson's amazing grasp of storytelling and humour, as well as his flawless artwork. Naturally, with Fantagraphics overseeing the reprints, the design, packaging and presentation is gorgeous — a real worthy successor to their Peanuts series."
• Plug: "I’m a little mortified to admit that Walt Disney's Donald Duck: Lost in the Andes is my first exposure to Carl Barks (after decades of being interested in finally seeing why he’s so revered as a comic creator), but it definitely won’t be my last. Fantagraphics’ first volume of Barks material is a great place to start; a mixture of epic quests, short stories, and gag strips that are all impressively funny and awesome." – Greg McElhatton, Robot 6
• List: On his Domino Books blog, Austin English explains why Joyce Farmer's Special Exits is his favorite comic of 2011: "Farmer's cartooning allows for her characters to act out their illness and struggles in front of the reader. Farmer's drawing of her aging father is something to behold — it's not Farmer saying 'here is what my sick father went through.' Instead we see a drawing age and wither in front of us, and speak to us with both intelligence and dementia. I’ve never seen anything in comics done with such skill — let alone see a graphic novel (often the territory of poorly conceived topical heart wrenchers) speak about tragedy with so much depth and clarity."
• List: Comics writer Vito Delsante declares Love and Rockets: New Stories #4 the Best Single Issue of 2011 on his Best of 2011 blog post: "The Hernandez Brothers, since New Stories 3, have really created the most important mythology in comics since Stan and Jack (and Steve).... Jaime Hernandez should win every single award in comics in 2012."
• List: We rank 4 entries on Renee Lott's Top 10 Comics of 2011 at her Blogwithfeet
• Review: "I've been digging the new Fantagraphics release Jason Conquers America which commemorates ten years of the venerable publisher's relationship with the Norewegian artist.... My favorite story in the collection revolves around a crow who naps in a bed in a field and wakes up obliviously in an entirely new life. (Telling any more would spoil the revelation.) In 23 short wordless panels, Jason creates a powerful and compelling commentary that proves how powerfully expressive comics can be." – Stray Riffs
• Review: "A new comic from the top humorist in comics is always welcome. This issue [of Tales Designed to Thrizzle] is the usual combination of dada and surprisingly tightly-wrapped narrative gags surrounding the sort of cultural detritus mined by Drew Friedman & Mark Newgarden.... 'Quincy, M.E.'... is one of Kupperman's best strips because he keeps adding new layers of plot to an already-ridiculous story.... I still miss the sheer density of detail in Kupperman's older work that made reading it almost exhausting, but the avalanche of ideas remains intact, as does his ability to elicit laughs." – Rob Clough, High-Low
• Review: "...Prison Pit... [is] a marriage of pro wrestling, manga, bromance and filth.... Johnny Ryan has an almost Kirbyesque level of character design, but with obviously more genitalia, and it can at times be a joy just to see what is going to come on the next page.... Johnny Ryan is a cartoonist at the top of his game right now and he may just be the closest thing the comic world has to marmite." – Taylor Pithers, The Weekly Crisis
• Interview:The Comics Reporter's Tom Spurgeon talks with Todd DePastino, biographer of Bill Mauldin and editor of our Willie & Joe books. Spurgeon says Willie & Joe: Back Home is "one of my three favorite comics-related books from 2011, and, I think, one of the year's best." From DePastino: "When I look at these cartoons, I think of literary critic Dominic LaCapra's claim that some books are good to think about and a very few are good to think with. Mauldin's postwar cartoons are good to think with. They not only provide a window to the times, like, say, good photographs or reporting might, but they also raise fundamental questions and issues that are with us still."
• Review: "These comics are beautiful. Each single-panel comic is blown up to a full page, so that Mauldin’s artistry can truly (and easily) be admired without squinting. The sentiments expressed are astonishing and bravely progressive for the time.... I’d never thought or heard about the poor reception combat vets received after WWII. (I mistakenly thought that only happened to our soldiers after the Vietnam War.) I wish I knew what they experienced. I’ll settle for giving [Willie & Joe: Back Home] to the next WWII vet I meet and hope that it sparks a conversation." – Gene Ambaum, The Unshelved Book Club
• List:Love and Rockets: New Stories #4 lands at #4 on Comic Book Resources' Top 100 Comics of 2011, with Chris Mautner saying "The hype and acclaim surrounding Jaime Hernandez's conclusion to his 'Love Bunglers' saga has been overwhelming, and every ounce of it is deserved. This is simply a phenomenal achievement in comics. I'd be hard pressed to think of a better comic that came out this year," and Sean T. Collins saying "...[L]et's add to the chorus praising Jaime's 'The Love Bunglers' as one of the greatest comics of all time, the point to which one of the greatest comics series of all time has been hurtling toward for thirty years.... You can count the number of cartoonists able to wed style to substance, form to function, this seamlessly on one hand with fingers to spare. A masterpiece."
• List: At Popdose, Johnny Bacardi lists his favorite comics of 2011, including Love and Rockets: New Stories #4: "Jaime didn’t need the last couple of issues of L&R:NS to make his already stellar rep, but I’d think these stories will be revered and referred to for decades to come. Don’t mean to downplay Gilbert’s contributions — they’re as solid as ever — but the last couple of issues have been Jaime’s masterpieces and are absolutely essential if you’ve ever cared for Ray, Maggie, Hopey or any of these characters for the last three decades, and a hell of a good read even if you are unfamiliar with them except by reputation." (Richard Sala's The Hidden and Wilfred Santiago's 21: The Story of Roberto Clemente merit Honorable Mentions.)
• List: Ed Sizemore names his Top 10 Manga of 2011 at Manga Worth Reading, with Wandering Son by Shimura Takako at #2: "Words fail me when trying to describe the beauty and artistry of this manga. The genius of this series is that Takako doesn’t focus on how 'strange and unusual' transgender people are, but rather how ordinary."
• Review: "Being in the band is an aspiration held by many a young girl, and for a lucky few, a reality. Peter Bagge envisioned this world in zealous delight with his graphic novel Yeah!... As a long time fan of Hernandez’s Palomar and Love & Rockets, it was a real treat to see his familiar drawing style across the pages of Yeah! Hernandez has a knack for conjuring up Dan DeCarlo (of Archie fame), with his own unique zany twist.... Readers are in for a wild ride as they follow the band’s intergalactic adventures. Old school comic fans, pop music lovers, and alien aficionados will enjoy Yeah! – it’s even Comics Code approved." – Marie Penny, The Hub (ALA/YALSA)
• Review: "In the seventh issue of his own, glamorously titled Tales Designed to Thrizzle, Kupperman’s got more mockery in store.... Kupperman’s highs are surrealism and satire melting together, and those highs in this issue is a riff on Tales from the Crypt that specifically targets the terrorizing world of baths, and a McGruff the Crime Dog equally as grim. The main adventure is Jack Klugman in his Quincy shoes tumbling down the rabbit hole of allusions new and old. Humor-wise, that focused quest is more spontaneity than surrealism and satire. But that’s the only complaint." – Zack Kotzer, Newsarama
• Commentary: At Robot 6, Chris Mautner presents a reader's guide to the work of Jessica Abel as part of his "Comics College" series
• Commentary: Tom Spurgeon's interview with The Comics Journal and Robot 6 contributor Chris Mautner at The Comics Reporter is a highly recommended read, and not just because of all the love and shout-outs Mautner throws our way
• List:Lou Reed's work in his collaborative Poe adaptation with Lorenzo Mattotti, The Raven, helps him rank #64 on Whitney Matheson's 100 People of 2011 list at USA Today Pop Candy
• List: Comics Worth Reading's Johanna Draper Carlson names her top 10 Best Graphic Novels of 2011, with Walt Disney's Mickey Mouse Vol. 1: Race to Death Valley by Floyd Gottfredson in the #5 slot: "I was astounded to discover that once upon a time, Mickey Mouse comics were really good! And exciting!... Plenty of good background material puts it all in context for the new reader, previously unaware of this strip or Gottfredson’s skill. I haven’t had a better adventure read this year, in sheer 'I don’t want to put this down!' desire to find out what comes next."
• Review: "The connective thread [in Mome] has long been 'stuff Eric Reynolds likes,' and since he likes a lot of stuff, chances are good he’s included a lot of material that falls well outside the Venn-diagram overlap between your taste and his. That makes reading this final issue of Mome an unusual experience even in these anthology-saturated times: Its editorial focus is its lack of focus. To paraphrase Singles, its thing is not having a thing. What it does have is 240 pages, making it fatter than any single anthology listed above, and fatter than many of them put together. And with Mome, quantity is something of a guarantor of quality.... Yes, you have to sit through some stuff you won’t dig. And no, none of it has much to do with any of the rest of it. But independent of any scene or wave or vibe or goal beyond publishing a lot of interesting short new comics, Mome soldiered on. That’s the hill it died on, and this is a fine flag to plant on its grave." – Sean T. Collins, The Comics Journal
• Review/Plug: "Over the past few months, [Fantagraphics] have been putting out collections of Floyd Gottfredson's work on the Mickey Mouse newspaper strip, and they're some of the best comics ever put out. Even though they were published all the way back in 1932... Gottfredson's Mickey Mouse stories are still fresh and frequently pretty hilarious today. They've got everything anyone would want out of a comic: Adventure, romance, danger, lost pirate treasure, fighter jets battling against sinister zeppelins, and even a gang of mad scientists out to destroy the world with a ray-gun that makes you evil.... It's incredible stuff, and when you throw in the consistently beautiful design that Fantagraphics gives to their projects, it's something that makes a pretty great gift. It's even decked out in Christmas colors!" – Chris Sims, ComicsAlliance
• Interview: You'll want to read the autotranslation of Adriana Terra's wide-ranging Q&A with Gilbert and Jaime Hernandez at Brazilian site Soma for some good tidbits about what their next projects are (and, you know, the rest of it is good too)
Every so often I'm asked whatever became of Fantagraphics old delivery van, which was vandalized — I mean decorated — by masters of alternative comix during a 1991 signing at Fallout. (Crumb, Clowes, Bagge, Bros., Mavrides, Woodring, etc.) We spoke to the Georgetown owner last summer and he assured us restoration was underway. On Friday, Georgetown Records unearthed a cache of vintage Rocket magazines. The April '91 issue contained a sidebar on this rolling masterpiece.
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