This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
160-page black & white 6.75" x 10.25" softcover • $18.99 ISBN: 978-1-60699-410-8
"An earlier stab than Little Nothings at comics-as-diary from the prolific cartoonist (and constantly hilarious comics-diarist) Lewis Trondheim, who draws himself as a slightly ruffled bird." – Douglas Wolk, Comics Alliance
"Lewis Trondheim’s Approximate Continuum Comics were some of the first autobiographical works to come out of France. This volume from Fantagraphics collects the first three chapters from The Nimrod (which were originally released in English as regular American floppies) as well as a bunch of previously untranslated stuff, plus a section at the back in which the real life characters pick fault with Trondheim’s depictions of themselves. David B. has got something to say, as does Trondheim’s Mum. How often does that happen?" – Gosh! Comics
"It’s a great little book, sharp and witty, and a good place for Trondheim newbies to dive in." – Chris Mautner, Robot 6
"On the graphic novel front, I am eager to read Approximate Continuum Comics, a new collection of Lewis Trondheim’s autobiographical pieces." – Johanna Draper Carlson, Comics Worth Reading
"International comics master Trondheim delivers an excellent collection of autobiographical comics. It's a look inside a cartoonist's life. And trust me, it's far more interesting than that may sound." – Benn Ray (Atomic Books), Largehearted Boy
"I greatly enjoyed this English-language edition of a key Trondheim work, a collection of four comic book-sized memoir comics that blend fantasy and reality in an attempt to capture the way the mega-successful cartoonist regarded his life on either side of 30 years old. I found particularly affecting just how funny and poignant its set-pieces were, and how they might connect with lives that have very little big-picture overlap with Trondheim's own." – Tom Spurgeon, The Comics Reporter
128-page black & white/color 7" x 10" softcover • $18.99 ISBN: 978-1-60699-464-1
"...Take a Joke! [is] the latest and arguable greatest (and also last) collection of material taken from Johnny Ryan’s finished-for-now series, Angry Youth Comix." – Chris Mautner, Robot 6
"There’s all manner of potty-mouthed things you’d expect from Johnny Ryan." – Gosh! Comics
"The master of the yuks that disturb, Johnny Ryan is back with a new collection of his hilarious Angry Youth Comix. You'll laugh a lot and feel weird about doing it. Genius!" – Benn Ray (Atomic Books), Largehearted Boy
224-page black & white 7" x 10.25" softcover • $19.99 ISBN: 978-1-60699-412-2
"...[C]ome on, if you found out that Robert Altman and Woody Allen had collaborated on a kids' TV show, you'd want to watch that too." – Douglas Wolk, Comics Alliance
"...Fantagraphics collects Peter Bagge and Gilbert Hernandez's all-ages graphic novel Yeah! for the first time in a decade. This title was initially published on Wildstorm [Homage, actually – Ed.] and is about the foibles of an intergalactic Josie and the Pussycats-style girl group." – Cyriaque Lamar, io9
"...[T]he new Yeah! book... collect[s] the short-lived all ages series that Peter Bagge and Gilbert Hernandez collaborated on, about an all-girl rock group that’s popular throughout the galaxy, but not at home..." – Chris Mautner, Robot 6
"Back in 1999/2000 Peter Bagge (Hate) and Gilbert Hernandez (Love & Rockets) teamed up for Yeah! – a nine-issue all-ages series about an intergalactically famous girl group who were totally unknown on their home planet Earth." – Gosh! Comics
"I’m curious to see if this re-release... title finds a new audience from quite a different publisher, one more typical of the creators." – Johanna Draper Carlson, Comics Worth Reading
"The summer of Peter Bagge continues! Yeah! collects the comic series from years ago that was a collaboration between Bagge and Hernandez (Love & Rockets). The result is a rollicking intergalactic Josie & The Pussycats-esque all-ages yarn." – Benn Ray (Atomic Books), Largehearted Boy
"This... feels like a notably sturdy volume and seems priced more cheaply than anyone could be expected to find copies of the original funnybooks. It also and probably needed to be re-presented to its potential audience for folks to pay it any attention, in a format that many young readers now prefer. I'm happy to see these comics again." – Tom Spurgeon, The Comics Reporter
"CONFLICT OF INTEREST RESERVOIR: Approximate Continuum Comics collects some nice autobiographical early work by Lewis Trondheim, previously seen in part in The Nimrod and Expo 2000... Take a Joke collects (among other things) the remainder of Johnny Ryan’s Angry Youth Comix, covering its fascinating lunge into increasingly horror-informed material... And Yeah! collects the entirety of a 1999-2000... outer space pop band series from writer Peter Bagge and artist Gilbert Hernandez, in b&w..."
• Review: "It's a smart-looking book, and the choice to go color-free really allows Gilbert Hernandez's cartooning to shine. But make no mistake: this is vintage Bagge. Sure, we're minus the delicious Buddy Bradley angst, and the goofiness is rated PG, but the increasingly ridiculous situations that the girls of Yeah!... get themselves into [are] very much in Bagge's wheelhouse.... Yeah! also has in spades something that HATE! rarely, if ever, did: cuteness. Some of the hijinx and situations that the band finds itself in are, well, adorable. Hernandez's pen is as much to credit for that as is Bagge's turn to the 'pop side.'" – Jeremy Nisen, Under the Radar
• Review: "This slim graphic novel [Toys in the Basement] is nominally for children, but the art of the Frenchman Blanquet takes a children's story to an unexpected level.... This surrealist book by writer-artist Blanquet brings to the young reader a simple message: retribution will come, and you never know from which side." – Ray Garraty, Endless Falls Up
• Interview: At Comic Book Resources, Chris Mautner talks to Dave McKean about his new erotic graphic novel Celluloid: "The depressing majority of comics seem to be about violence of one sort or another, yet how much violence does the average person have to deal with in their everyday lives?... But sex is happily part of most people's lives, and crosses the mind most days, I would say, even if it's just watching your partner get out of bed in the morning."
• Interview:Time Out Chicago's Web Behrens goes back for a second helping with Paul Hornschemeier: "'I remember — well, I don’t actually remember this, but my mom told me this story many times: I was walking with her when I was little, 3 or 4. I looked up at her and said, 'Mom, sometimes I miss you even when you’re here.' What a sad — well, it’s cute, but gosh, I was lonely even then, walking with my mom! It’s just kind of how I’m wired."
• Panel:The Daily Cross Hatch begins transcribing the MoCCA panel on political cartooning that Tim Kreider was on: "My early cartoons were surreal non-sequiturs, but I feel like I was kind of conscripted into duty as a political cartoonist. I didn’t feel like the Bush years were just the opposition in charge. It felt like a true aberration in history, like the McCarthy years. It’s something I just couldn’t keep my mouth shut about. Once it was over, I was very, very happy to quit, but I wasn’t going to quit before George did."
• Review: "Walt Disney’s Mickey Mouse: Race To Death Valley kicks off Fantagraphics’ latest series of vintage newspaper strips... About halfway through the [first story] arc, ...Gottfredson’s Mickey Mouse begins to develop the characteristics that would sustain it for decades to come: a fast pace, frequent narrow escapes, and an industrious hero who throws himself fully into every endeavor, in ways that both get him into trouble and help get him out. ...Gottfredson... took the broad idea of a good-natured mouse and sketched in his own attitudes about hard work, courage, and the importance of having reliable friends when the jams get especially sticky." – Noel Murray, The A.V. Club
• Review: "[Gilbert] Hernandez’s latest book Love from the Shadows is a confounding hybrid, inserting Love And Rockets’ watermelon-chested, lisping Fritz into a violent dream-novel that combines the fluid reality of Luis Buñuel with the two-fisted crime sagas of Jim Thompson. ...[T]he beauty of comics as a medium is that it invites re-reading; and Hernandez’s mastery makes Love from the Shadows easy to pore back over, savoring how its meaning shifts from page to page." – Noel Murray, The A.V. Club
• Review: "There’s fiction, there’s Meta-fiction and then there is Gilbert Hernandez.... Now he returns to his eccentric sideline to translate the wildly experimental independent/exploitation/sexploitation tale Love from the Shadows into a stunning graphic rollercoaster ride of broken families, counter-culture angst, embezzlement, greed madness, obsession, charlatanry, psychics and mysterious aliens in possibly the greatest tribute to scurrilous lowbrow movie maestro Russ Meyer ever seen." – Win Wiacek, Now Read This!
• Review: "Speaking of confounding comics, Leslie Stein’s bizarre Eye of the Majestic Creature collects the first four issues of Stein’s self-published comic.... Stein riffs on loneliness, relationships, creativity, family, and intoxication via cutely psychedelic art and short vignettes that are heavy on fancy and light on explanation. At times the book comes from so deep inside Stein’s head that it reads almost like notes for a comic, not a finished work. But then Stein pivots into a moment or image of deep emotional resonance and beauty... and the loose narrative style pays off. These four issues do get better as they go, so consider this a promising introduction to a potentially major new talent." – Noel Murray, The A.V. Club
• Review: "...Peter Bagge is back... with Hate Annual #9, the latest in his yearly reports on the life of his slacker-turned-entrepreneur character Buddy Bradley. Usually Bagge fills out the Hate annuals with strips he’s drawn for other publications throughout the year, but #9 is nearly all Buddy, and it’s one of the best Bradley stories in years... The story is wonderfully digressive in the best Bagge tradition, too..." – Noel Murray, The A.V. Club
• Review: "An overt attempt to bring back the silly rock-’n’-roll fun of Josie & The Pussycats and Jem & The Holograms, Yeah! follows the adventures of a girl-group that’s wildly popular on other planets, but can’t get any attention on Earth. ...Yeah! is... a pleasure to read, with an anything-goes storytelling style and an infectious affection for pop music, as well as for pop culture about pop music." – Noel Murray, The A.V. Club
• Review: "...[T]he comics in Approximate Continuum constitute a highly amusing portrait of that mostly under-explored time in a person's life when things become more important and more ridiculous in equal measure and we find ourselves constantly and even quietly adjusting to wholesale changes in life and attitude and orientation that we once had hopes to master. It speaks to how well-observed the book is that you could pick it up sans context of any kind and find much to enjoy. ...Approximate Continuum Comics consistently hits the pleasure points afforded by great cartooning and a wicked sense of humor, and should be fair comfort to anyone that feels they're at a point in their life when they need to give themselves a good talking-to." – Tom Spurgeon, The Comics Reporter
• Review: "Even if you’ve read the first volume [of The Steve Ditko Archives], Unexplored Worlds offers plenty more surprises.... While the 'twists' rarely match up to the initial imagination of any given piece, Ditko’s art is solid throughout. As always, Fantagraphics’ top-notch presentation makes the publisher the go-to stop for comics preservation." – Rod Lott, Bookgasm
• Interview:At the official R. Crumb website, Alex Wood quizzes Crumb on various historical and pop-cultural figures, from Obama to Tommy James and the Shondells to his underground comix contemporaries to Mozart: "I love the movie Amedeus about him, but the actual music, nnnaaaah."
• Interview:The Daily Cross Hatch continues serializing Brian Heater's MoCCA panel conversation with Gahan Wilson: "...[T]he world for a kid is often very scary. It’s a huge challenge, and it is often scary. I mean, people die, and what the hell is that all about? I explore that sort of thing in Nuts. The stuff that happens to grownups happens to kids, too — these amazing, awful things. And these often terrific things. And they have to somehow wrap themselves around it."
• Feature: The guest contributor to this week's "What Are You Reading?" column at Robot 6 is Dave McKean (who, with his erotic graphic novel Celluloid coming out, weighs in with his thoughts on the erotic work of his sometime-collaborator Alan Moore, Lost Girls)
• List: Joe McCabe of FEARnet names "Five Horror Graphic Novels You Need to Read," including:
"The black-and-white scratchboard art of German comics creator Thomas Ott is without peer among today's comics artists. That Ott can also tell one helluva fun horror short story is almost icing on the cake.... This omnibus volume [R.I.P.: Best of 1985-2004] collects his three out-of-print albums... I've never read a Thomas Ott tale that was anything less than fantastic. Highly recommended."
"...[Richard Sala] has carved his own niche as perhaps the most twisted but brilliant cartoonist working in comics today.... Labyrinthine in its complexity and endlessly imaginative in its designs and characterizations, [The Chuckling Whatsit] tells the story of Broom, an unemployed writer who gets mixed up in a murder plot and the Ghoul Appreciation Society Headquarters (GASH), whose membership boasts more creepy eccentrics than the collected works of Edward Gorey."
• Review/Interview: After reviewing Yeah!, Vice's Nick Gazin asked writer Peter Bagge about some things that troubled him about the comic:
[Gazin:] The main feeling that the comic left me with was a crushing sense of hopelessness. With the exception of the cover art, the girls usually seem unhappy.
[Bagge:] Why?!? Well, I gave them troubled backstories, but they sure have a lot of fun at the same time.
[Gazin:] I guess I feel like Krazy, Honey, and Woo Woo don't usually look like they're having fun. They look troubled, upset, or angry in almost every panel. They go to other planets, but they usually don't enjoy it. Even when Woo Woo gets to date her rockstar crush, Hobo Cappiletto, she's too racked with guilt to be able to enjoy it. It seems like they're only having fun on the front and back cover.
[Bagge:] Good point! I guess I simply enjoy their misery. I'm a monster!
• Opinion: Help put Yeah! in perspective by reading Peter Bagge's essay "Raiding Hannah's Stash: An Appreciation of Late '90s Bubblegum Music" at Scram magazine
• Interview: At Comic Book Resources, Shaun Manning talks to Jason and Fabien Vehlmann about collaborating on their new graphic novel Isle of 100,000 Graves. Says Vehlmann: "I love his incredible and unusual style, and I didn't want to change it totally... So even if I created the entire story and the characters of Isle of 100,000 Graves, I also did kind of a 'forger-job,' trying to write as if I was Jason but also bringing my own private topics (death, childhood, etc...), which was a very exciting challenge." Manning says of the book, "Displaying all of the keen wit, sharp twists and disarming sincerity readers have come to love in books like Werewolves of Montpellier, I Killed Adolf Hitler and others, Isle of 100,000 Graves teams the artist known as Jason with writer Fabien Vehlmann for a wholly original adventure tale that pushes both creators in an intriguing new direction."
• Plug: "Get ready, because if you like comics in which monsters and barbarian wrestlers beat the living shit out of each other (and who doesn’t?), [Prison Pit Book Three] is probably going to be the best book you’ve read since Prison Pit Book Two." – Ben Spencer, Nerd City
At last, a girl-centered comic book that actually appeals to girls (and even their parents)! Co-created by comics living legends Peter Bagge (Hate) and Gilbert Hernandez (Love and Rockets) on writer and artist duties respectively*, Yeah! is a unique masterpiece of all-ages fun. Originally published as a nine-issue comic book series from 1999-2000 by DC’s Wildstorm imprint, this all-ages gem (approved by the Comics Code Authority, no less!) is collected here for the very first time.
Krazy (vocals and guitars), Honey (drums) and WooWoo (keyboards) are the members of the pop band Yeah! They’ve achieved intergalactic superstardom on every planet but their own (Earth), where they live in anonymity and suffer indignities in their home of suburban New Jersey. The girls struggle with bad gigs (struggling to win $200 amateur-night contests despite playing to packed crowds of adoring fans on Uranus), aliens who have crushes on them, and rival boy band The Snobs.
* Fans of Peter Bagge's artwork, don't fret: he breaks out the ol' pencil for a 4-page backup story starring The Snobs (inked by Fantagraphics' own Eric Reynolds). And Love and Rockets fans take note: this comic features perhaps the longest-ever collaboration with Gilbert and his brother Jaime, who inks a whole chapter!
"Reading YEAH! is a bit like reading my life story, as told in an alternate universe. The story is about a kick-ass all-girl band that are truly like a family. They have gigs, adventures, boyfriends and pets, and a manager that is flawed but lovable. Not so dissimilar to the Go-Go's! Of course, YEAH! get to be HUGE rock stars on every other planet but Earth, which is something I dearly would have loved in my career!" — Jane Wiedlin
The Online Commentary & Diversions hamster wheel started spinning a little too fast, but I think I've got it back under control now:
• Feature: For Largehearted Boy's "Book Notes" feature, Wilfred Santiago creates a musical playlist for 21: The Story of Roberto Clemente: "Golden age animation has been a big influence on my work and the graphic novel itself is very musical. It would be interesting to see the shape that it would take as a feature film. So here is what the 21 soundtrack would sound like."
(The following links are via the Largehearted Boy link above:)
• Review: "The graphic novel  is a beautifully wrought Clemente collage, following the hitter from the impactful events of childhood through his career as a Pirate and up to his untimely death. While there were several poignant dramatic through lines, the book’s strength lies in its brilliant visuals, which far outweigh its strictly biographical content. In addition to his many other notable qualities, like his humanitarianism and his greatness as a player, Clemente was a beautiful man, with a striking physicality. Drawing on this aesthetic truth, Santiago stuns and heightens it, with an imaginative and dramatic illustrative style, with its palette of Pirates yellow, and orange and black. The oral tradition of myth-making is put into visual form here." – Ted Walker, Pitchers & Poets
• Review: "The comic book biography is alive and well in 21: The Story of Roberto Clemente... In 21, Wilfred Santiago, who was also born in Puerto Rico, uses the language of comic books to tell the story of Clemente’s life as something like the arc of the hero’s journey or as a heroic epic.... 21 captures what made Clemente unique. However, Santiago uses the medium of the comic book in a unique way to tell the story of man who represents the best of us. [Grade] A-" – Leroy Douresseaux, I Reads You
• Review: "...I love a good graphic novel biography. Well as those of you who are familiar with the great baseball player and humanitarian that Roberto Clemente was already know, it would be hard to tell his story in any media and for that story not to be powerful. ...21 ... is a handsome production... [and] an... EXCELLENT graphic novel." – Ralph Mathieu, Ich Liebe Comics!
• Plug: "21: The Story of Roberto Clementeby Wilfred Santiago, a graphic novel by an illustrator and writer from Puerto Rico, received a nice write up in a recent issue of Sports Illustrated (linked here)... If we could only have found it at the book store. Sports shelves? Graphic novels? You give it a shot." – Tom Hoffarth, Los Angeles Daily News
• Review: "...Mattotti is an artist who is equally concerned with complex imagery and sharp storytelling — attention to that combination leads us to what makes Mattotti so great. Claudio Piersanti wrote a very crisp script for Stigmata, and Mattotti illuminates the story deftly, probably because he has a real appreciation for well told stories.... If one’s standard for great cartooning is drawing that tells a story without a shred of vagueness, Mattotti’s work on the events described above is thrilling in its virtuosity. But this is a work of art far more potent than a simple story well-told. Mattotti’s two extremes — that of high level storytelling and drawing that suggests unique emotions — exist side by side without any fuss." – Austin English, The Comics Journal
• Review: "While the core timeline of Freeway is only a few hours of frustration spent in traffic, Alex’s mind wanders through past fiction and reality, present fact, and fantasy. Kalesniko, who himself worked at Disney as an animator, designed his main character as an anthropomorphic dog. The result is a wistful, innocent, and somewhat naive protagonist who is coming to the realization that his childhood dreams aren’t quite turning out as he planned.... It is definitely worth the challenge of meandering through the crammed vehicles to reach those poignant moments of Alex’s life, moments many of us share in our own versions of our adult selves." – Ashley Cook, Giant Fire Breathing Robot
• Review: "Less able graphic novelists might scare themselves silly with the scope of this book, but Mark Kalesniko’s attention to detail in all aspects of his craft — the backgrounds, the emotional ranges of the characters and the slow but steady-paced urbane drama — blends the components together masterfully.... [Freeway] is deeply sophisticated and literary. It deals with humanity’s big questions – love, death, life, and what we do with our time. It’s funny, touching, heart-warming, tragic and very engaging." – Andy Shaw, Grovel
• Review: "Gilbert’s sketches actually give an insight into how he feels about his characters, and as a reader, I found myself understanding the characters a bit more, just by looking at his drawings.... The work in the ‘Jaime’ section is quite beautiful and well drawn, however, it does not give further insights into the ways in which Jaime sees his characters, or what he has planned for them... To sum up, Love and Rockets Sketchbook Volume 2 is pretty awesome." – Lisa Polifroni, lisaloves2read
• Interview: At Inkstuds, a 2008 conversation with Johnny Ryan conducted and with illustations by Josh Bayer: "It’s interesting that you bring it up because people always demand that artists deliver some sort of meaning and truth, and when that truth’s hideous they throw up their arms and get upset and have hurt feelings and it’s 'you’re ruining people’s lives.' There’s conflict; you want the art to be true, but don’t want to be shown stuff that makes you feel bad, you can’t make people feel good all the time, it's not true, the object is to make people feel something. There’s no rule that it has to be something good."
• Interview:The Daily Cross Hatch wraps up their serialization of the transcript of Brian Heater's MoCCA panel conversation with Peter Bagge: "I used to worry about what my peers thought. That’s a big mistake. Never worry about what your peers think, because then you always find out that they would have done it in a heartbeat. [Laughter] If you take anything away from this conversation, it should be 'fuck Dan Clowes.'"
• Feature:The Seattle Times' Marian Liu previews our Charles Peterson: Taking Punk to the Masses exhibit at Fantagraphics Bookstore & Gallery: "'I was wondering why this kid was bothering to take photos,' said Larry Reid, curator of the Fantagraphics show, of Peterson. Now, flipping through the photos, Reid remembers each scene as if it happened yesterday. Drawn to the energy of the music, Reid was a good decade older than many in the scene then. He shepherded the artists by promoting their shows and allowing them to play in his gallery's basement. 'I can recognize the artists by their shoes,' said Reid, looking through the photos."
• Plug: "For a reality check, I turned to a former Rolling Stone colleague and friend who always seemed to have a better line on all things cultural than anyone else around and a way of stating his position in a manner that set him apart, way apart, from other music writers — make that writers, period — of his time, and boy does he put today’s snarky music press to shame. This would be the late Paul Nelson... (Nelson’s life and work are getting their just due in September with the publication of a long-awaited, diligently researched biography by Kevin Avery, Everything Is An Afterthought: The Life and Writings of Paul Nelson. Full disclosure: Yours truly was among those Avery interviewed. But buy the book anyway.)" – David McGee, The Bluegrass Special
• Plug: "I’m in the process of reading an advance of Everything Is An Afterthought, Kevin Avery’s biography and selected works of the music critic Paul Nelson. Reading Nelson’s writing reminds me how of the role that he and other music critics of the time — our own John Swenson included — played in creating the myth of New York City for me." – Alex Rawls, OffBeat
• Plug: "Back in 2003, Lou Reed paid tribute to poet Edgar Allen Poe with his sprawling The Raven, which didn't exactly strike a positive chord with the many critics and fans at the time. Nevertheless, Reed will now be revisiting that album with a new illustrated book. The book, also titled The Raven, was made in collaboration with Italian illustrator Lorenzo Mattotti.... We originally called The Raven 'bizarre and thoroughly uneven.' We'll have to see if this new illustrated spin helps to make the entire album a bit more rewarding." – Alex Hudson, exclaim.ca
Our conjoined neighbors, Georgetown Records, will be transformed into a "mom-and-pop punk rock emporium circa 1988 Seattle," as our curator Larry Reid explains it. Beloved local icon Russ Fallout will be DJ'ing records from that era; just don't make any requests for Leonard & the Love Gods -- I think Kurt, Kurt and Kurt are still after royalties.
And then, later that night, join Fantagraphics just around the corner at The Mix -- uh, I mean, Buddy & Jay's Scrap Metal Emporium, as it'll be known for the occasion! We've got Can You Imagine? on the bill, the Seattle supergroup featuring Peter Bagge and Steve Fisk. The Capillaries are back, and cartoonist Matt Southworth and friends will take the stage.
And also on the bill, it's Wormburner, all the way from Buddy Bradley's hometown of New Jersey! You can even catch a live in-studio performance from Wormburner at 1:00 pm PT that Saturday on local radio station KEXP 90.3 FM (streaming worldwide at KEXP.ORG).
• Review: "What Santiago has done [in 21: The Story of Roberto Clemente] is to create a sketch of Clemente’s life as he actually led it, not as the legend he became. Mundane village life in Puerto Rico, the challenges of racism and assimilation in the U.S., petty arguments, heroic deeds both on and off the field: all of these are given equal footing. Even more impressive is the way Santiago tells this story. His gorgeous illustrations... perfectly capture the period (1950s and ‘60s). And his storytelling is practically mosaic: overlapping dialogue; snippets of scenes fading in and out without introduction or conclusion; information spread all over the page. This is a book to be pored over, not read straight through." –Mark Flowers, School Library Journal
• Profile: "Chicago-based, Puerto Rico-born writer and comics artist Wilfred Santiago has managed to capture both aspects of Clemente — the legend and the human being — in his new graphic novel 21: The Story of Roberto Clemente.... 'He's like Clark Kent who turns into Superman,' Santiago says. 'There's a transformation from Roberto Clemente the family man, to Roberto Clemente the baseball superstar. As soon as he gets into the stadium, he turns into something else, right?'" – Michael Machosky, Pittsburgh Tribune-Review
• Interview:Comic Book Resources' Alex Dueben talks with Peter Bagge about all his latest releases: "I always have lots of story ideas for [Buddy and Lisa]. My main concern now is to figure out a story arc so I can make some semblance of a 'graphic novel' out of all these Annual stories."
Among all the action this Saturday night at the Taking Punk to Georgetown party, gifted Seattle cartoonist Matthew Southworth will be signing copies of Stumptown. This new collection, written by Greg Rucka, is a hard boiled thriller set in Portland, focusing on a character named Dex — (short for Dexedrine). Southworth will trade pen for guitar at the after-concert where he's reformed the Capillaries, featuring similarly multi-talented Stranger art director Aaron Huffman with Aaron Brown. They'll be joined at Buddy & Jay's Scrap Metal Empiorium by Peter Bagge and Steve Fisk's Can You Imagine? and Wormburner, from Hoboken, New Jersey, appropriately enough.
Peterson will display 14 exceptional pieces from 1980s Seattle punk underground, the era that gave birth to grunge. This period also gave rise to Peterson's signature cinematic style of still photography. He'll be joined by legendary cartoonist Peter Bagge signing copies of the recently released Hate Annual #9 comic and Yeah! collection. Adding to the atmosphere, Georgetown Records hosts a related installation of vintage Seattle punk posters, records, and ephemera recreating a mom-and-pop punk rock emporium circa 1988 Seattle. Russ Battaglia of Fallout Records & Skateboards fame will play vintage vinyl of the grunge era. Spread the word. This'll be a fun one.
Following the opening, join us next door at Buddy & Jay's Scrap Metal Emporium (also known as the Mix) for pop supergroup Can You Imagine? (featuring Peter Bagge, Steve Fisk, et al.), Hoboken, NJ's Wormburner, and the recently reunited Capillaries (Matt Southworth, Aaron Huffman, and Aaron Brown) playing all your old favorites. See you there!
Register and Login to receive full member benefits, including members-only special offers, commenting privileges on Flog! The Fantagraphics Blog, newsletters and special announcements via email, and stuff we haven't even thought of yet. Membership is free and spam-free, so Sign Up Today!