• Review: "...[Walt Disney's Mickey Mouse] is not just a great Mickey Mouse comic, it's one of the best comics of all time.... When Gottfredson took over the Mickey Mouse newspaper strip in 1930, he created stories that still hold up eighty years later as solid well-done comics. That alone would be an incredible achievement, especially considering how few stories from the era even seem readable to a modern audience, but Gottfredson takes things to an entirely different level with comedy that's still funny and adventures that are genuinely thrilling.... As to the book itself, Fantagraphics has done their usual amazing job of design on it... The strips are crisp, there's a ton of bonus material (including biographical information, details on the process, and a bunch of additional strips), and the book even feels nice in your hands while you're reading it. They did a seriously remarkable job putting it together, which is fitting considering how good the material is.... It's a great collection, and one of the few that anyone who likes any sort of comics could — and should — pick up and enjoy." – Chris Sims, Comics Alliance (all emphasis his)
• Review: "It feels like there's been an onslaught of pirate stories in the last several years, but Jason's deadpan visual style mixed with Vehlmann's absurdly dark humor make for a special tale of skullduggery.... Hilarity and adventure ensue, but not without a tremendously affecting and emotionally complicated final scene, making [Isle of 100,000 Graves] a wild ride in the truest sense of the term." – John Seven, Worcester Magazine
• Plug: "Legendary writer Bagge (Hate) and artist Hernandez (Love and Rockets) teamed up ten years ago for this comic [Yeah!] about a spunky all-girl, all-universe rock band. Now the whole series has been collected for the punk/sci-fi girl in your life." – Dan Kois, New York
• Interview: Christopher John Farley has a brief Q&A with Paul Hornschemeier at The Wall Street Journal's Speakeasy blog: "I tend to write far more than I draw, I may have an image pop into my head, but those are usually just isolated points of inspiration: from there the writing takes over."
This 2003 drawing of Daffy Duck by Peter Bagge hit the internet a couple days ago thanks to Again With the Comics and has been making the rounds... Can you imagine (no pun intended) a Bagge written-and-drawn Looney Tunes? That sounds like just about the greatest thing ever. Hey WB!
Don’t miss Jim Woodring signing his latest work of genius, Congress of the Animals, at Fantagraphics Bookstore & Gallery this Saturday from 1:00 to 3:00 PM. Jim’s appearance is part of the lively Georgetown Carnival festivities featuring attractions that will appeal to all: circus entertainers, sideshows, aerial acts, carnival games, confections, music, alluring art, power tool races, and more! The Georgetown Carnival promises free fun for everyone from noon to 8:00 PM, rain or shine. So plan to arrive early and stay late. For details see www.georgetowncarnival.com.
You’ll want to see Larry, Bella and Stacey defend their title at Hazardfactory’s annual Power Tool Races. Last time out they terrified the crowd with the “Georgetown Chainsaw Massacre.” This year it’s “Monstrosity” — a Hate inspired Black & Decker “Dragster” model belt sander. (I swear that’s the factory brand.) A wicked quick, bad ass machine.
• Review: "Gilbert Hernandez is one of the great craftsmen of modern comics... Hernandez’s new Fritz book, Love from the Shadows, is as bracing as a slug of bottom-shelf rotgut.... Hernandez artfully approximates the broad, thrilling badness of late-night movies and their inept special effects, and uses it as an excuse to show off some of his gifts: spacious compositions built around texture as well as forms, pauses heavy with foreboding, a sense of body language and facial expressions so acute that we can recognize both the story’s characters and the 'actors' playing those characters." – Douglas Wolk, The New York Times Sunday Book Review
• Review: At CBR's Comics Should Be Good, Sonia Harris looks at Gilbert Hernandez's trilogy (so far) of "Fritz Films" graphic novels: "Filled with the longing of unfulfilled desire and lost innocence, these stories are the kind of schlock film that is accidentally life-alteringly great and I suspect Hernandez might have missed his calling as a screenwriter in the early ’60′s… That’s the thing, this kind of movie doesn’t really happen any more which is why Hernandez’ use of the comic book medium to tell Fritz’ movie roles is particularly delightful."
• Review: "In her debut release, Leslie Stein proves that comic strips are so much more than those old Cathy cartoons you'd read around the kitchen table on Sunday mornings. Instead, this semi-autobiographical tale,Eye of the Majestic Creature, follows protagonist Larrybear on a trippy journey throughout Chicago, San Francisco, and NYC in hopes of figuring out her life.... Drawn in a totally out-there Surrealist style, this quick page-turner is proof that while you might be too old for Garfield and Friends, there are cartoons you can still relate to...and love." – Liza Darwin, Nylon
• Review: "...Eye of the Majestic Creature... blend[s] autobiographical self-discovery, surreal free-association, philosophical ruminations, nostalgic reminiscences and devastatingly dry wit to describe life filtered through a seductive meta-fictional interior landscape. This lady laconically tans under vastly different suns and the results are enchanting and entrancing." – Win Wiacek, Now Read This!
• Review: "There’s precious little around for kids and especially girl readers in American funnybooks... so this intriguing and wildly imaginative series [Yeah!] which seamlessly combined fantasy, science fiction, fashion, pop and school cultures in a wild blend of frantic fun and thoroughly deserves another chance to shine." – Win Wiacek, Now Read This!
• Commentary: The anecdote and photo of a little girl and Yeah! that lead off Sonia Harris's latest "Committed" column for Comic Book Resources' Comics Should Be Good are beyond adorable
• Review: "Alex’s days are punctuated by alcoholic constipation, artist’s block, trashing his flat and avoiding childhood friends and his favourite teacher from high school, now a raving dipsomaniac surrounded by cats. He is also tormented by a rather good expressionist painting he apparently produced during a bender, and impure thoughts about his Asian neighbour and a beautiful former classmate... In short, a very good but not at all cheerful study of the consequences of achieving your ambitions when you’re a self-loathing dog-headed cartoonist." – Grant Buist, The Name of this Cartoon Is Brunswick
• Interview (Audio):Inkstuds host Robin McConnell and his cohort Colin Upton talk with fellow British Columbian Mark Kalesniko about his new graphic novel Freeway
• Commentary: Our own Eric Reynolds has become ESPN.com's go-to expert on baseball cartooning — the article also discusses Jack Davis's work for Topps
• Review: "Stein's cartooning is broad and trippy, and if she occasionally becomes intoxicated with her own gimlet-eyed sensibility, she's never afraid to turn that dark wit on herself. Eye of the Majestic Creature... is ultimately the tale of a young woman rejecting the things that shaped her and attempting to figure out what comes next for her. Thanks to Stein's loose, amiable approach, you'll want to know that, too." – Glen Weldon, NPR Monkey See
• Review: "Readers needing their Peter Bagge and/or Hate fix will always get it, to some degree, in the Hate Annual. Hate Annual #9, however, is one of the better editions, and that’s probably because of what Bagge presents here. 'Heaven' and 'Hell' appeases by giving us a peek at what’s going on in Buddy’s life right now, but we also get a hefty narrative that gives us something akin to the classic madness that was Buddy and Lisa’s life in Seattle." – Leroy Douresseaux, I Reads You
• Profile: Brian Hoag of the McCook Daily Gazette has a Memorial Day tribute to Bill Mauldin: "During WWII, Bill Mauldin's cartoons appeared in the military Stars and Stripes newpaper, and showed a sarcastic humor side of war that the combat troops could relate to. Not one to shy away from pointing a finger at the top brass, General Patton tried to get Mauldin censored as George thought the 'humor' wasn't so funny." (Via Mike Lynch)
Jim Woodring signing Congress of the Animals at the festive Georgetown Carnival. Come see Larry and Bella defend their title in Hazard Factory's popular Power Tool Races. This year it's a Peter Bagge-inspired Monster Truck powered by a Black & Decker "Dragster" model belt sander. (I'm swear that's what it's called.) Art, music, circus acts, sideshows, carnival games, comix, cotton candy. What else is there?
• Review: "Like Saturday morning cartoons, Yeah! was about a kind of science fiction that embraced weirdo aliens rather than science fact. From alt-comix came characters that were outcasts, lived on the margins of society, or had outsider personalities. Instead of being offensive and edgy, this unusual comic book series was imaginative and inventive. ...[I]t was an all-ages gem, and I’m glad that it's back..." – Leroy Douresseaux, I Reads You
• Review: "How does Peter Bagge stay so good after all these years? Hate Annual #9 was as good as any of the previous issues of Hate (possibly better?). I guess that's why he's one of the all time greats. He just stays good year after year, issue after issue. This latest offering involving Buddy and his wife Lisa and son Harold visiting Lisa's parents in Seattle was hilarious, awkward and sublime! It's a hell of an issue and I want to see what happens next..." – P.D. Houston, Renderwrx Productions
• Review: "I was not familiar with Leila Marzocchi's work before [Niger #3], so the subtlety and nuance of her scratchy dark art entranced me right away. It's spooky yet tame enough to remind me of top notch children's book style illustration.... The art is so lovely [that] even when I wasn't sure what exactly was happening story wise, the work on the page was enough to keep me involved." – P.D. Houston, Renderwrx Productions
• Coming Attractions: In the latest "Graphic Novel Prepub Alert" from Library Journal, Martha Cornog spotlights a bunch of our upcoming Fall releases:
Jack Davis: Drawing American Pop Culture: A Career Retrospective: "Boomer veterans of Mad magazine will remember Davis's exuberant caricatures, windows into the 1950s and 1960s. Davis also worked extensively on horror, war, and Western titles for EC Comics and other publishers, and his mangier version of the Crypt-Keeper became the character's portrait. Known as a super-fast worker, Davis turned out a huge amount of work, and this collection brings together a variety of comics and commercial art from every stage of his checkered career."
Oil & Water by Steve Duin & Shannon Wheeler: "In 2010, Duin and Wheeler joined a group from Oregon touring the environs of the Deepwater Horizon oil spill. And, it appears, theirs is the first graphic novel reportage on the devastating BP blowout.... You will buy this."
The Hidden by Richard Sala: "Classic setup: a bunch of strangers stranded in a diner during a snowstorm, with a killer on the loose outside. And just for extra fun, maybe a global catastrophe in the works.... Clean line color drawings with a tongue-in-cheek feel."
Mark Twain's Autobiography 1910-2010 by Michael Kupperman: "The recent publication of Twain's real autobiography sets the stage for mocking the master of mockery, who surely would have chortled at the homage. This Twain tells of hunting the Yeti ('Come out here and face me, you snow-covered coward!'), meeting the Six Million Dollar Man, having a love affair with Mamie Eisenhower ('Boy oh boy, this lady was one hot dish'), and accidentally becoming involved in X-rated films. Proceed at your own risk!"
• Plug: "From his musings on Hamlet to his thoughts on the TV show Married..with Children, Alexander Theroux covers pop culture, literature, and high art while he takes us on a rambling tour of this tiny Baltic country. Theroux examines Estonia’s language and customs in order to get a larger view of a land which holds a population of less than two million. As he states, 'Seeing Estonia — disrobing her — was my focus.'" – Kathleen Massara, Flavorpill "10 Most Anticipated Summer Reads"
The opening reception for the Taking Punk to the Masses exhibition on May 14 was a stellar affair - a reunion of misfits and miscreants from Seattle's grunge era together with a new generation of counterculture mavens. The show documents Seattle's grunge scene in its formative period from 1983 - 1985. I often equate Seattle's youth culture in the mid-80s to San Francisco's hippie movement in the mid-60s. Both had a singular music style, provocative graphics, and an anti-fashion sensibility. Beyond that, these movements benefited from a community of gifted cartoonists that disseminated unfiltered observations. Fitting, then, that Peter Bagge was the special guest at the event on the occasion of the release of Hate Annual # 9 and the Yeah! collection.
It's remarkable how Peterson's early works display sophisticated formal qualities while capturing the energy of the era. The halo of light in many of the candid concert shots is used to stunning effect. Also evident is the advent of his signature cinematic approach to still photography.
Comix enthusiast Bruce Pavitt's Sub Pop fanzine of the early-80s featured the work of cartoonists like Lynda Barry and Charles Burns. His commitment to the emerging "Seattle Sound' in this period led to the phenomenal success of bands like Nirvana, Soundgarden, Mudhoney and others — all of whom released early recordings on his fledgling Sub Pop record label.
Notable horror writer Wilum Hopfrog Pugmire, editor of seminal Seattle zine Punk Lust, pictured here between low brow art collectors Marlow Harris and Jo David.
A rare public appearance by Art Chantry, perhaps the most influential graphic designer of his generation. He helped develop the aesthetics associated with grunge.
Look at this line up of kickass kuties: artist Lisa Petrucci, tattooist Sunny Buick visiting from Paris, and their art dealer extraordinaire Kirsten Anderson of Roq la Rue.