• Interview: Sean T. Collins's series of interviews with Marvel Strange Tales MAX contributors at Marvel.com continues with Johnny Ryan. The imagination reels: "Well, there was one joke, now that I think of it, with Galactus that had to be altered a little bit. I don't know if I should reveal the joke—it might ruin the experience. But it was this little detail for that joke that I initially put there, and they were like, 'Eh, can you change that a bit?'"
• Review: "...Tales Designed to Thrizzle... is not all tradition; it's largely a satire, a satire of a pulp fiction oeuvre that didn't take itself that seriously to begin with. Kupperman's humor — a mix of genre, non-sequitur and nonsense — is a kind of laughter in the void, wonderfully lucid and slightly sickening... That Kupperman so masterfully plays to and upsets expectation makes Thrizzle that much funnier and finer. With stunts such as a Twain & Einstein crime-fighting partnership, Kupperman is all goofball, all the time. But Kupperman's line, even in shaping locomotive-sized garden snails, is weighty. And the weight of five years of Thrizzle, is, well, as formidable as a locomotive-sized garden snail." - John Reed, Art in America
• Review: "The story [in Delphine] surrounded me and carried me away to a very real world. It's a cartooned, exaggerated world, but a real world nonetheless... The layouts are impeccable: very clear and superbly paced... I noticed that the story GREW in my mind when I took breaks from reading, allowing me to immerse myself in the story like a dream." - Frank Santoro, Comics Comics
• Review: "...Fletcher Hanks [was] one of the greatest comic book talents you’ve never heard of. Working in the earliest years of comics (1939-1941) Hanks’ contributions walked on the darker side of comic books in a way that managed to take on a timeless quality... In this collection is the work that makes Hanks so incredibly special to the world of comic books. The physiognomics of his evildoers, the strange retributions they suffer at the hands of the heroes, is all really powerful stuff... You Shall Die by Your Own Evil Creation! is an incredible testament to what comic books were once capable of... If you want to understand the essence of comic books in their purest form then pick up You Shall Die by Your Own Evil Creation! and learn." - Iann Robinson, Crave Online
• Plug: "The pieces in The Bradleys are broadly satirical and funny, marked by Bagge’s rubbery art style and a sarcastic tone that should appeal immediately to anyone with a prior awareness of The Simpsons or Looney Tunes. They’re also good stories, full of sharp observations about the impossible expectations that govern the dynamics of a nuclear family, as well as the way a good used Yardbirds record can make a crappy day better." - Noel Murray, The A.V. Club "Recommended First Comics"
• Plug: "All my exploration of the Moon/Ba axis came out of reading their pretty great Comics Journal interview in [#298]. I love it when an interview is so well-done that it convinces me to sample writers and artists whose work I haven't read before." - Alan David Doane, Comic Book Galaxy
• Review: "I’ve just finished the fourth Usagi Yojimbo trade and the fifth is sitting next to me... If you’re like me, throw away your preconceptions about anthropomorphic comics and get on board. As a fan of samurai fiction (to the point of having a Seven Samurai tattoo) and comics, I can’t recommend Stan Sakai’s beautifully drawn, note-perfect reinvention of the genre highly enough." - Kevin Church
• Review: "I Killed Adolf Hitler is a fun, silly and slightly creepy comic, a love story wrapped around a time travel paradox, dressed up with gun fighting. In short, it's a perfect comic book..." - Michael C. Lorah, Newsarama
• Review: "Sometimes the single panel of a political cartoon just isn’t a big enough space for a cartoonist to work with, especially if said cartoonist is interested in providing a detailed, nuanced discussion or honest-to-God reporting on a topic. That’s the sort of political cartooning Peter Bagge has been engaging in for Reason magazine, and a decade’s worth of examples are now available in trade-paperback collection Everybody Is Stupid Except for Me... Bagge is libertarian (as is Reason), and it shows, but one need not agree with his politics to enjoy his work here, perhaps because as a political cartoonist, Bagge’s a cartoonist first and political second." - J. Caleb Mozzocco, Las Vegas Weekly
"COMICS SAVANTS" EXHIBITION OPENING AUGUST 8 -- FANTAGRAPHICS BOOKSTORE & GALLERY CELEBRATES SEATTLE ALTERNATIVE CARTOONISTS
July 29, 2009 - SEATTLE, WA. Since relocating to Seattle from Southern California 20 years ago, Fantagraphics Books has remained committed to nurturing and promoting the diverse practitioners of alternative comics in the Northwest. The country's most successful purveyor of challenging comics routinely employs local cartoonists and publishes the work of regional artists which has contributed to Seattle's international reputation as the unrivaled center of alternative comics. To celebrate this association, Fantagraphics Bookstore & Gallery presents "Comics Savants: A Survey of Seattle Alternative Cartoonists" opening Saturday, August 8.
This exhibition will feature over a dozen emerging and established artists, including many of the most accomplished cartoonists in the alternative movement. Among them: Peter Bagge, who coined the term "alternative comics" in 1990 and as the highly-regarded creator of the phenomenal Hate comic book series attracted dozens of young cartoonists to the city during the 90s decade; Seattle native Charles Burns, whose teen years are fictionalized in his amazing graphic novel Black Hole, soon to be a motion picture directed by David Fincher; Visionary artist Jim Woodring, one of only a handful of cartoonists to be embraced by the fine art world, having been awarded the United States Artist Fellowship in 2007 and a 2009 Art Trust Washington State Artists Fellowship, who will exhibit work from his forthcoming graphic novel Weathercraft; Ellen Forney, whose collaboration with local author Sherman Alexie won the prestigious 2008 National Book Award; David Lasky, who will exhibit pages from his collaboration with Seattle writer Chris Esty "The Last Testament" from Hotwire #2; Second wave Seattle alternative cartoonist Megan Kelso; emerging artist Eroyn Franklin, who will exhibit hand cut pages from her Xeric award winning graphic novel Another Glorious Day at the Nothing Factory; current and former Fantagraphics Books staffers Jim Blanchard, Roberta Gregory, Patrick Moriarity; Ted Jouflas; Jason T. Miles and Eric Reynolds.
In addition to the display of original artworks, an eclectic array of comics and graphic novels by exhibiting artists will be available. Many featured artists will attend the opening reception of Saturday, August 8 from 6:00 to 9:00 PM. Fantagraphics Bookstore & Gallery is located at 1201 S. Vale St. (at Airport Way S.) only minutes south of downtown. This event coincides with the colorful Georgetown Second Saturday Art Attack featuring exciting visual and performing arts presentations in close proximity throughout the historic artists' enclave.
COMICS SAVANTS: A Survey of Seattle Alternative Cartoonists
Peter Bagge, Jim Blanchard, Charles Burns, Ellen Forney, Roberta Gregory, Ted Jouflas, Megan Kelso, David Lasky, Jason T. Miles, Patrick Moriarity, Eric Reynolds, Jim Woodring, and introducing Eroyn Franklin.
Opening reception Saturday, August 8, 6:00 to 9:00 PM
Exhibition continues through September 9, 2009
Join us on Saturday, August 22 from 6:00 to 8:00 PM for the publication party of Eroyn Franklin's Xeric award wining comic Another Glorious Day at the Nothing Factory.
Fantagraphics Bookstore & Gallery 1201 S. Vale Street (at Airport Way S.) Seattle, WA 98108 206.658.0110 Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM
• Comic-Con: Looks like Kelly Kilmer scored a bunch of great stuff at our booth on Sunday
• Review: "The first four issues of Michael Kupperman's awesome comedy comics zine Tales Designed to Thrizzle have been collected into a single hardcover volume that is a superdense wad of funny, surreal, bent humor... This is weird, funny, Subgenius-esque toilet reading that will keep you very regular." - Cory Doctorow, Boing Boing
• Review: "Thomas Ott's Dead End, & Tales of Error, (Fantagraphics Books) - This Swiss artist's comics are a moody blend of irony, horror and silence. (Most of his stories have no dialogue or captions.) The stark black-and-white pages - thanks to Ott's use of scratchboard - bring to mind such German Expressionist films as Robert Wiene's The Cabinet of Dr. Caligari and F.W. Murnau's Nosferatu. Like those films, Ott knows how to build suspense and maintain a sense of looming dread as each story reaches its foregone and tragic ending." - Steven Kwan, "Your new textbooks: Comics you need to read," University of Arizona Daily Wildcat
• Review: "The key to [Mome]'s continued success has been flexibility regarding its mission. It's still a place where young artists are sought out and spotlighted... It's also a place where key foreign comics can find a home... Lastly, it's a place where great American cartoonists can publish their short stories... This variety of approaches... positions it as a sort of descendant of Weirdo and RAW. It may not represent the absolute cutting edge of comics the way that Kramer's Ergot does, but it's still the widest available survey of alt-comics in publication and will be increasingly valuable in that regard as it continues to evolve." - Rob Clough
• Preview: The Comics Reporter reports: "I saw John Pham briefly at his studio on Monday. He's a little bit late -- although nowhere near comics-late -- with the second issue of his Sublife series from Fantagraphics, and the original art he showed me was really, really pretty."
• Plug: Boing Boing's Mark Frauenfelder hypes The Sweetly Diabolic Art of Jim Flora, relating the following: "Tim Biskup told me the the first time he saw Flora's work (when he was in a used record store) he felt his brain rewiring on the spot, forever changing his approach to art."
• Plugs: Jog looks at some of our new releases arriving in comic shops today
• Plugs: "If you picked up I Shall Destroy All the Civilized Planets! and delighted in the surreal mayhem therein (and who didn’t) you’re going to have to grab a copy of You Shall Die by Your Own Evil Creation! to make your life complete... It’s completely insane and very funny and will probably encourage you to indulge in a spot of unnecessary exclamation pointing... The Summer 2009 edition of MOME has arrived and, as usual, it's packed... Sergio Ponchione's Grotesque #3... is one of those lovely-looking Ignatz books... If you're a fan of weird Lynchian fantasy you should definitely check it out." - Gosh! Comics Blog
• Plugs: "The Complete Crumb Comics, Vol. 9...: Classic Crumb from 1972 and ‘73, reprinted once again. Lots of great politically incorrect material, including Crumb's assault (of sorts) on feminism. All in good fun, of course... The Complete Peanuts, Vol. 12: 1973-1974...: This one contains what I sincerely think is one of the greatest extended stories in the history of comics, where Charlie Brown starts seeing baseballs everywhere and gets a baseball-shaped rash on the back of his head. Hopefully you're buying the whole series, but if you only want one volume, I'd suggest this one. If you want more, though, you can buy the box set with Vol. 11 included... Mome, Vol. 15 (Summer 2009): ...[T]his one looks intriguing if only because it features both the debut of up-and-coming artist T. Edward Bak and a 16-page story by the Spanish artist Max, who we don't nearly get enough of in these parts." - Chris Mautner, Robot 6
• Review: "...Jason elevates his skewering of filmic genres to a whole new level in his latest collection, Low Moon, which sees his unique takes on film noir, westerns and screwball comedy. All of the tales are informed by his signature clean lines, bright colors, sparse dialogue and taste for a particularly brutal brand of slapstick humor and occasional moments of dark, incisive brilliance that are often reached without uttering a word... Featuring tawdry sex, alien abductions, existential crises, betrayal, and a hundred and one different varieties of murder, this is a book that pretty much has it all." - Ian Chant, PopMatters
• Review: "...Jason's Low Moon... [is] a collection full of mostly wordless comedic pleasures." - Richard Gehr, The Village Voice
• Review: "A question regarding the title of Michael Kupperman's Tales Designed to Thrizzle Volume One: Does 'thrizzle' mean 'pee your pants a little from laughing so hard'? Because if so, it just about achieved its promise..." - Rod Lott, Bookgasm
• Review: "[Boody: The Bizarre Comics of Boody Rogers ] is one of the funniest comics I've ever read, and all I do is read comics... Just looking at his drawings makes me laugh... If you like Johnny Ryan, you should check this out. And they weren't fooling around with that title. These comics are as weird as hell... This book is essential. Get it or get out." - Nick Gazin, Vice
• Review: "[Uptight] doesn't come out often enough... Jordan Crane is an immense talent; I just wished he worked faster. He's one of the best new guys of the past five years." - Nick Gazin, Vice (same link as above)
• Review: "This is one of the greatest works of American art of the past century and fuck you if you were ignorant of this. Prince Valiant was and is one of the greatest comics of all time and most would agree that it's the greatest adventure comic... Reading Prince Valiant has the same thrill as reading Sherlock Holmes. He's smarter, handsomer, and a better fighter than everyone around him. Reading his adventures and watching him sneak around castles, swordfight small armies, and romance medieval bitches is more exciting to me than almost any other comic. I'm getting pumped just thinking about it... It's so beautiful. I want to be Prince Valiant and I want to be Hal Foster." - Nick Gazin, Vice (same link as above)
• Review: "Fantagraphics, the gold standard when if comes to collecting and reprinting newspaper strips, has released the first volume of Prince Valiant, covering the years 1937 to 1938 in all-new remastered color, the result is breathtaking! Foster is truly one of the great comic illustrators who ever lived but has never got his just due it seems because he didn't work in the traditional comic book medium. One needs only to read the first few pages of the book to grasp his incredible ability... This is graphic storytelling at its finest and a true treasure! Grade A" - Tim Janson, Mania
• Review: "The cover [of The Pin-Up Art of Dan DeCarlo] sums it up -- a man who looks disturbingly like Riverdale’s Mr. Lodge gazes lasciviously at a lingerie-clad young woman who looks disturbingly like a (very) bosomy Veronica. That is just so wrong... Breasts swell and sag with the weight of flesh, not silicone; thighs press firmly and meatily together, hips and butts strain against fabric, threatening plentiful wardrobe malfunctions. And the wardrobes!... The overall effect is -- well, I can’t describe the overall effect. Let’s just say that in trying to take it all in I may have stretched my eyes permanently out of shape." - Noah Berlatsky, The Hooded Utilitarian
• Review: "...Peter Bagge's new compilation of comics, Everybody Is Stupid Except for Me and Other Astute Observations... turns out also to be a rude form of local history... [H]is craftsmanship - in the tradition of Mad's Don Martin and Nancy creator Ernie Bushmiller - lies in his ability to reduce his drawings to the simplest possible details needed to tell the story. His rants are funny, but the frictionless gag-delivery systems of his panels are an even more effective rebuke to the willful obscurity of contemporary art." - David Stoesz, Seattle Weekly
• Review: "Collecting 10 years’ worth of cartoons originally done for Reason magazine, as well as a few odds and sods, [Everybody Is Stupid Except for Me] finds Bagge as sharp and irate as ever, and his art has improved while still being recognizably his own. Bagge is also, thankfully, still possessed of a great sense of humor, especially about himself—even the title reveals an element of self-mockery among all the self-righteousness." - The A.V. Club
• Review: "There are few comics in the history of the medium as universally beloved as Love and Rockets... The Palomar stories, while extraordinarily literate and often brilliant in how they straddle the line between magical realism and gritty serial drama, are complex narratives which benefit greatly from being read from the very beginning; Jaime’s lighter, simpler approach is probably a better place to start." - Leonard Pierce, The A.V. Club, offering advice on how to start reading Love and Rockets; here's our advice
• Interview: Robot 6's Tim O'Shea talks to John Kerschbaum about Petey & Pussy, self-publishing and other topics. Sample quote: "It’s what it would look like if Elmer Fudd REALLY blew Daffy’s beak off. But I’ve always felt that humor and horror are very closely related. That they naturally play off of each other. The funny bits make the scary bits scarier and vice versa."
• Interview: At The A.V. Club, Sam Adams gets Michael Kupperman to reveal some of the secrets of his comedy genius and the future of Thrizzle. For example: "Certainly I enjoy the outré and I enjoy artistic comics and surrealism in comics very much. But the decision I made and have stuck with and refined was the decision to try to be funny and communicate humor. Once you put that ahead of everything else, it resolves those other questions for you."
• Plug: Jog - The Blog spotlights 3 of our new releases from last week
Happy Bastille Day, France. Voici les Online Commentary et Diversions:
• Review: "[Michael] Kupperman has been laffing it up for years via cartoons in the New Yorker and animation on Saturday Night Live, but his smart, droll, absurdist humor is best displayed in this compendium of the first four issues of [Tales Designed to Thrizzle]. Kupperman's wit and imagination is only heightened by the stiff, self-conscious woodcut style he often uses for art... The humor never lags in a book that is destined to be a comedy classic and is truly one of the funniest books in years." - Publishers Weekly (Starred Review)
• Review: "...[T]he pieces collected in awesomely-named Everybody Is Stupid Except for Me... are wonderfully entertaining and often fall-on-the-floor funny, even when you find yourself at odds with [Peter] Bagge’s viewpoint... While his focus may have changed, his work remains as delightful as it did in the alt-comix heyday. Stupid just confirms what many of us already knew: he’s still one of the funniest cartoonists in America today." - Chris Mautner, Robot 6
• Interview: Design website FaceOut Books asks curator/designer Jacob Covey about the Beasts! books. Sample quote: "I think a successful cover design has to distill the essence of a book and not necessarily depict a literal synopsis of the contents. This is a common principle in fiction prose books but is much less commonly applied to something like an art book."
Two of the biggest icons of 1990s Seattle: Peter Bagge and Ken Griffey, Jr. (along with the lovely Joanne Bagge) at a recent Mariners game at Safeco Field. All that's missing from this picture is Kurt Cobain and J.P. Patches.
• Review: "[Fletcher] Hanks' groove, taken back to back like this, is unsettling... It can be downright creepy. Generally, when you talk about a comic auteur's 'issues,' you're talking page count, not whether he has his head screwed on straight. It's multiplied by Hanks' art style, which at first seems crude but is actually quite stylized and consistent. Many images, such as troupes of unfortunates flying in hurtling, screaming weightlessness, have the impact of nightmares... And the twisted comics universe once inhabited by Fletcher Hanks is eerie and unsettling, and fascinating in what it reveals about the man with the pen." - Burl Burlingame, Honolulu Star-Bulletin
• Review: "Tales Designed to Thrizzle Vol. 1, [Michael] Kupperman's recent collection, is brimming with such a dense compilation of Dada-inspired plots, fake ads and comic book covers that it takes a repeated read-through to absorb the book's potent aura of absurdity... Reading Thrizzle is an expeditious experience, and like all treks you will feel exhausted and somehow improved by this entire gut-busting experience... Tales Designed to Thrizzle is beyond recommendation..." - Ascot Smith, examiner.com
• Review: "Jason is one of the relatively few working artists that even a jaded, cynical, complain-first critic like me will happily declare a true master cartoonist, without reservation. Jason is—how to put this?—good. Really, really, really good... So, Low Moon? It’s Jason. It’s new. It’s obviously really, really good, you know?" - J. Caleb Mozzocco, Newsarama
• Review: "Low Moon takes 'funny animals' comics in a disturbingly deadpan direction. The bipedal canines and birds that populate these five short tales somehow convey with their blank eyes, flat expressions and minimal movements a whole seething current of emotional subtext. The title story, first serialized in the New York Times Sunday Magazine, mixes Gary Cooper frontier heroics with chess, and it is no less strange or hilarious than the other vignettes, which play with tropes lifted from science fiction, film noir and Jazz Age romance." - "The Best in Comic Books," Michael Berry, San Francisco Chronicle
• Review: "The new Prince Valiant crackles from the page with an energy and enthusiasm that positively dares anyone to deny this strip’s rightful place in the history of the form. Yes, this is another great day for comics history and most definitely a venture worth supporting into the future." - Guttergeek
• Review: "Uptight #3 -- This comic book made me nuts... Look how goddamned beautiful that cover is... That cover illustrates the first part of a new story Crane is working on, 'Vicissitude,' and Holy Jesus it is one of the best stories I've read this year. I'm a tough sell when it comes to out-and-out fiction in comics, but the unbelievably compelling artwork totally drew me into this fantastic story... damn if that cover and those first few, tantalizing pages aren't like some new, more addictive form of crack cocaine you ingest through your eyeballs. By looking at this comic book. God DAMN, I want more 'Vicissitude.' Don't let another day go by without making sure you're getting Uptight #3." - Alan David Doane
• Interview: "I've long felt Peter Bagge is a significant figure in American comedy in addition to deserving his lofty stature in alternative comics, and I'll interview him any chance I get." - Tom Spurgeon, The Comics Reporter; "I was never allowed to play fast and lose with the truth, much to my occasional creative chagrin! Other than that they allowed me to express myself pretty freely, even if some folks on their staff disagreed with some of the points I was making." - Peter Bagge, from the interview, discussing the Reason editiorial process
• Plug: "I don’t always agree with [Peter Bagge's] position [in Everybody Is Stupid Except for Me], but his exploration is always great. And hearing other opinions and positions (especially well-informed like his), is almost always worthwhile." - Corey Blake
• Plugs: "I am slowly making my way through three recent reprints from Fantagraphics... the three books in question are Humbug, Blazing Combat, and Prince Valiant. Humbug’s easily the best of the three, as it includes so many all-time great cartoonists (Kurtzman, Jaffee, Elder, etc.) at the peak of their powers and ambitions, but the other two are worthwhile, too. With people like Wood, Toth, and Heath involved, I knew the art would be fantastic in Blazing Combat, but I’ve been surprised at the quality of Archie Goodwin’s writing... it’s much more satisfying than expected. I’ve barely begun with Prince Valiant... So far, it’s much more fluid and enjoyable than I would’ve guessed — beautiful work..." - guest columnist Timothy Hodler (Comics Comics), Robot 6
Another short Online Commentary & Diversons update... I guess everyone's too busy talking about Wednesday Comics to pay attention to us, boo hoo:
• Review/Interview: Chris Beckett of On the Fly Publications/Warrior27 looks at two recent releases by Jason and has a brief Q&A with "one of the most exciting cartoonists working today." From the reviews: "I heartily recommend The Last Musketeer for any fan of fantastic adventure yarns as well as anyone who enjoys a refreshing character study with a very real emotional tug at one’s heartstrings. Check this book out... [I Killed Adolf Hitler] is a masterful story that can be read on more than one level, which is always appealing. [It] is unique and tender and will challenge any preconceptions one might have about the book." Jason, from the interview: "I started doing comics when I was around 13 years old, and at that age I didn't have a camera, I didn't have a typewriter, but I had paper and a pencil."