"Bagge discusses how he came to define his libertarian political worldview at a young age, and laments his frustration at being an artist who's political views are frequently mischaracterized as 'right wing' by other artists, simply for failing to be in lock-step with the rest of the predominantly progressive-left art world. He also discusses a recent Reason assignment which took him within the walls of a women's prison, and how the experience led him to question his own preconceived notions about the drug war and involuntary incarceration for drug users. His funny, outrageous and often introspective anthology of Reason cartoon journalism, Everybody is Stupid Except Me (And Other Astute Observations) is available from Fantagraphics."
Our own Jason T. Miles has joined in the efforts to benefit the family of Dylan Williams of Sparkplug Comics by gathering donations of artwork and auctioning them on eBay. Current offerings include Peter Bagge's original cover for Neat Stuff #5 (above) and pieces by our own Eric Reynolds and Jason himself, with an interpretation of a cover of one of Williams's Reporter comics (below). Click each image to go directly to the respective eBay auction page. Upcoming auctions from Jason will include work by a who's-who of Seattle cartoonists, including Max Clotfelter, Jeremy Eaton, Megan Kelso, David Lasky, Marc Palm, Greg Stump and more. Meanwhile, the "Divine Invasion" benefit auctions organized by Floating World's Jason Leivian continue as well, with some great pieces including original pages by Kevin Huizenga (bottom). Bid early, bid often.
Our own Ian Burns has joined me in the exclusive "Theme Sketchbook of Frank Oz Puppet Characters Club" with his own super-impressive book of Animal from The Muppet Show (my personal second-favorite member of The Electric Mayhem, after Zoot), which is giving my Yoda collection a serious run for its money. Here are some Fantagraphics-relevant entries as posted by Ian on the Versus the Moon blog (where he posts 2 new ones a week, so keep checking back):
Join Jacob at the University Book Store in Seattle at 7:00 PM, as he discusses the "grunge" phenomenon... on the very street where a lot of those unwashed musicians first bumped into each other, perhaps reaching for a Mudhoney 7" at Cellophane Square at the exact same time?
• Convention sketches inspired by song lyrics is a pretty great idea, and an Atlanta comic fan named Erich collects them and posts them on his blog. Above: Lisa Leavenworth + Mudhoney by Peter Bagge (hat tip: CBR)
• Review: "In this Golden Age of Comic Strip Reprints, Gottfredson's Mickey Mouse was, I had long assumed, the one that had gotten away.... It should go without saying that Fantagraphics has done their usual stellar job in regards to editorial presentation... and design... In addition to over two and a half year's worth of the strip, the book contains an impressive amount of introductory material and contextual essays... There are other neat bonus features, such as cover images from foreign editions collecting storylines from the strip. As for the comics themselves, they entertain on a couple of levels. First, it should be of interest to comics fans as one of the Great Comic Strips Of All Time.... The comic strip should also be of great interest to Disney aficionados, as it represents one of the earliest transitions of the animated characters into another medium..." – Patrick Markfort, Articulate Nerd
• Review: "This is a comic book that feels like a video nasty. Its characters could well have been discovered from drawings scratched into school desks, its plot may well have been cribbed from the insane diary of a 9 year old. But that is what makes the 2 volumes of Prison Pit (published to date) so brilliant and unique. Writer/Artist Johnny Ryan has taken all those dreams, that desensitisation to violence, and our eagerness to doodle the grotesque, and turned it into a full ongoing epic.... Prison Pit is insane; it is a title that simply shouldn’t exist outside of a teenager’s head. But it does, and it’s brilliant. A forgotten level of comedic violence, an absence of exposition and dialogue that all reduces down into a paste of pure barbaric fun." – Kevin Scully, Comicsphere
• Review: "...Yeah! is a surprisingly delightful fun fantasy of kicky pop music, weird alien fans, and evil twin competition bands.... Witty, high-spirited, and thoroughly fun, it’s the greatest Saturday morning cartoon adventure that never was. Although originally in color, Fantagraphics has reprinted the series in black-and white. It’s a sound artistic (Gilbert’s art is bold and vibrant in its original inks) and economic (keeping the price under $20) decision, and while purists may argue otherwise, a black-and-white Yeah! will appeal to teens, young girls, and manga fans: a whole new market for this sadly under-lauded comic." – guest contributor Bully the Little Stuffed Bull (with help from John DiBello), Robot 6
• Plugs:Panel Patter's Rob McMonigal spotlights a number of our 2011 releases as recommendations for SPX purchases, saying "It is stupidly easy to spend money with Fantagraphics, because they put out so many great books every year."
• Review: "The harmony of words and illustration strengthen Kelso’s voice as a narrator of stories that appeal to women of all ages.... This collection of short stories is a fantastic starting point for those of you who still view comics as Marvel/DC, or as ‘kiddie’ entertainment. (Shame!!) While playing with fantasy elements we all loved reading as little kids, Kelso incorporates today’s real life issues — STDs, pregnancy, being broke, infidelity — into her comics. Raw, yet refined, Queen of the Black Black is an enjoyable, meaty read that left me pumped to experiment with my own comics style." – Erina Davidson, Bust
• Review: "The book itself is stunning.... Fantagraphics is well-known for their quality book projects and this may be one of their best yet.... The Mickey Mouse strip itself is a hoot — especially in these early days. Mickey’s a feisty little guy in the strips, more so than in most of his animated appearances. He frequently packs heat (gasp!), knows all kinds of dirty tricks, and isn’t afraid to get into some real fisticuffs.... Even if you don’t care much for Mickey or the whole Disney mouse machine, this book should be on your bookshelf just for the slice of 1930s Depression-era Americana and the amazing joy of Mickey’s flinty 'can-do' attitude.... Watch for this wonderful series to do very well in various comics awards next year. This is important stuff." – K.C. Carlson, Comics Worth Reading
• Review: "There's still an agreeable edge to the series at this point [The Complete Peanuts 1979-1980] — Peppermint Patty's resigned acceptance to a life of D-minuses is really kind of savage — but Charles Schulz was relaxed enough to enjoy a few in-jokes and celebrity shout-outs to the likes of Bill Mauldin and various tennis stars.... Each time that Schulz started one of his longer, weirder stories..., readers will find themselves wondering how in the world he resolved it. He succeeded every single time." – Grant Goggans, The Hipster Dad's Bookshelf (via Spurge)
• Review: "Like crisps, chocolate and bad puns; once you get the taste of Robert Crumb on your palate, it’s almost impossible to shift the craving for more. Here’s another re-released edition [Vol. 13] from the superb and multi-award winning Complete Crumb Comics series that will tickle the bad-taste-buds of discerning comics cognoscenti and is bound to make a whole new generation of fans among the cool kids..." – Win Wiacek, Now Read This!
• Scene/Plug:Comic Book Resources' Sonia Harris shares a charming Hernandez Bros. anecdote from Comic-Con and plugs the new Love and Rockets: "I won’t spoil it for you, but I can tell you that it is even better than the 3 that have come before it (and they were fantastic.) Seriously, Love and Rockets is just getting better and better."