• Review: "Any new work from Norwegian cartoonist Jason is worthy of a comics fan’s full attention, but the new, all-original short-story collection Athos in America is one of the best books of Jason’s career, which automatically makes it one of the best books of this year." – Noel Murray, The A.V. Club
• Review: "...Joost Swarte... brought a nose-thumbing avant-garde sensibility to 'ligne claire' style Eurocomics in the ’70s and ’80s, even before he landed stories in the seminal art-comics anthology Raw. Is That All There Is? collects nearly 150 pages of Swarte’s most groundbreaking work... With his architectural sense of design and his punk-rock attitude, Swarte fused craft and nihilistic flippancy in stories about adventurers, harlots, musicians, and scientists, creating true 'modern art.'" – Noel Murray, The A.V. Club
• Review: "About all that was missing from Blake Bell’s 2010 Bill Everett biography Fire & Waterwas extended samples of Everett’s artist’s actual comics. Bell now remedies that by serving as editor on Amazing Mysteries: The Bill Everett Archives Vol. 1... These publications rode the superhero wave initiated by the companies that would later become DC and Marvel, and while they didn’t withstand the test of time, they’re still a kick to read, buoyed by their no-nonsense action plots and by Everett’s propensity for drawing narrow figures poised to commit acts of violence." – Noel Murray, The A.V. Club
• Review: "This collection is the ultimate love letter to all those 1960s kid comic books, but with a modern twist.... Each person is a well-defined character with strong flaws and backgrounds. With so much diversity, there is bound to be at least one character you will like.... If you are looking for a kid-friendly book with some charm, go ahead and pick [Yeah!] up." – Kevin Brown, City Book Review
• Profile:Steve Appleford of the Los Angeles Times (via a few of their suburban affiliates like the Glendale News Press) visits Tony Millionaire in his garage studio: "In his introduction to 500 Portraits, Millionaire writes that life experience has taught him that 85% of all people are 'bogus' or worse. In the garage, he describes himself as misanthropic, but admits his drawings often suggest otherwise. 'As it turns out, you can tell by looking at these portraits, I obviously love people — even the [jerks]. Hitler's done very lovingly,' he says. 'I think it's nice to have the juxtaposition of my disgust for humanity mixed with my obvious love for humanity. You can't draw like that if you really hate something.'"
• Profile: The Ottawa Citizen's Bruce Deachman catches up with Dave Cooper: "'There are different facets of my creative mind,' he says. 'I feel I need a lot of contrast, so I have all these things happening, but they’re all necessary to make me feel satisfied. It’s got to be this big pot happening, with everything boiling at once. It’s therapy for me,' he adds. 'I don’t see ever wanting to retire from the thing that I love to death.'" There's a short video, too, which Dave has posted on his blog
• Plug:Robot 6's Brigid Alverson is partway through Jim Woodring's Congress of the Animals: "Woodring’s art has a real solidity to it and like the best surrealists, he creates unreal shapes and figures that seem real—he has figured out how to make new bodily orifices that mimic the old and yet are totally different. Like visions in a dream, they are convincing and false at the same time."
"Jason teams up with Fabien Vehlmann to craft a dark comedy about someone following a mysterious map in a bottle to and island where something strange is happening. The premise itself is a spoiler, as it’s a laugh-out-loud moment when the reader finds out what is going on. Jason’s work is as stellar as ever, just with a lot more dialogue this time around."
"Safe Area Goražde wasn’t a new book in 2011, but the special edition it got last year was enough to earn it a spot on this list. Joe Sacco reigns as the preeminent comics journalist, and Safe Area Goražde is another great reason why."
• Paris, France: Joost Swarte debuts an art show at the Bienvenue à la Galerie Martel, and will be in attendance signing copies of Is That All There Is? (or as it is known in France, Total Swarte). More information about this event is coming to the FLOG soon!
Saturday, March 10th
• Seattle, WA: The Fantagraphics Bookstore & Gallery celebrates the legacy of local arts activist Cathy Hillenbrand with “Real Comet Press: A Retrospective.” This exhibition features art, graphics and book works by regional artists nurtured by Real Comet Press including Lynda Barry, Michael Dougan, Art Chantry, and Ruth Hayes, among others. A limited number of out-of-print Real Comet Press titles will be available for sale (including the iconic Lynda Barry poster “Poodle with a Mohawk”). (more info)
• List: YALSA's blog The Hub spotlights their previously-announced Great Graphic Novels for Teens Top Ten 2012: "Shimura Takako’s Wandering Son Volume 1 rounds out the Top Ten list for 2012 with a sensitive look at two fifth grade students struggling with gender identity: Shuichi Natori is a boy who wants to be a girl, and Yoshino Takatsuki is a girl who wants to be a boy. This is a complex and sensitive subject, but Takako handles it very gently, allowing the story to unfold in a way that is not only natural but sympathetic. Takako’s artwork is spare and evocative, supporting the story but never getting in the way of its telling. This one is for teens who like contemporary stories about real world problems."
• List: At LitReactor, Kelly Thompson runs down 10 Graphic Novels for the Literary Minded, with Castle Waiting Vol. 1 by Linda Medley recommended "for fans of fantasy": "Castle Waiting, a brutally funny book with a giant heart, has a new spin on fairy tales with a feminist bent that will draw you in and keep you reading from page one.... Medley’s world is expertly crafted and completely believable, while her black and white artwork is clean and highly detailed with an emphasis on character design and acting."
• Interview: At SF Weekly, J Poet talks to Pat Thomas about Listen, Whitey! The Sights and Sounds of Black Power 1965-1975: "As you can see from the scope of the book, there were hundreds of recordings connected to the Black Power movement. At Fred Hampton's funeral, they blasted The Supremes' 'Someday We'll Be Together' from loudspeakers. Huey Newton loved Bob Dylan's line, 'Something's happening and you don't know what it is, do you Mr. Jones?' The movement was inspired by music and the movement inspired many people, especially jazz musicians, to refocus their sound and energy."
• Review: "Buddy Does Seattle collects the first 15 issues of Hate, in which the protagonist has relocated to the Pacific Northwest and become the consummate slacker.... First published when Seattle was exploding in popularity due to the rise of Nirvana, Pearl Jam, and various grunge bands, Hate offered a decidedly un-romanticized take on a particular time and place. ...Bagge's artwork took the public's perception of '90s youth as angry and volatile and pushed it to hysterical levels. Heavily influenced by late-'60s counterculture cartoonists like Crumb, Bagge's drawings are fluid and grimy-looking, with frequent use of exaggerated facial expressions helping to cultivate an atmosphere of chaos. As a work of cultural commentary it's brash and invigorating, and remains so years later." – Phil Guie, Critical Mob
• Interview:Nick Thorburn's tour with his band Islands brings him to Seattle next week and the Seattle Weekly's Dave Lake asks him about his connections to the city: "...I had a comic strip in the last couple issues of Mome, which is a Fantagraphics anthology, which is a Seattle-based comics publisher. I love Fantagraphics. I got a check from them recently for being in those comics and it would have made the 13-year-old me die with joy, seeing a check with my name on it from Fantagraphics. That's beyond my wildest teenage fantasy."
Dear sweet mercy this week's comic shop shipment is slated to include the following truckload of new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
144-page full-color 7" x 9.5" hardcover • $35.00 ISBN: 978-1-60699-510-5
"The semi-complete comics works of the remarkable Dutch cartoonist (and designer, and architect, and Tintin aficionado, and the guy who came up with the term 'ligne claire') Joost Swarte. Fantagraphics originally announced this project for 2007 (under the name Modern Swarte), and its scope has gradually expanded since then. There are, in fact, some deliberate omissions--this volume doesn't include his kids' book series 'Katoen en Pinbal,' and mail-order copies from Fantagraphics come with an extra 12-page minicomic of early material called 'Actually, That Wasn't All There Was.'" – Douglas Wolk, ComicsAlliance
"A whole lot of Fantagraphics books are dropping... this week — if you see a book of Joost Swarte: no, it’s not a mirage..." – Joe McCulloch, The Comics Journal
"The... long-anticipated collection of Joost Swarte's comics work... is one of those things you're grateful to see finally come out even if you can't afford to buy it right away." – Tom Spurgeon, The Comics Reporter
"...Fantagraphics must have sat down and designated this Scandinavian Comics Week… Adding a touch of influential Denmark [sic] work for good measure. Besides Kolor Klimax... the publisher has also released the first English language translation from Dutch alternative comics master Joost Swarte, entitled Is That All There Is? ...[T]hat’s one company betting on a lot of 'love' from fans of European alternative work in the same week." – "Insideman's Pull List," Inveterate Media Junkies
"[This] is one of those anthologies with tons of cartoonists you've never heard of but probably wish you had." – Tom Spurgeon, The Comics Reporter
204-page full-color 10" x 10" hardcover • $39.99 ISBN: 978-1-60699-507-5
"Not comics, by any stretch of the imagination; I'm listing it here because it's a Fantagraphics book and might be showing up in comics shops, and because it looks fantastic. This is Pat Thomas's long, extensively researched photo-and-essay book about where the Black Power movement intersected with the recording industry." – Douglas Wolk, ComicsAlliance
240-page full-color 7.25" x 10" hardcover • 39.99 ISBN: 978-1-60699-488-7
"I'm a huge fiend for Bill Everett, one of the romantic figures of 20th Century comic book making for the fact that when his comics hit on a certain popular notion they contributed to the general development of that form as much as anyone's comics ever did, but when they didn't quite conform to the most popular efforts they super stuck out." – Tom Spurgeon, The Comics Reporter
180-page black & white/color 8" x 10" softcover • $19.99 ISBN: 978-1-60699-481-8
"It's wonderful that Diane Noomin has a new collection out. I'm reading it right now as the book I keep in the back seat of the car as I wait for people to leave buildings where I'm picking them up.... I hope this one doesn't get lost in the flood of new material out. We desperately need to come to grips with more of the underground comix work, if only because so much of it was deeply compelling. I liked the support material in here, too, particularly Noomin's walking us through her career." – Tom Spurgeon, The Comics Reporter
"My splurge for the week would likely be one of the several books out from Fantagraphics. First up is Amazing Mysteries, a collection of early work by Bill Everett (reviewed here). Then there’s Glitz 2 Go, a collection of comics by underground-era cartoonist Diane Noomin, whom I simply don’t know enough about. The obvious choice though is the wittily titled Is That All There Is?, a kitchen-sink collection of the mighty Joost Swarte’s comic stories from the 1970s onward. You can never have enough Swarte." – Chris Mautner, Robot 6
"CONFLICT OF INTEREST RESERVOIR: There’s a pretty enormous amount of Fantagraphics stuff out this week, with nothing more anticipated I suspect than Is That All There Is?, a 144-page collection of almost all of Joost Swarte’s work in alternative comics, including eye-catching bits from RAW, Heavy Metal and elsewhere; $35.00. Then you can keep up your international airs with Kolor Klimax: Nordic Comics Now, a 250-page anthology of Scandinavian works edited by the Journal’s Matthias Wivel; $29.99. Editor Blake Bell returns with Amazing Mysteries: The Bill Everett Archives Vol. 1, a 240-page collection of Golden Age superhero comics from the titular artist; $39.99. Diane Noomin (of the Twisted Sisters anthology, the second volume of which I attribute to changing my entire perception of how the comics form could work at a crucial age) gets a 180-page anthology of her various works with Glitz-2-Go; $19.99. And finally, in case comics are just too much for ya, Listen, Whitey! The Sights and Sounds of Black Power 1965-1975 finds music producer and writer Pat Thomas tracking the recorded output of various black power groups of the designated time span, in glorious prose; $39.99." – Joe McCulloch, The Comics Journal
These legendary stories, from the classic first fifteen issues of Bagge's Hate comic, are a defining icon of Seattle's early 1990s culture (the Seattle Weekly has written, "20 years from now, when people wonder what it was like to be young in 1990s Seattle, the only record we'll have is Hate."), as well as Generation X in general (as seen in such films as Kids and Pecker). This is the first time these hilarious stories, starring the hapless Buddy Bradley and his cast of loser cohorts, have ever been available under one cover, and never have they been available at such a low price (it would have cost at least three times as much to read all of these classic stories in any previous editions). Bagge's riotous tales of the early 1990s subculture are more hilarious now than ever, find out why he has been praised by R. Crumb, Matt Groening, John Kricfalusi, Publishers Weekly, Entertainment Weekly and many more. Comedy genius.
• Interview (Audio): On the new episode of the Jordan, Jesse, Go! podcast "Cartoonist Tony Millionaire joins Jordan and Jesse at Thorn Manor to teach us etymology, school dance etiquette, and generational pop culture."
"Gilbert's stories are typically excellent in this issue, as he manages a certain luridness in one story that brings sexuality to the fore, and goes the other direction in a more oblique, subtle story. Of course, the story that got everyone buzzing was the second half of Jaime's "The Love Bunglers", which is an ending for this thirty-year cycle of stories--and one where Jaime sticks the landing with authority."
"This was Bagge's first feature-length Buddy Bradley story in years, and it's a doozy. Buddy, Lisa and young Harold visit Lisa's parents in a story called 'Hell,' and Bagge truly pulls out all the stops in depicting extreme familial weirdness. His dialogue is as sharp as ever, his line is quite lively and his uncanny ability to depict the creeping weirdness of suburbia is even more disturbing than in the initial run of New Jersey stories in Hate."
"Kupperman's 'Quincy, M.E.' story in this issue is a tour-de-force of twisting narrative structures and just plain crazy silliness. Kupperman's art has become increasingly bland as his aesthetic references have changed from 1920s comic strips to 1950s comic books, forcing the reader to perform double-takes at the crazy juxtapositions he creates. If his comics aren't as visually exhausting and exciting as they once were, he still provides an avalanche of ideas and jokes for the reader to sort through."
• Review: "Norwegian cartoonist Jason has returned with more full-color stories populated by lonely, and at times sociopathic, anthropomorphic characters. Cats, dogs, and ducks steal, fight, murder, and drink themselves into oblivion. Although brimming with black humor, the tales are far from ridiculous; the disjunction between the cute creatures and their actions often serves to highlight the despair inherent in their lives. Text is light, as the images drive the narratives. In these spare, mute panels, infused with flat oranges, greens, and browns, small movements covey great meaning and emotion.... Visually exciting, at times hilarious and at times devastating, Athos in America will only add to Jason’s well-deserved reputation as a star of the graphic novel world." – Publishers Weekly
• Review: "This volume [Amazing Mysteries: The Bill Everett Archives Vol. 1] provides an illuminating look at the artist’s numerous attempts at catching Sub-Marineresque lightning in a bottle for a second time, a task that mostly eluded him. The comics studios of the golden age were product mills that threw any idea against the wall in hope it would stick, and Everett did much the same. Forgotten sci-fi and superhero creations, as well as forays into westerns, historical retellings, and crime comics, populate this loaded volume, which reads like it fell straight out of some four-color twilight zone." – Publishers Weekly
• Review: "Over 150 pages of reprints, a brilliant back-of-the-book by Benson running 26 pages, and an introduction by my old buddy, cartoonist/historian Jay Lynch..., this book is a welcome addition to any comics library.... [I]f nothing else, The Sincerest Form of Parody saves you a lot of time separating the wheat from the chaff. But in and of itself, it is a very worthy book – entertaining on his own, and critical from a historical point of view. You should check this one out..." – Mike Gold, ComicMix
• Review: "[Jordan] Crane’s comic, The Last Lonely Saturday, explores the trials and release of life after loss. Crane’s story beautifully follows a husband’s weekly ritual to pay respect to his wife. In no more than a few pages, Crane retells the husband and wife’s entire history. From the comic’s meticulous book design, with its quaint size and the rounded, hand-lettered type in the first pages, readers can expect the story to be heart-warming. But Crane pulls at readers’ heartstrings with surprising grace. While the story is rooted in the traditional American cliché of lovers reunited in the afterlife, the story is told deftly." – Juan Fernandez, The Tartan (via Robot 6)
• Review: "[Freeway] captures the frustration of being stuck in traffic, particularly the array of images (violent and otherwise) that traffic brings to my mind (even better than Falling Down). Like me, Alex also relieves his frustrations with a lot of swearing." – Gene Ambaum, The Unshelved Book Club
• Plug: "I ran into animator Michel Gagné at the Annie Awards last week (where he picked up an Annie for Best Video Game, Insanely Twisted Shadow Planet) and asked him about his next project. Turns out Gagne had been toiling on a labor of love (literally) that has just gone on sale this week.... That book, Young Romance: the Best of Simon & Kirby’s Romance Comics, is not the usual thing we endorse here at Cartoon Brew – but as a life-long Jack Kirby fan and oddball comic book buff, this project is right up my alley.... I’ve ordered my copy and highly recommend it, sight unseen. Thanks, Michel!" – Jerry Beck, Cartoon Brew
• Plug: "Joe Simon and Jack Kirby created Captain America but they literally created the romance comic genre. The pages [of Young Romance] were packed with dialogue and dramatic art as women fought for love." – Will Harris, KOMO News
Original paintings by celebrated Southern California artist SHAG.
A multimedia homage by Seattle artist (and frequent Fantagraphics printmaker) Art Garcia.
Plus awesome works by graphic design legend Art Chantry, ceramicist Charles Krafft, and cartoonists Tom Neely, Johnny Ryan, Roberta Gregory, Pat Moriarity, Peter Bagge (from the pages of MAD), and a dozen others, including the master himself, Jack Davis. Arrive at 6:30 to experience a virtual visit with Davis via Skype, hosted by Gary Groth.
FUNNY VALENTINES: A TRIBUTE TO JACK DAVIS Group art exhibition opens February 11 at Fantagraphics Bookstore
Fantagraphics Bookstore & Gallery celebrates the legacy of legendary artist Jack Davis with a group exhibition "Funny Valentines: A Tribute to Jack Davis" opening Saturday, February 11 from 6:00 to 9:00 PM. Davis is among the most influential American artists of his time. He created comics art for the seminal EC imprint and contributed to subversive magazines like MAD, as well as illustrating popular record albums, memorable movie posters, trading cards, mainstream magazines, and advertising campaigns.
Seattle-based Fantagraphics Books recently published the career retrospective Jack Davis: Drawing American Pop Culture. To commemorate the occasion, a stellar group of accomplished artists from diverse disciplines have created works demonstrating the influence of this prolific artist. Between 1959 and 1963 Davis drew four sets of "Funny Valentines" for the Topps trading card company. This series provided the inspiration the show featuring two-dozen contemporary cartoonists, illustrators, graphic designers, and fine artists. Exhibiting artists include Peter Bagge, Nikki Burch, Art Chantry, Tom Dougherty, Jesse Edwards, Ellen Forney, Art Garcia, Roberta Gregory, Charles Krafft, Jason T. Miles, Pat Moriarity, Tom Neely, Joe Newton, Ries Niemi, John Ohannesian, Augie Pagan, Eric Reynolds, Bob Rini, Johnny Ryan, Frank Santoro, SHAG, Matthew Southworth, and Jim Woodring. Original works by Jack Davis will also be displayed.
The opening reception on Saturday, February 11 promises to be a festive affair. Davis will appear at 6:30 PM via Skype from his home in Atlanta. Many exhibiting artists will also be present. A limited number of advance copies of Jack Davis: Drawing American Pop Culture will be available with a special signed bookplate. Please join us to pay homage to this extraordinary artist. This event coincides with the 4th anniversary installment of the colorful Georgetown Art Attack, featuring visual and performing arts presentations throughout the historic neighborhood.
FUNNY VALENTINES: A TRIBUTE TO JACK DAVIS
An exhibition featuring Peter Bagge, Nikki Burch, Art Chantry, Jack Davis, Tom Dougherty, Jesse Edwards, Ellen Forney, Art Garcia, Roberta Gregory, Charles Krafft, Jason T. Miles, Pat Moriarity, Tom Neely, Joe Newton, Ries Niemi, John Ohannesian, Augie Pagan, Eric Reynolds, Bob Rini, Johnny Ryan, Frank Santoro, SHAG, Matthew Southworth, and Jim Woodring.
Opening Reception Saturday, February 11, 6:00 to 9:00 PM