And here's another way to get in on the Can You Imagine? fun:
Pete & co. are raising funds via Kickstarter to complete their new album! Pledge now and you could get nifty thank-you gifts like an early download of the album, an original drawing from Pete, your very own cover song played just for you, brunch or a private party with the band, and the ever-intriguing "Surprise Mystery Ball"!
Oh, you know, just Jaime and Gilbert Hernandez doing a signing with their pal Matt Groening at Golden Apple Comics in L.A. in 1984 when Dave Stevens stopped by to say hi to them and Gilbert's hotcha gal Carol. ¡Ay carumba! (And is that a turntable under the V poster? Even cooler!) This got posted over at the Love and Rockets/Hernandez Brothers Facebook page way back in March and I've been too flabbergasted for the last 8 months to post it until now.
But lo! Via a Tumblr blog called One-Chair Barbershop comes, unattributed and without context, this vintage photo of Peter Bagge from his NYC street-art stickering days, to pair up and kick the dust off this old Flog draft. Flex those guns, Pete!
I always was very fond of the mini-comics format -- take two to four 8 1/2 x 11 sheets, fold them once, staple, and voilà! You have an adorable little 5 1/2 x 8 1/2 comic book for mere pennies. But I could never really figure out what to do with this old-school, low-tech format.
For this catalog season, we have created 21 "FBI•MINI" booklets (most in this format, although there are a few oddities), as premiums for customers who order books directly from us. They are available free with the purchase of their "matching" book or books -- or for those customers who've already bought those books but are desperate to get the FBI•MINI, free with the purchase of $50 worth of any other Fantagraphics mail-order merchandise.
If any of these catch your interest (and if you're reading this blog surely at least one of them will) you can click right on any of them to a more detailed listing on our website -- or just click right here and all 21 will pop up for you to peruse.
• Review: "Barks, the artist, is a master cartoonist, drawing lively, expressive characters with a graceful sense of movement. His beautiful, detailed backgrounds plant the ducks in a fully realized world that adds weight to his storytelling.... But besides the entertaining plots, Barks’ appeal is in his characters. He gives his ducks many human frailties and while they usually try to do the right thing, they make mistakes, get angry, frustrated, and even fail. Fantagraphics Books... does its usual high quality work here as well. The design and layout of the book is a handy comic-book size hardcover with bright, colorful reproductions of the comics. Besides the comics, there are articles on Barks and analysis on each story... For both newcomers to Barks' work and diehard fans, [Walt Disney's Donald Duck: Lost in the Andes] is a book that any comic book reader would love to find under the Christmas tree." – Rich Clabaugh, The Christian Science Monitor
• Interview: At The Comics Reporter, Tom Spurgeon talks with Rich Tommaso about his coloring work on our Carl Barks Library series — "[Disney] said we didn't have to be so religious about it. They wanted to make sure the color for the ducks, the reds and blues and the yellows, that those were pretty much bang-on. But they agreed that there was a little bit of leeway. If something looked like a bad color choice, you could find something in the ballpark range of that color. So that's what I would do." — and about his own comics work
• Review: "All aspects of Kubert's career are touched on in this tome, which is loaded with beautiful colour reproductions of its subject's artwork and complemented by a lengthy and insightful critical commentary by comic book historian Bill Schelly. Over the course of the book's 224 pages, you can see quite clearly how Kubert's art evolved and how his storytelling skills developed, but also how his unique style, those striking touch and sinewy images that could have been rendered by no one else, has remained intact. As with Fantagraphics' previous coffee table comic art books, The Art of Joe Kubert makes you want to see more — all! — of the artist's work." – Miles Fielder, The List
• Review: "Frank Zappa once said 'most rock journalism is people who can’t write, interviewing people who can’t talk, for people who can’t read.' However true that might be, Paul Nelson was one who most definitely could write. And he interviewed people who could talk, and plenty of people read what he wrote. Kevin Avery certainly read what Nelson wrote, and has now written Everything Is an Afterthought, which is both a biography of Nelson and a collection of his work, including some pieces that have never been published.... Like the best critics, Nelson was primarily a fan of what he wrote about, subjects that struck a chord with him. And here’s a bio and a collection of his work written by a fan of his." – Robert O'Connor, Spike Magazine
• Plug: Proud contributor to our first Walt Kelly Pogo volume Mark Evanier talks up the book on his blog: "It's a wonderful book and though I am a Consulting Editor — I think that's my title — I can rave about it because I deserve very little credit for its wonderfulness. Any book that properly presents the work of Mr. Kelly is going to be, by definition, wonderful...and Carolyn Kelly (daughter of Walt, companion of mine) and Fantagraphics Books made sure it was properly presented."
Plug: "...Michael Kupperman's new book [Mark Twain's Autobiography 1910-2010]... has everything a boy could want, including Mark Twain on the track of the elusive yeti!... Albert Einstein is a major supporting player in the book (he and Twain open a detective agency, natch) and somehow it behooves me to remind everyone that in real life for really real, Einstein's granddaughter married a renowned bigfoot hunter. That is a fact you can look up on your computer!" – Jack Pendarvis
• Interview:Robot 6's Tim O'Shea talks with Shannon Wheeler, with a couple of revealing behind-the-scenes tidbits about Oil and Water in the second half: "Steve [Duin] understands a scene really well. When all the characters visited the bird cleaning facility there was a large storytelling arc with multiple subplots. I would have been afraid to juggle so many elements. I would have focused on the single note of the horror of the facility. Steve isn’t afraid to trust the reader to understand. I’m a lot less trusting of the reader. Steve showed me how to have more faith in the narrative."
We've recently seen a deluge of books by earnest young rock journalists chronicling the history of Seattle's grunge movement. But nothing quite matches Peter Bagge's authentic observations during that era. Bagge's work went beyond satire to help shape the attitude and aesthetics of the only significant youth movement to emerge from the Pacific Northwest. His comix still resonate today, as a new generation of readers discover his over-the-top, yet totally accessible approach to cartooning. Bagge will sign copies of his iconic Hate comix anthologies as well as more recent work, including his rockin' all ages romp Yeah! Pick up some perfect personalized gifts for a song.
Bagge's signing will be followed by a musical performance at the Mix with Can You Imagine? This mostly female pop combo is eerily reminiscent of the intergalactic rock group depicted in Yeah! Michelle, Rachel and Sue are joined by Bagge and legendary musician and producer Steve Fisk, combining to form a fairly amazing and unexpected delight.
Fantagraphics Bookstore is located at 1201 S. Vale Street in the heart of Seattle's Georgetown arts community. Open daily 11:30 to 8:00 PM, Sundays until 5:00. Phone 206.658.0110.
We're doing a special cross-promotion with our colleagues at Americaware, producers of fine t-shirts (and now hoodies!) featuring artwork by Northwest comics legends Peter Bagge, Jim Blanchard, Basil Wolverton and Jim Woodring. With every order you make with us you'll get a $5 coupon to use on an Americaware order, and with every Americaware order you'll get a 20% off coupon to use when ordering from us! You could get into an endless loop of savings! I personally have several Americaware shirts and lemme tell ya, they are niiiiice.
• Review: "Wearing its stylistic debt to Chester Gould’s classic Dick Tracy strips on its sleeve, this Spanish-produced series [The Cabbie] (which was originally printed in the ’80s) revels in a stark and sleazy noir aesthetic that drags the reader on a vicious trip through the scabrous underbelly of 'the Big City.'... An intriguing throwback to the days of heroes with worldviews defined in terms as rigidly black and white as the panels they battled their way through, this visual and thematic love letter to (and simultaneous critique of) Gould’s tropes is highly recommended for grownups with a taste for refreshingly lurid pulp fiction." – Publishers Weekly
• Review: "The Hidden feels like a Poe short story, but Richard Sala actually reaches further back into gothic literature for information, filtering Frankenstein through a zombie apocalypse. Just like Poe, the fun here is all in the telling, and Sala’s campfire-ghost-story illustration is blunt enough to be cynically hilarious and cruelly gory, often at the same time. The allegory is the same as from Shelley’s original, but like the best gothic writing, the fun comes from putting the pieces — all the pieces — together at the end." – David Berry, National Post
• Interview:Robot 6's Chris Mautner has a brief chat with Richard Sala about a book that's not ours (the Nursery Rhyme Comics anthology from First Second) but any interview with Richard is worthwhile
• Review: "The final edition of Mome leaves a vacuum that thus far has always managed to get filled — let’s hope the graphic world hasn’t lost its taste for short stories just yet — but it will always be a shame to file something this sharply curated in the shelf. The fifth installment of Devil Doll is likely the most beautiful piece here, and there’s a terrific streak of humour throughout — Laura Perk’s Hobbesian, malevolent George is the pitch-black highlight, but there’s plenty of other strains — all adding up to an end that’s perfectly fitting, but no less unfortunate." – David Berry, National Post
• Review: "Last month, Fantagraphics released The Art of Joe Kubert, a wonderful oversized art book that traces the career of the comics legend who has worked successfully in all the major 'Ages' of comics. While seeing the art in a larger format is nice, it's the text that winds through the book that opened my eyes to a lot of new things in comics that I had never known before.... Schelly's words opened up a new world of art critique for me.... The Art of Joe Kubert is probably the best DC book I read in September, and DC didn't even publish it. Fantagraphics did, and a wonderful job they did, from the raw materials to the book design and packaging." – Augie DeBlieck Jr., Comic Book Resources
• Review: "Maybe, perhaps, at last, the time is right for a mass re-evaluation of the Duck comics, as Fantagraphics steps into the breach to produce a definitive library of Carl Barks' oeuvre. Not only do they step in, but they do so fearlessly... The series starts in November with Walt Disney's Donald Duck: Lost in the Andes, an impressively affordable $25 hardcover... Happily, the stories look great and the book is a wonder to hold in your hand.... As to the content, itself, it's just as remarkable an achievement in comics as I remembered.... The contents of the book are as good as they're going to get, produced with an eye towards recapturing as much of the look of the original printings as possible, without sacrificing clarity or design. The quality of the black and white line work is top notch, too.... Pre-order today. Just do it. You can thank me later." – Augie DeBlieck Jr., Comic Book Resources
• Interview: Speaking of short interviews about books that aren't ours, there's a Q&A with Michael Kupperman on the Marvel website about his contribution to their upcoming humor anthology Shame Itself
• Review: "Beautifully bound, this is graphic journalism on a human and environmental disaster with long-term consequences far beyond here-and-gone traditional news coverage. Honestly told, well written, beautifully illustrated and accessible to a wide audience: Oil and Water should reach readers of all ages and satisfy the most discerning critics. BRAVO!" – Craig Seasholes, JacketFlap
• Review: "More a graphic book than straight comic book or straight novel, it plays to the strengths of both mediums. Kupperman’s prose recalls the casual absurdity of early Woody Allen or Douglas Adams, and as there is no real overarching narrative other than Mark Twain’s fictional life, he is able to indulge his every comedic whim, be it a film noir genre parody or a chapter that’s mostly just a list of silly names. The artwork, rendered in black, white and blue, is fabulous as always. The greatest part of his art is how deadpan it is. His simple, clean lines have a retro style that wouldn’t be out of place in a Golden Age comic book or an old magazine advertisement....Mark Twain’s Autobiography 1910-2010is a testament to Kupperman’s strengths as both writer and artist." – Brandon Beck, Spandexless
• Review: "...Gilbert Hernandez... and... Peter Bagge... design an alternative dimension for alternative music in their graphic novel Yeah!, one that includes the spazzy siren call and pratfalls of teenage girls and the twitchy slapstick of music business screw-ups from other galaxies. ...[T]hese two secret masters of rock fandom and mavericks of cartooning show zest-finesse and feisty satire chronicling the lives lived on the margins of collaborated garage bomp in a series of outrageous stories that could only be true in the music world they’ve personally known..." – Chris Estey, KEXP
• Interview: Jean-Emmanuel Deluxe of French record label Tricatel talks to Drew Friedman (en Français), and so of course the first topic is Jerry Lewis: "The French understand clearly what so many Americans are unable to grasp, that is to say that Jerry Lewis is an actor AND a brilliant and innovative director. Unfortunately, people will not realize it until long after his death."
• Interview: Brian Heater of The Daily Cross Hatch wraps up his chat with Drew Friedman. Oh look, here's a familiar topic: "Jerry Lewis is a very serious guy. When I talk him, he’s very serious. He asks me what I’m doing and how I do this and that, as if he’s taking notes. He’s so interested in what I’m doing. He doesn’t want to talk about himself, which is kind of strange."