• Review: "This graphic memoir chronicles the author’s struggle with the aging of her father and stepmother. The subject matter isn’t pretty. Still, [Special Exits] is intriguing, well-written and thought-provoking." – Nick Smith, ICv2
• Review: "You have to be a real expert in Jason-character physiognomy to even be able to tell that the lonely expat main character in Werewolves of Montpellier is sometimes wearing a werewolf mask. After all, the guy's an anthropomorphized dog at the best of times. In the end, that ends up being the gag. You're not some uniquely unlovable monster, you're just a guy with problems, like anyone else..." – Sean T. Collins, Attentiondeficitdisorderly
• Review: "I have always had a soft spot in my heart for the Peanuts comic strip. I grew up on the old paperback collections and it was always a great day when my mom bought me a new one. Now, thanks to Fantagraphics, the entire run of Peanuts is available to fans in their beautiful, year-by-year collections of Charles Schulz’ masterful and hilarious comic strip. This collection puts us into the years of 1975 - 1976 and includes all of the daily and Sunday strips for the period. ... Thank you Fantagraphics! Grade A" – Tim Janson, Mania
• Review: "The most recent issue is probably the strongest [Hate] Annual to date, 36 pages of concentrated hilarity, including the longest Buddy Bradley story in quite some time. Just as impressive are his one-page strips about scientists from DiscoverMagazine..." – Rob Clough, The Comics Journal
• Analysis: "For the first time, this hapless figure, this half-man, half-animal is a picture of heroism and nobility, his metamorphosis achieved not through cosmic dances or tops but by cruelties inflicted on him by that creature of many masks and tricks, Whim. Earlier in Weathercraft , an infernal creature plucked from the pig-man’s gullet sanctions enlightenment. He who once resembled the demons surrounding the decapitated Ravana becomes whole and fully clothed, now cognizant of his true nature." – Ng Suat Tong, The Hooded Utilitarian
• Interview: From last Friday, Chris Mautner's revealing conversation with Tim Hensley at Robot 6: "Sometimes it's infuriating to read about a bunch of attractive saccharine pupils in the suburbs. Maybe [Archie] could add a brain damaged character. Maybe Moose, but more likely he never learned to read — have they already done that? Somewhere off-panel there's a convalescent hospital with all the rejects in it. But I wasn't attempting a Dark Knight makeover where everyone has stubble and never prevaricates."
• Review: "...[T]he first volume of Mezzo and Pirus’s stunning King of the Flies [was] published earlier this year by Fantagraphics. ... Over just 64 pages, the team known as Mezzo and Pirus tell an impressively complex collection of ten interlinked short stories. ...Mezzo and Pirus are remarkably skillful, and create a deep and believable world. It’s meant as a compliment to say that by the end of this book, it feels as if twice as many pages have passed. ... With its bold style and thick lines, dark hues with splashes of garish colour, Pascal (Mezzo) Mesenburg’s forceful art is absorbing and weird." – Oliver Ho, PopMatters
• Review: "Woodring's wild and wordless story [Weathercraft] seems awfully lysergic, but his stunning symbolism and amazing line work is clever and crafty. Manhog, the creature starring in the strange story, is hardly sympathetic, but Woodring's imagery evokes amusement, bemusement and wonder." – Richard Pachter, The Miami Herald
• Review: "Regular, rectangular panels are the only thing conventional about Weathercraft, which follows the metaphysical mishaps of Manhog, a blank-eyed, snout-nosed creature who wanders naked through Woodring's pages, on a journey of self-realization disguised as a vivid, botanically inventive acid trip. ... But while the creatures and scenarios in Woodring's world are fantastical, they're drawn with the precision of a woodcarving, black-and-white space shaded with ever-present wavy lines. This precision is crucial, with no words to guide the story — as an exercise in purely visual storytelling, Weathercraft is both challenge and reward." – Alison Hallett, The Portland Mercury
• Plug: "Trying to explain Jim Woodring’s art is like describing an acid trip: One never gets the feeling across and inevitably sounds like a crazy person while doing it. ... His work is like Carl Barks’ Donald Duck comics twisted inside out by a black hole. Terrifying, disgusting, funny, silent and beautifully illustrated. See? It sounds crazy." – Casey Jarman, Willamette Week
• Profile: "Jason is perhaps the most unique visual stylists working in comics today. Each individual panel is a work of ligne claire pop art: flat, beautifully coloured and amplified for effect. The deceptively simple stories — often thrillers and off-beat romances — feature anti-heroes, guns, girls, historical figures, b-movie monsters, robots, and aliens. They’re a brilliant mix of silent pictures, film noir, La Nouvelle Vague, classic literature, crime fiction, sci-fi and pulp magazines." – Dan Wagstaff, The Casual Optimist
• Interview: At The Comics Journal, Marc Librescu talks to Gahan Wilson: "When you read about whatever the hell is going on in the art field, whatever the hell the 'art field' is, it’s written by critics and scholars — they’re both sort of the same thing. They’re commentaries, so they tend to emphasize definition and placement: This is chapter 3 of paragraph 7 of Book A. But that’s not the point. The point is that this thing is there and there’s this interaction that occurs, and [the viewer] is analyzing it. As far as the description thing goes, that’s for critics and that’s for teachers. It’s not for artists."
Seattle-based zine distro Profanity Hill (run by our own Jason T. Miles) has updated with a huge number of new acquisitions from local artistes, including some oldies-but-goodies from Peter Bagge and Jim Blanchard — click the images below for ordering info on each item and for goodness sakes browse the site and pick up some other stuff too.
• On the Jim Flora Art Blog: Electromechanical Design sales brochure; a children's book illustration detail; half of a 1950s business card illustration (above); and a link to the 1959 UPA animated adaptation of Flora's The Fabulous Firework Family produced by Gene Deitch
Make plans for Labor Day weekend in Seattle now! The Bumbershoot art and music festival promises to be the best in recent memory. In addition to performances by the likes of Bob Dylan, Neko Case, Hole, the Decemberists, Weezer and countless other bands, the festival includes a large exhibition of contemporary Seattle cartoonists.
Organized by Fantagraphics resident curator Larry Reid, "Counterculture Comix: A 30-Year Survey of Seattle Alternative Cartoonists" begins with Lynda Barry's work circa 1980 and continues through the present. The show reveals Seattle as the ancestral home of the alternative comix genre and examines the role comix played in Seattle's youth movement of the 90s, which penetrated popular culture globally.
Peter Bagge fans in the Northwest can get a double dose this weekend. First, Peter's band Can You Imagine? plays at the Sunset Tavern in scenic downtown Ballard, in Seattle, on Friday night. Also on the bill: The Tom Price Desert Classic, which is studded with Fantagraphics staff past and present, and more special guests. Get more info and RSVP on Facebook. Then on Saturday Peter appears as a special guest of the Olympia Comics Festival (where our own Jason T. Miles will also be tabling with his Profanity Hill concern). Good times!
• Review: "Operating in the territory of Rube Goldberg, Wolverton's convoluted plans for achieving his ludicrous goals [in The Culture Corner] rely less on mousetrap-like technical gewgaws than the artist's signature grotesques, which are laugh-out-loud joy. While a must-have for Wolverton completists, even newcomers will find the humor readily accessible." – Publishers Weekly
• Review: "Just what is Dash Shaw on? And may I please have some? ...The Unclothed Man in the 35th Century A.D. [is] an anything-goes anthology quite attractively packaged by Fantagraphics Books, right down to the transparent, animation-cel-esque jacket. ... Yeah, [the title story] is different. Yeah, it’s awesome. ... Much of Unclothed Man is stunning..." – Rod Lott, Bookgasm
• Review: Thanks to our Twitter follower Tim Leng for the following alert: "Awesomely positive review of The Art of Jaime Hernandez (and L&R in general) on BBC 6music this afternoon!" For a limited time the show is streaming here (click on Tuesday)
• Plug: At EarlyWord, Robin Brenner singles out Weathercraft by Jim Woodring as one of "the most artful finds" at TCAF
• Interview: Greek site Comicdom presents a brief Q&A, in Engish, with Peter Bagge: "Almost all my story ideas are based on people and events from real life. Truth is always stranger than fiction."
• Interview:The Daily Cross Hatch presents the first of a 4-part talk with Gene Deitch: "It’s really bad to look back on the communist time with nostalgia [laughs]. There was a downside. But the animation studio here was kind of a Shangri-La. First of all, nobody in the communist hierarchy had any idea what we were doing or how, but they knew it was popular and they left us alone."
Hate Annual #8 features a whopping new 20 page Buddy Bradley story where Lisa (everyone’s favorite psycho!) makes her first foray into show biz and gets way more than she bargained for! This issue of P. Bagge’s annual Hate also features strips compiled from his Discover Magazine gig: 5 biographies of scientists you’ve never heard of! — other than maybe Walter Reed, who’s well known only for that hell of a hospital named after him, and not for the handy yet forgotten fact that he discovered how malaria is spread... All that and many other odds and ends from hither and tither (see below for details). Why love when you can Hate!
• Review: "Peter Bagge’s not-so-yearly update on the life and times of his signature character Buddy Bradley takes up about half of Hate Annual #8... It’s a funny story with a confident, natural progression and some keen observations to make... [T]his is... a welcome renewal of one of alt-comics’ most treasured series… [Grade] A-" – The A.V. Club
• Review: "The mid-’70s found Schulz pushing the strip further and further into the oddball, mixing fantasy and reality in extended storylines... The strip as a whole feels less scrappy and more settled in this era, though it’s no less inspired, and Schulz was clever enough to keep working his own state of mind into the finished product. The Complete Peanuts: 1975 - 1976 collects comics clearly drawn by a successful man still nagged by feelings of inadequacy not easily explained away… [Grade] A-" – The A.V. Club
• Review: "Don’t be misled by High Soft Lisp’s cover. This isn’t just comic book smut or an adult version of Archie. Gilbert Hernandez has created some of the most fleshed-out and memorable women in comics since launching Love and Rockets with his brother Jaime in 1981. Their breasts might be outsized, but so are their minds and souls." – Garrett Martin, Boston Herald
• Review: "Fantagraphics’ fourth oversized collection of Elzie Segar’s legendary Thimble Theatre strips, famous as the birth place of Segar’s notorious Popeye the Sailor, continues the winning standard set by earlier editions. ... Fantagraphics’ enormous format remains among the best-looking strip reprints available." – Michael C. Lorah, Newsarama
• Review: "Levin’s is not often a forceful tone; he digs up information and can deliver it in a scholarly enough manner, but also will follow his muse, digressing into dry humor and even an admitted Faulknerian flight of fancy. He’s fully engaged, grappling with the facts and the issues as he uncovers them, and the reader grapples right along with him. [Most Outrageous] is a much more compelling book for the fact that Levin doesn’t try to wrap it all up in a bow." – Christopher Allen, Comic Book Galaxy