As the weather heats up, so does the action at Fantagraphics Bookstore & Gallery, with a series of exhibitions, signings and performances featuring some of our favorite artists.
On Saturday, March 13, from 6:00 to 9:00 PM, Fantagraphics Bookstore welcomes illustrious LOVE AND ROCKETS co-creator Gilbert Hernandez on the occasion of the release of his latest masterpiece HIGH SOFT LISP. This exhibition of his amazing original art and book signing doubles as the official after-party for the Emerald City Comicon. Expect to socialize with a diverse array of unannounced special guests at this festive annual event.
Rock on Saturday, April 10 with our crew of musical savants from the warehouse and friends for an evening of dissonant performance. Improvisational quartet Zinjanthropus features maestro Martin Bland reuniting with his mate Ren from the awesome Australian combo Lubricated Goat and his Monkeywrench axe man Tom Price of the legendary U-Men. Joining them is former Gas Huffer front man Matt Wright. Our beloved Ajax makes lovely noise as Ardent Vein. Georgetown will be filled with melodious mayhem all night as the cacophonous Honk Fest West marching band carnival takes over the streets. Un-freaking-believable, this one.
On Saturday, April 17 from 6:00 - 8:00 PM we host a signing and publication party for James Sturm and Peter Bagge. Sturm returns to Seattle where he co-founded The Stranger and created his popular comic Cereal Killings for Fantagraphics Books. He since co-founded the Center for Cartoon Studies in Vermont and continued a successful career as a cartoonist. He'll be signing his recent graphic novel MARKET DAY. Also appearing will be the architect of the alternative comics movement Peter Bagge signing the highly anticipated HATE ANNUAL #8. Catch up on the latest shenanigans of Buddy Bradley and the gang.
Look for these and other activities throughout the Spring at Fantagraphics Bookstore, located at 1201 S. Vale Street only minutes sought of downtown Seattle. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone 206.658.0110. See you all soon.
One of my favorite books I've received lately is this handsome, considered little tome from Spain's Blur Ediciones, Rotulando in Spanish • Lettering en Español, collecting something that on the face of it might sound a bit loopy: lettering by the cartoonist Nono Kadáver created for the Spanish editions of work by American greats R. Crumb, Daniel Clowes, Joe Sacco, Johnny Ryan, Peter Bagge and Gilbert Shelton.
Nono worked throughout most of the 1990s at Barcelona's Ediciones La Cúpula, one of Spain's leading comics publishers, and was one of the last of an era when book production was done largely by hand, not computers. Nowadays, most publishers get fonts created for an artist, but thru the 1990s, Nono spent many of his days mimic-ing the lettering styles of Bagge, Crumb, etc. the old fashioned way, with a pen and paper (and maybe a lightbox). He was a real master at trying to maintain the integrity of the original artwork, putting his ego aside in an effort to seamlessly blend the Spanish text into the artist's page compositions as unnoticeably as possible. Kind of like the old saw that the best movie soundtrack is the one you don't notice, Nono's work could probably make you forget that Daniel Clowes wasn't Spanish when you're reading Bola Ocho.
I am a lettering nerd and it makes me a bit sad that hand-lettering like this is becoming a dying craft, because it can make or break a translated foreign book and typeset fonts are rarely as effective. Kadáver likens his work to a forger in the excellent introductory text:
"I feel a great admiration and respect for counterfeiters... I think that even falsifying, we leave our mark... What you have to do is forget your personal style and adapt to the artist's. This is accomplished by reading a lot, dissecting his work, and learning from it; in the end the only thing that matters is as close a possible resemblance to the author's style."
Seattle Public Library has posted an MP3 (64.2 MB) of Peter Bagge's Jan. 30 talk at the Central Library. Synch it up with the photo slideshow (which autoplays, but you can pause and navigate manually — skip ahead to the third image to start) and it's almost like you were there!
• List: At The Comics Journal, the back half of Rob Clough's Top 50 Comics of 2009 includes:
#29, The Complete Peanuts 1971-1972 by Charles Schulz: "Twenty-two years into his run on this strip, Schulz was still at his peak even as Peanuts was moving into a new phase."
#31, Mome Vol. 14: "The most consistently excellent anthology in comics, issue after issue."
#39, Uptight #3 (misidentified as #2) by Jordan Crane: "Both [stories] were perfectly suited for this lo-fi yet gorgeously designed comic..."
#43, The Red Monkey Double Happiness Book by Joe Daly: "Daly didn’t create just a story or a set of characters, but an entire community for readers to wander around in and become comfortable with. Equal parts Tintin and The Big Lebowski, this was a stoner detective story, with all sorts of absurd events popping up in everyday life and eventually making a kind of sense."
#46, Everybody Is Stupid Except for Me by Peter Bagge: "This is Bagge-as-Mencken, trenchantly tearing apart stupid ideas from both the left and the right and doing it while actually going out into the field, gathering facts, and talking to people. His hyper-expressive style was a perfect fit for his over-the-top political commentary."
And finally, #50, Love and Rockets: New Stories #2 by Gilbert & Jaime Hernandez: "Jaime’s conclusion to 'Ti-Girls Adventures' managed to combine rip-snorting action and compelling character work. Gilbert’s 'Hypnotwist' was both a callback to his New Love-style weirdness and yet another entry in his 'pulp movie' adaptations. ...[I]t’s clear both brothers were having such a good time following their impulses."
• Review: "Abstract Comics: The title is, in itself, a manifesto. It makes official the existence of these strange objects that some will reject as a contradiction in terms: 'abstract comics.' ... In the abstract comics gathered by Molotiu, sequential ordering produces nothing on the order of a story; but solidarity between the panels is established (in more or less convincing and seducing fashions) in another mode — plastic, rhythmic and so to speak musical. Personally, I do not refuse to make a place for these creations in the field of comics, because I wish that field to be as open and as diversified in its expressions as possible, without excluding anything a priori. Nevertheless, I still note that they have closer affinities with the operating modes of contemporary art that with the ordinary ambitions of drawn literatures." – Thierry Groensteen, Neuvieme Art (excerpt and translation by Andrei Molotiu at the Abstract Comics Blog)
• Review: "Perhaps the best adjective I could employ to describe Castle Waiting would be 'homey.' It’s all about the pleasures of home and the relief of being amongst family who accept you, even if they don’t happen to be related to you or even entirely human. ... Taken on the surface, it’s a perfectly cozy and enjoyable story. If one decides to delve more deeply, themes of tolerance and equality can be found gently at work, though by no means do they take precedence over the characters. Lest all of this sound a bit too quaintly domestic, let me assure you that the story is also quite funny." – Michelle Smith, Soliloquy in Blue
Hey look, some photos of the Newave! exhibit opening and book launch party last Saturday at Fantagraphics Bookstore & Gallery, nicked without permission from our pal (and Newave! contributor) J.R. Williams's Facebook page. We'll bring you more pics if/when they surface (got some? let us know!). Above, David Lasky and someone unidentified...
Peter Bagge held forth to an appreciative crowd at Seattle's Central Library on Saturday to close out this month's Comixtravaganza programming at SPL, presenting a slideshow and discussing his work and career, followed by a lively Q&A session. Check out photos of the whole slideshow on our Flickr page, including a couple of shots of David Lasky (Hotwire) and Greg Stump (The Comics Journal) leading an all-ages comics workshop. SPL should be posting the audio from Peter's talk on their website soon — we'll let you know when that's up (and if we're feeling ambitious, maybe we'll make a video slideshow incorporating the audio... no promises, though).
Marc Maron is an absolutely brilliant comic talent who hosted the morning show on the ill-fated Air America radio network, and I guess he enjoyed that gig so much he's created the WTF podcast to continue to scratch that itch. His latest episode features the always-funny Peter Bagge, taped while Marc was recently doing a set of comedy gigs in Seattle. For some reason, Marc thought it would also be a good reason to have me on, too. The show was recorded at the Fantagraphics Bookstore, and we had a good time doing it. Thanks, Marc! Check out Marc's archives, too, the show is fantastic.
• List: On Random House's Suvudu blog, Dallas Middaugh selects 2008's Bottomless Belly Button by Dash Shaw as #3 on the Top 10 Graphic Novels of 2009: "This book came from out of nowhere to great critical acclaim, and it pushed young Mr. Shaw in the spotlight as one of the most exciting new cartoonists in the field. ... This haunting story of a dysfunctional family twists and turns and stuck with me long after I read it."
• List: At Comic Book Galaxy, Marc Sobel counts down "The 15 Best Back Issues I Read Last Year," including Birdland by Gilbert Hernandez ("vastly underappreciated") and the entire run of Hate by Peter Bagge ("This series gets better with age")
• Review: "Dreams are probably the second most popular subject for autobiographical comics, however distantly they lag behind the events of waking life. But no one, to my knowledge, has attempted to create comics arising from the hypnagogic netherworld that lies between the sleeping and the wakeful states. Until now. Or maybe not. It’s hard to say precisely, which is what gives Kevin Huizenga’s Ganges #3 so much of its unique charm." – Rich Kreiner, The Comics Journal
• Review: "What the hell is going on here? What is this book, anyway? ...[Pim and Francie] is like the inexplicable artifact of a deranged mind... Columbia has a flair for the grotesque, which, when mixed with such cute cartooniness reminiscent of old-school Disney, makes for an especially creepy juxtaposition. ... It's a cascade of horror, page after page of mostly-unfinished nastiness, enough to stick in the mind and cause nightmares for weeks." – Matthew J. Brady
• Review: "At long last, a handsome, two-volume, slipcased set [of Humbug] brings back into print a pivotal, neglected portion of the oeuvre of Harvey Kurtzman and that of a cadre of gifted pranksters bent on smart satire." – Rich Kreiner, The Comics Journal
• Review: "With a new exhibition currently on view at Tony Shafrazi Gallery in Chelsea and his remarkable inclusion in the 2010 Whitney Biennial, Robert Williams seems more than ever the most likely candidate to represent the ways that late decadent American culture will be remembered by history. ... This is a late career artist at the top of his game, a shamefully overdue entry into still meaningful discourse of what art can be when it refuses to play by the rules, a monster of the imagination whose time has finally come." – Carlo McCormick, artnet
• Review: "Portable Grindhouse celebrates the sleazy kick of killing time in a slightly crappy video rental store, minus the inevitable arguments about what to rent or the possibility of your VCR eating the tape." – Dave Howlett, Living Between Wednesdays
• Plug:Robot 6's Chris Mautner is reading his stack of Comics Journal back issues "starting with #291, which features interviews with Tim Sale and Josh Simmons, as well as a great critical thinkpiece by Gary Groth on Ralph Steadman and Hunter S. Thompson. That alone was worth the cover price."
• Plugs: Some fun and appreciated name-drops from Tom Neely and Charles Bernstein in the 5th part of The Beat's year-end survey of comics pros
• Plug/Coming Attractions:Comic Book Resources' Greg Burgas comments on the January issue of Previews (our listings from which can be seen here): "Jacques Tardi's It Was the War of the Trenches, from Fantagraphics on page 256, sounds keen. It's a World War I book, so I'm sure it will be utterly depressing, but it still sounds worthwhile!"
• Interview: The final part of Brian Heater's interview with C. Tyler at The Daily Cross Hatch: "To me, it’s underground, and there’s other people who think, 'no way, it’s Mad Magazine.' Everyone has their place where it starts. There’s people now who say, 'Kramer’s Ergot is when it started for me.' Everyone has their place when they jumped off the diving board, into the pool of comics. The fact is, it’s continual."
• Profile: Gurldoggie takes a quick look at Joe Sacco in advance of his appearance in Seattle this week
• Events: The Covered blog celebrates its 1st anniversary and announces an art show at Secret Headquarters in L.A. in March