"Attention all Twin-Cities freaks & geeks: I'll be attending this up-coming FallCon, held at the Minnesota Fairgrounds between Mpls and St. Paul this upcoming weekend. So please feel free to show up and spend all your hard-earned money on my useless crap! Hope to see you there!"
• Review: "I've been enjoying cartoonist Peter Bagge's contributions to Reason Magazine for years now... But now Fantagraphics has collected them into a great-looking trade paperback [Everybody Is Stupid Except for Me]!... I think Bagge has been doing really interesting work, mixing field journalism with humor and opinion in an entirely novel way. As an essayist Bagge is never preachy, and he often points out the shortcomings of his fellow libertarians (his account of meeting Ron Paul is particularly funny). He explores more than he rants, and when he does let loose, he's got a healthy sense of self-satire. These comics will piss you off, and that's good." – Jesse Brown, Boing Boing
• Review: "Drawn with sweeping black brush strokes, [Night Fisher] is done completely in absence of color. This, however, helps to magnify the tone of the story and brings a subtle heaviness to the work. The artwork itself is excellent.... [R. Kikuo] Johnson does a great job conveying character’s moods and emotions through angles, posture, and facial expressions. ...[I]f you enjoy these realistic and unapologetic looks at adolescence I recommend giving Night Fisher a read." – A. Alba, Hawaii Book Blog
• Review: "Abstract Comics, perhaps more so than any other recent comic release, highlights the way in which the comics world is markedly changing. Comics are indeed reaching across more disparate audiences and being found in a much wider selection of venues. But what might be the implications of this?... If nothing else, it seems that Abstract Comics makes explicit that the line between comics and high art is beginning to disappear.... Abstract Comics is a necessary addition to the comics canon in that it forces us to continue to think what exactly constitutes the comics form." – Sara Cole, PopMatters
The first issue of Marvel's new 3 part anthology mini-series, STRANGE TALES, is in comic shops this week. It features my long-delayed "Incorrigible Hulk" story, which has been broken up into 3 parts, with one part in each issue. My original cover will also serve as the cover of ST #2 (see above).
This mini-series also features many indy comics superstars,all of whom get to interpret one or more of Marvel's well known characters in their own style. Each issue is also 48 pages long and only $3.99. Quite a deal!
• List: An old link that just popped up in my search feed: ComicCritique.com's Adam McGovern gives out some best-of-2008 awards, with The Lagoon by Lilli Carré tied for Graphic Novel of the Year ("Carré’s artisanal eccentricity carves intricate patterns and masklike faces into pages that stand like the folk-art furnishings of vanished but vivid earlier societies") and Carré tied with Grant Morrison for the M.C. Escher Prize for Non-Sequential Art ("Morrison and Carré are two creators at the cutting edge of both storytelling craft and conversational physics who make us uncommonly aware of the presence of time.")
• Review: "Love and Rockets: New Stories #2. The Hernandez Brothers have been producing such consistently good comics for such a long time that I often feel they get taken for granted. But their recent comics [don't] just maintain their high level of previous achievement, they also have a freshness and liveliness that any young artist would envy." - Jeet Heer, Robot 6
• Review: "More than anything, [Peter] Bagge's work does what it always does with perfection, which is capture people doing exactly what people really do, and how they often think when they think that nobody else thinks that they are thinking it (sorry). His art is constantly moving, perpetually fluid, and instantly recognizable to a 21st century American culture raised on Tex Avery and Bob Clampett cartoons. Whether you agree with his politics or not, Everybody Is Stupid [Except for Me] is thought-provoking and, most importantly, hilarious." - Monster on a Rope
• Interview: The Daily Cross Hatch posts the second of three parts of Brian Heater's interview with Jordan Crane: "The art—those are the tools I use to transfer the story. Pictures, words—those are the conveyance of the story. The important thing is the story, so once I get my tools there, I convey the story in a way I want to."
• Profile: Amy Stewart visited Ellen Forney in her studio: "There are only certain kinds of comics that interest me: I prefer the true-to-life ones that are well-drawn, have stories I can relate to, and make me laugh, cry, or think. Ellen does all three, in spades."
A new week brings an avalanche of new Online Commentary & Diversions:
• Profile: For the Philadelphia Inquirer, Tirdad Derakhshani looks at the past, present, and future of Prince Valiant: "The release Tuesday of Prince Valiant, Vol. 1: 1937-1938, the first in a new series of gorgeously printed, hardcover Valiant collections from Fantagraphics Books, served as a bittersweet reminder of the century-long rise and eventual decline of a great American art form, the comic strip."
• Review: "...Al [Columbia] decided to dredge up old ghosts, unfinished pieces, trifles he had thrown away then reconsidered and offered them up to us as proof that he hasn’t forgotten us. This 240-page book [Pim and Francie: The Golden Bear Days, Fall 2009]... has certainly filled in some gaps for me as to what goes on in Columbia’s mind... There seems to be something both amazing and horrifying around every corner, in any dark space, in the thick of the forest, in the bulbous eyes of maniacal creatures and the straight realistic lines of buildings that all have a dark window somewhere... It is truly a viscous treat and I am sure this one will never wash off." - Rachael M Rollson, Panel to Panel
• Review: "Though Low Moon doesn’t have the slow-building impact of Jason’s longer works, he’s still one of comics’ best storytellers, and it’s always a treat to spend time in his world of off-brand pulp clichés and not-always-so-funny animals. [Grade] B+" - The A.V. Club
• Review: "Jason is an immensely skilled artist capable of manipulating his self-restricted vocabulary to stretch space and time. Low Moon moves in a slow burn as the two antagonists move closer to their eventual showdown. In what is probably the best story in the book You Are Here, time moves more quickly as a father and son attempt to deal with the alien abduction of the father's wife. The father builds a rocket while the son grows up and has a life of his own. Eventually they pile into the rocket, and things end badly, but perhaps a bit more emotionally than with the other stories." - Michael Buntag, NonSensical Words
• Review: "Rage of a different kind in Everybody Is Stupid Except for Me and Other Astute Observations by Peter Bagge. This collection of satirical rants from the American libertarian magazine Reason... is philosophically more about punk individualism than Ayn Rand, and artistically the heir to 1980s indie comics. Indeed, Bagge is an indie star, famous for his wonderfully elastic cartooning style and punk-inflected comedies." - Roger Sabin, The Observer
• Review: "These are good comics [in Everybody Is Stupid Except for Me and Other Astute Observations], fun to read and definitely funny, definitely searing and when he hits a target he gets it right. Also there’s something to be said for the journalist tone of the writing and the structure of the strips would translate well into a proper newspaper, were he so inclined." - Ibrow
• Review: "For fresh talent in comics, you have to go to the anthologies and there's none better at the moment than Mome... the highlight [of Vol. 15] is Dash Shaw's hallucinatory story about a tidal wave, which uses swaths of colour and elongated panels to create a sense of vertigo." - Roger Sabin, The Observer (same link as above)
• Review: "Schulz had gone from a fairly grounded sense of consensus reality to Snoopy's flights of fancy to outright weirdness... That seems to be the essence of Sparky Schulz to me: even with the pressure of the daily grind and his position as the lynchpin of what had become a vast empire, Schulz wrote to amuse himself... At his best in this volume [The Complete Peanuts 1973-1974], Schulz gave the readers some of the best stories of his career." - Rob Clough
• Review: "Ace cartoonist Jordan Crane makes a curious split comic choice. The first half [of Uptight #3 ], 'Vicissitude,' is the opening chapter of a brooding adult tale of marital dysfunction and deceit, while the second, 'Freeze Out,' is a kid’s story, the further adventures of Simon and his cat Jack, who were featured in Crane’s great graphic novel, The Clouds Above. Miraculously, the pairing works — each is superior in its own genre — but you might want to wait until 'Freeze Out' is collected on its own before showing it to your kids." - John Seven, Worcester Magazine
• Review: "Blazing Combat (Fantagraphics, 2009) collects the entire run in a beautiful, incredibly well-bound hardcover book... The stories' tone is very 1960s, ironic with a cynicism stemming from brokenhearted humanism." - Carol Borden, The Cultural Gutter
• Review: "Needless to say, I love the streak of darkness that permeates [Charles] Burns' work. I mean that both figuratively and literally, as his one-of-a-kind illustration style is at-a-glance recognizable because of his heavy use of black ink... That starkness emphasizes the cruel features on the faces of his characters - deep wrinkles, harsh teeth, beady eyes and unflattering noses, to say nothing of the occasional freak. Like the look of his characters, Burns is one of a kind, and Skin Deep is a good introduction to the man's singular vision - a good way to get your toe wet before diving in." - Rod Lott, Bookgasm
• Review: "[A.B.] Frost looked like he was painting with the line…on a half-dozen cups of coffee. Trust me, that’s hard to do... Also, it looks like Fanta-Graphic Books might have brought Stuff and Nonsense back in print in 2003. [Yes. -Ed.] Pick up and copy and be ready to weep - this work is untouchable." - Tony DiTerlizzi
• Plug: "Carol Tyler's You'll Never Know is my favorite book of the year thus far. This memoir/biography/scrapbook is both formally challenging and emotionally devastating. Any critic serious about compiling a year-end list needs to keep this book under consideration." - Rob Clough, Robot 6 (guest contributor)
• Tweet: "Still, the most beautifully designed bk so far this yr is still IMO Fantagraphics 'The Brinkley Girls': http://bit.ly/CSYpH Swoon-worthy." - bookjones
Peter Bagge and Steve Fisk's pop music combo "Can You Imagine?" will be opening for Harvey Danger at Seattle's Crocodile Club this Sat., Aug. 29th for what's being billed as HD's last performance (and they MEAN it this time!). They'll be performing at an earlier 5 pm show, where HD will be doing a "quiet" set -- a perfect time for fuddy-duddies who like to go to bed early!
Tickets are $20, and can be purchased online here:
• Interview: Sean T. Collins's series of interviews with Marvel Strange Tales MAX contributors at Marvel.com continues with Peter Bagge: "The Hulk story's about both the Hulk and Bruce Banner trying to cope with their many issues via the use of modern pharmacology, in the form of head pills, Viagra, et cetera. Needless to say, wackiness ensues."
• Interview: And another one from Sean at Marvel.com, this time with Jason: "With the Spider-Man story I pretty much followed the Stan Lee formula of him being a super hero but a screw-up as a private person."
• Interview: In the second part of his talk with Brian Heater at The Daily Cross Hatch, Seth discusses his involvement and design for The Complete Peanuts series: "The design evolves slightly for each decade, but it’s all about subtle change. For example, the end papers change each decade. The color scheme changes each decade, but it’s a very subtle shift."
• Review: "Fantagraphics' recent release Abstract Comics, while nicely designed and filled with some fantastic artwork (kudos to editor Andrei Molotiu and the Fantagraphics team), brings up an interesting argument...: at what point do you stop calling something comics and start calling it... well, something else?... I'm not sure there is an answer, but it's an interesting debate. Check out this book and come to your own conclusions." - Paul DeBenedetto, Wednesday's Child
• Review: Comic Book Bin's Leroy Douresseaux examines The Comics Journal #298, calling the Trevor Von Eeden interview "scandalous and provocative," saying R.C. Harvey's "Comicopia" column is "both thoughtful and insightful, the kind of exceptional writing that would normally earn a magazine about comic books an Eisner Award," and overall grading the issue an A-
• Plug: "I can't recommend Johnny [Ryan]'s comics highly enough. They go places no one else would dare and, like all great art, show you something you've always known but never have seen before." - Benjamin Marra
• Interview: Sean T. Collins's series of interviews with Marvel Strange Tales MAX contributors at Marvel.com continues with Johnny Ryan. The imagination reels: "Well, there was one joke, now that I think of it, with Galactus that had to be altered a little bit. I don't know if I should reveal the joke—it might ruin the experience. But it was this little detail for that joke that I initially put there, and they were like, 'Eh, can you change that a bit?'"
• Review: "...Tales Designed to Thrizzle... is not all tradition; it's largely a satire, a satire of a pulp fiction oeuvre that didn't take itself that seriously to begin with. Kupperman's humor — a mix of genre, non-sequitur and nonsense — is a kind of laughter in the void, wonderfully lucid and slightly sickening... That Kupperman so masterfully plays to and upsets expectation makes Thrizzle that much funnier and finer. With stunts such as a Twain & Einstein crime-fighting partnership, Kupperman is all goofball, all the time. But Kupperman's line, even in shaping locomotive-sized garden snails, is weighty. And the weight of five years of Thrizzle, is, well, as formidable as a locomotive-sized garden snail." - John Reed, Art in America
• Review: "The story [in Delphine] surrounded me and carried me away to a very real world. It's a cartooned, exaggerated world, but a real world nonetheless... The layouts are impeccable: very clear and superbly paced... I noticed that the story GREW in my mind when I took breaks from reading, allowing me to immerse myself in the story like a dream." - Frank Santoro, Comics Comics
• Review: "...Fletcher Hanks [was] one of the greatest comic book talents you’ve never heard of. Working in the earliest years of comics (1939-1941) Hanks’ contributions walked on the darker side of comic books in a way that managed to take on a timeless quality... In this collection is the work that makes Hanks so incredibly special to the world of comic books. The physiognomics of his evildoers, the strange retributions they suffer at the hands of the heroes, is all really powerful stuff... You Shall Die by Your Own Evil Creation! is an incredible testament to what comic books were once capable of... If you want to understand the essence of comic books in their purest form then pick up You Shall Die by Your Own Evil Creation! and learn." - Iann Robinson, Crave Online
• Plug: "The pieces in The Bradleys are broadly satirical and funny, marked by Bagge’s rubbery art style and a sarcastic tone that should appeal immediately to anyone with a prior awareness of The Simpsons or Looney Tunes. They’re also good stories, full of sharp observations about the impossible expectations that govern the dynamics of a nuclear family, as well as the way a good used Yardbirds record can make a crappy day better." - Noel Murray, The A.V. Club "Recommended First Comics"
• Plug: "All my exploration of the Moon/Ba axis came out of reading their pretty great Comics Journal interview in [#298]. I love it when an interview is so well-done that it convinces me to sample writers and artists whose work I haven't read before." - Alan David Doane, Comic Book Galaxy