FLOG! Entries tagged 'Portable Grindhouse'

Color of Hell teaser trailer

mike

If you've been wondering what Portable Grindhouse editor Jacques Boyreau has been up to, we'll soon be swinging into production on his next book project, Sexy Time (stay tuned for sexy details), but in the meantime he's been working on a film project called Color of Hell, and here's the brand new trash-tastic teaser trailer. I wouldn't be surprised to see Fritzi show up in this movie!

Daily OCD: 3/24/11

mike

Today's Online Commentary & Diversions:

• Review: "Luminous really is the right word for the visuals here [in R.I.P.: Best of 1985-2004]: Their pure-white-on-pure-black construction makes every line and reverse-negative shading — carved out with scalpel precision — practically shine forth from the glossy black and white pages. Like Charles Burns’s inks or Drew Friedman’s stippling, Thomas Ott’s scratchboard work is art to be marveled at as much as read." – Sean T. Collins, The Comics Journal

• Review: "This initial collection is the perfect means of discovering or rediscovering Crane’s second magnum opus — spectacular, enthralling, exotically immediate adventures that influenced generations of modern cartoonists, illustrators, comics creators and storytellers. Buz Sawyer: War in the Pacific ranks as one the greatest strip sequences ever created: stirring, thrilling, funny and moving tale-spinning that is unforgettable, unmissable and utterly irresistible." – Win Wiacek, Now Read This!

• Review: "Deitch is one of the great originals of comics: wordy and discursive, but always compelling, with a detailed pen-and-ink style that incorporates a thousand grotesques while remaining essentially sunny and full of wonders. [...] Simply put, it's lovely to be in a world that not only contains a Kim Deitch, but celebrates him and lets him continue to create stories like [The Search for Smilin' Ed]; his continued career is almost enough to make me believe in his wilder flights of fancy." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.

• Plug: "Tardi created this sucker in 1974, and it’s amazing how modern and even slightly avant-garde [The Arctic Marauder] looks today. Man, those Frenchies can do some cool comics, can’t they?" – Greg Burgas, Comic Book Resources

• Plug: NME reports on EMP's upcoming Nirvana: Taking Punk to the Masses exhibit and mentions our accompanying Taking Punk to the Masses book

• Plug: Portable Grindhouse is the current Staff Pick of Strand Books' Miguel S.: "A deliciously low brow collection of VHS covers that should be in every artist or movie buff's bookcase. Witness in these pages gloriously smutty, cheesy art from days when one had to rewind your movies before returning them to the video store or face a $2 fine! Nostalgia indeed!"

• Commentary: At her Screened-in Porch blog, Carol Tyler takes a hardline stance on "frames" vs. "panels"

Fantagraphics FUC_S UP Emerald City Comic-Con!

janice

Seattle's own alternative comics pioneers Fantagraphics are bringing their award-winning wares to the 9th Annual Emerald City Comic-Con, March 4th - 6th, 2011 at the Washington State Convention Center. Tickets for the Emerald City Comic-Con are available at the Fantagraphics Bookstore & Gallery in Georgetown.

Visit our table at space #808 and check out new titles, such as Twilight of the Assholes: Cartoons & Essays 2005-2009, FUC_ __U, _SS __LE: Blecky Yuckerella Vol. 4, The Strange Case of Edward Gorey, King of the Flies Vol. 2: The Origin of the World, Stigmata, Unexplored Worlds: The Steve Ditko Archives Vol. 2, Usagi Yojimbo: The Special Edition, Special Exits, Little Maakies on the Prairie, Prince Valiant Vol. 3 and Popeye Vol. 5.

Special guests include:

Peter Bagge, the funniest cartoonist of his generation. Bagge is probably best known for the 1990s comic book series Hate, which followed the exploits of the slacker ne'er-do-well Buddy Bradley. Bagge will be signing copies of the latest Hate Annual #8, and additional works, such as Everybody Is Stupid Except for Me and Other Astute Observations, on Saturday, March 5th from 10:00 am to Noon.

Jacques Boyreau, editor and cultural historian of the book Portable Grindhouse: The Lost Art of the VHS Box, a celebration of some of the most louche, decadent, minimo-pervo artwork to ever grace a VHS box. Boyreau will be signing, and showing footage from Portable Grindhouse films, at our table on Friday, March 4th from 4:00 to 6:00 pm.

Megan Kelso, Ignatz Award-winning artist who has returned to Seattle after a period in New York, where she published a weekly comic strip in The New York Times magazine. Kelso will be signing copies of her acclaimed novel Artichoke Tales, and other titles, on Sunday, March 6th from 2:00 to 4:00 pm.

Fantagraphics & Top Shelf Presents: Con Artists, the Emerald City Comic-Con After-Party

Fantagraphics Books Inc. teams up with fellow indie-comic publishers Top Shelf Productions for an Emerald City Comic-Con after-party on Saturday, March 5th at the Jewel Box Theater at the Rendezvous.

Performers include:
Can You Imagine?: featuring Peter Bagge, and legendary local producer/musician Steve Fisk
The Rheas: fronted by Eric Reynolds, Associate Publisher at Fantagraphics
Matthew Southworth: frontman for The Capillaries, and co-creator of the comic Stumptown

DJ'ing between sets will be DJ Janice, aka Janice Headley, Events Coordinator/Publicist for Fantagraphics (and Programming Assistant at Seattle radio station KEXP).

Con Artists: Emerald City Comic-Con Afterparty
Sponsored by Fantagraphics Books & Top Shelf Productions
Saturday, March 5th, 2011 at 9:00 pm
Jewel Box Theater at The Rendezvous
2322 2nd Avenue in Belltown
Admission $5 (General Public)
FREE with Emerald City Comic-Con badge
21 and over with ID

Emerald City Comic-Con
March 4th - 6th, 2011
Washington State Convention Center
http://www.emeraldcitycomicon.com/
Friday: 2:00pm - 8:00pm
Saturday: 10:00am - 7:00pm
Sunday: 10:00am - 5:00pm

• http://www.fantagraphics.com
• http://www.fantagraphics.com/peterbagge
• http://www.fantagraphics.com/megankelso
• http://www.fantagraphics.com/portablegrindhouse

Destroy All Movies!!!: The Complete Guide to Punks on Film - Previews, Pre-Order

mike

Destroy All Movies!!!: The Complete Guide to Punks on Film
Zack Carlson & Bryan Connolly, editors; Foreword by Richard Hell

556-page 8.5" x 10.75" flexi-bound softcover; two-color, with 48 pages of full color • $35.00
ISBN: 978-1-60699-363-7

Ships in: November 2010 (subject to change) — Pre-Order Now

The most dazzlingly insane film reference book of all time, Destroy All Movies!!! is an informative, hilarious, and impossibly complete guide to every goddamn appearance of a punk (or new waver!) to hit the screen in the 20th Century. This wildly comprehensive eyeball-slammer features A-to-Z coverage of over 1100 feature films from around the world, as well as dozens of exclusive interviews with the creators and cast of essential titles such as Repo Man, Return of the Living Dead, The Decline of Western Civilization and Valley Girl. Everyone from Richard Hell to Penelope Spheeris to Ian MacKaye contributes his or her uncensored reminiscences from the front lines of a revolution. Other interviewees include Alex Cox, Nick Zedd, Lech Kowalski, Mary Woronov and Circle Jerks frontman Keith Morris. Also examined are hundreds of prime examples of straight-to-VHS slasher trash, Brooklyn junkie masterpieces, Filipino breakdancing fairytales, no-budget post-apocalyptic epics, and movies that shouldn’t even have been released, many of which have never been written about online or in print!

In the late ’70s, Punk Rock and its followers ambushed the world with nuclear force. It was an unprecedented phenomenon that infested radios, print, and culture as a whole. Of all its shell-shocked witnesses, the least prepared was Hollywood, who viewed the movement as a walking epidemic of self-abusive, garbage-eating, candy-colored manimals ripe for marketable stereotyping. The results were hilarious, as lowbrow cinema was forever altered in the shadows of 20-inch mohawks and steel-spiked wardrobes. Meanwhile, punk participants like Spheeris and Alex Cox managed to document the emerging outbreak in a more humanistic light, creating enduring visions of a new breed of youth through blazing music documentaries and innovative narrative assaults.

Destroy All Movies!!! nails down both ends of the spectrum with superhuman research, vicious precision, and electrically charged stills and images, and is the first and final definitive armchair roadmap to punk and new wave on celluloid. Five years in the making, this pulse-bursting monument to lowbrow cultural obsession is a must for all film fanatics, music maniacs, anti-fashion mutants, ’80s nostalgists, sleazoids, cop-killers, and spazzmatics!

Download Zack Carlson's Introduction (840 KB PDF) and an EXCLUSIVE 24-page excerpt (9.7 MB PDF).

Video & Photo Slideshow Preview (view in new window):

Bonus Savings: Order Destroy All Movies!!! together with Portable Grindhouse: The Lost Art of the VHS Box for $43.99 — 20% off the combined cover prices! It's the ultimate gift set for the trash cinema lover!

Daily OCD: 9/8/10

mike

Today's Online Commentary & Diversions:

• Review: "Literally, I could not put down this book once I hit the second half. Every story is fantastic, because it takes these interesting genre detours and makes them seem just as more true than you could possibly imagine. ...I think sometimes people overlook the sheer potential that human conflict can give. Moto Hagio's A Drunken Dream, if nothing else, is a reminder of that, giving a plethora of all-too-human situations under the occasional sci-fi or fantasy trope. If you're looking for a densely-written change of pace that gives great insight into the career of a fantastic artist, you owe it to yourself to give this a look." – David Pepose, Newsarama

• Review: "All and Sundry is a very traditional sort of random-stuff-from-my-file-drawers collection, subtitled "Uncollected Work 2004-2009": the first half is "Drawings and Stories"... Most of these pieces were designed to stand as separate artistic works, and they're all pretty successful. (There are some mostly-text pieces here as well, all published originally in Mome, which are of respectable-literary-quarterly style and quality...) [...] And then the second half of the book is "Sketches and Notes"... These pages are less finished, obviously, and would be of greatest interest to other cartoonists... [I]f you are [a Paul Hornschemeier fan], you'll find a lot to be excited about here." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.

• Interview: John Hogan of Graphic Novel Reporter talks to Cathy Malkasian about her graphic novel Temperance: "Moderation has been taking a beating in our culture for a while now. If you measure things by our shock-soaked media environment, then the whole world is wallowing in nuttiness and hysteria. Moderation has been reduced to a quaint ideal, but it’s really the engine in the back room, running everything."

• Interview: At Examiner.com, Marvin Miranda posts a months-spanning email conversation with Jacques Boyreau about Portable Grindhouse and the joys of VHS: "There's this chicken/egg first and very fascinating question about 'what we are' based on whether as career voyeurs our first exposure was to [analog] or digital, and what it means to switch from one texture consumption to the other.... I don't know how else to really put it except that it is important to be vigilantly beware of digital. It is a closed, sealed signal whereas the burning grain of projected film and its bastard buddy analog video, are open signals."

Daily OCD: 8/19/10

mike

Online Commentary & Diversions:

• Reviews: The Techland critical roundtable looks at Drew Weing's Set to Sea:

"Set to Sea... is the real thing: a one-off nautical action book (a hardcover version of Drew Weing's sweet, lively web-comic) that's a real pleasure to look at and linger over. Every panel-as-page just radiates joy in drawing." – Douglas Wolk

"I positively adore this format. [...] I could pull half or more of the pages in this book and hang them as wall art. [...] I gave this book one of my highest distinctions. I made my girlfriend read it."– Mike Williams

"Man... this book! ...Weing creates a wonderful modulation of tone throughout Set to Sea. [...] Maybe it's corny to call a book about a would-be poet lyrical, but that's exactly what Set to Sea is." – Evan Narcisse

"Set to Sea is just beautiful, emotional in all the right ways, and mixed with unexpected moments to pull it away from sugary sentiment and tweeness... There's such a gentleness here, so much heart, that it's completely compelling, and the way Weing structured it, a panel a page, makes the reading experience wonderfully slow, to match the story. [...] I just really, really loved this book. Like you said, Douglas, this is the real thing." – Graeme McMillan

• Plug: Techland's Mike Williams praises Set to Sea further in his "Panel of the Week" column: "Every page is a single gorgeous cross hatched panel that tells the story of a hulking poet forced into the life of a sailor. Do yourself a favor and go out and buy this small hardcover gem."

• Review: "Portable Grindhouse is a tributary 'don't know what you've got 'till it's gone' love letter to the awesomeness that was the 80s videotape box. [...] Beautifully encased in a faux cardboard videotape box, PG is a stroll through the shameless, sensationalist 'grab me off the shelves!' graphic design exploits and tacky taglines of an era when terrible action films, teen sex comedies, hilarious horror and strange sci-fi oddities still debuted weekly. Airbrushed atrocities and cartoon abominations abound." – Wilfred Brandt, TwoThousand (photo from the article)

• Interview: Host Robin McConnell talks with Tim Hensley about Wally Gropius and other topics on the Inkstuds radio programme

• Commentary: "Magic realism in comics is nothing new, of course. The defiance of logic and physics is rooted in its pulp tradition, from superheroes to introspective character studies. Its effect helps us grab on to the ephemeral qualities of our experiences, giving us a shot at understanding their meaning and significance. In that context, its hard not to look at Scott Pilgrim and recall another time-bending tale of the modern comics era, albeit not so epic in its epicness: Jaime and Gilbert Hernandez’s Love and Rockets." – Scott Cederlund, Indie Pulp

• Coming Attractions: Library Journal's "Graphic Novels Prepub Alert" for November releases highlights Linda Medley's Castle Waiting Vol. 2: "Medley's black-and-white art draws on fairy tale standbys to spin a witty, inventive comedy of manners."

Daily OCD: 7/16/10

mike

Online Commentary & Diversions:

• Review: "...[T]he newer crop of contributors [in Mome Vols. 17, 18 & 19 is] a rough and tumble bunch who are bringing some fierce and hard-edged work to the table. ...[T]he balance is definitely in favor of the strong stuff, because it is strong stuff — well drawn in a variety of styles, and potentially troubling without cloaking itself in shopworn tropes. ... Once again, you're getting your bang for your buck." – Sean T. Collins, Attentiondeficitdisorderly

• Review: "And when you’re drawn into the world [of It Was the War of the Trenches] it’s hard not to rhapsodize about the drawing itself – Tardi’s gaze may be level, but his lines are sure and lush. His gentle contour line drawings are almost delicate, but then he fills them with a gray tone, or attaches them to nearly psychedelic intestines. It’s art that comes over you and stays with you – nicely offsetting an otherwise icy stare. ...Tardi seems a master, and this work a rare and intensely humane book." – Dan Nadel, Comics Comics

• Review: "Sequence by sequence and page by page, the re-readability of [Jason's] stories and scenes consistently offer more densely fulfilling reads than any three or four new $4 books... This particular story [Werewolves of Montpellier] ends in a graceful, yet awkwardly suspenseful and open-ended manner, but as with Jason books I’ve encountered before, this landing contributes to the matter-of-fact delivery he often employs in making you feel like you’re witnessing a story sliced out of a larger saga." – Brian Warmoth

• Review: "Those inclined to look for meaning could make a good case for this... as a story about people assuming false identities through a mix of circumstance and personal choice, but what Jason’s comics literally mean matters less than the pleasure of their deadpan humor and unexpected twists: His work has been building a whole habitat of crooks, monsters, and adventurers, just so he can explore their minor personal problems. Werewolves of Montpelier establishes yet another inviting corner of Jasonworld. [Grade] B+" – The A.V. Club

• Review: "...[T]he first 11 issues of [Dame Darcy's] sporadically released pamphlet Meat Cake — collected by Fantagraphics in a new trade-paperback edition — comprise some of the best alt-comics of the past 20 years. ...Darcy’s scratchy, fine-lined, loosely intricate artwork owes a slight debt to Edward Gorey, Victorian illustration, and the more demented wing of the E.C. roster (particularly Graham Ingels), but the dreamy vision and gleefully morbid sensibility are all her. Overall, Meat Cake’s dalliance with folklore, horror, camp, and transcendent bits of autobiography pack more of a poetic punch than the title is generally given credit for… [Grade] A-" – The A.V. Club

• Review: "Newave! is an astonishing collection of minicomics from the ’70s, ’80s and early ’90s... This book puts the lie to the notion that underground cartooning was fallow during this period; indeed, all it did was really go underground. ... Newave! gains momentum as it proceeds, an impressive feat for a 900-page anthology. ... The back half of Newave! features nary a dud. ... In an era when some cartoonists are learning how to create minicomics as part of a formal art education, Newave! should be a crucial text." – Rob Clough, The Comics Journal

• Review: "Out since last Halloween, this handsome collection of early 1980s exploitation VHS box art [Portable Grindhouse] is shaped like one of those old oversized clamshell cases. The all-color book collects the front and backs of many memorable cassette releases of that bygone era and will send you back to the days prowling dusty mom-and-pop video stores for you schlock fix. ... You won’t learn anything about the movies, but who needs that when the rest of the book is such a nostalgic gas?" – Tony Timpone, Fangoria

Daily OCD: 3/30/10

mike

Online Commentary & Diversions:

• List: Flashlight Worthy asks various comics bloggers to name some Great Graphic Novels By Women About Women: David Welsh says "[Linda] Medley's Castle Waiting is as funny and generous a mash-up of fairy tale and feminism was you could wish for. ... Medley focuses on quiet moments that reveal character rather than constructed intersections of fairy-tale tropes. Her small observations about human (or mostly human) nature are always warm and potent..."

• Review: Comics Comics' Joe McCulloch looks back at Paul Ollswang's out-of-print 1992 comic Doofer: Pathway to McEarth: "I’d say they don’t make ‘em like this anymore, but they barely made ‘em at all back then, unless I’ve missed some rich vein of socio-political-sci-fi satire-by-way-of-’60s-underground-homage-by-way-of-early-20th-century-Sunday-funnies running circa the Image Revolution. This actually might be the all-around least fashionable comic of ‘92, which naturally makes it an eminent candidate for revisitation."

• Plug: German site Nerdcore recommends Portable Grindhouse: The Lost Art of the VHS Box for "trash fans"

Daily OCD: 3/9/10

mike

Another day's worth of Online Commentary & Diversions:

• Review: "...[Portable Grindhouse] is a nice book to have on the shelf, particularly for folks who love movies and are interested in how design has changed over the years. If you still spend time wandering around video stores looking for the weird and wonderful, check this book out." – Syung Myung Me, Kittysneezes

• Review: "I love this book. I'm probably biased because I was a newave cartoonist and I was lucky enough to have two pages included (78 & 79) in this little slice of comix history. ... The overall quality of the material is very high. ... It's a beautiful volume with production values far more impressive than the original comix it reprints. ... Newave! is a wonderful sampler of what the mini comix of the 1980s where all about. ... Now, at last, Michael Dowers and Fantagraphics have brought those little-known 8-pagers out into the light and given them an appropriate place in comix history." – Richard Krauss, Comic Related

• Review: "Esther Pearl Watson's Unlovable leaves me breathless and with sore abs from laughter. What a great work out." – Brett Von Schlosser, via Facebook

• Interview: On The Comix Claptrap podcast, hosts "Thien and Rina get to talk to Harvey Award-winning and Ignatz-nominated, Steven 'Ribs' Weissman who has a new book out with Fantagraphics Books called Chocolate Cheeks. In this interview, Steven talks about the origin of the Yikes! gang, shares his insight on juggling comics-making with having a family, and discusses his web comics "Barack Hussein Obama" and his contributions to the 'What Things Do' comics website. We also try, in vain, to get more LA cartoonist gossip."

• Do-gooding: Once again Michael Kupperman is lending his talents to the annual WFMU pledge drive; Robot 6's Sean T. Collins has all the details

Daily OCD: 2/19/10

mike

Online Commentary & Diversions, now with images... what am I, nuts?? At least it's a short one:

• Review: "If sound effects like 'SNEEZEBLOOD!!' or prayer fights make you laugh, Chocolate Cheeks by Steven Weissman is definitely up your alley. More than that, Weissman’s fantastic art is worth giving this collection a look even if you haven’t read previous 'Yikes' books." (Rating: 4.5 out of 5 stars) – Chad Nevett, Comic Book Resources

• Plug: "If you are feeling nostalgic for the days of scanning shelves full of well worn VHS tapes at your local video store, I recommend Portable Grindhouse: The Lost Art of the VHS Box." – Modcult

• Interview: Michael Kupperman sits down for an hour-long chat with the excellently-named Sarcastic Voyage podcast

Daily OCD: 2/1/10

mike

Chock full o' Online Commentary & Diversions:

• Review: "The third volume of this comics anthology is a whirl-a-gig of vivid color, giddy fun, black angst, and hauntingly disturbing images... The volume brings together carefully crafted stories with eye-searing artwork, packed with scatological humor, violence, and disquieting sexual acts... Hotwire Comics 3 is not for the faint of heart, but those who love underground comics or want an introduction to that world as it stands today, will embrace the volume." – Publishers Weekly

• Review: "Classic kid comics are evoked with a weird, horror-inspired twist in [Chocolate Cheeks]... Weissman has a knack for combining the cute with the eerie and the unsettling, and the art—presented in both b&w and color—is outstanding." – Publishers Weekly (same link as above)

• Review: "But even Jaime devotees should be paying attention to Gilberto’s recent work; since he closed the books on Luba, he’s been flexing his muscles with some astonishingly effective genre exercises, the latest of which is The Troublemakers. A lurid pulp excursion featuring an appropriately leering cover by Rick Altergott, the book uses peripheral characters from Beto’s other works to craft a story about missing cash, hot sex, and two-timing that combines equal parts neo-noir and sleazy ’70s-throwback exploitation. But what elevates it from being a simple mélange of clever genre riffs is Beto’s determination to load it with uneasy surrealist images and clever symbolic elements. The Troublemakers doesn’t read entirely like anything he’s done before, but it may be his best work in years. [Grade] A-" – The A.V. Club

• Review: "[The] Troublemakers follows a cast of conmen as they double-cross one another until they run out of rope and hang themselves. It too features amazing cartooning. It’s very cinematic, but it’s not drawn with attention to realism like cinematic comics frequently tend to be... Instead, the storytelling relies on Hernandez’s masterful use of staging and talent with composition. His ability to spot blacks, place textures, and overall cartooning/drawing skills made this crime story a delight to read." – guest contributor Jim Rugg, Robot 6

• Review: "The end of [Thomas Ott's The Number 73304-23-4153-6-96-8] isn’t surprising, but the way that the logic is worked out to its predestined conclusion is nice, and the drawings are wonderful." – Journey to Perplexity

• Review: "If you are a student of the history of sequential art, Newave! feels like a must-have for your collection. It seems to be as perfect of a collection of mini-comix as you could ever find and it is informative as well as entertaining. It’s also the type of book that challenges your artistic side as well so that’s another bonus." – Chad Derdowski, Mania

• Interview: Publicola's Heidi Broadhead talks to Michael Dowers about the Newave! book and exhibit: "Well, there are still a handful of us who are completely driven. It is in the very cell walls of our mind, body, and soul. Some of these guys are about to hit 60 years old, me included, and we don’t know how to stop."

• Plugs: The Precocious/Manga Curmudgeon, David Welsh, recommends some Gilbert Hernandez books in recognition of Beto's birthday today: "For those of you who aren’t familiar with Palomar, it’s a small Central American town populated with interesting, complex people. It’s also populated with a variety of kinds of stories and tones, gritty realism one moment, magical realism the next. Hernandez really builds that web of community in these stories, exploring ties of family and friendship, lingering grudges, outside influences, sex, love and death."

• Plug: "...[Almost Silent] is all stellar material for the most part, especially [Tell Me] Something and You Can't [Get There from Here], which trade on Jason's perennial theme of love found and lost in rather odd settings. So if you weren't able to get these books when they first came out, I highly recommend doing so when this new edition comes out..." – Chris Mautner, Robot 6

• Plug/Contest: "Portable Grindhouse: The Lost Art Of The VHS Box is a dose of heavy design nostalgia for those of us who haunted (or worked in) video stores in the 80s and 90s. So many gloriously awful titles are given their due here..." – Kevin Church (Beaucoup Kevin), who's giving away a copy!

• Update: What's Dame Darcy up to? Check her latest blog update and see

• Needling: Hey Spurge, I'll bet you 20 bucks that Gary doesn't get the joke

Daily OCD: 1/22/10

mike

A quick Online Commentary & Diversions update to close out the week:

• List: Popmatters names Portable Grindhouse: The Lost Art of the VHS Box one of The Best of Books 2009: Non-Fiction: "This awesome picture book... [is] filled with a delightfully odd array of vintage video covers... VHS cassettes may be treated like toxic waste in the age of the Blu-ray, but Portable Grindhouse offers that micro minority who still remain faithful to their trusty VCR a long overdue reprieve." – Ronald Hart

• Review: "Half the fun of [The Troublemakers] is trying to figure out just who is getting conned the worst? I zipped through this fun read, filled with backstabbing, double-crosses, and the spectacular art of Gilbert Hernandez. There is enough sex, violence, and treachery for any fan of pulp fiction. ... This offshoot of the Love and Rockets series is too much fun to miss." – Joseph Jay Franco, Bookrastination

• Plug: The Geeks of Doom flip through January's issue of Previews: "The next item I’ll definitely be picking up is It Was the War in the Trenches [by Jacques Tardi] from Fantagraphics. You know how I said before that I’m a fan of military history; well this book will scratch that same itch. This book takes a look at World War I from the eyes of the soldiers in the trenches. I’m very excited to read this one."

• Profile: Meathaus spotlights the work of Ray Fenwick

• Things to see: This is cute, though I'm not sure whether Sparky would approve (via Boing Boing)

Daily OCD: 1/15/10

mike

Some excellent Online Commentary & Diversions to round out the week thanks to Omnivoracious and The A.V. Club:

• List: Amazon's Omnivoracious blog names Bottomless Belly Button by Dash Shaw a top-10 Comic of the Decade, and also names The Complete Peanuts, Love and Rockets Library, and Mome as Comics Archives and Anthologies of the Decade

• List: On Meltdown Comics' Meltcast podcast, Chris Rosa declares Low Moon by Jason his Absolute Best of 2009 "without a doubt," with additional commentary from his cohosts (begins around 2:26:21)

• List: And on the Meltcast Best of the Decade episode, Hey, Wait... by Jason (begins around 48:36)

• Review: "Since 1957, [Gahan] Wilson’s work has provided a grim counterpoint to the skin and pleasure-seeking of Playboy. Twisting pop-culture icons to dark-witted ends, Wilson places his characters in a world of terror and understatement. ... [T]he incidental commentary here about human selfishness and shortsightedness squeezed between the B-movie monsters and little green men feels timeless, as does the remarkably high level of quality Wilson has maintained over the years. ... [Grade] A" – The A.V. Club

• Review: "Strange Suspense offers page after lurid four-color page of Ditko’s weird monsters, rubber-faced crooks, and abstracted landscapes... The book is a white-knuckle trip through Ditko’s fevered imagination. [Grade] A-" – The A.V. Club (same link as above)

• Review: "[Al] Columbia’s book Pim & Francie: The Golden Bear Days strings together 200-odd (very odd) pages of sketches, strips, panels, and spot illustrations, assembled into one long nightmare-narrative about two loose-limbed tots wandering through a village of lusty killers and bleeding trees. There are no explanations here, and few conventional payoffs — just images designed to remind readers what it was like to be a panicked, paranoid child, convinced that every nighttime shadow contained a beast more menacing and repulsive than any grown-up could conceive. [Grade] B+" – The A.V. Club (same link as above)

• Review: "Like A Dog — a collection of [Zak] Sally’s self-published Recidivist comics, plus odds and ends — drips warped fantasy, bleak humor, and experimentation. Dynamically, the book also veers from being text-heavy to eerily wordless, even as it maintains the integrity of Sally’s stunning, stark-yet-lush linework. ...Like A Dog is a compelling slab of graphic narrative. As a warts-and-then-some chronicle of one man’s navigation through the world of underground comics (not to mention his own self-sabotaging psyche), it’s downright mesmerizing. [Grade] A-" – The A.V. Club (same link as above)

• Review: "Packaged in an ingenious VHS-like format, [Portable Grindhouse: The Lost Art of the VHS Box] comes complete with lofty intro... But the fun is paging through these lurid examples of videos you kind of forget you remember, like Streets of Fire or The Legend of Hell House." – Kristi Turnquist, The Oregonian

• Review: "[Gahan Wilson: Fifty Years of Playboy Cartoons is] a monster production, a slipcased behemoth, nearly 1000 pages in three volumes, with deliciously wicked humor on every page. ... Open the box, free the three volumes, and dive in anywhere. You will not be disappointed." – John Mesjak, my3books

Daily OCD: 1/14/10

mike

Is this it for Online Commentary & Diversions today? I guess so:

• Review: "Jacques Boyreau’s book [Portable Grindhouse: The Lost Art of the VHS Box] pays tribute to... imperfection. Not only is its cover — well, the cover of the book’s slipcase, at least, designed to look like a videocassette — but the photos inside showcase boxes in far from mint condition... All of this helped take me back to my VHS days, but it’s mostly the garish art that did it — lurid snatches of visual salesmanship, many of which have been burned in the back of my mind for 25 years. ... If you own only one art book featuring a back-cover illustration of Don 'The Dragon' Wilson, make it this one. And be sure to rewind, or I’ll have to charge a dollar to your account." – Rod Lott, Bookgasm

• List: Looking at where we stand on Sandy Bilus's Best Comics of 2009 Meta-List (compiling all the year-end best-of lists) at I Love Rob Liefeld, we've got 2 in the top 20, 6 in the top 50, and 12 in the top 100 — not too shabby

• Plug: Prestigious design blog The Book Cover Archive features Jacob Covey's cover design for What Is All This? by Stephen Dixon

• Things to see: Kevin Huizenga's "Postcard from Fielder" part 7

• Things to see: Richard Sala digs up some art from the vault

• Reviewer: For The Wall Street Journal, Alexander Theroux looks at the novel The Swan Thieves by Elizabeth Kostova

Daily OCD: 1/11/10

mike

Looky here, Online Commentary & Diversions:

• List: On Random House's Suvudu blog, Dallas Middaugh selects 2008's Bottomless Belly Button by Dash Shaw as #3 on the Top 10 Graphic Novels of 2009: "This book came from out of nowhere to great critical acclaim, and it pushed young Mr. Shaw in the spotlight as one of the most exciting new cartoonists in the field. ... This haunting story of a dysfunctional family twists and turns and stuck with me long after I read it."

• List: At Comic Book Galaxy, Marc Sobel counts down "The 15 Best Back Issues I Read Last Year," including Birdland by Gilbert Hernandez ("vastly underappreciated") and the entire run of Hate by Peter Bagge ("This series gets better with age")

• Review: "Dreams are probably the second most popular subject for autobiographical comics, however distantly they lag behind the events of waking life. But no one, to my knowledge, has attempted to create comics arising from the hypnagogic netherworld that lies between the sleeping and the wakeful states. Until now. Or maybe not. It’s hard to say precisely, which is what gives Kevin Huizenga’s Ganges #3 so much of its unique charm." – Rich Kreiner, The Comics Journal

• Review: "What the hell is going on here? What is this book, anyway? ...[Pim and Francie] is like the inexplicable artifact of a deranged mind... Columbia has a flair for the grotesque, which, when mixed with such cute cartooniness reminiscent of old-school Disney, makes for an especially creepy juxtaposition. ... It's a cascade of horror, page after page of mostly-unfinished nastiness, enough to stick in the mind and cause nightmares for weeks." – Matthew J. Brady

• Review: "At long last, a handsome, two-volume, slipcased set [of Humbug] brings back into print a pivotal, neglected portion of the oeuvre of Harvey Kurtzman and that of a cadre of gifted pranksters bent on smart satire." – Rich Kreiner, The Comics Journal

• Review: "With a new exhibition currently on view at Tony Shafrazi Gallery in Chelsea and his remarkable inclusion in the 2010 Whitney Biennial, Robert Williams seems more than ever the most likely candidate to represent the ways that late decadent American culture will be remembered by history. ... This is a late career artist at the top of his game, a shamefully overdue entry into still meaningful discourse of what art can be when it refuses to play by the rules, a monster of the imagination whose time has finally come." – Carlo McCormick, artnet

• Review: "Portable Grindhouse celebrates the sleazy kick of killing time in a slightly crappy video rental store, minus the inevitable arguments about what to rent or the possibility of your VCR eating the tape." – Dave Howlett, Living Between Wednesdays

• Plug: Robot 6's Chris Mautner is reading his stack of Comics Journal back issues "starting with #291, which features interviews with Tim Sale and Josh Simmons, as well as a great critical thinkpiece by Gary Groth on Ralph Steadman and Hunter S. Thompson. That alone was worth the cover price."

• Plugs: Some fun and appreciated name-drops from Tom Neely and Charles Bernstein in the 5th part of The Beat's year-end survey of comics pros

• Plug: The AAUGH Blog helpfully reminds its readers that you can get slipcases for your loose volumes of The Complete Peanuts direct from us

• Plug/Coming Attractions: Comic Book Resources' Greg Burgas comments on the January issue of Previews (our listings from which can be seen here): "Jacques Tardi's It Was the War of the Trenches, from Fantagraphics on page 256, sounds keen. It's a World War I book, so I'm sure it will be utterly depressing, but it still sounds worthwhile!"

• Interview: The final part of Brian Heater's interview with C. Tyler at The Daily Cross Hatch: "To me, it’s underground, and there’s other people who think, 'no way, it’s Mad Magazine.' Everyone has their place where it starts. There’s people now who say, 'Kramer’s Ergot is when it started for me.' Everyone has their place when they jumped off the diving board, into the pool of comics. The fact is, it’s continual."

• Profile: Gurldoggie takes a quick look at Joe Sacco in advance of his appearance in Seattle this week

• Events: The Covered blog celebrates its 1st anniversary and announces an art show at Secret Headquarters in L.A. in March

• Things to see: From Kevin Huizenga, "Postcard from Fielder" part 6 and Ganges 3 cover thumbnails

• Things to see: From Hans Rickheit, Ectopiary page 6 and something extra on his blog

• Things to see: At her blog, Gabrielle Bell presents her story from Mome Vol. 7 (reformatted vertically)

• Things to see: Marco Corona reimagines a Crumb page for an exhibit at Angoulême

Daily OCD: 1/8/10

mike

Today's Online Commentary & Diversions:

• List: On the Forbidden Planet International Blog Log, guest critic Chris Marshall's top 10 graphic novels of 2009 places Blazing Combat in a tie for 4th place: "There was a time when War Comics told War Fact. They showed us the blood, death, camaraderie and horror. [This] series did just that and didn’t hold back."

• Review: "Fantagraphics has truly pulled out all the stops on the production of [Gahan Wilson: Fifty Years of Playboy Cartoons], giving it such marvelous style and pizzazz. ... But it’s the content, of course, that is truly king. If the 20th century was indeed the American century, then Wilson is a cartoonist who had a hell of a time chronicling it, mocking it, signifying it, and holding it up to the light—albeit through his own twisted lens... The work is tremendous and witty and, as always with an excellent retrospective, it offers the reader an excellent chance to walk back in time through decades of experiences, memories, turbulences and triumphs, and just plain old human oddities. What’s truly amazing is how, for more than 50 years, Wilson rarely misses a witty beat." – John Hogan, Graphic Novel Reporter

• Preview/Plug: FEARnet presents some favorite pages, with commentary, from Portable Grindhouse: The Lost Art of the VHS Box

• Plug: Chris Jacobs of Sub Pop Records plugs the "predictably, really great" Mome Vol. 17, which includes artwork by Rick Froberg, who plays in Sub Pop band Obits, and the release party this Sunday at Bergen Street Comics in Brooklyn, where Rick will be signing

• Plug: There's much love for Jordan Crane at French blog La Soupe d'Espace

• Plug: At Comic Book Galaxy, Johnny Bacardi, a Jaime Hernandez partisan when it comes to Love and Rockets, says "But this upcoming Troublemakers looks kinda interesting... despite my preference for Jaime, I think I'll pick this up when I see it..."

Daily OCD: 12/23/09

mike

Christmas Eve Eve Online Commentary & Diversions:

• List: We published 6 of John Seven's top 10 "Decade's Best: Comics - Archives & Collections": The Complete Peanuts, Explainers by Jules Feiffer, the two Fletcher Hanks books, Humbug, Locas by Jaime Hernandez, and Supermen! The First Wave of Comic Book Heroes 1936-1941

• Review: "The packaging... is brilliant and the actual product is no less magnificent. The quality that Fantagraphics put into [Portable Grindhouse: The Lost Art of the VHS Box] is top-notch. The card and paper stock could not be more perfect. The high resolution pictures and scans of each of the films are almost like you are holding the original. ... This is a 'must-have' for genre fans, collectors and art lovers alike." – Cinesploitation

• Review: "Huizenga delivers a quiet tour de force [in Ganges #3] that shows confident cartooning that thrills through its ease and craftsmanship,... documenting a normal life with a sharp eye and a penchant for gentle revelation." – John Seven, Worcester Magazine

• Review: "...Krazy Kat is that most unlikely of things: poetry fostered and cared for unquestioningly by commerce." – David Mathews (an edited version originally appeared in The New Indian Express)

• Plugs: Fictional or not, The Rack's Lydia Park says re: Sublife Vol. 2 "John Pham is just beyond good. So many great ideas executed perfectly. Think Chris Ware meets Kevin Huizenga" and re: The Unclothed Man in the 35th Century A.D. "Dash Shaw is incredible."

• Interview: The Daily Cross Hatch's Brian Heater has a wonderful chat with Carol Tyler (part 1 of 4): "Everything is more complicated. Everything is layered. I think as you grow older, you have this experience, but then you also, exponentially, have all of these others, due to the fact that you’ve just lived longer. You’ve met more people, and you’ve been around, and done all of these things. I try to boil it down and try to figure out the best way to do this. A collection of symbols and the right words—I really try to be a wordsmith, but I’m not! Argh! I try to pick the right words and the right way to get an idea across. Sometimes you just have to shoot it out there like bullshit and other times you have to make it more poetic. You have to balance that."

• Interview/Preview: The ubiquitous Dash Shaw talks to Rick Marshall about The Unclothed Man in the 35th Century A.D. at the MTV Splash Page blog (where there is also a 5-page sneak peek of the book): "I felt like I learned so much by drawing every day. If you want to get better at drawing the human figure, doing an animated series will definitely do that for you."

• Interview: The Comics Reporter's Tom Spurgeon talks to The Comics Journal's Kristy Valenti, focusing on Little Nemo in Slumberland: So Many Splendid Sundays but touching on other topics as well

• Things to see: Kevin Huizenga brings us some holiday freakonomics in Amazing Facts and Beyond with Leon Beyond

Viva VHS - tonight & tomorrow

mike

Live in Seattle? Like Portable Grindhouse: The Lost Art of the VHS Box? Tonight and tomorrow night at 9:30 at Central Cinema catch VIVA VHS, a rollicking compilation of tape-only rarities and oddities organized and curated by our pals at Scarecrow Video, who co-sponsored and participated in our Portable Grindhouse panel discussion at Fantagraphics Bookstore & Gallery last weekend. Local synergy! Dig it!

Daily OCD: 12/16/09

mike

'Atsa good Online Commentary & Diversions:

• List: On her Pop Candy blog, USA Today's Whitney Matheson gives The Brinkley Girls the #10 spot on her Top 10 comics/graphic novels of 2009, saying "this beautiful book introduced me to a new heroine: Nell Brinkley, an early 20th century newspaper cartoonist. Her drawings of flappers and glamour gals are sexy, strong and ahead of their time. I can't believe I hadn't seen her work before, but I'm so thrilled to know it now." Matheson also lavishes praise on Lilli Carré, who "continued making must-see work" and lands at #69 on Matheson's Top 100 People list, and whose book from Little Otsu lands at the #2 spot on the comics Top 10.

• Review: "The Wolverton Bible... is -- no pun intended -- a revelation. Though his serious work is a bit stiffer and more restrained than the Wolverton art you might be used to, it's more powerful. ... What sets [the drawings in] The Wolveton Bible apart from Crumb's Genesis... is that they come from a true believer. ...Wolverton's drawings have an intensity and sincerity that reveal something connecting him to those stories in a way Crumb just can't duplicate." – Will Pfeifer, "Books of the Year"

• Review: "...[Supermen! is] magical, memorable [and] just plain wonky... The stories range from action-packed to barely-sensible, but they all have a crazed energy you just can't fake. ... They read like the sort of stories imaginative kids would think up -- which might be why they appealed so much to kids in the first place." – Will Pfeifer, "Books of the Year"

• Review: The Hooded Utilitarian's critical roundtable on Ghost World continues with Richard Cook: "The most appealing aspect of Ghost World was the main characters, Enid and Rebecca. And much of their appeal is due to how effectively Daniel Clowes panders to a specific demographic that I belong to: geeks."

• Plug: The Beat's Heidi MacDonald, picking up on Tony Millionaire's Billy Hazelnuts and the Crazy Bird sneak peek, comments "In all the talk about comics for kids recently, we’re probably very bad for not mentioning Millionaire’s non-child-averse work more prominently. His work is not for the faint-hearted, but children generally prefer tales that are not faint-hearted." Right on.

• Plug: Interior decorating blog Shelterrific puts Rock Candy: The Artwork of Femke Hiemstra on a holiday gift list

• Plug: "Portable Grindhouse: The Lost Art of the VHS Box... is a fetishized art object/coffee table-style compendium of great VHS jackets, ranging from the campy to the sleazy to the so-bad-it's-good. Highly recommended as a gift idea for the B-movie lover on your holiday shopping list." – Audrey Hendrickson, The SunBreak

• Interview: TCJ.com continues to post the intergenerational conversations from The Comics Journal #300 online; today's selection is David Mazzucchelli (Asterios Polyp) and Dash Shaw (Bottomless Belly Button)

• Interview: Walrus Comix, who say "Not only is [The Pain — When Will It End?] the funniest comic strip ever, but, well, that’s it: it’s the funniest comic strip ever," talk to the strip's creator, Tim Kreider, who says, among many things, "I don’t know why you’d want to be a cartoonist if you didn’t enjoy drawing funny, cool things. If I had to draw an entire graphic novel of people sitting around talking I think I’d hang myself." (Via Journalista)

• Things to buy: Folks in Portland this weekend can purchase handmade arts-n-crafts from Andrice Arp and a bunch of other Portland artists at the Creative Creatures Bazaar at Cosmic Monkey Comics, reports Andrice on her blog

Daily OCD: 12/14/09

mike

Oh man these Online Commentary & Diversions links really pile up:

• List: The Daily Cross Hatch presents The Best Damned Comics of 2009 Chosen by the Artists, this year's edition of their essential annual survey of comics pros' top 5 comics. I won't quote all the lists' commentary here since that would steal some of their thunder (not to mention take me all night), but Pim & Francie by Al Columbia merits 5 mentions; You'll Never Know, Book 1 by C. Tyler is on 3 lists; The Squirrel Machine by Hans Rickheit, Tales Designed to Thrizzle Vol. 1 by Michael Kupperman, Like a Dog by Zak Sally, Prison Pit Book 1 by Johnny Ryan, Everybody Is Stupid Except for Me by Peter Bagge are all mentioned twice; and The Wolverton Bible, Locas II by Jaime Hernandez, Humbug, Popeye Vol. 4, Low Moon by Jason, You Are There by Tardi & Forest, A Mess of Everything by Miss Lasko-Gross, Prince Valiant Vol. 1, Strange Suspense: The Steve Ditko Archives Vol. 1, and Lilli Carré's work in Mome all show up once each (plus a couple of 2008 releases like Zak Sally's Sammy the Mouse #2 and Bottomless Belly Button by Dash Shaw sneak in there)

• List: Details magazine names Ghost World #10 on The 25 Greatest Gen X Books of All Time: "This caustically funny duo-tone tale follows the iconic cat-eyed adolescent Enid Coleslaw in her quest to find meaning, or at least cruel humor, in an age where everything's disposable."

• Review: "Strange Suspense collects dozens of Ditko stories from the 1950’s... Almost a decade before Ditko moved to Marvel, these stories bear his unmistakable style. His fine line work and flair for the abstract that would serve him so well on Doctor Strange particularly, is on full display. ... If you only know Ditko for his work at Marvel or later at DC, here is the chance to explore Early Ditko, unconstrained by editors or the Comics Code. While all of this work is marvelous, clearly Ditko is best at home in horror where he could let his imagination run wild, creating monsters and demons and the things that go bump in the night. Rediscover Ditko today!" – Tim Janson, Newsarama

• Review: "Brian Kane, author of the [Definitive Prince Valiant] Companion and surely the world’s foremost authority on the strip and its creator, Hal Foster, has once again done a herculean amount of work, and Fantagraphics has once again clothed that work in a sturdy, pretty volume. Prince Valiant hasn’t been treated this well since the ersatz King of England sang his praises. Those unfamiliar with the character – a young man who finds adventure, fame, and even love at the court of the legendary King Arthur – will find here all the background information they could ever want... But even long-time Prince Valiant fans will find plenty to fascinate them in this volume." – Khalid Ponte, Open Letters

• Review: "Delphine is a morbid interpretation of the symbology of fairy tales resounding with echoes of unrequited love and abandonment. This is perhaps Sala’s darkest and most intricate story ever – impressive in its nuance and ever shifting emotions. One can only hope that it is not ignored." – Ng Suat Tong, The Comics Journal

• Review: At The Hooded Utilitarian (a TCJ.com-hosted blog), reviewer Kinukitty kicks off a critical roundtable on Daniel Clowes's Ghost World on a contrarian note

• Plug: "Just got Strange Suspense: The Steve Ditko Archives Vol 1. Faaaaantastic! ... Raw and grotesque and beautifully drawn and presented." – Dave Gibbons (via consecutive Twitter posts)

• Plug: Los Angeles Magazine highlights Conceptual Realism by Robert Williams and Sublife Vol. 2 by John Pham in their monthly roundup of books of local interest

• Plug: Mike Sterling presents a brilliant panel from Popeye Vol. 4 and declares re: the book "Comics don't get much better than this."

• Plug: Alison Nastasi of Horror Squad calls Portable Grindhouse: The Lost Art of the VHS Box "a tasty opus" and plugs last weekend's Fantagraphics Bookstore events

• Plug: Boing Boing "Boing Boings" the Femke Hiemstra exhibit at Roq la Rue

• Events: The Seattle Times' Christy Karras talks to participants in yesterday's Portable Grindhouse panel discussion at Fantagraphics Bookstore and makes the case for Seattle as Zombie City U.S.A.

• Analysis: Hypergeek crunches direct market sales data and declares Strange Suspense: The Steve Ditko Archives Vol. 1 the top small-press trade for November 2009, with Pim & Francie by Al Columbia ranking at #12

• Interview: From TCJ.com: "Every weekday from now until December 25, we’ll be posting a conversation between cartoonists from The Comics Journal #300, complete and online! In today’s installment, it’s a chat between L’Association publisher Jean-Christophe Menu and Kramers Ergot publisher Sammy Harkham."

• History: Love & Maggie rounds up the history of Love and Rockets 1979-1982 — even Gary Groth is impressed!

• Things to see: Tim Lane's Temptations diorama... completed? Oops, no, there's an audience in progress

* Things to see: Johnny Ryan did some gag cartoons for a girlie calendar from streetwear purveyors Mishka

• Things to see: An advertisement from Anders Nilsen

• Things to see: At his blog, Drew Friedman pays birthday tribute to old Jewish comedian Morey Amsterdam

• Things to see: The Huffington Post has a previously unseen 1968 photo of R. Crumb by photojournalist Harry Benson

• Things to see: Vince Lombardi by Jim Blanchard (for his pa, aw!)

• Things to see: The newest strip from Gabrielle Bell guest-stars Kim Deitch & Pam Butler

• Things to see: Kevin Huizenga's "Postcard from Fielder" part 2

• Life imitates comics: Failed Russian missile test or event from Jim Woodring's Weathercraft? You decide