If you've been wondering what Portable Grindhouse editor Jacques Boyreau has been up to, we'll soon be swinging into production on his next book project, Sexy Time (stay tuned for sexy details), but in the meantime he's been working on a film project called Color of Hell, and here's the brand new trash-tastic teaser trailer. I wouldn't be surprised to see Fritzi show up in this movie!
• Review: "Luminous really is the right word for the visuals here [in R.I.P.: Best of 1985-2004]: Their pure-white-on-pure-black construction makes every line and reverse-negative shading — carved out with scalpel precision — practically shine forth from the glossy black and white pages. Like Charles Burns’s inks or Drew Friedman’s stippling, Thomas Ott’s scratchboard work is art to be marveled at as much as read." – Sean T. Collins, The Comics Journal
• Review: "This initial collection is the perfect means of discovering or rediscovering Crane’s second magnum opus — spectacular, enthralling, exotically immediate adventures that influenced generations of modern cartoonists, illustrators, comics creators and storytellers. Buz Sawyer: War in the Pacific ranks as one the greatest strip sequences ever created: stirring, thrilling, funny and moving tale-spinning that is unforgettable, unmissable and utterly irresistible." – Win Wiacek, Now Read This!
• Review: "Deitch is one of the great originals of comics: wordy and discursive, but always compelling, with a detailed pen-and-ink style that incorporates a thousand grotesques while remaining essentially sunny and full of wonders. [...] Simply put, it's lovely to be in a world that not only contains a Kim Deitch, but celebrates him and lets him continue to create stories like [The Search for Smilin' Ed]; his continued career is almost enough to make me believe in his wilder flights of fancy." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Plug: "Tardi created this sucker in 1974, and it’s amazing how modern and even slightly avant-garde [The Arctic Marauder] looks today. Man, those Frenchies can do some cool comics, can’t they?" – Greg Burgas, Comic Book Resources
• Plug:NME reports on EMP's upcoming Nirvana: Taking Punk to the Masses exhibit and mentions our accompanying Taking Punk to the Masses book
• Plug:Portable Grindhouse is the current Staff Pick of Strand Books' Miguel S.: "A deliciously low brow collection of VHS covers that should be in every artist or movie buff's bookcase. Witness in these pages gloriously smutty, cheesy art from days when one had to rewind your movies before returning them to the video store or face a $2 fine! Nostalgia indeed!"
Jacques Boyreau, editor and cultural historian of the book Portable Grindhouse: The Lost Art of the VHS Box, a celebration of some of the most louche, decadent, minimo-pervo artwork to ever grace a VHS box. Boyreau will be signing, and showing footage from Portable Grindhouse films, at our table on Friday, March 4th from 4:00 to 6:00 pm.
Megan Kelso, Ignatz Award-winning artist who has returned to Seattle after a period in New York, where she published a weekly comic strip in The New York Times magazine. Kelso will be signing copies of her acclaimed novel Artichoke Tales, and other titles, on Sunday, March 6th from 2:00 to 4:00 pm.
Fantagraphics & Top Shelf Presents: Con Artists, the Emerald City Comic-Con After-Party
Performers include: Can You Imagine?: featuring Peter Bagge, and legendary local producer/musician Steve Fisk The Rheas: fronted by Eric Reynolds, Associate Publisher at Fantagraphics Matthew Southworth: frontman for The Capillaries, and co-creator of the comic Stumptown
DJ'ing between sets will be DJ Janice, aka Janice Headley, Events Coordinator/Publicist for Fantagraphics (and Programming Assistant at Seattle radio station KEXP).
Con Artists: Emerald City Comic-Con Afterparty Sponsored by Fantagraphics Books & Top Shelf Productions Saturday, March 5th, 2011 at 9:00 pm Jewel Box Theater at The Rendezvous 2322 2nd Avenue in Belltown Admission $5 (General Public) FREE with Emerald City Comic-Con badge 21 and over with ID
Emerald City Comic-Con March 4th - 6th, 2011 Washington State Convention Center http://www.emeraldcitycomicon.com/ Friday: 2:00pm - 8:00pm Saturday: 10:00am - 7:00pm Sunday: 10:00am - 5:00pm
The most dazzlingly insane film reference book of all time, Destroy All Movies!!! is an informative, hilarious, and impossibly complete guide to every goddamn appearance of a punk (or new waver!) to hit the screen in the 20th Century. This wildly comprehensive eyeball-slammer features A-to-Z coverage of over 1100 feature films from around the world, as well as dozens of exclusive interviews with the creators and cast of essential titles such as Repo Man, Return of the Living Dead, The Decline of Western Civilization and Valley Girl. Everyone from Richard Hell to Penelope Spheeris to Ian MacKaye contributes his or her uncensored reminiscences from the front lines of a revolution. Other interviewees include Alex Cox, Nick Zedd, Lech Kowalski, Mary Woronov and Circle Jerks frontman Keith Morris. Also examined are hundreds of prime examples of straight-to-VHS slasher trash, Brooklyn junkie masterpieces, Filipino breakdancing fairytales, no-budget post-apocalyptic epics, and movies that shouldn’t even have been released, many of which have never been written about online or in print!
In the late ’70s, Punk Rock and its followers ambushed the world with nuclear force. It was an unprecedented phenomenon that infested radios, print, and culture as a whole. Of all its shell-shocked witnesses, the least prepared was Hollywood, who viewed the movement as a walking epidemic of self-abusive, garbage-eating, candy-colored manimals ripe for marketable stereotyping. The results were hilarious, as lowbrow cinema was forever altered in the shadows of 20-inch mohawks and steel-spiked wardrobes. Meanwhile, punk participants like Spheeris and Alex Cox managed to document the emerging outbreak in a more humanistic light, creating enduring visions of a new breed of youth through blazing music documentaries and innovative narrative assaults.
Destroy All Movies!!! nails down both ends of the spectrum with superhuman research, vicious precision, and electrically charged stills and images, and is the first and final definitive armchair roadmap to punk and new wave on celluloid. Five years in the making, this pulse-bursting monument to lowbrow cultural obsession is a must for all film fanatics, music maniacs, anti-fashion mutants, ’80s nostalgists, sleazoids, cop-killers, and spazzmatics!
• Review: "Literally, I could not put down this book once I hit the second half. Every story is fantastic, because it takes these interesting genre detours and makes them seem just as more true than you could possibly imagine. ...I think sometimes people overlook the sheer potential that human conflict can give. Moto Hagio's A Drunken Dream, if nothing else, is a reminder of that, giving a plethora of all-too-human situations under the occasional sci-fi or fantasy trope. If you're looking for a densely-written change of pace that gives great insight into the career of a fantastic artist, you owe it to yourself to give this a look." – David Pepose, Newsarama
• Review: "All and Sundry is a very traditional sort of random-stuff-from-my-file-drawers collection, subtitled "Uncollected Work 2004-2009": the first half is "Drawings and Stories"... Most of these pieces were designed to stand as separate artistic works, and they're all pretty successful. (There are some mostly-text pieces here as well, all published originally in Mome, which are of respectable-literary-quarterly style and quality...) [...] And then the second half of the book is "Sketches and Notes"... These pages are less finished, obviously, and would be of greatest interest to other cartoonists... [I]f you are [a Paul Hornschemeier fan], you'll find a lot to be excited about here." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Interview: John Hogan of Graphic Novel Reporter talks to Cathy Malkasian about her graphic novel Temperance: "Moderation has been taking a beating in our culture for a while now. If you measure things by our shock-soaked media environment, then the whole world is wallowing in nuttiness and hysteria. Moderation has been reduced to a quaint ideal, but it’s really the engine in the back room, running everything."
• Interview: At Examiner.com, Marvin Miranda posts a months-spanning email conversation with Jacques Boyreau about Portable Grindhouse and the joys of VHS: "There's this chicken/egg first and very fascinating question about 'what we are' based on whether as career voyeurs our first exposure was to [analog] or digital, and what it means to switch from one texture consumption to the other.... I don't know how else to really put it except that it is important to be vigilantly beware of digital. It is a closed, sealed signal whereas the burning grain of projected film and its bastard buddy analog video, are open signals."
"Set to Sea... is the real thing: a one-off nautical action book (a hardcover version of Drew Weing's sweet, lively web-comic) that's a real pleasure to look at and linger over. Every panel-as-page just radiates joy in drawing." – Douglas Wolk
"I positively adore this format. [...] I could pull half or more of the pages in this book and hang them as wall art. [...] I gave this book one of my highest distinctions. I made my girlfriend read it."– Mike Williams
"Man... this book! ...Weing creates a wonderful modulation of tone throughout Set to Sea. [...] Maybe it's corny to call a book about a would-be poet lyrical, but that's exactly what Set to Sea is." – Evan Narcisse
"Set to Sea is just beautiful, emotional in all the right ways, and mixed with unexpected moments to pull it away from sugary sentiment and tweeness... There's such a gentleness here, so much heart, that it's completely compelling, and the way Weing structured it, a panel a page, makes the reading experience wonderfully slow, to match the story. [...] I just really, really loved this book. Like you said, Douglas, this is the real thing." – Graeme McMillan
• Plug:Techland's Mike Williams praises Set to Sea further in his "Panel of the Week" column: "Every page is a single gorgeous cross hatched panel that tells the story of a hulking poet forced into the life of a sailor. Do yourself a favor and go out and buy this small hardcover gem."
• Review: "Portable Grindhouse is a tributary 'don't know what you've got 'till it's gone' love letter to the awesomeness that was the 80s videotape box. [...] Beautifully encased in a faux cardboard videotape box, PG is a stroll through the shameless, sensationalist 'grab me off the shelves!' graphic design exploits and tacky taglines of an era when terrible action films, teen sex comedies, hilarious horror and strange sci-fi oddities still debuted weekly. Airbrushed atrocities and cartoon abominations abound." – Wilfred Brandt, TwoThousand (photo from the article)
• Commentary: "Magic realism in comics is nothing new, of course. The defiance of logic and physics is rooted in its pulp tradition, from superheroes to introspective character studies. Its effect helps us grab on to the ephemeral qualities of our experiences, giving us a shot at understanding their meaning and significance. In that context, its hard not to look at Scott Pilgrim and recall another time-bending tale of the modern comics era, albeit not so epic in its epicness: Jaime and Gilbert Hernandez’s Love and Rockets." – Scott Cederlund, Indie Pulp
• Coming Attractions:Library Journal's "Graphic Novels Prepub Alert" for November releases highlights Linda Medley's Castle Waiting Vol. 2: "Medley's black-and-white art draws on fairy tale standbys to spin a witty, inventive comedy of manners."
• Review: "...[T]he newer crop of contributors [in Mome Vols. 17, 18 & 19 is] a rough and tumble bunch who are bringing some fierce and hard-edged work to the table. ...[T]he balance is definitely in favor of the strong stuff, because it is strong stuff — well drawn in a variety of styles, and potentially troubling without cloaking itself in shopworn tropes. ... Once again, you're getting your bang for your buck." – Sean T. Collins, Attentiondeficitdisorderly
• Review: "And when you’re drawn into the world [of It Was the War of the Trenches] it’s hard not to rhapsodize about the drawing itself – Tardi’s gaze may be level, but his lines are sure and lush. His gentle contour line drawings are almost delicate, but then he fills them with a gray tone, or attaches them to nearly psychedelic intestines. It’s art that comes over you and stays with you – nicely offsetting an otherwise icy stare. ...Tardi seems a master, and this work a rare and intensely humane book." – Dan Nadel, Comics Comics
• Review: "Sequence by sequence and page by page, the re-readability of [Jason's] stories and scenes consistently offer more densely fulfilling reads than any three or four new $4 books... This particular story [Werewolves of Montpellier] ends in a graceful, yet awkwardly suspenseful and open-ended manner, but as with Jason books I’ve encountered before, this landing contributes to the matter-of-fact delivery he often employs in making you feel like you’re witnessing a story sliced out of a larger saga." – Brian Warmoth
• Review: "Those inclined to look for meaning could make a good case for this... as a story about people assuming false identities through a mix of circumstance and personal choice, but what Jason’s comics literally mean matters less than the pleasure of their deadpan humor and unexpected twists: His work has been building a whole habitat of crooks, monsters, and adventurers, just so he can explore their minor personal problems. Werewolves of Montpelier establishes yet another inviting corner of Jasonworld. [Grade] B+" – The A.V. Club
• Review: "...[T]he first 11 issues of [Dame Darcy's] sporadically released pamphlet Meat Cake — collected by Fantagraphics in a new trade-paperback edition — comprise some of the best alt-comics of the past 20 years. ...Darcy’s scratchy, fine-lined, loosely intricate artwork owes a slight debt to Edward Gorey, Victorian illustration, and the more demented wing of the E.C. roster (particularly Graham Ingels), but the dreamy vision and gleefully morbid sensibility are all her. Overall, Meat Cake’s dalliance with folklore, horror, camp, and transcendent bits of autobiography pack more of a poetic punch than the title is generally given credit for… [Grade] A-" – The A.V. Club
• Review: "Newave!is an astonishing collection of minicomics from the ’70s, ’80s and early ’90s... This book puts the lie to the notion that underground cartooning was fallow during this period; indeed, all it did was really go underground. ... Newave! gains momentum as it proceeds, an impressive feat for a 900-page anthology. ... The back half of Newave! features nary a dud. ... In an era when some cartoonists are learning how to create minicomics as part of a formal art education, Newave! should be a crucial text." – Rob Clough, The Comics Journal
• Review: "Out since last Halloween, this handsome collection of early 1980s exploitation VHS box art [Portable Grindhouse] is shaped like one of those old oversized clamshell cases. The all-color book collects the front and backs of many memorable cassette releases of that bygone era and will send you back to the days prowling dusty mom-and-pop video stores for you schlock fix. ... You won’t learn anything about the movies, but who needs that when the rest of the book is such a nostalgic gas?" – Tony Timpone, Fangoria
• List:Flashlight Worthy asks various comics bloggers to name some Great Graphic Novels By Women About Women: David Welsh says "[Linda] Medley's Castle Waiting is as funny and generous a mash-up of fairy tale and feminism was you could wish for. ... Medley focuses on quiet moments that reveal character rather than constructed intersections of fairy-tale tropes. Her small observations about human (or mostly human) nature are always warm and potent..."
• Review:Comics Comics' Joe McCulloch looks back at Paul Ollswang's out-of-print 1992 comic Doofer: Pathway to McEarth: "I’d say they don’t make ‘em like this anymore, but they barely made ‘em at all back then, unless I’ve missed some rich vein of socio-political-sci-fi satire-by-way-of-’60s-underground-homage-by-way-of-early-20th-century-Sunday-funnies running circa the Image Revolution. This actually might be the all-around least fashionable comic of ‘92, which naturally makes it an eminent candidate for revisitation."
Another day's worth of Online Commentary & Diversions:
• Review: "...[Portable Grindhouse] is a nice book to have on the shelf, particularly for folks who love movies and are interested in how design has changed over the years. If you still spend time wandering around video stores looking for the weird and wonderful, check this book out." – Syung Myung Me, Kittysneezes
• Review: "I love this book. I'm probably biased because I was a newave cartoonist and I was lucky enough to have two pages included (78 & 79) in this little slice of comix history. ... The overall quality of the material is very high. ... It's a beautiful volume with production values far more impressive than the original comix it reprints. ... Newave! is a wonderful sampler of what the mini comix of the 1980s where all about. ... Now, at last, Michael Dowers and Fantagraphics have brought those little-known 8-pagers out into the light and given them an appropriate place in comix history." – Richard Krauss, Comic Related
• Review: "Esther Pearl Watson's Unlovable leaves me breathless and with sore abs from laughter. What a great work out." – Brett Von Schlosser, via Facebook
• Interview: On The Comix Claptrap podcast, hosts "Thien and Rina get to talk to Harvey Award-winning and Ignatz-nominated, Steven 'Ribs' Weissmanwho has a new book out with Fantagraphics Books called Chocolate Cheeks. In this interview, Steven talks about the origin of the Yikes! gang, shares his insight on juggling comics-making with having a family, and discusses his web comics "Barack Hussein Obama" and his contributions to the 'What Things Do' comics website. We also try, in vain, to get more LA cartoonist gossip."
• Do-gooding: Once again Michael Kupperman is lending his talents to the annual WFMU pledge drive; Robot 6's Sean T. Collins has all the details
Online Commentary & Diversions, now with images... what am I, nuts?? At least it's a short one:
• Review: "If sound effects like 'SNEEZEBLOOD!!' or prayer fights make you laugh, Chocolate Cheeks by Steven Weissman is definitely up your alley. More than that, Weissman’s fantastic art is worth giving this collection a look even if you haven’t read previous 'Yikes' books." (Rating: 4.5 out of 5 stars) – Chad Nevett, Comic Book Resources