Online Commentary & Diversions updates resume next week. Off to Comic-Con tomorrow! I'll be Twittering from the show as much as I can.
• Preview: "Now Jason publishes a collection of his short, sharp works ...called Low Moon, in which his trademark anthropomorphic animals get into all sorts of trouble — including, in the story 'Emily Says Hello,' murder, revenge and sexual domination." - New York Magazine presents an exclusive five-page excerpt from Low Moon
• Review: "All of Jason’s tales in Low Moon play like a black comedy, tragic yet humorous. Maybe it’s his protagonists blank eyed stares or the fact the characters are all cute animals being put through some troubling things that give these outwardly simple and light cartoons a heavy feel. If you’re a comic fan looking for a change of pace from the tired summer/blockbuster/epic/crossover comic events then this one’s for you." - Mishka Bloglin
• Review: "What surprised me the most [about Prince Valiant Vol. 1: 1937-1938]... was... how much [Hal] Foster had brought me to care about these characters... [P]erhaps for the first time ever, we’re able to see just how detailed and elaborate Foster’s art really was... More importantly, though, was how well Foster set up his pages. His layouts draw the reader across the page from one panel to the next, often culminating in a truly impressive final panel... Prince Valiant was good all along. Who knew?" - Greg McElhatton, Read About Comics
• Review: "I mean, holy. Effing. Shit... Was [Fletcher] Hanks insane or otherwise mentally handicapped? Dunno, but as editor Paul Karasik points out in his meaty introduction [to You Shall Die by Your Own Evil Creation!], this was a man mean enough to kick his 4-year-old son down a flight of stairs... You’ll love how much you hate [these works]; you’ll hate how much you love them." - Rod Lott, Bookgasm
• Plug: "Boy, that Prince Valiant [Vol. 1: 1937-1938] hardcover looked great, didn’t it? The color is just stunning. The stories (what I’ve read so far, at least) are fun as well, with a nice mix of realism and fantasy. I’m looking forward to future volumes, both to see how Hal Foster’s style and Val’s character develop over the years." - Tom Bondurant, Robot 6
We didn't forget the Online Commentary & Diversions:
• Review: "The Lagoon is a horror story, if a low-key one; like much of the best horror it makes the connection between horror and the absurd... [Lilli] Carré's sinuous, snaking treatment of sound provides a through-line... but it still feels disconnected in ways that few writers today are gutsy enough to attempt. The overall effect is like Clive Barker fed through a twee filter. This'll stick to you." - Sean T. Collins
• Review: "Who knew that Prince Valiant, a comic strip I always assumed appeared next to the word 'boredom' in the dictionary, was so vibrant, colorful, action-packed and gosh-darned fun?... This new edition [Prince Valiant Vol. 1: 1937-1938] ups the ante not just through the fancy hardcover, but via state of the art technology that allows for a pristine detail and rich color that’s about as close to Foster’s initial intentions as we may ever be likely to get... The strip is full of brio and vigor and hits the ground running right from the start... Foster’s fight scenes are sumptuous in detail but economical in execution, with Foster rarely showing a glinting sword unless it’s either about to or already has carved someone in half... In a world where too often most art turns out to be exactly as shallow as first glance suggests, it’s nice to discover that something like Prince Valiant is capable of surprising, and even enthralling, the modern reader." - Chris Mautner, Robot 6
• Interview: The wheres and whens are a little confusing, but I guess Indy Mogul's The Reel Good Show did or is doing a live video interview with Dash Shaw today... if it gets archived we'll link it
• Events: As part of his current residency at Dartmouth College, Jules Feiffer gave a lecture Wednesday; The Dartmouth's Fan Zhang has the report (via The Daily Cartoonist). A highlight: "I was doing what so many comic book artists at the time were doing — I was stealing. You learn by stealing, you learn by swiping and, God willing, you emerge into your own style." Zhang also reports that Feiffer will participate in a panel discussion with fellow cartoonists Edward Koren, Edward Sorel and Jeff Danziger on politics in cartooning on August 12
• Review: "[Fletcher] Hanks' groove, taken back to back like this, is unsettling... It can be downright creepy. Generally, when you talk about a comic auteur's 'issues,' you're talking page count, not whether he has his head screwed on straight. It's multiplied by Hanks' art style, which at first seems crude but is actually quite stylized and consistent. Many images, such as troupes of unfortunates flying in hurtling, screaming weightlessness, have the impact of nightmares... And the twisted comics universe once inhabited by Fletcher Hanks is eerie and unsettling, and fascinating in what it reveals about the man with the pen." - Burl Burlingame, Honolulu Star-Bulletin
• Review: "Tales Designed to Thrizzle Vol. 1, [Michael] Kupperman's recent collection, is brimming with such a dense compilation of Dada-inspired plots, fake ads and comic book covers that it takes a repeated read-through to absorb the book's potent aura of absurdity... Reading Thrizzle is an expeditious experience, and like all treks you will feel exhausted and somehow improved by this entire gut-busting experience... Tales Designed to Thrizzle is beyond recommendation..." - Ascot Smith, examiner.com
• Review: "Jason is one of the relatively few working artists that even a jaded, cynical, complain-first critic like me will happily declare a true master cartoonist, without reservation. Jason is—how to put this?—good. Really, really, really good... So, Low Moon? It’s Jason. It’s new. It’s obviously really, really good, you know?" - J. Caleb Mozzocco, Newsarama
• Review: "Low Moon takes 'funny animals' comics in a disturbingly deadpan direction. The bipedal canines and birds that populate these five short tales somehow convey with their blank eyes, flat expressions and minimal movements a whole seething current of emotional subtext. The title story, first serialized in the New York Times Sunday Magazine, mixes Gary Cooper frontier heroics with chess, and it is no less strange or hilarious than the other vignettes, which play with tropes lifted from science fiction, film noir and Jazz Age romance." - "The Best in Comic Books," Michael Berry, San Francisco Chronicle
• Review: "The new Prince Valiant crackles from the page with an energy and enthusiasm that positively dares anyone to deny this strip’s rightful place in the history of the form. Yes, this is another great day for comics history and most definitely a venture worth supporting into the future." - Guttergeek
• Review: "Uptight #3 -- This comic book made me nuts... Look how goddamned beautiful that cover is... That cover illustrates the first part of a new story Crane is working on, 'Vicissitude,' and Holy Jesus it is one of the best stories I've read this year. I'm a tough sell when it comes to out-and-out fiction in comics, but the unbelievably compelling artwork totally drew me into this fantastic story... damn if that cover and those first few, tantalizing pages aren't like some new, more addictive form of crack cocaine you ingest through your eyeballs. By looking at this comic book. God DAMN, I want more 'Vicissitude.' Don't let another day go by without making sure you're getting Uptight #3." - Alan David Doane
• Interview: "I've long felt Peter Bagge is a significant figure in American comedy in addition to deserving his lofty stature in alternative comics, and I'll interview him any chance I get." - Tom Spurgeon, The Comics Reporter; "I was never allowed to play fast and lose with the truth, much to my occasional creative chagrin! Other than that they allowed me to express myself pretty freely, even if some folks on their staff disagreed with some of the points I was making." - Peter Bagge, from the interview, discussing the Reason editiorial process
• Plug: "I don’t always agree with [Peter Bagge's] position [in Everybody Is Stupid Except for Me], but his exploration is always great. And hearing other opinions and positions (especially well-informed like his), is almost always worthwhile." - Corey Blake
• Plugs: "I am slowly making my way through three recent reprints from Fantagraphics... the three books in question are Humbug, Blazing Combat, and Prince Valiant. Humbug’s easily the best of the three, as it includes so many all-time great cartoonists (Kurtzman, Jaffee, Elder, etc.) at the peak of their powers and ambitions, but the other two are worthwhile, too. With people like Wood, Toth, and Heath involved, I knew the art would be fantastic in Blazing Combat, but I’ve been surprised at the quality of Archie Goodwin’s writing... it’s much more satisfying than expected. I’ve barely begun with Prince Valiant... So far, it’s much more fluid and enjoyable than I would’ve guessed — beautiful work..." - guest columnist Timothy Hodler (Comics Comics), Robot 6
• Review: "Low Moon, the latest collection from this Norwegian-born graphic novelist [Jason], is certainly as funny as his previous books, but the humor is quieter, more mature. It balances the awkward sexuality and cynical humor of a teenage boy with the disillusionment and longing of an old man... Basically, it's been a while since I read a book and thought, 'This is changing the way I think about short fiction.' So, I've been carrying the book around, like a buddy, trying to understand out what makes Low Moon so perfect." - Heidi Broadhead, Publicola
• Review: "You’ll Never Knowis, for good or ill, going to elicit a lot of comparisons to Maus... Yet while Tyler’s work... certainly deserves any accolades it receives, it’s a much different book — warmer, more overtly affectionate and more personal to a certain extent as well... Tyler’s art is constantly inventive and alive throughout the book. full of color and energy yet incredibly lyrical and graceful when need be... Tyler has long been a cartoonist’s cartoonist, which basically translates as 'Why is no one paying attention to the awesome stuff Carol Tyler is doing?' Both in subject matter and in delivery, she seems poised to finally break free of that term." - Chris Mautner, Robot 6
• Plug: "Everybody Is Stupid Except For Me and Other Astute Observations: Damn it Peter Bagge, now what am I going to call my autobiography? This is a nice-looking collection of a decade's worth of the master cartoonist's cartoons from Reason magazine. I'm working my way through a preview copy at the moment, but I can personally attest to the first two chapters being pretty great." - J. Caleb Mozzocco, Newsarama
• Plug: "Peter Bagge has become quite the comics pundit in recent years, sounding off on a variety of issues like drugs, gun control and abortion in the pages of Reason magazine. This book [Everybody Is Stupid Except For Me] — love the title, by the way — collects most of them... [I]t’s really funny and you should buy it." - Chris Mautner, Robot 6
• Plug: "Bigger, harder, thicker and better colors. Fantagraphics has decided to repackage Hal Foster’s seminal 'knights and text' once again, this time in a hardcover format [Prince Valiant Vol. 1: 1937-1938] and with improved production values... I was quite surprised how entertaining this strip was back in the day." - Chris Mautner, Robot 6 (same link as above)
• Things to see: On the Covered blog, Steven Weissman has some alternate choices for new Avengers members in re Avengers #221
Holy moly there's a lot of links today! There's a few major interviews in today's Online Commentary & Diversions, so let's lead off with those:
• Interview: At Amazon's Omnivoracious blog, Heidi Broadhead talks to our own Kim Thompson about translating the works of Jason ("His latest collection, Low Moon... has filmic moments and comic pathos that have set a new standard for me for short fiction") and other Eurocomics. Sample quote: "But I'm also more invested in these books because I work so hard on them, and in many cases, of course, such as Tardi, I'm literally fulfilling a childhood dream by translating them."
• Interview: "Carol Tyler is one of the best cartoonists currently working. She has been for years... Earlier this year Tyler released the first of an expected three volumes that seek to explore her father's time in World War II. You'll Never Know: A Good And Decent Man gently peels back the layers on these seminal experiences while at the same time providing an earnest portrait of the artist and her most important relationships during the time she started on the project. Tyler combines the unflinching eye of the late underground with the self-deprecating portrait of the alternative comics movement with the poetic qualities that some of the best post-alternatives are able to wring from their art. I really love Carol Tyler's work, and I was delighted she agreed to talk to me." - Tom Spurgeon, The Comics Reporter
• Interview: "In a perfect and just world, John Kerschbaum would be one of its most famous cartoonists." - Rob Clough, presenting his Q&A with Kerschbaum from The Comics Journal #295. Sample quote: "And when you're doing work for kids you just leave out the cursing… and tits - no tits."
• Review: "Wolverton... had a knack, too, for nightmarish drama... [He] saved his most enthralling pieces for the Bible. An ordained minister for a wacky Oregon church, he produced, in the mid 1950s, a series of apocalyptic scenes for the Book of Revelations; men and women, foregrounded in close-up, writhe under dominant skies of fire, plague, and war." - Robert Shuster, The Village Voice, on the Wolverton exhibit at Gladstone Gallery; hat tip once again to Drew Friedman
• Review: "Jason's unique skill of meshing cut-out Hollywood genres with fleeting moments of missed opportunities is like a unique cocktail - one part Hitchcock, one part Kubrick with a dash of Woody Allen... Low Moon is a slow-moving delight. Jason has crafted a perfectly executed yarn that is at once both familiar and bizarre. This collection is an exceptional entryway for reader still unaware of one of sequential arts greatest contributors." - Ascot J. Smith, examiner.com
• Review: "Known for his ability to convey melancholic, deadpan humor, Jason is as on top of his game as ever with this release... Each story expresses a different degree of the author’s range, mixing dark or mature themes with absurdity to varying degrees... Since it demonstrates Jason’s range and is priced fairly modestly..., Low Moon makes for a great starting point for those unfamiliar with Jason’s work." - Anthony Farruggia, examiner.com
• Review: "Jason's work is something to be revered... His comics are stark and morbid and often hilarious. Low Moon presents five beautifully illustrated stories that show a mastery of the craft... The stories range from violent to funny to sad, and the tragedies, murders, and pratfalls therein never seem out of the ordinary. It all fits into four rectangular panels on each page that seem like they were drawn to make you understand something more." - Gabe Bullard, PLAYBACK:stl
• Review: "Ho!... promises the most degenerate and juvenile one-panel gag comics ever penned by a working college professor... You're either loving it or deeply concerned for the author." - Byron Kerman, PLAYBACK:stl
• Review: "Kevin Huizenga introduces a relatable and unusual story with his quirky sequel to the first Ganges in the 'Ignatz' series from Fantagraphics. A tale about morality, realism, and video games, Ganges [#2] spins a web of confusion for those universal questions that lurk at the edge of our minds... 'Pulverize' makes a bold attempt to portray how living in a technological age can confuse as well as enlighten you to great lengths. Touching and unique, Huizenga creates a quirky story for the win." - Melissa Kay, Girls Entertainment Network
• Review: "My choice for the greatest comic strip in history would be Hal Foster's epic adventure strip Prince Valiant. And now Fantagraphics is reprinting the series in a series of spiffy, oversized hardcover collections, with the first volume out this week. And even though I own the whole 40-volume set of the Foster-drawn pages that Fantagraphics published in the 1990s, I’m perfectly happy to buy this new series, with larger pages, better-quality paper, and much better-quality coloring... It’s excellent stuff, and I look forward to enjoying it all over again." - Michael Rawdon, Fascination Tangents
• Review: "The most influential adventure strip ever produced, Foster's gorgeous Prince Valiant inspired generations of artists. While the Sunday-only strip has been reprinted several times, this edition contains for the first time images shot from Foster's own color engraver's proofs. Published at the strip's original dimensions and complete with an introduction by Hal Foster biographer Brian M. Kane and the insightful 1969 Hal Foster interview with Fred Schreiber, the hardcover Prince Valiant Vol. 1: 1937-1938 finally presents these lush tales in a format worthy of the material." - Rick Klaw, The SF Site - Nexus Graphica
• Review: "Like H.L. Mencken, [Peter] Bagge favors a scorched-earth satirical attack, tearing down arguments by ridicule as much as reason. Unlike Mencken, Bagge's work is more playful and less likely to attempt to install himself as a know-it-all (even if he thinks he does) because of his nebbishy self-portrayal... It's rare to see a cartoonist branch out into this kind of second act of a career with this much flourish and skill... his work here [in Everybody Is Stupid Except for Me] demands a reader's attention every bit as much as the more famous editorial cartoonists in America... Best of all, Bagge is still funny... and this is a very good thing for both his hardcore fans and new readers alike." - Rob Clough
• Review: "[Peter] Bagge made his reputation with the wicked social satire of Hate, but since 2001 he’s also produced these short comics [in Everybody Is Stupid Except for Me] for the libertarian magazine Reason... His visual style—in which people are all huge-mouthed, squinty-eyed, rubber-limbed caricatures—is turned up all the way to 'jeer'; it’s also pretty funny on its own. Bagge aims his (constitutionally protected) satirical blunderbuss at both the left and the right, and occasionally points it at fellow libertarians and even himself." - Publishers Weekly
• Review: "...Norwegian cartoonist Jason’s latest wheeze of a graphic novella [I Killed Adolf Hitler] invents a time-travelling professional assassin who attempts to exterminate the Fuhrer with predictably bizarre results... The deadpan humour, pared-down plotting and simple illustrations featuring Jason’s trademark zoomorphic characters make for a brisk and extremely enjoyable read." - 2012
• Plug: "OMG reading Low Moon on lunch IT IS SO GOOD how long can comics stay this awesome?" - Dustin Harbin, via Twitter
• Plug: Portuguese shop Ghoulgear recommends the comics work of Jason, "who reinvented the narrative language of comics... He is an author that is worth knowing."
• Plug: "There's some great material in [Everybody Is Stupid Except for Me], whether you agree with the opinions or not, since Bagge does some great cartooning and good journalism, providing hilarious insights into topics like art, public transportation, homelessness, and gun ownership." - Matthew J. Brady
• Plug: "[Love and Rockets] was like an underground Archie, with Hispanic characters, plus it was literally oozing with a sensuality that simply couldn't be found in mainstream funnybooks... If you have the opportunity to pick up any L&R comics, I highly recommend it, as it is still some of the consistently very best comics that is being produced." - Robert J. Sodaro (former Fantagraphics employee)
• Plug: "I’m currently reading through the latest issue of The Comics Journal, number 298... I’m really looking forward to the interview with Thriller artist Trevor Von Eeden. Also, the Percy Crosby Skippy strips included in the gallery section are a wonder." - Chris Mautner, Robot 6; also, their guest contributor this week is Paul Karasik
• Things to see: Comic Book Resources presents a bunch of work by Terry LaBan (whose Fantagraphics titles are all out of print)
Online Commentary & Diversions will return Monday. Have a great holiday in the US of A.
• Review: "Like many mysteries, there's something initially frustrating about the end of 'Emily Says Hello,' but it's the best by Jason for a while... it's in the new Low Moon collection... Worth it for 'Emily' alone." - Graham Linehan (The IT Crowd, Father Ted), via Twitter (part 1, part 2)
• Review: "A thin line exists between [Basil] Wolverton’s jokey grotesqueries and the horrors of disfigurement and mutilation that appear in his postwar illustrations of the Book of Revelations (recently published in The Wolverton Bible)... Wolverton’s unsparing depictions of nightmarish prophecies are relentlessly grim but absorbingly so. There are hints of Goya’s crazed, melancholic Saturn and predictions of Charles Burns’s brooding mutant teens." - Nicole Rudick, Artforum (reviewing the Wolverton exhibit currently on view at Gladstone Gallery; hat tip to Drew Friedman)
• Review: "Oh my god.It’s like someone wheeled my senile, racist grandfather onto a metropolitan sidewalk and let him free associate.Unfortunately, my grandfather’s psychosis might have more acuity and humor than Everyone is Stupid [Except for Me]." - Ashley Cardiff, CC2K (via Reason link below; don't say we never post negative reviews)
• Review: "Michael Kupperman is the funniest cartoonist alive, and Tales Designed to Thrizzle is his funniest comic book... Thrizzle has the manic joy of a really good sketch-comedy series... Thrizzle was originally published as four comics, and Kupperman has recolored the series for its hardcover release... [It] should amuse just about anyone who can read." - Paul Constant, The Stranger
• Review: "[Fletcher] Hanks's stuff burns itself into and onto the brain like a giant scalding iron of dementedness." - fústar
• Review: "Certainly nobody takes umbrage with the claim that these are four awesome comics, collected in one hardcover edition [Blazing Combat]... Fantagraphics have done us a big favor by reprinting them all." - The Comic Book Haters (streaming video)
• Plug: "...Reason's own beloved Peter Bagge has a fantastic collection of a near-decade's worth of political cartooning coming out from Fantagraphics [Everybody Is Stupid Except for Me]. The content is king but the actual production is nothing short of stunning, filled with the bright, bright colors that Paul Simon used to sing about back when Kodak was still making film." - Nick Gillespie, Reason
• Interview: At comiXology, Tucker Stone interviews The Comics Journal online editor, the ista! in ¡Journalista!, my comrade-in-linkblogging-arms, Dirk Deppey. Pull quote of all pull quotes: "I got the job at Fantagraphics by making fun of The Comics Journal's website on its message board, basically."
• Review: "Issue #3 of Jordan Crane's Uptight serves as a wonderful example of just how good pamphlet format comics can be... Uptight #3 delivers 24 pages of beautifully focused storytelling... If you like Crane's work or simply want to try something a little different, do go out and buy this. Uptight represents everything single issue comics should be but so very rarely are. Fact is, we need more comics like this, so vote with your wallets and support the fine folks at Fantagraphics..." - Matthew Dick, Exquisite Things
• Review/Profile: "...[Boody Rogers's] command of dream-state narrative logic and language-mangling dialogue remains unnerving and uproarious in about equal measure... Now comes the Fantagraphics edition of Boody: The Bizarre Comics of Boody Rogers — a 144-page whopper, rich in humor and dreamlike oddities..." - Michael H. Price of the Fort Worth Business Press recounts meeting Rogers in the 1980s and also reviews Rogers's memoir, Homeless Bound
• Review: "For his latest... book [Low Moon], Jason has decided to try something a bit different... In attempting to stretch himself, though, he offers some of his weakest work to date, but some of his strongest and emotionally wrenching as well... Longtime readers... will definitely want to pick it up..." - Chris Mautner, Robot 6
• Plug: "Literally jam-packed with strips that constantly vary in sizes, [Tales Designed to Thrizzle Vol. 1] shines with [Michael] Kupperman's earth-shattering wit, his excellent vintage-comics-inspired draftsmanship and his genius comedic timing. Thanks Fantagraphics!" - Librarie D+Q
• Plug: "You'll Never Know[Book 1: A Good and Decent Man] by C. Tyler arrived this week... it is funny, moving, sad -- highly recommended." - Librarie D+Q
• Plug: "The Comics Journal #298: Lotsa good interviews in this issue... For me though, the meat of the issue is the wealth of daily Skippy strips by Percy Crosby reproduced in the gallery section." - Chris Mautner, Robot 6
• Interview: Publishers Weekly has a Q&A with Peter Bagge about his new collection Everybody Is Stupid Except for Me. Money quote: "I could have taken the Doonesbury route and pandered to my fellow libertarians by pretending I (and they) had all the answers, but that would have been both too easy and dishonest."
• Interview: Newsarama's Zack Smith talks to Sam's Strip creators Mort Walker and Jerry Dumas about the creation of the strip and the new Fantagraphics collection. Sample quote from Walker: "You always put something personal in every strip, so it’s wonderful to see all these old strips again."
• Charity: ComicList reports that Jaime Hernandez will participate in Comic Book Legal Defense Fund fundraising at Comic Con with an autograph card and original art auction
• Oddity: What does Popeye have in common with Michael Jackson? Well, now they're both subjects of Jeff Koons artwork, according to this Reuters story
Let's see what Online Commentary & Diversions popped up over the weekend:
• Review: "Abstract Comics: The Anthology is an impressive collection of old and new work with unique pages covering exactly what the title says... bold... intriguing... This is a book for readers who like fine art or those who would like to expand their sequential art experiences. A hearty slap on the back for Fantagraphics for choosing to create this marvelous example of a widely unknown artistic expression." - Kris Bather, Comic Book Jesus
• Review: "I had always equated [Prince] Valiant with everything that is dull and lifeless and boring and supposedly good for you, but it turns out I was completely and utterly wrong. On the contrary, it's a rip-snorting good time, full of high adventure and thrilling escapades. And Valiant, far from being the schoolmarmish goody two-shoes I imagined him being, is full of piss and vinegar and quite a bloodthirsty young chap, which makes him a good deal more interesting than some of his contemporaries on the comics page." - Chris Mautner, Robot 6
• Review: "Tales Designed to Thrizzle #5, like all the previous issues by Michael Kupperman, did not fail at thrilling or dazzling me." - Brian Cronin, Robot 6 (same link as above)
• Review: "...C. Tyler's You'll Never Know Book One: A Good and Decent Man isn't... much like any other autobio comic I've encountered... It’s a really rather fascinating work, and the longer one thinks about it, the more important and universal it seems to be. On the surface level, of course, it’s an extremely interesting, rather unique story of a couple different life’s stories, and how they overlap, but there plenty of other levels waiting to be discovered and ruminated over. I won’t be at all surprised to see this book taking slots on a lot of best of the year lists in another six months or so." - J. Caleb Mozzocco, Newsarama
• Review: "Don’t think of [The Wolverton Bible] as an exception or a bizarre footnote in religious art but one and maybe the 20th century continuation... By the end of the book, pages after pages of doom and destruction, you realize that Wolverton is maybe the only person to illustrate the The Old Testament and the Book of Revelation -- the most 'savage' books of the bible." - Are You a Serious Comic Book Reader?
• Plug: "Tales Designed to Thrizzle Vol. 1: It's the collection of the first four issues of Michael Kupperman's hilarious series, now in color! This stuff is comedy gold, so get it if you haven't read it already, and hell, spend the extra money to see the non-monochromatic version if you want." - Matthew J. Brady
• Events: Jared Gardner reports from a panel he moderated with Arnold Roth, Mort Walker and Brian Walker as part of the celebration of the merger of the International Museum of Cartoon Art with Ohio State University's Cartoon Library and Museum, adding that Jean Schulz has set up a matching grant to raise needed funds for the combined museum to move into a new permanent home
• Oddity: At Guttergeek, Chris Reilly interviews himself: "I actually am a big fan of Michael Kupperman and Eric Reynolds from Fantagraphics just sent me a copy of the hardcover Tales Designated to Thrizzle Vol. 1 and I would like to conduct this interview by commenting on the quotes of this book – would that be cool?" Um, 'kay...
HAROLD FOSTER’S LEGENDARY MEDIEVAL EPIC, FINALLY IN ITS DEFINITIVE EDITION
Universally acclaimed as the most stunningly gorgeous adventure comic strip of all time, Prince Valiant ran for 35 years under the virtuoso pen of its creator, Hal Foster. (Such was its popularity that today, decades after Foster’s death, it continues to run under different hands.)
The giant Sunday-funnies pages (Valiant ran only on Sundays) gave Foster a huge canvas upon which he was able to limn epic swordfights, stunning scenes of pomp and pageantry, and some of the most beautiful human beings — male and female — ever to appear in comics. And he matched his nonpareil visual sense with the narrative instincts of a born storyteller, propelling his daring young hero from one crisis to another with barely a panel to catch one’s breath.
Prince Valiant has previously been widely available only in re-colored, somewhat degraded editions (now out of print and fetching collectors’ prices). Thanks to advances in production technology and newly available original proof sheets, this new series from the industry leader in quality strip classics is the first to feature superb restored artwork that captures every delicate line and chromatic nuance of Foster’s original masterpiece. Comic strip aficionados will be ecstatic, and younger readers who enjoy a classic adventure yarn will be bowled over.
Volume One is rounded out with a rare, in-depth classic Foster interview previously available only in a long out-of-print issue of The Comics Journal, as well as an informative Afterword detailing the production and restoration of this edition, which you can read in its entirety right here on our website.
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