You might think that birth of Prince Valiant's son Arn at the end of the previous volume would have slowed down Val's adventuring, but you would be wrong. After the baby has been christened, Valiant and Gawain are dispatched to investigate reports of black magic in Wales, ending up in pitched battle at the aptly-named Castle Illwynde. Then it's off to Scotland to battle the Picts, and then home yet again for Val to visit his growing boy.
Valiant now enters the 1950s: The Thule winter is hard and bleak, and a prince who has designs on Aleta must be dealt with. Then it's another epic-length story, "The Missionaries," in which Val and several of his fellow knights and crew travel to Rome on a quest for teachers who might bring Christianity to Thule. The story also features an escape through the Alps, far too many red-headed girls, and a tragic, life-changing event for the young squire Geoffrey (a.k.a. "Arf"). And Foster charmingly ends the book with "The Prince Arn Story," a three-week sequence narrated by the toddler.
Prince Valiant Volume 7, once again shot from stunningly crisp and colorful original printer's proofs from Foster's original collection, also features the usual wealth of supplements, including another brace of rarely-seen Foster art, and an introduction by the recently-anointed artist of the ongoing Prince Valiant strip, Thomas Yeates.
Folks who picked up our special Prince Valiant comic on Free Comic Book Day this year already got a preview of one of the storylines in the upcoming Prince Valiant Vol. 7 by Hal Foster, reconfigured and edited to fit the format. Now here's an unexpurgated excerpt with a dozen full-page strips from the book, which hits shelves next month! View the preview in the embedded reader here (full-screen viewing recommended) or get the PDF directly, and pre-order the book here.
We're kinda busy. All of these books are slated to come out in a 4- to 6-week period from August to mid-September! (Plus a few others we've already shown you.) We're going to take the less-is-more, show-don't-tell approach with this update; each photo links to the product details page where you can learn more and pre-order each title. And of course we'll have more pretty preview pics coming soon. Get your wallets ready!
Did you miss one of the best days of the year this past weekend? Free Comic Book Day may only come once a year but rest assured, you can read this Prince Valiant treat anywhere on your digital reading device from the future thanks to comiXology.
This full-color comic collects two Prince Valiant stories from Hal Foster's 1950 peak: "Home Again," in which Val, Aleta, and newborn baby Prince Arn enjoy an eventful ocean journey back to Thule; and “The Challenge,” in which another knight's unwelcome advances on Aleta result in a classic duel with Valiant! Grab it this free read now for the kid in you or a kid (twelve and up)
The lucky seventh volume of Hal Foster's Prince Valiant is off to the printer for release in August and here's our final, fine-tuned cover art. From an investigation of black magic to a quest for Christian missionaries, from epic derring-do to lighthearted domestic comedy, this volume runs the gamut of what readers love Foster's dashingly-told, masterfully-drawn strip for.
You'll be able to pick up your FREE copy of this special comic exclusively at participating comic shops on Saturday, May 4, 2013. Lots of shops have sales on FCBD so it'll be a great time to pick up available volumes in our Prince Valiant series!
Hal Foster, creator of the legendary strip Prince Valiant (and the happy haircut of the same name) and the comics strip adaptation of Tarzan, has a solid group of friends. In 2002 “The Friends of HalFoster Society” began in Halifax, Nova Scotia by a group of 'Haligonians' after Brian Kane's Foster bio was published. Their goal? Educate tourists and citizens about Foster and currently working on a permanent memorial to Hal’s birthplace. Hal’s Pals resident researcher, Kevin Sollows has continued delving into Foster’s childhood in Halifax, and has created a website with his findings.
Please take the time to scroll through the pages to see the house Foster grew up in, and other interesting things about Hal’s past! How much do you think influenced the lush landscapes of Prince Valiant? For that you may have to visit Halifax yourself.
Wanna join the gang? Call at 902.425.2140 or send a letter to "Friends of Hal Foster", 5262 Sackville Street, Hallifax, Nova Scotia, B3J 1K8
"I spent so much time on the waterfront that I still exhale a pungent aroma of tarred rope & dried codfish." –Hal Foster.
Well folks, it's our first batch of 2013 releases and a swell batch it is.
In the past month we've received the gorgeous new definitive edition of the '90s cult classic 7 Miles a Second; Tom Kaczyinski's acclaimed short story collection Beta Testing the Apocalypse; the mammoth new issue of The Comics Journal; a reprint of a Complete Crumb Comics volume loaded with Fritz the Cat classics (and a sweet deal on multiple volumes); Alexander Theroux's encyclopedic, entertaining rant The Grammar of Rock (with Crumb on the cover); true Tejas tales in Jack Jackson's American History: Los Tejanos & Lost Cause; an essential new volume of Hal Foster's Prince Valiant; and the new 2nd hardcover collection of Michael Kupperman's hilarious Tales Designed to Thrizzle!
Remember, our New Releases page always lists the 20 most recent arrivals, and our Upcoming Arrivals page has dozens of future releases available for pre-order.
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7 Miles a Second is the story of legendary artist David Wojnarowicz, written during the last years before his AIDS-related death in 1992. Artists James Romberger and Marguerite Van Cook unsentimentally depict Wojnarowicz's childhood of hustling on the streets of Manhattan, through his adulthood living with AIDS, and his anger at the indifference of government and health agencies. A primal scream of a graphic novel, 7 Miles a Second blends the stark reality of Lower East Side street life with a psychedelic delirium that artfully conveys Wojnarowicz's sense of rage, urgency, mortality and a refusal to be silent.
Originally published as a comic book in 1996 by DC's Vertigo Comics, 7 Miles a Second was an instant critical success and has become a cult classic amongst fans of literary and art comics, just as Wojnarowicz's influence and reputation have widened in the larger art world. This new edition finally presents the artwork as it was intended: oversized, and with Van Cook's elegant watercolors restored. It also includes several new pages created for this edition.
"Revolutionary.... a runaway, over-the-top circus... An excursion into areas few, if any, comics creators have tread." – Jim Steranko
"Seven Miles a Second veers between an almost unbearably gritty naturalism and the incendiary heat of surrealist hallucination." – The New Yorker
"A revelatory work of art." – Art in America
"A cult classic... both a celebration of the unlimited potential of the comic book form, and a perfect melding of inspiring, iconoclastic imaginations." – Jim Jarmusch
It would be easy to call Tom Kaczynski the J.G. Ballard of comics. Like Ballard, Kaczynski’s comics riff on dystopian modernity, bleak man-made landscapes and the psychological effects of technological, social or environmental developments. Yet while Kaczynski shares many of Ballard’s obsessions, he processes them in unique ways. His visual storytelling adds an architectural dimension that the written word alone lacks.
Kaczynski takes abstract ideas — capitalism, communism, or utopianism — and makes them tangible. He depicts and meditates on the immense political and technological structures and spaces we inhabit that subtly affect and define the limits of who we are and the freedom we as Americans presume to enjoy. Society and the individual, in perpetual tension. Once you’ve read Kaczynski’s comics, it should come as no surprise to learn that he studied architecture before embarking on a career as a cartoonist.
Beta Testing includes approximately 10 short stories, most notably "The New," a brand new story created expressly for this book. It’s Kaczynski’s longest story to date. "The New" is set in an unnamed third-world megalopolis. It could be Dhaka, Lagos or Mumbai. The city creaks under the pressure of explosive growth. Whole districts are built in a week. The story follows an internationally renowned starchitect as he struggles to impose his vision on the metropolis. A vision threatened by the massive dispossessed slum-proletariat inhabiting the slums and favelas on the edges of the city. From the fetid ferment of garbage dumps and shanties emerges a new feral architecture.
The newly formatted, 600+ page Comics Journal proved a resounding success with 2011’s edition. 2012’s Volume 302 is sure to prove just as essential and exciting to comics readers worldwide.
This edition’s cover feature is a long, intimate interview-portrait with and of Maurice Sendak, the greatest and most successful children’s book author of the 20th — and 21st — century, the author of Where the Wild Things Are, In the Night Kitchen, Outside Over There, Higglety Piggelty Pop, and the illustrator of works by Herman Melville, Leo Tolstoy, and Randall Jarrell. In his longest published interview (and one of the last before his death in 2012), Sendak looks back over a career spanning over 60 years and talks to Gary Groth about art, life, and death (especially death), how his childhood, his parents, and his siblings affected his art and outlook, his search for meaning — and also, on the lighter side, about his love (and hate) of movies. And his unbridled comments on the political leadership of the previous decade have already garnered national media attention and controversy.
Sharing equal billing in this issue's flip-book format: Kim Thompson conducts a career-spanning interview with French graphic novel pioneer Jacques Tardi. The two explore the Eisner Award-winner’s genre-spanning oeuvre comprising historical fiction, action-adventure, crime-thriller, “icepunk” and more, focusing on Tardi's working methods (with step by step illustration), collaborations and other media (such as film and animation), and his fascination with World War I. Plus, Matthias Wivel examines Tardi's adaptation of Léo Malet's 120, Rue de la Gare.
Also in this issue, Art Spiegelman conducts a wide-ranging aesthetic colloquy on classic kids’ comics (Carl Barks’s Donald Duck, John Stanley’s Little Lulu, Sheldon Mayer’s Sugar and Spike, and many more) with a group of comics critics and historians. Bob Levin provides a revelatory investigation of the twisted history of the "Keep on Truckin’" litigation and a fascinating biographical portrait of R. Crumb’s lawyer, Albert Morse. Warren Bernard writes a ground-breaking historical investigation of the 1954 Senate Subcommittee Hearing on Juvenile Delinquency. R.C. Harvey looks at Bill Hume's Babysan and Donald Phelps examines Percy Crosby's Skippy. And a tribute to the late Dylan Williams from his peers and the artists he published.
Plus: “How to Draw Buz Sawyer” by renowned newspaper cartoonist Roy Crane (and a previously unpublished interview), a new comic by Joe Sacco and one by Lewis Trondheim in English for the first time, Tim Kreider on Chester Brown, Tom Crippen on Mort Weisinger and Superman, Rich Kreiner on "difficult comics," and a visual gallery of and commentary on proto-comics.
The Comics Journal has been for 37 years the world’s foremost critical magazine about comics. It is now more vital than ever, a gigantic print compendium of critiques, interviews, and comics.
Starring Fritz the Cat includes Crumb's classic original Fritz stories from 1965, including "Fritz Bugs Out" and "Fritz the Cat, Special Agent for the CIA," the first two "real" stories in the Fritz canon, as well as "Fritz the Cat, Ace Statesman," four pages of a previously unpublished Fritz story, and several Fritz illos never before printed in color. Plus: Crumb's first published work from Help! and Yell, including the "Harlem Sketchbook" and the "Bulgarian Sketchbook," most never before reprinted; two dozen of his Topps trading cards, plus extremely rare promotional items, as well as many creeting cards done for American Greetings, several in full color; and many pages of strips from Crumb's 20-year-old sketchbooks. Plus more of Marty Pahls's ongoing Crumb biography, including the story of Crumb's first acid trip, with more rare photos of the young Crumb!
1989 Harvey Award Winner, Best Domestic Reprint Project
Buy Two, Get One Half Off! When ordering this volume, add any two other available volumes from The Complete Crumb Comicsseries and the third volume will be half price! See product page for more details.
National Book Award nominee, critic and one of America’s least compromising satirists, Alexander Theroux takes a comprehensive look at the colorful language of pop lyrics and the realm of rock music in general in The Grammar of Rock: silly song titles; maddening instrumentals; shrieking divas; clunker lines; the worst (and best) songs ever written; geniuses of the art; movie stars who should never have raised their voice in song but who were too shameless to refuse a mic; and the excesses of awful Christmas recordings. Praising (and critiquing) the gems of lyricists both highbrow and low, Theroux does due reverence to classic word-masters like Ira Gershwin, Jimmy Van Heusen, Cole Porter, and Sammy Cahn, lyricists as diverse as Hank Williams, Buck Ram, the Moody Blues, and Randy Newman, Dylan and the Beatles, of course, and more outré ones like the Sex Pistols, the Clash, Patti Smith, the Fall (even Ghostface Killah), but he considers stupid rhymes, as well — nonsense lyrics, chop logic, the uses and abuses of irony, country music macho, verbal howlers, how voices sound alike and why, and much more.
In a way that no one else has ever done, with his usual encyclopedic insights into the state of the modern lyric, Theroux focuses on the state of language — the power of words and the nature of syntax — in The Grammar of Rock. He analyzes its assaults on listeners’ impulses by investigating singers’ styles, pondering illogical lunacies in lyrics, and deconstructing the nature of diction and presentation in the language. This is that rare book of discernment and probing wit (and not exclusively one that is a critical defense of quality) that positively evaluates the very nature of a pop song, and why one over another has an effect on the listener.
Jack Jackson loved American history and creating comics. He combined these into a single vocation and created a legacy of historical graphic novels that has never been equaled.
Jackson is credited with creating what many consider the first underground comic, God Nose, in 1964. He co-founded Rip-Off Press in 1969, and made some of the most scathing satirical comics about contemporary America ever seen. But, Jackson was a Texan, and in the 1970s he returned to his roots and began writing and drawing short historical comics about Texas history. He then went on to produce six graphic novels chronicling 19th century Western history focusing on his beloved Texas and the Plains Indians. Fantagraphics, which published Los Tejanos originally in 1981, is proud to bring his graphic histories back into print in a series of three volumes, each reprinting two of his long narratives.
The first volume features Los Tejanos, which Fantagraphics published as a solo book in 1981, and Lost Cause (1998) — chronicling Texas history before and after the Civil War.
Los Tejanos is the story of the Texas-Mexican conflict between 1835 and 1875 as seen through the eyes of tejano (literally Texan of Mexican, as distinct from anglo, heritage) Juan Seguín. It is through Seguín, a pivotal and tragic figure, that Jackson humanizes Texas’ fight for independence and provides a human scale for this vast and complex story.
Lost Cause documents the violent reaction to Reconstruction by Texans. As Jackson wrote, “Texas reaped a bitter harvest from the War Between the States. Part of this dark legacy was the great unrest that plagued the beaten but unbowed populace.” The tensions caused by Reconstruction are told through the Taylor-Sutton feud, which raged across South Texas, embracing two generations and causing untold grief, and the gunslinger John Wesley Hardin, who swept across Texas killing Carpetbaggers, Federal soldiers, and Indians.
Jackson’s work is as known for its rigorous research — he became as good an historian as he was a cartoonist — as well as its chiseled, raw-boned visual approach, reproducing the time and place with an uncanny verisimilitude.
This edition includes an essay by and interview with Jackson about the controversy Lost Cause generated, and an introduction by the novelist Ron Hansen.
Hal Foster's masterpiece of adventure enters its second decade as Valiant and Aleta journey to "The New World," a 16-month epic that allows Foster to draw some of his spectacular native Canadian backgrounds, and during which Aleta gives birth to Arn and acquires her Indian nurse, Tillicum. Most of the rest of the book is taken up with the action-packed five-month sequence "The Mad King," during which Val, back at Camelot, confronts the evil, fat little King Tourien of Cornwall.
This volume is rounded off with an essay by Foster scholar Brian M. Kane (The Prince Valiant Companion) discussing Foster's depiction of "Indians" as it relates to other interpretations of the times, accompanied by various graphic goodies including our most spectacular bonus feature yet — a double-sized fold-out page reproducing a strip hand-colored by Foster — plus a previously unpublished camping cartoon by Foster from circa 1915, some of Foster's Mountie paintings, Foster's own map of Val's voyage to/from the New World, and more rare photos and art.
As always, this volume is shot directly from Foster's personal collection of syndicate proofs, their glorious colors restored to create an unprecedentedly sumptuous reading experience.
Hot on the heels of his acclaimed Mark Twain’s Autobiography 1910-2010 comes Michael Kupperman’s second all-comics collection of surreal slapstick and crazy non-sequitur goofiness, all from the pages of his beloved comic book series Tales Designed to Thrizzle.
Tales Designed to Thrizzle Volume Two features two of Kupperman’s recurring duos: America’s favorite mustachioed physicist/writer double team of Twain and Einstein (solving new crimes and barreling through exciting new adventures), and the crime-fighting team of Snake and Bacon ("Sssssssssssss!") who make a special return just to star in Reservoir Dogs 2.
Elsewhere in this volume the crusty Quincy, M.E. makes his comic book debut, struggling through the fantastic landscapes of his own dreams in "Quinception" (in which St. Peter also gets his own comic book). And learn the true story of the first lunar landing, guest starring Woodward & Bernstein, Lt. Columbo and... Quincy again??... in "Moon 69."
Also: The Jungle Princess battles rhino traders... A story of Broadway theatrics in "All About Drainage"... Slightly cursed merchandise and other dubious products... Cockney grave robbers... Cowboy Oscar Wilde... McArf the Crime Dog takes a bite out of scum... The origin of The Hamanimal... A photocomic starring comedian Julie Klausner, "Voyage To Narnia"... Break out your crayons for the highly educational "Train & Bus Coloring Book"... The story of French national hero "The Scythe"... and "Murder, She Goat."
Plus! This volume contains a full issue's worth of never-before-published, brand new Thrizzle material featuring "Mandate the Magician," "Fart Boobs," "The Odd Couple of Draculas," "Skull Groin," "Gladiator & Snivolus," "Mr. Flopears," "Gordon Ramsay's Fairy Tale Toilet Kitchen Nightmares," "McGritte the Surrealist Crime Dog," a new Twain & Einstein adventure and ever so much more!
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
128-page black & white/color 8.5" x 11" softcover • $19.99 ISBN: 978-0-93019-375-1
"...[S]ince I'm going off the deep end anyway, I'll add The Complete Crumb Comics, Vol. 3: Starring Fritz the Cat ($19.99), from Fantagraphics, so I can relive my wasted youth in full archival style." – Brigid Alverson, Robot 6
112-page full color 10.25" x 14" hardcover • $35.00 ISBN: 978-1-60699-588-4
"Any Hal Foster fan worth his or her salt should be snapping up Prince Valiant, Vol. 6, collecting Val's lengthy excursion to the New World (i.e. North America) in pursuit of the vikings that have kidnapped his wife. It's a great run, featuring Foster's usual exquisite eye for detail and backgrounds and storytelling skill." – Chris Mautner, Robot 6
"...[H]aving just read the Foster, I know that one is [beautiful]." – Tom Spurgeon, The Comics Reporter
"Two blasts from the past down here, starting with Prince Valiant Vol. 6: 1947-1948, a Hal Foster collection that readily describes itself; $35.00. And then you can relive some early funny animal classics in The Complete Crumb Comics Vol. 3: Starring Fritz the Cat, the storybook of choice for your inner child; $19.99." – Joe McCulloch, The Comics Journal
We're busily working away on Volume 7, covering the years 1949 and 1950, which we expect to have out in May or June, trying to catch up from the slightly delayed Volume 6, and thereby aiming for three volumes this year. (By the way, our Free Comic Book Day comic for this year will feature an advance excerpt from Volume 7. Be sure to grab one -- if only to see how we managed to break down Foster's lush, oversized tabloid pages to comic book format.)
With the exception of the occasional pin-up-style shot of Princess Aleta (which are pretty hot, actually), Prince Valiant has always been considered a rather staid, conservative strip, but Val/Foster expert Brian Kane (author of a fascinating article about Foster's treatment of North American natives in the current volume, and of course the wonderful Prince Valiant Companion) pointed out two panels from the upcoming volume that suggest that Mr. Foster may have had a wicked sense of humor. In this sequence from 1950, young Arf is smitten with a "maid with flaming hair and eyes of blue" as he almost falls out of a tree. For his clothing to drape so that the pommel of his sword creates a huge bulge in the fabric in one panel can be dismissed as a graphic happenstance. But to see Arf back on ground with the end of his sword still "pitching a tent" is maybe a little... eyebrow-raising.
Well, maybe we're just seeing things. But as Fredric Wertham famously wrote, "In ordinary comic books, there are pictures within pictures for children who know how to look."
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