#4 - You'll Never Know, Book 2: Collateral Damage by C. Tyler: "The first volume of Tyler's planned trilogy appeared on this list last year, and she hasn't missed a step, fleshing out her father's time in World War II with fresh details about its long-term aftershocks on the home front."
#3 - It Was the War of the Trenches by Jacques Tardi: "...French cartoonist Tardi's pitch-black World War I masterpiece, available in English for the first time. This is war as hourly apocalypse, Expressionist and agonizing."
#1 - Love and Rockets: New Stories #3 by the Hernandez Brothers: "The first two [issues] were typically excellent, but the third was jaw-dropping, largely because of 'Browntown,' a story by Jaime Hernandez. Like his brother Gilbert, Jaime has been so good for so long that it's become very easy to take his obvious genius for granted. 'Browntown' brought that skill into brutal relief, a devastating story of a secret left to fester. Expertly paced, with not a line wasted, it was one of the year's best stories in any medium, a stunner from a guy who keeps finding new peaks."
• List:Popdose's Johnny Bacardi (né David Allen Jones) names Love and Rockets: New Stories #3 one of his Best of 2010: "Featuring Jaime Hernandez's remarkable 'Browntown,' perhaps the best thing he's ever done. Which makes this absolutely essential."
• Review: "...The Littlest Pirate King is gorgeously illustrated and quite intriguing. David B. has an unusual style which tempers the creepiness of undead pirates with an almost goofy look; but then those cartoony characters grin as they run swords through people. It’s a very odd juxtaposition that matches the story well..." – Jonathan Liu, Wired – GeekDad
• Review: "...[Usagi Yojimbo] is probably one of the best comic stories ever made. The epic scope expected from historical fiction is there as are some of the most finely drawn characters in the medium. [...] While even the stories that are not particularly noteworthy are highly readable, the good stories in this collection are amazing. [...] I give this book the highest possible praises for quality." – J.A. Crestmere, Renderwrx Productions
• Review: "Destroy All Movies!!!, edited by Zack Carlson and Bryan Connolly, not only gives an great anthology-like overview... but provides a strong focus on the talent and punk-brains behind the art. [...] It’s the perfect summation of a 1980s American society that didn’t know how to handle the punk uprising, and a film industry that capitalized on it." – Dave McKendry, Fangoria
• Review: "Fantagraphics has finally presented the work of one of comics' greatest mystery men in dignity with beautiful color reproduction and informative introductions. [... Unexplored Worlds] shows off Ditko's work after the Comics Code Authority came onto the scene and turned every lurid story of horror and 'the macabre' into some lame morality tale in which everyone has a nice time. Still there's some strong content in this book..." – Nick Gazin, Vice
• Review: "Johnny's new book [FUC_ __U, _SS __LE] is full of the yucky yuks, barfy larfs, and gags-that-make-you-gag that have made this shock comicker the Artie Lange of drawn funnies! [...] Do you like comics where dangling nutsacks are mistaken for pinatas and rich people shove DVDs into midgets' butt cleavage which causes them to act out the movies? A comic where summoning a Garfield Satan is possible by using the Lasagnanomicon? A comic where a little girl shoots the homelees in the brain, grinds them up, and feeds them to skunks for Thanksgiving? You don't? Neither does anybody else. Eat my balls, JR." – Nick Gazin, Vice
• Review: "As with Ryan’s more recent work... the jokes [in FUC_ __U, _SS __LE] become have become more outrageous, absurd, disturbing and just plain odd. Whether that’s a good thing or a bad thing depends upon your appreciation for Prison Pit, not to mention your appreciation for Johnny Ryan’s comics in general. Me, I thought it was swell." – Chris Mautner, Robot 6
• Review: "Here’s another best of 2010 comics entry for you. Cathy Malkasian’s Temperance is like Franz Kafka’s The Castle meets Little House on the Prairie and goes drinking. No, it’s like rewriting Pinocchio as several Flannery O’Connor short stories, including (but not limited to) 'A Good Man Is Hard To Find' and 'Good Country People.' No, that’s not it either. [...] Anyway, it’s weird as hell. This stuff." – John Holbo, Crooked Timber
• Review: "Dosed with dry, mordant wit and just the right tone of macabre Ghost Train suspense Toys in the Basement is a simply terrific goose-bumpy thriller rendered magical by the wildly eccentric, brilliantly imaginative and creepily fluid artwork of Blanquet. This dark delight also has the perfect moral message for loot-hungry, attention-deprived youngsters – and their kids and grandchildren too." – Win Wiacek, Now Read This!
• Interview:The Daily War Drum talks to Stephen DeStefano about his Disney comics work and other topics: "I'm currently working on storyboards for Disney TV Animation, on a show called Kick Buttowski. I'm also drawing Spongebob Squarepants comic books, as well as drawing the second volume of my graphic novel (Volume One was published this past September) called Lucky in Love."
#10: A Drunken Dream and Other Stories by Moto Hagio: "Ten spooky, perceptive stories of girls and ghosts in trouble from one of the masters of shojo manga, who has her work translated into English for the first time."
#5: Set to Sea by Drew Weing: "He may look like a big lug, but he’s got dreams of the ocean and the heart of a poet. The hero of Weing’s salty debut sails off to adventure in this pocket-size sea-shanty of a graphic novel."
#1: Wally Gropius by Tim Hensley: "A candy-colored absurdist comedy about a teen so wealthy he barfs $100 bills, this ridiculously enjoyable book reads like Richie Rich on LSD."
• List:NPR's Glen Weldon names Cathy Malkasian's Temperance one of "The Year's Most Transporting Books": "Amnesia also plays a role in Cathy Malkasian's huge, haunting — and hauntingly beautiful — graphic novel Temperance. [...] Malkasian's plot is loose and elliptical, and she pokes at many of the same salty psychological truths that made the Brothers Grimm so grim; lies, guilt and violence buffet her characters about like gale-force winds. You won't know where the story's going, but Malkasian's pages are gorgeous, sweetly melancholic things, and you'll enjoy the trip."
• Review: "...[One of the] Books of the Year... An expansive allegorical fable, ...Temperance speaks to our times with prophetic pointedness. [...] A uniquely imaginative book, Temperance is an example of how a sepia-toned pencil can sing." – Neel Mukherjee, The Times
• List: At Attentiondeficitdisorderly, Sean T. Collins names Prison Pit Book 2 by Johnny Ryan one of his Comics of the Year of the Day, saying "take how you felt during the baseball-bat scene in Casino, then make a book out of it."
• List: British cartoonist Matt Brooker offers up his Best of the Year at the Forbidden Planet International Blog Log, including 2009's You Are There by Jacques Tardi & Jean-Claude Forest: "Alongside Mœbius’ The Airtight Garage of Jerry Cornelius, this is the defining classic of 1970’s Bande Dessinee, but unlike The Airtight Garage you really need to be able to read the dialogue to make it worth owning… this first English translation has been much too long coming, so I was delighted to be able to read You Are There at last. It was originally conceived as a screenplay, and reads like one of those particularly mad Sixties films (like Peter Sellers’ Casino Royale or The Magic Christian) of which I’m so unreasonably fond."
• Review: "The always-superb Jason too has a book out this year: Werewolves of Montpellier. Droll, laconic as always, dry as drought, and hilarious and sympathetic in equal measures... A mad, lovely and bright book." – Neel Mukherjee, The Times
• Review: "While we’re on the subject of Jason, it wouldn’t do to leave out a mention of Almost Silent, a deluxe collection of four of his earlier books... The book is worth searching out for [You Can’t Get There From Here] alone. It’s the longest story in the book and is a retelling of the Frankenstein story as a love triangle without words, set off by a Greek chorus-type duet between two hunchbacks." – Neel Mukherjee, The Times
• Review: "Destroy All Movies is a product of the tireless DIY work ethic: It is one of the most painstaking books ever written on punk rock. As such, it stands in the rarified league of Banned in DC, Fucked Up & Photocopied, and the long out-of-print masterpiece Loud 3D. Carlson and Connolly have managed to make a volume with both intellectual relevance and deep entertainment value. And if you don't have time to actually read through all 1,000 entries, it's still a blast just to look at." – Sam McPheeters, Bookforum
• Plug: On the Matablog, Matador Records co-founder Gerard Cosloy says "If I celebrated Xmas and/or hadn’t already purchased a copy, I’d be asking Satan Santa for the newly published Destroy All Movies!!!..." and calls it an "amazing tome" (link via our own Janice Headley)
• Plug: "This book is out of control. [...] The research that went into [Destroy All Movies!!!] is unfathomable. They even tracked down every instance of a punk in a made-for-TV movie. The mind boggles. And then the mind puts on a Crass album and head butts some prep in the face." – Kyle Olson, The Hipster Book Club "2010 Holiday Gift Guide"
• Review: "Castle Waiting’s a pleasant, upbeat series, a great way to spend a quiet afternoon. If you’re looking for high adventure and action, it’s not here. This series is exploring the quiet places and the emotional beats that exist just beyond the screaming and bloodshed, and it’s doing so with style and wit. Castle Waiting comes highly recommended." – Michael C. Lorah, Newsarama
• Review: "EC was not the only company putting out good horror comics in the 1950s. Fantagraphics’ Four Color Fear: Forgotten Horror Comics of the 1950s shines the spotlight on some of the other comic publishers who were putting out great horror comics back then. [...] As great as the stories are perhaps the best feature is the 20 page note section that provides details behind each of the 40 stories in the book with fantastic anecdotes. There is also an index to all the companies publishing horror comics with a listing of titles and issue numbers making this a fantastic resource. Grade A+" – Tim Janson, Mania
• Review: "Since continuity usually plays second fiddle to the avalanche of inventive ideas, the strips can be read in almost any order and the debauched drunkenness, manic ultra-violence in the manner of the best Tom & Jerry or Itchy & Scratchy cartoons, acerbic view of sexuality and deep core of existentialist angst (like Sartre ghostwriting The Office or perhaps The Simpsons) still finds a welcome with Slackers, Laggards, the un-Christian and all those scurrilous, lost Generations after X. [...] If you’re the kind of fan who thrives on gorge-rousing gags and mind-bending rumination this is a fantastic and rewarding strip, one of the most constantly creative and entertaining on the market today and this latest collection [Little Maakies on the Prairie] is one of the very best yet. If you’re not a fan of Maakies this is the ideal chance to become one and if you’re already converted it’s the perfect gift for someone what ain’t…" – Win Wiaceck, Now Read This!
• Review: "This series is a non-stop rollercoaster of action and romance, blending realistic fantasy with sardonic wit and broad humour with unbelievably stirring violence, all rendered in an incomprehensibly lovely panorama of glowing art. Beautiful, captivating and utterly awe-inspiring Prince Valiant is a World Classic of storytelling, and this magnificent deluxe [Volume 2] is something no fan can afford to be without. If you have never experienced the majesty and grandeur of the strip this astounding and enchanting premium collection is the best way possible to start and will be your gateway to a life-changing world of wonder and imagination." – Win Wiacek, Now Read This!
• Review: "One could easily spend hours thinking of the hard concepts Kelso brings into the book without ever hitting the reader over the head with any of them. It's a sign of her storytelling ability that we get all of this without it ever feeling like she's preaching to me. [...] Artichoke Tales, at its heart, is about how complex the world is, with no one quite able to figure things out. ...I thought this was a well-crafted book that shows the human side of a conflict. It's a sad tale, but one worth reading." – Rob McMonigal, Panel Patter
• Interview:Comic Book Resources' Chris Mautner has a very informative chat with our own Kim Thompson about our new line of all-ages Eurocomics books: "Well, to be honest, I’m not sure how many kids will actually be reading this. It’s hard to get kids interested in comics, and foreign comics are even tougher. I’d welcome kids reading it but I’m assuming 98% of the audience will be grown-ups who dig this particular material. That said, I’m always a little baffled by how sensitive grown-ups are about kids’ material."
• Interview: At AfterEllen, Ariel Schrag talks to Gabrielle Bell: "I definitely prefer reading fiction to reading comics, except for a very small percentage of comics. And when I was a teenager I wanted to be a fiction writer. I’m much more interested in films, too. I feel like I’m more interested in the potential of comics, rather than what they’ve already accomplished, whereas with films and novels I’m interested in what they’ve already accomplished."
Our own Kim Thompson was interviewed about our Prince Valiant series this morning by host Patrick Neas on Kansas City's classical station KXTR, who provided us with an MP3 of the session (5.26 MB) to share with you! (Note that the contest mentioned at the end of the interview is over.)
(Above: the cover to Volume 3, coming in February/March 2011!)
• Review: "Greg Sadowski‘s excellent Four Color Fear: Forgotten Horror Comics of the 1950s (Fantagraphics Books) was the first of a quartet of books on horror comics to surface this fall, and for my money, it’s arguably the most invaluable of the bunch. [...] There are some real revelations here, and I can tell you that this hardcore horror comics scholar/collector/creator is eternally grateful for all that Sadowski and Benson have added herein to a richer knowledge of these unique comics and this grossly misrepresented and misunderstood period in comics history. With an eye toward entertaining fully as well as curating, Sadowski’s greatest accomplishment here is making Four Color Fear such a fun and engaging read, cover-to-cover. [...] In this, Sadowski brings far more care to his anthology than any of the original editors of these comics seemed to; the cumulative effect, at times, is intoxicating, and the ways in which both the individual art styles and the narrative content are woven into a satisfying tapestry are often witty, sly and insidious. There’s a lot of smart work, here, and as a result it’s a super read for everyone, whether you’ve never before sampled this era’s strange fruit or are (like me) a long-time fan and collector." – Steve Bissette, The Schulz Library Blog
• Review/Interview: "That meeting place between responsible parenting and letting your kids love monsters is at the heart of the new graphic novel Rip M.D.... The parental dilemma (just how much horrific stuff should we let our kid get into?) is mined as a story point, while the book itself serves as a family-friendly gateway to gruesomeness. ..[T]the story focuses on Ripley’s personal growth as he accepts responsibility for these monstrous misfits. It’s a legitimately positive message delivered via a story about creatures, all of which sits close to Schauer’s heart. 'I grew up an only child, predominantly surrounded by adults,' Schauer recalls. 'I had to find something to entertain myself. It turned out to be monsters. [...] I’m trying to pull from the emotion I felt when I first saw those classic monsters, not as something to fear but something that was misunderstood.' [...] Rip M.D. doesn’t skimp on the macabre while reinforcing the ideal of an understanding family and the importance of not passing judgment on society’s outcasts…at least until you know them well enough to deliver an informed diagnosis." – Jack Bennett, Fangoria
• Review: "In High Soft Lisp, Gilbert traces the relationship history of Fritz Martinez, the ultimate sex goddess in a career full of them, and in so doing reveals that her every fetish outfit and sexual free-for-all is fruit from the poisoned tree. Lots of characters in this book enjoy the living shit out of Fritz’s sexuality, not least Fritz herself, but to a man and woman they’re revealed to be creepily predatory about it, embracing the worst in themselves and encouraging the worst in Fritz. And here’s the thing: What have we been doing over the hundreds of pages we’ve spent watching Fritz adorably and kinkily fuck her way through the post-Palomar cast of Beto’s comics? What has Beto been doing? What does that say about all of us?" – Sean T. Collins, Attentiondeficitdisorderly
• Review: "Mome... is where the smart kids with the sharpest pencils, shiniest pens, biggest brushes and best software go to play before they blow your minds in great big award-winning graphic novels. It is intense, sometimes hard to read and crafted to the highest production standards. This volume signals five incredibly impressive years and the eclectic graphic mix presented here augurs well for the next fifty… Whether you’re new to comics, fresh from the mainstream ghettos or just need something new, Mome always promises — and delivers — a decidedly different read." – Win Wiaceck, Now Read This
• Interview:Bef got two minutes with Jaime Hernandez
• Plug: In the head-scratchingest gift guide ever, Tom Mason of Comix 411 suggests our Prince Valiant volumes as a wedding gift for Prince William: "One or two volumes would be nice for the royal couple. They can pretend it’s history."
• Review: "Tardi's art [in The Extraordinary Adventures of Adèle Blanc-Sec Vol. 1] well deserves the praise that he's a grandmaster of comics. It's detailed, expressive, authentic, and distinctive. His world-building is thorough, the setting established through both background art and scene selection. Frequent recaps keep the reader up to speed, while emphasizing how amusingly convoluted everything quickly becomes. Tardi knows the conventions of this kind of rollicking, complicated adventure, and the story points out how ridiculous they are at the same time it's engaging in them." – Publishers Weekly (Starred Review)
• Review: "Jason is a Norwegian living in France; the Montpellier of the title [Werewolves of Montpellier] is his adopted home. This biographical trivia might suggest that this is his most personal work yet, but if it is, it’s only in the sense that his personal vision of comics is running on all cylinders here; while nothing he’s put out (in English, anyway) has been bad, he’s continually refining his sensibility, and this is Jason at his most Jason." – Jonathan Bogart, FA
• Review: "Fantagraphics has always been the industry leader in getting old comic strips back into print..., and while their Prince Valiant reprints from the 1990s were wonderful at the time, this new edition is the best the strip has looked since it was originally printed on Sunday broadsheets in the 1930s and 40s. With Foster’s original colors — and he was as brilliant and forward-thinking in his use of color as he was brilliant and medium-changing in his black-and-white drawing — and a strong, heavy binding, these are archival editions, the sort of books that should be passed down to the next generation." – Jonathan Bogart, FA
• Interview: At The Daily Cross Hatch, it's the penultimate installment of Brian Heater's chat with Jaime Hernandez: "It’s very difficult for me when people ask me to do a talk or an example of a page—how I break down a page and stuff like that. It’s not that easy for me. There are teachers and there are doers—I’m a doer. I don’t know how this stuff happens, it just spills out of me, it’s that kind of thing. [...] I don’t want to fight that, because I’m afraid it will ruin it and it will change it, or my art won’t be that distinctive. I’d rather just leave that to the gods."
• Reviews: At Vice, it's time for another installment of "Nick Gazin's Comic Book Witch Hunt":
"Name a funnier comic than Popeye. Wrong, idiot, there isn’t one. Not only is Popeye the best ever, but this volume of Fantagraphics Popeye series is the best one yet. Oh yeah? Name a better one. Wrong. ... Like most great strips, Popeye has a strong philosophy. That philosophy is the world’s full of crooks. I wish there was a real Popeye to enforce some sort of rough fist-justice but I’m pretty sure there’s no justice and there’s certainly no Popeye, just crooks."
"The original [Prince Valiant] was a giant Sunday page with some of the greatest illustrations ever done. The colors in the latest reprint series are so superior to those in the previous printings that the old ones might as well have been in black and white. This shit is tremendous. ... Get this book or I’ll get you."
"I keep waiting for the quality of the comics in these [Complete Peanuts] books to take a sharp downturn but it hasn’t hit yet. ... So many personality types that I find in adult life were first found in these comics."
"Jason returns with another really good comic [Werewolves of Montpellier]... Jason uses just a few lines but his aesthetics are super superior and he can express intense emotions with simplicity."
"...[T]he art and colors [in Captain Easy Vol. 1] are mind bogglingly beautiful. It’s like Darger. Beautiful candy-colored lunacy."
• Review: "Dungeon Quest: Book One offers an interesting and amusing read, full of lots of laughs about youth and nerd culture, with a surprising layers of sardonic social commentary folded in for good measure." – Jordan Magill, San Francisco Book Review
• Review: "...I had more fun reading this book than just about any other comic I’ve read so far this year. ... There’s a sort of Hergé-like mechanical perfection to his artwork; not only is it super-clean and super-crisp, but the panel-to-panel consistency is so strong that his characters sometimes don’t look drawn so much as stamped out by some sort of automatic drawing machine. ... Steve and Millennium Boy are funny — sometimes on purpose, sometimes not — and it’s a pleasure to walk around with them. ... I haven’t played an RPG since I was a teenager, but I think I’d play a Dungeon Quest one in a heartbeat." – J. Caleb Mozzocco, Newsarama
• Review: "This amazing, sweeping epic... spans decades of time and hundreds of miles of geography, and it deals with no less than war, fear, religion, trust, memory, violence and the mysterious, barely understood ways in which these broad, vague emotions are used to form communities and society, and/or how they can tear them apart. ... I can’t recommend Temperance highly enough. It’s a book that everyone should read, and then reread." – J. Caleb Mozzocco, Newsarama
• Review: "If the message and method of delivery seem simple, the artwork is anything but. In that regard, Set to Sea is the comics equivalent of good poetry. It’s not what’s being said so much as how beautifully Weing’s saying it." – J. Caleb Mozzocco, Las Vegas Weekly
• Review: "Combining the utterly irresistible power of nostalgia and insatiable curiosity with science-fiction, conspiracy theory, urban history, fact and legend, show-biz razzmatazz, supernatural horror, Film Noir and a highly developed sense of the meta-real, [in The Search for Smilin' Ed] Deitch once more weaves an irresistible spell that charms, thrills and disturbs whilst his meticulous drawing holds the reader in a deceptively fluffy, yet inescapable grip." – Win Wiacek, Now Read This! (via Bill Kartalopoulos)
• Review: "Widely acknowledged as the greatest adventure strip ever created, Prince Valiant is also arguably the best comic strip in that medium’s history. However, reprint collections have failed to truly capture the beauty and consummate artistry of Hal Foster’s creation…until now, that is. ...[T]his new Fantagraphics edition goes beyond simply correcting the shortcomings of past reprints — in truth, it is more of a revelation than a mere restoration. ... Ultimately, Prince Valiant is much more than a series of fantastic adventures in some legendary era; rather, it is a depiction of the making of a fully rounded and realized human being. ... Hal Foster’s Prince Valiant is a story to be read and cherished — today, tomorrow, always." – ForeWord Reviews
• Review: "With this second hardcover collection, Fantagraphics allows gives fans of the character much reason to rejoice. Thanks to the use of the original proof sheets (and the marvels of modern printing technology), these strips look better than they did when originally published. ... Wherever Prince Valiant goes, adventure follows and every bit of it is breathtakingly beautiful thanks to the work of the legendary Hal Foster. ... I don’t know that I can put into words what I have witnessed on the printed page, but I do know this: If you have any interest in this medium we call sequential art, whether as a fan, a historian or someone who hopes to make a living as an artist, you probably ought to pick up some of Hal Foster’s Prince Valiant. ... There are not enough words in the English language to describe how stunningly beautiful the artwork is in these comics. If there was ever any doubt about whether or not comics are art, an afternoon spent with Hal Foster’s Prince Valiant should put those doubts to rest to anyone with a functioning pair of eyeballs. ... I couldn’t put the thing down and had to tear myself away from it, as I quickly found myself carrying the book around with me and devouring it during every moment of free time. If you like adventure and you like art, you gotta pick yourself up some Prince Valiant. It sets the standard for both. Grade: A" – Chad Derdowski, Mania
• Interview:Anime News Network's Carlo Santos talked with Moto Hagio at Comic-Con International: "For true manga connoisseurs, the real highlight of Comic-Con 2010 was not a movie preview or a celebrity sighting, but simply being in the presence of a living legend. In this interview, Hagio sits down to share the wisdom of her years as an artist, with renowned manga scholar Matt Thorn interpreting." Sample quote: "In any generation, there's only a limited number of artists who can do science fiction well. The biggest challenge of doing science fiction is that, since it's not based in reality ... in order to bring readers into it, you need to have sufficient vision to create an attractive story."
I thought I could keep up with Online Commentary & Diversions while at Comic-Con. Ha ha ha ha ha.
• Coming Attractions: At Robot 6, Chris Mautner takes a look through the 46 (!!!) upcoming books listed in our Fall/Winter catalog (note: listed release dates may no longer be accurate and are all subject to change)
• History/Profile/Review: "What A Drunken Dream reveals is an author whose childhood passion for Frances Hodgson Burnett, L.M. Montgomery, and Isaac Asimov profoundly influenced the kind of stories she chose to tell as an adult. ... For those new to Hagio’s work, Fantagraphics has prefaced A Drunken Dream with two indispensable articles by noted manga scholar Matt Thorn. ... Taken together with the stories in A Drunken Dream, these essays make an excellent introduction to one of the most literary and original voices working in comics today. Highly recommended." – Katherine Dacey, The Manga Critic
• Review: "Anyone interested in the historical development of manga and the women who’ve contributed to the art form should read this book. I hope A Drunken Dream sells well enough for Fantagraphics or other publishers to consider putting out some of Hagio’s longer works. Her short stories are great, but I’d love to see what she does with a longer storyline." – Anna Neatrour, TangognaT
• Plug: "What Osamu Tezuka is to shonen and seinen manga, Moto Hagio is to shojo manga -- a true innovator who challenged and stretched the conventions of the medium by created touching, memorable and truly artistic comics stories. ... Fantagraphics had copies of the absolutely gorgeous hardcover edition of A Drunken Dream available for sale at their [Comic-Con] booth..." – Deb Aoki, About.com: Manga
• Interview:The Comics Journal's Shaenon Garrity sat down with Moto Hagio & translator Matt Thorn for a conversation at Comic-Con International: "I find it very embarrassing to read my very early work, but when you see the stories arranged chronologically it gives a good overall impression of my career. In Japanese, too, it’s common to present an author’s works in a sample spanning his or her whole career, so it’s turned out very much like that."
• Review: "Deadpan dialogue, drawings that move from panel to panel with the strange and deliberate force of kung fu performance art, and a subtle interweaving of humor and angst come together to make [Werewolves of Montpellier] a brief knockout of a book." – Publishers Weekly (Starred Review)
• Review: "...[T]his cartwheeling shaggy-dog story begins, like a lot of metafiction, with the semblance of reality... But by the time a frog demon reanimates a 19th-century French peasant whose brains it has eaten, it’s fairly clear that Deitch is making stuff up. The fun of [The Search for Smilin' Ed] is the way it constantly darts back and forth across the line between genuine show-business lore (a favorite Deitch theme) and delirious whole-cloth invention. There are stories within stories, unreliable explainers, secret passageways that lead from one part of the tale to another." – Publishers Weekly (Starred Review)
• Review: "Wally Gropius is a book that’s constantly lying to the reader, with a terrifying chaos roiling just immediately below its surface. The book is a flood of visual and textual information, but the information itself is near constantly false. ... For me, it’s a book that lies constantly, that lies at its very core, but that nevertheless ends up getting at a greater truth of things. And so, yeah: I thought that was pretty neat." – Abhay Kholsa, The Savage Critics
• Review: "There’s more derring-do [in Prince Valiant Vol. 2: 1939-1940] than you can shake a sword at! Foster’s stories are filled with vivid, colorful characters, none more engaging than the aptly named Valiant and his never-ending quest for adventure. The artwork is breathtaking. Foster’s figures are handsome and graceful whether eating a sumptuous feast or fighting on a crowded battlefield. ... Even if the age of chivalry is not your flask of ale, Foster’s art and storytelling will win you over." — Rich Clabaugh, The Christian Science Monitor
• Review: "This book is why Fantagraphics is one of the best and most important comic publishers in the business today. [Blazing Combat] is a series that could have easily been forgotten to the ages but Fantagraphics always is at the forefront of making sure important works of sequential art are remembered. ... This is a brilliant collection of stories that should be required reading. Intelligent, gripping stories and fantastic art! Grade A +" – Tim Janson, Mania and Newsarama
• Review: "Formally inventive and emotionally acute, Bottomless Belly Button indeed proves to be all those things: as fascinating and affecting a depiction of family ties as Jonathan Franzen's The Corrections or Wes Anderson's The Royal Tenenbaums." – Ed Park, Los Angeles Times
• Plugs: Alex Carr of Amazon's Omnivoracious blog has Weathercraft by Jim Woodring ("I am woefully ignorant when it comes to Woodring’s Frank comics, and this looks like the weirdest place to start") and Dungeon Quest Book 1 ("After The Red Monkey Double Happiness Book, I will read anything Joe Daly produces") on his summer vacation reading list
• History: For the Los Angeles Times, Ben Schwartz compiles an oral history of the 1980s heyday of L.A. alternative comics with Matt Groening, Gilbert & Jaime Hernandez, David Lynch (!), and Gary Panter
• Review: "Exploration, thankfully, is precisely what Weathercraft is all about. Woodring’s latest graphic novel is a deep exploration of Unifactor, through looking glasses, behind tears in the world’s fabric, under sea and into space, this time all experienced through the beady eyes of Frank’s principle antagonist, Manhog." – Brian Heater, The Daily Cross Hatch
• Interview: At Newsarama, Michael C. Lorah discusses Weathercraft with Jim Woodring: "This is Manhog’s book. He’s a more interesting character than Frank in a lot of ways. He’s deep, whereas Frank is bottomless."
• Review: "Fantagraphics has done the world the great service of reprinting Basil Wolverton's Culture Corner... [T]hese strips will delight any Wolverton fan with their characteristic doggerel, gratuitous violence, and slapstick humor that pokes fun at the American self-improvement genre. ... [T]he Fantagraphics edition is well worth the price: it's a handsomely bound item, augmented with the sketches and a nice essay by Wolverton's son." – Cory Doctorow, Boing Boing
• Review: "Foster’s humorous, quick-moving stories charge relentlessly forward. ... Whether Val is plotting a way to upend a larger force or enjoying good times with old friends, Foster’s twist-laden narrative comes across with a casual warmth, as if telling of merry adventures around a campfire. Similarly, Foster’s detailed renderings enforce the earthy grounding of Prince Valiant and his cohorts. ... The artistry, the witty and creative plot twists, and the evocative and charming characters all make for a truly timeless, and utterly enjoyable adventure comic strip experience. Any reader who appreciates the innocent high adventure of yore needs to get on board with Hal Foster’s Prince Valiant." - Michael C. Lorah, Newsarama
• Interview: Mark L. Miller of Ain't It Cool News discusses Werewolves of Montpellier with Jason: "The opening concept, the guy who dresses up as a werewolf and then is chased by real werewolves, I had in my mind a long time. I thought it was a fun, silly concept. But something was missing. It was only when I got the idea to mix it with an Audrey Hepburn movie that the story really took off."
• Interview in the future:Matt Thorn wants to know what you'd like him to ask Moto Hagio at her spotlight panel at Comic-Con
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