• Review: "This collection of strips [The Frank Book] doesn’t have much of a thread running through it, apart from the characters and their surroundings. Like classic cartoons and newspaper strips, they are there to have situations inflicted upon them. In his afterword, Woodring suggests that each strip is intended to be a mystery but that one concept runs through each one, like a sort of moral or statement. Finding these can, at times, be challenging, but this obscurity and strangeness is a large part of what gives the book it’s charm." – Grovel
• Review:Novi Magazine's Jona gives a spoiler-filled and tipsy run-through of The Left Bank Gang by Jason: "This book is basically the original Midnight in Paris. It features Ernest Hemingway, F. Scott Fitzgerald, Ezra Pound, and James Joyce living in France, but as cartoonists (instead of writers) in the mid 1920’s. It’s presented in Jason’s signature 'animal people' style, with consistent 3x3 conventional grids, and an immaculate sense of pacing. In short, the whole thing reeks of Jason, and I love it. I mean, seriously. All literature has been replaced with comics in this universe. What’s not to love?"
• Commentary: At Robot 6, J. Caleb Mozzocco examines the racial depictions in Walt Disney's Donald Duck: Lost in the Andes by Carl Barks: "Because so many of Barks’ stories dealt with the Ducks visiting exotic lands, because the stories in this collection were produced between 1948 and 1949 and because Disney doesn’t exactly have the most sterling reputation when it comes to representing diverse nationalities or ethnicities, I was sort of concerned about what the lily-white ducks would be faced with when they journeyed to South America or Africa. Or, more precisely, how Barks would present what they would be faced with."
• Commentary: At The Webcomic Overlook, Larry Cruz looks at Hal Foster's Prince Valiant for his "Know Thy History" column: " Foster was a fantastic all-around artist. His strip boasted some great looking architecture, meticulously detailed clothing, and epic clashes. He had a keen eye for adding shadows to heighten drama. Hal Foster is said to have put 50 to 60 hours working on a single strip, and it shows." (via Robot 6)
• List: Gustavo Guimaraes of Brazilian culture & entertainment site Ambrosia names "The best comics published in the U.S. in 2011 - Alternative and classic," including Congress of the Animals by Jim Woodring (all quotes translated from Portuguese)...
"The world created by Woodring is unique, beautiful and scary. His stories can be incomprehensible at times, but always intriguing and charming."
"Sala's characters look like something out of old horror and mystery movies, and his plots possess a rare levity for narratives of the genre. The colorful art makes the his twisted drawings even more attractive."
"Walt Kelly was a complete artist, his drawings were graceful, his stories were simple and fun while at the same time provoking the reader with hints of metalanguage and political content. His writing was faceted with the sensibility of a great satirist."
"A masterpiece of old adventure comics continues today thanks largely to Foster's fantastic realistic art. Landscapes and epic battles are played to perfection by the author, turning the limited space of each panel into a window to a world where historical characters live with mythological beings. Careful printing in oversize hardcover as well as meticulous reproduction of the beautiful original colors make this collection from Fantagraphics a model for classic comics publishing."
"Even if you already have all of Carl Barks' comics of you will want to buy this book. It is the first time that these comics are being reissued with the original colors, digitally restored. This deluxe edition, with hard covers and high-quality paper, includes articles on all the comics collected in the volume."
• Review: "To say that it has been worth the wait is wild understatement. Pogo Through the Wild Blue Wonder is beautifully produced — no surprise to anyone familiar with the work of Fantagraphics Books in Seattle — and a joy to read. It comes as a genuine gift to anyone who loved Pogo and, it is to be hoped, as an introduction for younger readers to what many people believe was the best comic strip ever drawn in this country." – Jonathan Yardley, The Washington Post
• Review: "Wilson's genuine bravery, as this strip makes clear, is not that he set himself up as a rival to Charles Schulz but rather the directness with which Nuts confronts genuinely painful and baffling topics like sickness, mental illness, and death. When dealing with master artists, any ranking becomes absurd because each creator is memorable by the individual mark he or she leaves. So let’s leave Peanuts comparisons aside and say that Nuts is one of the major American comic strips and we’re lucky to have the complete run in this handsome, compact volume." – Jeet Heer, The Comics Journal
• Review: "Jacques Tardi’s interpretation of Jean-Patrick Manchette’s book [Like a Sniper Lining Up His Shot] is an intense and shocking thriller.... Dark, brutal and uterly compelling, classic thriller fans should lap this up. Put a few hours aside before picking it up though, because you won’t want to put it down and it’s a feast worth savouring." – Grovel
• Review: "I gave Roy Crane’s Captain Easy, Solder Of Fortune: The Complete Sunday Newspaper Strips Volume 1 1933-1935 a good thumbing many, many times before picking it up. The artwork was too simple, the stories silly. One day in my local comic shop with nothing new to read I picked it up. What I failed to comprehend as I stood in the comic shop flipping pages in this book is that Crane chose the elements of his strip carefully, especially those I dismissed it for. Simple character design, bright colours, fictional locations and action with a sense of humour. After finishing the volume I applaud his choices." – Scott VanderPloeg, Comic Book Daily
• Interview (Audio):The Comics Journal presents a recording of the Jack Davis interview conducted by Gary Groth and Drew Friedman at last month's Brooklyn Comics & Graphics Festival (posted here after a slight delay due to technical audio issues)
• Interview:Culture Brats has "Seven Questions in Heaven" with Esther Pearl Watson: "Even though now I have a huge collection of mini-comics, I try not to look at other comic artists as influences. They draw too nice, or have their thing down. Comic storytelling styles can be as individual as fingerprints. We spend years creating our own narrative language. Instead I look at naive drawing and self-taught artists to de-skill."
• Conflict of Interest: Our own Larry Reid names Love and Rockets: New Stories #4 one of his favorite comics of 2011 in a guest column at Graphic Eye: "The conclusion of Jaime’s poignant 'Love Bunglers' story alone made this book essential reading in 2011. Almost unfathomably, Love & Rockets keeps getting better with age."
The first image is from Nostalgia Press's 1978 re-colored version. The second image is from Fantagraphics Books' 1991 re-colored version. The third image is from the original Syndicate proof sheets which will eventually be used in Fantagraphics' Prince Valiant Volume 6 later this year.
While I think the Danish colorists behind the 1991 version made a (heh) valiant effort at capturing the glory of Foster (the less said about the Nostalgia Press version the better), it's pretty obvious which one is the keeper here. (Also, Foster didn't make the native Americans the color of boiled lobsters.)
• Review: "...Young Romance: The Best of Simon & Kirby’s Romance Comics isn’t just a book of some minor historical interest; it’s a genuinely entertaining and artful set of comics, and in some ways more readable than Simon and Kirby’s adventure stories.... Simon’s plots deal with jealousy, class conflict, mistaken identity, selfishness, and selflessness — the romance staples — while Kirby’s art makes these tales of passion and deceit especially dynamic, with deep shadows and a mix of the glamorous and the lumpen. ...Simon and Kirby... depict[ed] a world of darkness and heavy emotion, inhabited by clean-looking people in pretty clothes." – Noel Murray, The A.V. Club
• Review: "Though not a novel per se, The Life and Death of Fritz the Cat does tell a story of sorts, about Crumb’s evolution as an artist, from the mild-mannered greeting-card designer who drew cheeky doodles in his spare time, to the prickly satirist who’d use Fritz as a way to comment on the sick soul of the ’60s and his own at-times-unwieldy success." – Noel Murray, The A.V. Club
• Review: "Nuts wasn't action-packed or boldly satirical. Just the opposite, in fact -- it was subtle and thoughtful, with what I'm guessing was a heavy autobiographical element on the part of Mr.Wilson.... You might not have grown up when Wilson did, or when the [National Lampoon] was published, or when I first read these strips years ago, so the details have changed. But I'm willing to bet the emotions our hero felt remain almost exactly the same, no matter what generation is reading about him. And, of course, Gahan Wilson's cartooning is what makes the strips special." – Will Pfeifer, X-Ray Spex
• Review: "There are few collections of comics that you can truly describe as 'beautiful art'; however, Fantagraphics’ series of Prince Valiant trades is absolutely stunning to look at and is easy to write flattering things about, because it is so flattering for a reader’s eyes to behold Foster’s artwork crisp, clear, and huge in all its splendor. The fourth volume of Prince Valiant, which collects all the Sunday pages in full color from 1943 to 1944, is just wonderful, whether you are 4 or 94; it is a totally engrossing experience to dive into the world of the adventurous prince on these pages." – Drew McCabe, ComicAttack.net
• Interview:The Comics Reporter's Tom Spurgeon talks with Zak Sally about his new self-published, self-printed collection of Sammy the Mouse: "I've gotten out three issues of Sammy in five years, and in that five years I've had two kids, I've been married. My life has changed extraordinarily. That's just the way art works, you know. I was doing issue #2 -- maybe #3, I can't remember -- and there was stuff going on in my life. Six months later I look at that issue and I was like, 'Oh my sweet God.' It was absolutely reflective of what had been going on at the time, and I was completely unaware of it. I just think that's part of it, and that's the way it works."
• Interview: At Nummer 9, Erik Barkman has a Q&A (in Danish) with Johan F. Krarups (editor Matthias Wivel describes it as a "commentary track") about his contribution to the Kolor Klimax: Nordic Comics Now anthology
• Plug: Heidi MacDonald of The Beat looks forward to Jaime Hernandez's God and Science: Return of the Ti-Girls: "We can’t help but think that all of the people calling for great superhero stories featuring women will find Ti-Girls a masterpiece, as well, an entire superhero universe made up of nothing but superheroines of various shapes and sizes. It’s jaunty Jaime to be sure, but even so probably one of the best superhero stories of the last decade."
• Plug: "Fantagraphics is still the gold standard for classy newspaper strip collections. I’m afraid people are getting jaded now about how the wonderful Peanuts volumes are chugging right along year after year, but it’s worth pointing out that they continue to be everything anyone could ever want from an archive edition. What’s more, Fantagraphics followed it up with these new Floyd Gottfredson Mickey Mouse collections." – Greg Hatcher, Comic Book Resources
• Plug: Found this nice nugget in Laura Hudson's interview with Chris Onstad at ComicsAlliance: "Jim Woodring is great, and is one of those people who will honestly admit to you that, 'Yeah, my brain's a little f**ked up.' His comics are sort of a manifestation of his brain. It works for him. He's a really wonderful guy. He has this big three-story place with big, gothic abbey rope hanging in front of the front door. The rope rings a little bell to let you know that someone's at the door. One time it rings in the foyer so his wife opens the door, and there's this little cat there that came in from the road. So they let the cat in, shut the door, and we all go about our night. Then we watched Popeye for two hours. That's Jim. And he does all of his work based on hallucination. None of it's set in reality. Uncanny things that make me feel strange happen [in his comics]."
• Analysis: Jordan Hurder, Chance Press examines the collaborations between Jacques Tardi and Jean-Patrick Manchette: "Tardi is a fantastically celebrated cartoonist who has been at the forefront of the industry in France for 35 years. In contrast to his slow burn, Manchette shot out ten crime novels over the course of ten years, redefined and reinvigorated the French crime novel, became hugely influential, and died of cancer in the 1990s.... The compatibility between the two artists is uncanny; maybe a better critic could point out exactly why in just a few words, or maybe it’s one of those matchups that works without needing explanation." – Jordan Hurder, Chance Press
• Commentary:Gary Groth remembers Christopher Hitchens in "My Dinner with Hitch" at The Comics Journal
• History: Speaking of our dear leader, David Hine presents some scans from an issue of Gary's pre-Fantagraphics fanzine, Fantastic Fanzine (hat tip to Dan Nadel at TCJ.com)
• List: Esteemed Washington, DC bookstore Politics & Prose has posted their list of "Favorite Graphic Literature of 2011":
"It seems sort of cruel to celebrate the final issue of Mome, Fantagraphics’ premier anthology of comics. But one can hardly resist such a celebratory finale. As to be expected, Mome Volume 22 packs a wallop, throwing in a mind-bending array of cartoonists, some Mome regulars, some first-time contributors. Some favorites: Joe Kimball’s 'Secret Hand,' Tim Lane’s 'Belly Gunner,' Eleanor Davis’ 'Nita Go Home' and 'Loving Bin Laden' by James Romberger. As always, this is a refreshing and eye-opening anthology. So thank you, Mome, and goodbye."
"Jacques Tardi’s wildly inventive The Arctic Marauder follows Jerome Plumier as he tries to uncover the mystery of why ships keep sinking in the arctic. Written to parody a Victorian and Jules Verne-esque style, Tardi’s illustrations look as if they’re out of a much older book; his seascapes and townscapes are scenic and highly detailed; his creative paneling is fresh and interesting; and the abundance of machinery and wild inventions makes this book a real wonder to read. Ending on a strangely ominous, ironic, and humorous note, this is yet another masterpiece by the French master, finally brought to American audiences."
"Jim Woodring’s little anthropomorph, Frank, has been around for quite some time, and his silent, life altering, universe confusing, epic comics finally get collected into one nice book. Frank has graced the comics page for decades now, and his curiosity, foolishness, but utter innocence leaves one always wishing for more, and to have it collected into one volume is an absolute treasure. There is much to say about The Frank Book, but really, you should just pick it up and wander with Frank and his friends and enemies, into a world that is so different, and yet, so similar to our own."
"Stigmata is one of the greatest virtuoso displays of pen-and-ink work in the history of graphic novels. Illustrator Lorenzo Mattotti’s 'raging fury of intense linework' is mesmerizing on every single page, and drives the novel-length story by Claudio Piersanti set in the hellish world of bars and traveling carnivals (with a final redemptive chapter). Stigmata is a recognized classic in the comics world, and was published in Europe in 1998. It has finally been translated and published here."
"Pogo Possum and the bunch of characters that make up Walt Kelly’s colorful, smart, and witty comic finally get the sort of treatment they deserve. It has taken Fantagraphics a long, long time to find perfect copies of all these fantastic strips, and to make sure Pogo was given its due in the best possible way. So here it is: the first of twelve volumes, complete with dailies and Sunday pages (with absolutely gorgeous color). This is quite possibly one of the best things to come out this year, and one of the best books for any library."
"Hot on the heels of popular Mickey Mouse hardcover comics collections, Fantagraphics puts forth a second Disney classic, Donald Duck: Lost in the Andes. While some readers may have been surprised by Mickey’s exploits in the early days, Donald is exactly as you remember and expect him to be: perpetually frustrated with a heart of gold. What is also not surprising is the level of skill behind the cartooning of Carl Barks, whose knack for expressive figures and attention to detail makes this collection an endlessly entertaining read. So well-loved were these stories, that none other than the great Steven Spielberg paid tribute to them in the famous scene of Indiana Jones versus the boulder in Raiders of the Lost Ark. Sure to please any fan of good-humored Golden Age comics."
"I’ve never quite liked Mickey Mouse. He was always a little too tame, too good. And while he was always the hero, he never seemed to earn it. Fantagraphics recent release of the classic 1930’s comic strips has completely changed my mind. While Mickey’s essential character hasn’t changed, he is certainly more bold, more willing to throw a punch or rush into a haunted house, or even into a brawl with Pegleg Pete and his gang. Floyd Gottfredson’s artwork bears the trademark Disney look (given that it is clear and at times inventive), but the limit on panels and the daily format of the strip forced Gottfredson to tell his stories in intriguing, and always brilliant ways. These comic strips are full of adventure and clever satire. With the usual Fantagraphics treatment, there are over 50 pages of supplemental material, so these books provide a wealth of information on the series and on Gottfredson’s life. Also available in a slipcased set!"
"For those who still think that Prince Valiant is simply an illustrated version of your boring high school history textbook, it is time to take heed. Fantagraphics continues to release these gorgeous remastered editions of one of America’s most beloved and enduring comics. This is a story steeped in family and tradition, with a dash of fantasy. Hal Foster’s professionalism shines in every painstakingly-researched and well-composed page of Prince Valiant Volumes 3and4. Each panel’s composition immediately draws you in and invites you to linger in a world of romance and adventure, in which you may spend many Sunday afternoons. Previously released editions were high-contrast, lurid affairs that seemed determined to destroy the good name of the original color artist; however, the impeccable restoration of the comic’s original colors makes it enjoyable for the modern audiences and almost a brand new experience for fans lucky enough to have read it in their youth."
• List/Review: "Finally starting to be collected, Gottfredson's masterful first year was released by Fantagraphics, publisher of all good things, in a wonderful hardbound... Aside from the subject matter, the most striking thing about this volume is Gottfredson's art. He demonstrates a supernatural knack for detail and fluidity that remains largely unchallenged in his representation of Mickey, as well as in animation/ cartooning/ sequential art.... As a longtime appreciator of Gottfredson and proponent for his legacy, Race to Death Valley was the best comic release of 2011 — a feat, considering the material is 70 years old. Take that, modern literature!" – Rafael Gaitan, Spectrum Culture "Best Books of the Year"
• Review: "The fact is that Paul Nelson was one of the handful of people who have scribbled about rock-and-roll over the years who might be described as a genuinely important writer, regardless of the (some would say) transience of much of his subject matter. In that regard, while re-reading Everything [Is an Afterthought] I was struck by how little any of it has dated; the various reviews and think pieces Avery has anthologized are as passionate, perceptive and hilarious as they seemed back in the day, and given that most of them have been out of print since forever (in fact, almost all the work collected here has never been between hardcovers) this is a major piece of cultural exhumation at the very least." – Steve Simels, PowerPop
• Review: "The gender orientations of eleven-year-olds just isn’t the stuff of stories here. In fact, it is the stuff of reality. Shimura balances a full plate in this story, all the while offering it with the kind of easy grace that makes the balance appear to be almost magical.... In Shimura’s sympathetic hands, this manga is neither gag nor message heavy: both main characters, their peers, and their family members are credible and developed with enough depth that readers can think about them beyond the bounds of the book. ...[Wandering Son Vol. 1] belongs in every high school library, as well as in public collections that are accessible to both youth and adults." – Francisca Goldsmith, School Library Journal
• Review: "But upon reflection, I wonder if these terrible people’s wholly alien way of interacting with the world isn’t just the writing equivalent of Tardi’s nimble, scribbled line and sooty blacks — a heightened reality in which things are rendered at their loosest, darkest, ugliest, and weirdest at all times. God knows both creators can rigorously focus when they want... Tardi’s backgrounds and lighting effects are a realist’s dream and his action sequences and set-pieces are choreographed tighter than a drum. The absurdist demeanors may prevent everything from gelling as well as they might have done, but overall [Like a Sniper Lining Up His Shot] delivers a fastball to your face so hard that you barely have time to notice that some of the stitches need straightening." – Sean T. Collins, Attentiondeficitdisorderly
The new Diamond Previews catalog is out today and in it you'll find our usual 2-page spread (download the PDF) with our releases scheduled to arrive in your local comic shop in February 2012 (give or take — some release dates may have changed since the issue went to press). We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions.
• List: Thus beginneth the Best of 2011 links, as Publishers Weekly names Love and Rockets: New Stories #4 by Gilbert & Jaime Hernandez one of their top 10 Best Comics of 2011: "Even in a long career of masterpieces, Jaime's story about missed opportunities for happiness is a revelation, while Gilbert continues to cement his place as the Jorodowsky of comics with a vampire tale."
• Review: "Another great issue, with the continuation and ending of 'The Love Bunglers,' from Jaime Hernandez. It's a real knockout and quite touching for those that have followed the strip and these characters since the eighties. You almost have to remind yourself that, yes, these are characters, not real people! Apparently, nobody told Jaime that the quality of one's work is supposed to go down after working on a strip that long." – Jason, at his Cats Without Dogs blog
• Commentary: "I've been thinking a lot about Jaime Hernandez's conclusion to his Locas story 'The Love Bunglers' (from L&R New Stories vol. 4) -- mainly b/c it was such an incredible piece that I cry every time I read it. I even recently threatened to force a friend to read all the Locas stuff, because it's so freaking good. But then I started wondering -- is it as awesome if you read it all at once?" – Alicia K., Wordnerdy
• Review: "Readers and admirers, myself included, often think of Gilbert as the better writer of the two brothers and Jaime as the better artist. With only a few exceptions, Gilbert has been the best writer in American comic books over a three decade period. No one has produced more beautiful art for black and white comics the way Jaime has over that same period, a period in which he has been the best comic book artist in North America. 'Browntown' is one of the stories in which Jaime shows that he can write as well as draw comic books better than most and as good as the very best.... 'Browntown' is an incredible story with a sense of realism and gravity unseen in most comic books. 'Browntown' alone makes Love and Rockets: New Stories #3 one of the best comic books of 2010." – Leroy Douresseaux, I Reads You
• Review: "Love and Rockets: New Stories #2 reminds us, as the first issue did, that comic books from the Hernandez Brothers are always a welcome thing. A year may be a long wait, but when it comes to Los Bros’ coolness and greatness, time is neutral. I can always reread this and enjoy it just as much as I did the first time." – Leroy Douresseaux, I Reads You
• Review: "...Nuts, which ran in National Lampoon throughout the ’70s, ...offered a largely autobiographical look at the way childhood actually is: a perpetually confusing state of existence, in which kids are jostled to and fro by adults who don’t seem to know what they’re doing (but want to make sure that their offspring are parked somewhere out of the way while they do it).... They’re wonderful pieces of comic art..., applying Wilson’s usual sense of the grotesque and macabre to phenomena like summer camp and sick days. And they’re not all bitter either... He mixes the sour and the sweet exceptionally well." – Noel Murray, The A.V. Club
• Plug: "I’ve written at length about this strip [Nuts] before, but it’s worth reiterating I think just how goddamn wonderful this comic is, and how great it is to have a decent collection available after lying fallow for so long. Wilson captures the anxieties and traumas of childhood as few cartoonists have before or since." – Chris Mautner, Robot 6 (for their weekly "What Are You Reading?" column which features our own Jacq Cohen this week)
• Review: "Again, stunning drawings. And quite bloody! Valiant is being tortured, people are killed left and right [in Prince Valiant Vol. 4]. There's a strange sequence in the book involving another knight, Tristram, who I don't think has been introduced earlier, that looks like a double of Valiant, but with a mustache! He is killed by a jealous king, but instead of Valiant and Gawain, who are there, seeking vengeance they just ride off. Not quite sure what was going on in Foster's mind there." – Jason, at his Cats Without Dogs blog
• Plugs: At The Beat, Torsten Adair spotlights a whole mess of our recent and upcoming releases, declaring "If you’re going to ship your book bucks to Washington, it’s better to send them to Fantagraphics than Amazon!"
• Plug: "Carl Barks was a genius when it came to turning Donald Duck and company into comic book characters, and his creation of Uncle Scrooge continues to delight and amuse countless generations. Thankfully, that trend will continue thanks to Fantagraphics’ release of Carl Barks’ Walt Disney’s Donald Duck: Lost in the Andes." – Kevin Kelly, Wizard World
You can add one more posthumous laurel to Hal Foster's already-impressive pile of achievements: New York Times Best Selling Author. Prince Valiant Vol. 4: 1943-1944 shows up at #8 on this week's Hardcover Graphic Books top 10 list. It comes as no surprise to us: we've been selling out multiple printings of the series as fans old and new have been snapping the books up. What else would you expect from one of the greatest comics of the last (or any) century?
• Review: "One of the greatest comic strips of all time and a peak in visual splendor and breath-taking adventure, the story of Prince Valiant's 30+ year odyssey is getting a marvelous presentation in Fantagraphics' series of books, which just reached Volume 4.... What might surprise modern readers is the relative complexity of Valiant, who grows and matures subtly over the years. The strip is violent, sexy, serious, droll and above all eye-catching.... The pleasure of how solidly and carefully [these volumes] are made is part of the pleasure of reading them. You feel like a little kid as you prop the giant volume up and literally dive into the tale that fills your vision, much as kids and adults did more than 70 years ago. It's a worthy presentation for one of the most important and entertaining works in comic strip history." – Michael Giltz, The Huffington Post
• Interview:Vice's Liz Armstrong talks with Ron Regé Jr. about his upcoming book The Cartoon Utopia: "I'm not interested in making a bunch of storyboards or writing a script. Comics are the visual representation of language. So comics are the most ancient and the most vital and most important art form that humanity has ever known. It's also the oldest. Cave paintings, having the form of an image that represents an idea, is what comics are. I wrote an essay called, 'Fuck Other Forms of Art.'"
• Interview (Audio): Speaking of Mike Dawson-hosted podcasts, John Kerschbaum sits in on the new episode of The Ink Panthers with Dawson and co-host Alex Robinson
• Culture: Jeet Heer reports on the Iowa Comics Conference at The Comics Journal, featuring the Hernandez Brothers, Joe Sacco, Gary Groth and others. On the new issue of Love and Rockets: New Stories: "Everyone, of course, has been raving about Jaime’s story in this issue, which like the magnificent 'Browntown' in L&R #3 is one of best comics ever done. I’ll freely confess that at the end of the new issue when I saw how Jaime had tied together the fates of Hopey, Maggie, and Ray I started crying like a baby. ...Gilbert’s recent comics have the protean energy and relentless will to reinvention that rivals the Crumb of Weirdo and Hup."
• Commentary:Robot 6's Sean T. Collins spotlights Heer's article and adds his own thoughts: "The only thing more striking than the fact that Jaime set this career-defining hurdle for himself is that he freaking cleared it.... It's worth noting that in his contribution to New Stories #4, Gilbert takes Fritz to a place of potential finality not unlike the one that his brother Jaime's leading players occupy at the end of 'The Love Bunglers.' Yeah, it’s really quite a comic."
• Analysis: At Robot 6, Matt Seneca examines page 89, by Jaime Hernandez, from Love and Rockets: New Stories #4: "It’s a wonderful meeting of form and content: a completely unified page on the subject of unification, a single unit made up of eight perfectly chosen, gorgeously cartooned panels, each one complete in itself as a composed single drawings. This is comics at the highest level, with nothing wasted and everything on the page done as well as it possibly could be."
• Plug: Kim Thompson points out that ActuaBD "referred to our Gil Jordan edition as 'très beau,' which is nice."
• Commentary:The Comics Reporter's Tom Spurgeon responds to The Comics Journal's Love and Rocketslove-fest yesterday with some thoughts of his own: "I agree with Nadel, Santoro, Tomine and many of the comment-makers that Jaime Hernandez's new work represents a phenomenal achievement. I'm maybe not as interested in finding its place in the pantheon right this second. There's plenty of time for that down the road. One thing that's exciting and should never be denied about a creative achievement on the level of what Hernandez seems to have given us here is what that work might say to us in the future that it doesn't say right now."
• Commentary:Robot 6's Sean T. Collins responds, in turn, to Tom Spurgeon's response linked above: "If you’re looking for realistic and well-rendered women characters, or for women creators operating on an equal playing field, or for a serious examination of issues of gender and sexuality in all their glory and misery, then yeah, you can kick against the pricks and hope that someday an issue of Captain Copyright or the Teen Trademarks will deliver these things. Or you can put those comics down, walk a few aisles over or click on a different website, and discover things like Jaime’s 'Browntown'/'The Love Bunglers' suite, which over the course of two issues of Love and Rockets packs in more quality fiction about love, aging, motherhood, fatherhood, marriage, divorce, adultery, sexual assault, queerness, mental illness, adolescence, friendship, and sex than the last half-dozen comics-internet contretemps-causing comics combined."
• Review: "The conventional wisdom surrounding Prince Valiant these days characterizes it as a fussily drawn, belabored relic of the past. Of course, critical judgments of a comic stop mattering once you read it. A few pages into the fourth of Fantagraphics’ beautifully reprinted new editions of Hal Foster’s masterpiece and it’s difficult indeed to remember that this isn’t the greatest comic ever.... And the mastery Foster brings to bear on his every panel may have been equaled both before and since his prime, but it’s never been surpassed." – Matt Seneca, The Comics Journal
• Plug: "I could easily write a whole post about the brilliance of Barks (and probably WILL, at some point down the road!) but for now I will just say that this December Fantagraphics is releasing the first volume of a NEW Carl Barks Library, which is going to finally, finally, FINALLY put Barks's work back into print in America, in an accessible full-color format.... So please, if you have a kid in your life, PLEASE, for ME, buy them this book! And if you have never read any Barks and you don't understand why I'm being so crazy about this, buy one for yourself. I can personally guarantee that you won't regret it!" – Alec Longstreth