|Rip M.D. preview at ICv2|
|Written by Mike Baehr | Filed under RIP MD, previews||8 Sep 2010 9:16 AM|
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Category >> RIP MD
88-page full-color 7.5" x 9.25" softcover • $12.99
Ships in: September 2010 (subject to change) — Pre-Order Now
Rip M.D. is the debut graphic novel from The Angry Beavers creator Mitch Schauer, a creepy, fun-filled all-ages adventure introducing Ripley Plimpt, an eleven-year-old boy whose ordinary life is turned upside-down when he discovers that monsters are not only real, but are also in desperate need of his help to overcome their very real problems.
One foggy night, while searching for monsters in the cemetery behind his house, Ripley finds and rescues the tiniest of bats impaled on a thorn bush. What Ripley doesn’t realize is that he’s just saved the life, or “un-life,” of one of the world’s most dangerous night creatures — a vampire! Word spreads among all monsters of Rip’s heroic gallantry and kindness. Before long, legendary and mythical monsters from around the world are showing up on his doorstep proclaiming Rip as Rip M.D. — Monster Doctor!
Writing and illustrating the graphic novel, Emmy-Award winning and long time producer, writer and designer Schauer has teamed with comic book veteran Mike Vosburg who’s bringing his innovative, illustrative style to the artwork’s inking. Michael Lessa and Justin Yamaguchi are creating a whole new look for Rip M.D. with their beautiful color and special effects expertise.
Rip M.D. is the first collaboration between the independent animation studio Lincoln Butterfield, who’s producing the graphic novel, and Fantagraphics Books, who’s publishing it.
Download an EXCLUSIVE 8-page PDF excerpt (1.7 MB).
Video & Photo Slideshow Preview (view in new window):
Online Commentary & Diversions:
• Review: "Rip M.D. is like the marriage of Cartoon Network and horror comics (perhaps an EC title or something from Warren Publications), because it is nonsensical and kooky like an old Scooby-Doo cartoon, but also steeped in monsters, both of the supernatural and human variety, like a pre-code horror comic book. The best thing about Rip M.D. is the lead character, Ripley Plimpt. [...] This is the perfect set-up: a curious, brave kid and a world of monsters. Hopefully, there is more to come, but our first appointment with Rip M.D. is pure fun." – Leroy Douresseaux, Comic Book Bin
• Review: "Fantagraphics' ongoing quarterly anthology continues here in this third edition ... One of the things I like about Mome is that artists can do almost anything, and sometimes do. ... [I]f you are fond of anthologies and like to be on the edge of indie comics while still being given the comfort of a larger publisher who can exert quality control, then pick up a copy of Mome. I'd recommend this one, if you can find it." – Rob McMonigal, Panel Patter
• Review: "A Schulz library favorite and avid patron, Evan Dorkin, recently donated Alex Chun and Jacob Covey’s retrospective book of The Glamor Girls of Don Flowers... This thick beauty of a book features work spanning several decades (1940s-1960s) and Flowers's dual pen and brush captured all the fashion that lied therein. Flowers gained popularity in newspapers for his gorgeous women, their cutting edge fashion and high-class life. Part of the appeal of this strip lies in the fact that just as many jokes are made by women at the expense of men, Flowers made sure of that." – Jen Vaughn, the Schulz Library blog
• Plug: Funnybook Babylon's Jamaal Thomas gives a "Brief Recommendation" to Jason's The Left Bank Gang: "F. Scott Fitzgerald, Ernest Hemingway, James Joyce as cartoonists that pull a heist. Go read this now."
Want to win your own copy of our upcoming graphic novel, RIP M.D. PLUS a personal caricature drawn by one of Lincoln Butterfield Animation's finest?
HOW THIS MADNESS WORKS...
PART ONE: VOTE FOR YOUR FAVORITE
PART TWO: A WINNER IS PICKED FROM EVERYONE WHO VOTED
Online Commentary & Diversions:
• Review: "From the start, Cathy Malkasian's turbulent fantasy Temperance reels you in... It is not hard to spot allegories in this to today’s war on terror, and to the Cold War, in Temperance‘s portrait of siege mentality and the exaggeration of external threats. ... No Shrek or Toy Story, Temperance confounds fairy-tale expectations with a disturbing, resonant parable about propaganda, memories and other lies." – Paul Gravett, The Times Literary Supplement
• Review: "First of all, I have to say how much I enjoy the format. Fantagraphics has done a fine job with this book, with a striking cover, sturdy spine, and essentially giving me everything I want in my comic books in terms of collected treatment. ... Jason’s simple, elegant artwork... allows any reader to dive right in. ... He’s a master of pacing out a gag, and he appreciates the fun of genre entertainment while still acknowledging the absurdity of it all. If I had to sum up Jason’s comics in one word, that word would be silly. They’re funny, and absurd, tinged with sadness and loneliness, outrageously goofy, slapstick, human and just plain pretty to look at. But mostly, they’re delightfully, delightfully silly. It’s a treat to enjoy a comic like Almost Silent." – Michael C. Lorah, Newsarama
• Review: "Prison Pit is fucking awesome and you really need to read it. It’s a kids book, in the sense that it very likely was something Johnny Ryan created when he was 12 years old, assuming the man was sniffing a lot of glue and simultaneously watching Cannibal Holocaust and WWF wrestling as a pre-teen. ... Grade: A" – Chad Derdowski, Mania
• Review: "Prison Pit 2 is mental, obscene, and grotesque... But the book is also pretty astonishing and at least several parts awesome... I'm dazzled by the bloody chutzpah and dirty bravado of Ryan's fight comic, the sheer devotion he shows to violence for violence's sake, thoroughly removed from any hollow 'redeeming values' or 'character development.' ...[T]o anyone wondering if Prison Pit 2 really delivers all the weird, filthy violence it promises, the answer is a resounding yes." – Jason Michelitch, Comics Alliance
• Review: "I read Megan Kelso's Artichoke Tales almost in a single sitting, which is probably a good way to do it. ... This book deals with some standard themes — strong women and intellectual, impractical men, the impulse that leads to war, technology vs. rural simplicity — but none is treated in a standard way. Kelso definitely has a point of view, but she doesn't insult the reader's intelligence, and there's plenty of nuance; she's telling a story, not making a point. Also, it's beautiful just to look at." – Bridgid Alverson, Robot 6
• Review: "Honestly, I’m still not sure how I ultimately feel about Artichoke Tales. I was put off by the book’s downbeat, resigned demeanor, yet at the same time impressed by Kelso’s ability to handle such a multi-layered story so effectively. Perhaps my feelings toward the book can be best summed up by the same word that one would use to describe both the political and personal relationships found in the book, and the real-life relationships she no doubt hoped to evoke: complicated." – Chris Mautner, The Comics Journal
• Interview: Robot 6's Tim O'Shea talks to Megan Kelso about Artichoke Tales: "The artichoke people started as a casual doodle. I think I was riffing on The Jolly Green Giant's sidekick, Sprout. So I just started drawing these people whenever I was on the telephone, or just playing around in my sketchbook. The more I drew them, the more ideas I had about their world, and I just slowly started to build a story about them. This was the first time since starting to make comics, that I generated a story from a drawing rather than from an idea, or from something I'd written. It was excitng to me because it seemed more like 'pure comics' to me, coming from a drawing."
• Review: "Birdland is a rare venture into the world of folly and fetish by award winning Gilbert Hernandez. ... [L]ocate a copy of Birdland yourself and enjoy and marvel at the bewildering release of limbs, torsos and groins in a madcap sexual adventure. The term 'graphic novel' will never mean the same again!" – partikal7
• Plug: "Rip M.D. is a creepy, fun-filled all-ages adventure saga... [Mitch] Schauer told ICv2 that the inspiration for Rip M.D. was all those horror and monster movies he saw as a child — movies that made him care more about the fate of the colorful monsters and fiends than the B movies' human characters who always seemed to triumph in the end. Rip M.D. is the logical emotional outgrowth of those accumulated cinematic disappointments, the story of a boy who is able to help the horror and monster movie characters that he loves the most." – ICv2
• Plug: Richard Bruton spotlights The Extraordinary Adventures of Adèle Blanc-Sec Vol. 1 by Jacques Tardi at The Forbidden Planet International Blog Log (although we should note that the release date is actually in October)
• Analysis: At Techland, Douglas Wolk looks at The Troublemakers by Gilbert Hernandez as an example of the successful use of a "widescreen" panel layout: "Aside from its title page, the entire thing is laid out as four identically shaped wide horizontal panels on each page, and the movie-screen shape is formally appropriate — the book is supposedly a kind of comics translation of a (nonexistent) B-movie. The Troublemakers is brutally effective as cartooning, though: Hernandez has designed it so that something's happening horizontally in almost every panel, and there's usually a different kind of motion from each panel to the next."
Our Saturday morning kicked off, appropriately enough, with Mitch Schauer & Mike Vosburg, co-creators of our new all-ages graphic novel RIP M.D.
Here's Ben meeting actor James Urbaniak, whom you may remember from his portrayal of Crumb in American Splendor and whose voice you may recognize as that of Dr. Thaddeus Venture:
Carol Tyler brought some amazing collectibles to sell, including copies of You'll Never Know Book 1 signed by her dad (the "Good and Decent Man" himself) and a copy of the Twisted Sisters compilation signed by every contributor:
To be continued...
Online Commentary & Diversions:
• Interview: At Graphic Novel Reporter, Peter Gutiérrez has a Q&A with Jaime Hernandez & Todd Hignite, author of The Art of Jaime Hernandez: "I was a little surprised to find out that my approach to sex in comics is different from the norm. I've always tried to treat it as naturally as somebody talking about having to buy groceries, and I guess it paid off. Who knew?"
• Review: "As for this book, yes, it's completely lovely, gorgeously designed by Jacob Covey. Its contents are so damn delightful that within one week of finishing reading the book, I was actively entertaining buying what seemed to be all of it again in another format. It's an absolute treasure, a work of art I'm glad to own. ... Locas II is recommended, strongly, if you haven't read the material, but do some research [link added - Ed.] and make sure you're not duplicating yourself too much if you have." – The Hipster Dad's Bookshelf
• Review: "No one smiles. It’s am emotional world presented in emotionless, static drawings and strange greens and beiges. Nothing is visually beautiful, and while all of this would seem to work against the impact of the story, it ultimately conveys a feeling of overwhelming nervousness, or waking up way too early in the morning and blearily staring into an unfamiliar world, and this is what infects you until it all makes sense. ... [Mother, Come Home] is not a light read, but it feels much lighter than the works that it seeks to shadow, and should be a welcome addition to any collection." – Collin David, Graphic Novel Reporter
• Plugs: In their "Graphic Novels Prepub Alert," Library Journal's Martha Cornog spotlights August releases Nancy Is Happy: Complete Dailies, 1942–1945 ("Nancy has inspired numerous pop culture variations and tributes as well as a forthcoming serious analysis: How To Read Nancy (Karasik & Newgarden, Fantagraphics, Aug. 2010). The who’s who among Nancy Revivalists includes Art Spiegelman and Dan Clowes — who wrote the introduction. This first reprint volume collects the second four-year span of the run. The first four years will appear later, since the archival material is more sparse and difficult to collate") and RIP M.D. ("A 'full-color, all-ages adventure' with an animated cartoon series in development, a promising bet for reluctant readers.")
• Plug: At Robot 6, Sean T. Collins on our MoCCA table: "You could safely shop only from Fantagraphics and still experience a hella great comics industry in microcosm."
Once more, Online Commentary & Diversions goes on vacation tomorrow.
• Profile/Review: Cincinnati Magazine talks to C. Tyler about You'll Never Know Book 1: A Good and Decent Man, calling it "a dense, triangulated tale (war and madness; father/daughter coming-of-age; familial reconciliation) made accessible by Tyler’s detailed yet straightforward storytelling and impeccable renderings... Switching artistic styles to connote the passage of time, Tyler’s graphic narrative deftly moves between her childhood and her father’s war experiences, between dream sequences, real time, psychology, and family lore. The book transcends mere documentation; it is a valentine sealed in genealogy, footnoted in history."
• Interview: At SuicideGirls.com, Alex Dueben talks with Bob Fingerman about his latest projects, including Connective Tissue (and Bob slides in some great plugs for Peter Bagge's Everybody Is Stupid Except for Me and John Kerschbaum's Petey & Pussy)
• News: Here's an announcement about Mike Vosberg, the artist of our forthcoming RIP, M.D. series of kid-oriented graphic novels
Online Commentary & Diversions of the day:
• Review: "[Miss] Lasko-Gross... us[es] a dark and biting humor that both self-deprecates and pokes fun at alterna-teens along the way... The art pulls everything together wonderfully, ...and each section receives a beautiful splash page or panel with an embedded title to welcome you into the vignette... Though Fantagraphics has billed A Mess of Everything as the second part of a trilogy, it stands well alone for new readers of Lasko-Gross’ work, like myself, who want to skip straight to the unique uneasiness of the teen problems we carry through adulthood. [Grade] 8/10" - Zane Austin Grant, PopMatters
• Review: "This lovingly restored collection of Humbug's five [sic - it's eleven] issues is accompanied by essays, interviews and annotations, providing a glimpse into what Mad had wrought." - Richard Pachter, The Miami Herald
• Plug: Socio-political blog Third Rate in the Tropics, prefacing a video examining the Israeli/Palestinian divide, says "One of the best works I've ever come across on the topic is Palestine, a graphic novel by Joe Sacco."