Fantagraphics won't be at this weekend's Heroes Con ourselves, but some of our artists sure will be! If you're in the Charlotte, NC-area, head out to the Charlotte Convention Center and meet 'em in the "Indie Island"!
You can even catch our artists in some panels, if you're so inclined!
Saturday, June 23rd
• 12:30 PM // Approaches to Humor, Room 203A: Sure the Convention is HeroesCon, but let’s never forget the funny side of the comic book world. Join The Beat’s Heidi MacDonald as she sits down with three of the very best cartoonists in the business. They are able to me us smile and even laugh out loud Roger Langridge (The Muppets, Fred the Clown) and Evan Dorkin (Milk & Cheese) and newcomer Tim Rickard (Brewster Rockit: Space Guy).
• 2:00 PM // Echoes of ‘82, Room 209: This year, to celebrate the 30th anniversary of Heroes Con, cartoonist Ben Towle and blogger Craig Fischer turn their attention to 1982, and ask: What are the comics, and comics events, from 30 years ago that continue to influence comics culture today? Ben and Craig zero in on three — Destroyer Duck #1, Love and Rockets #1, and the demise of Warren Publications early in 1982 — and they’ve asked an all-star roster of creators (Jaime Hernandez, Louise Simonson) and commentators (Stergios Botzakis, Toney Frazier, Heidi MacDonald, Andrew Mansell) to join them in discussing these and other comics. We’ll also beam in some off-site commentary from Kirby experts Steve Bissette, Geoff Grogan, Charles Hatfield, John Morrow and James Sturm. With a lineup like that, how can you resist pulling on your leg warmers and joining us for the fun?
Saturday, June 23rd
• 3:30 PM // Dave Cooper & Dave Johnson, Room 208AB: Two great artists sit down to talk technique, inspiration and influences. And what is better than a Dave? Two Daves!!! That’s what. This is going to be a great hour. Join us.
Celebrating 10 years of Jason being published in the US, this comic-book-format one-shot is a Jason fan’s dream, with lots of previously unpublished Jason strips and artwork, an interview with Jason’s colorist Hubert, a checklist of all Jason’s books, a Q&A with the man himself, and a visual tributes gallery by several American cartoonists to the towering, taciturn Norwegian genius including Michael Allred, Kim Deitch, and Rich Tommaso.
We'll be helping to distribute Rich Tommaso's forthcoming self-published graphic novel The Cavalier Mr. Thompson (as in Jim, not Kim), but before that can happen he's got a Kickstarter campaign going to help pay for the printing costs and help him finish it in time for its European publication deadlines. We've published a few of Rich's comics in the past and most recently you can see his stellar coloring work in our Carl Barks Library series!
Kick in some bucks and you could get a signed copy of the book along with bonuses like prints, buttons, original art or even a 3D sculpey rendition of a scene from the book! Watch the video above for more info and check out a 75-page (!) preview from the book at Rich's website!
• Review: "Barks, the artist, is a master cartoonist, drawing lively, expressive characters with a graceful sense of movement. His beautiful, detailed backgrounds plant the ducks in a fully realized world that adds weight to his storytelling.... But besides the entertaining plots, Barks’ appeal is in his characters. He gives his ducks many human frailties and while they usually try to do the right thing, they make mistakes, get angry, frustrated, and even fail. Fantagraphics Books... does its usual high quality work here as well. The design and layout of the book is a handy comic-book size hardcover with bright, colorful reproductions of the comics. Besides the comics, there are articles on Barks and analysis on each story... For both newcomers to Barks' work and diehard fans, [Walt Disney's Donald Duck: Lost in the Andes] is a book that any comic book reader would love to find under the Christmas tree." – Rich Clabaugh, The Christian Science Monitor
• Interview: At The Comics Reporter, Tom Spurgeon talks with Rich Tommaso about his coloring work on our Carl Barks Library series — "[Disney] said we didn't have to be so religious about it. They wanted to make sure the color for the ducks, the reds and blues and the yellows, that those were pretty much bang-on. But they agreed that there was a little bit of leeway. If something looked like a bad color choice, you could find something in the ballpark range of that color. So that's what I would do." — and about his own comics work
• Review: "All aspects of Kubert's career are touched on in this tome, which is loaded with beautiful colour reproductions of its subject's artwork and complemented by a lengthy and insightful critical commentary by comic book historian Bill Schelly. Over the course of the book's 224 pages, you can see quite clearly how Kubert's art evolved and how his storytelling skills developed, but also how his unique style, those striking touch and sinewy images that could have been rendered by no one else, has remained intact. As with Fantagraphics' previous coffee table comic art books, The Art of Joe Kubert makes you want to see more — all! — of the artist's work." – Miles Fielder, The List
• Review: "Frank Zappa once said 'most rock journalism is people who can’t write, interviewing people who can’t talk, for people who can’t read.' However true that might be, Paul Nelson was one who most definitely could write. And he interviewed people who could talk, and plenty of people read what he wrote. Kevin Avery certainly read what Nelson wrote, and has now written Everything Is an Afterthought, which is both a biography of Nelson and a collection of his work, including some pieces that have never been published.... Like the best critics, Nelson was primarily a fan of what he wrote about, subjects that struck a chord with him. And here’s a bio and a collection of his work written by a fan of his." – Robert O'Connor, Spike Magazine
• Plug: Proud contributor to our first Walt Kelly Pogo volume Mark Evanier talks up the book on his blog: "It's a wonderful book and though I am a Consulting Editor — I think that's my title — I can rave about it because I deserve very little credit for its wonderfulness. Any book that properly presents the work of Mr. Kelly is going to be, by definition, wonderful...and Carolyn Kelly (daughter of Walt, companion of mine) and Fantagraphics Books made sure it was properly presented."
Plug: "...Michael Kupperman's new book [Mark Twain's Autobiography 1910-2010]... has everything a boy could want, including Mark Twain on the track of the elusive yeti!... Albert Einstein is a major supporting player in the book (he and Twain open a detective agency, natch) and somehow it behooves me to remind everyone that in real life for really real, Einstein's granddaughter married a renowned bigfoot hunter. That is a fact you can look up on your computer!" – Jack Pendarvis
• Interview:Robot 6's Tim O'Shea talks with Shannon Wheeler, with a couple of revealing behind-the-scenes tidbits about Oil and Water in the second half: "Steve [Duin] understands a scene really well. When all the characters visited the bird cleaning facility there was a large storytelling arc with multiple subplots. I would have been afraid to juggle so many elements. I would have focused on the single note of the horror of the facility. Steve isn’t afraid to trust the reader to understand. I’m a lot less trusting of the reader. Steve showed me how to have more faith in the narrative."
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