The most delicious 50% candy so let's eat our feelings of Online Commentaries and Diversions:
• Plug: The Advocate lists Julio's Day as great gift. "[Julio's Day] is a remarkable literary work that compresses 100 years into 100 pages and demonstrates how dramatically life changed for gay men between 1900 and 2000." –Jacob M, The Advocate
• Plug:The AV Club lists Julio's Day at #8 of the top 10 Graphic Novels and Art Comics of 2013. "Comic books have a unique way of evoking the passage of time within static images, and Gilbert Hernandez is a cartoonist that is keenly aware of how he can use the medium to manipulate that chronal flow." –Oliver Sava, The AV Club
• Review: Julio's Day on Comic Pusher "This is a fantastic book, yet another example of a master cartoonist at work, an excellent representative Gilbert Hernandez for those unfamiliar with him, and a fine addition to the library of those who have grown with his work over 30 years." -Jeffrey O. Gustafson, Comics Pusher
• Review:Maria M. by Gilbert Hernandez on Page 45: "Crime and punishment executed with rapidfire, bullet-point precision...The cartooning is, as ever, an immaculately clean and balanced black and white joy, the expressions are exquisite and the breasts, they are humungous." -SLH, Page 45
• Plug:Maria M. "More than 30 years into his career, there's no stopping Gilbert Hernandez..." -Tom Murphy, Broken Frontier
• Plug: GNR takes a look at Gilbert Hernandez's The Troublemakers: "I found the book to be engrossing, compelling, and a lot of fun for both noir and comics fans." -Sterg Botzakis, Graphic Novel Resources
• Review: Best of 2013 on Comics Pusher "Obviously this was the year of Gilbert Hernandez…Gilbert filled the void of singular marquis comics with no less than five stunning works, collectively casting its own literary shadow for subsequent generations to wonder at. Someday you can tell your grandchildren that you were alive when the Hernandez Brothers were creating comics, and when Gilbert owned 2013." –Jeffrey O. Gustafson, Comics Pusher
• Review: Comic Book Bin looks at Love and Rockets: New Stories #6"Here, both [Jaime and Gilbert Hernandez] are like great athletes that use human growth hormone (HGH) to extend their peak performance into middle age. Los Bros. have found creative and artistic steroids, as they are producing Love and Rockets comics that are as good as they've ever been. Or maybe genius never gets old and keeps producing all-star work." –Leroy Douresseaux, Comic Book Bin
• Review: "Love and Rockets continues to be a vital and important ongoing document of two creators at the absolute height of their powers, and the only venue to read new material from Jaime. The brothers' respective works, their respective worlds, stand alone - but in Love and Rockets we get the privilege of experiencing jolts of both, alternating between brother and brother, between greatness and greatness." –Jeffrey O. Gustafson, Comic Pusher
• Plug:Love and Rockets Companion is examined on VICE "Love and Rockets is a great comic that has been around for 30 years now and the characters in the book have aged in time with us... This book's dust jacket, which unfolds into a family tree, will help sort you out if you're like me and can't keep the characters straight" -Nick Gazin, VICE
• Review: Grovel checks out Maria M. "Love and Rockets fans shouldn't be without this, but anyone else with an interest in sharp, sexy, violent but sophisticated stories can still enjoy it for what it is: a B-movie homage that takes the genre above and beyond our expectations." -Andy Shaw, Grovel
• Plug:The Omnivoracious lists Love and Rockets the series as part of the Lambda awards "These are life stories, told as life unfolds-with humor, heartbreak, and perseverance" –Alex Carr
• Plug: Paste lists The Love Bunglers on the Most Anticipated comics of 2014! "Any time a collection of Jaime Hernandez's Maggie (and/or Hopey) stories is published, it's cause for celebration." -Hillary Brown, Paste
• Review: Wandering Son 6 by Shimura Takako "in Wandering Son, Volume 6 so many parallels are made between Shuichi and Takatsuki's real life and the very deliberately crafted Romeo and Juliet production.... It may not be a particularly subtle narrative technique on Shimura's part, but it is a very effective one. The play echos their experiences, emphasizing specific aspects of their lives and relationships not only for the characters, but for the readers as well. Wandering Son continues to be an absolutely wonderful series." –Ash Brown, Experiments in Manga
• Plug:The Advocate lists the Wandering Son series "An amazing series, Wandering Son offers an unusual glimpse into the lives of gender-nonconforming kids. Suitable for readers 13 and older and engaging enough to keep readers of all ages impatiently awaiting next year's Volume 5."
• Review: The Chicago Tribune looks at Carl Barks' Donald Duck: Christmas on Bear Mountain. "Ridiculously, infuriatingly, this is the first time the work of America's finest cartoonist (his only real competition being George Herriman, Walt Kelly and Charles Schulz) has been reproduced with the care and splendor it deserves. Imagine if Duke Ellington's recordings were only now being properly remastered and collected." – Michael Robbins, The Chicago Tribune
• Review:Donald Duck: Christmas on Bear Mountain "Carl Barks is one of those truly perfect cartoonists. It feels so good to have these books with beautiful Fantagraphics quality production sitting on my shelf...You'll get sucked in." –Nick Gazin, VICE
• Review: SLJ onDonald Duck: Christmas on Bear Mountain"Barks's Disney comics were and are enormously well crafted and equally enormously entertaining, timeless comedy adventures that Fanta presents in such handsomely designed volumes that they make the perfect gift for just about any reader of comics." –J. Caleb Mozzocco, School Library Journal
• Review:Donald Duck: Christmas on Bear Mountain "Scrooge is a lot grouchier, bitter and ill tempered than his later incarnations and closer to the Dickens persona rather than Bark's character...whenever I bring up the subject of ducks with my comic book pals, they look at me a-scant but I highly recommend this fabulous collection from Fantagraphics that celebrates the life and prodigious body of work of the Dean of Duckdom, the irreplaceable Carl Barks." –Chris Marshall, Collected Comics Library
• Plug:Atomichearted Boy looks at The Treasury of Mini Comics, edited by Michael Dowers. "Mini comics are like the wild west of the comics world - in this lo-fi, DIY formate - it's anything - and everything - goes."–Benn Ray, Atomic Books
• Review:The Secret History of Marvel Comicsby Blake Bell and Doc Michael J Vassallo"…this book expands our understanding of the publishing industry context in which those comics were produced, and it gives us an unprecedented portfolio of non-comic book art from some notable comic book artists." -John Hilgart, The Comics Journal
• Review: "what's been unearthed here (much of it never reprinted) is both visually and historically stunning…The Secret History of Marvel Comics is a stunning book (in more ways than one) of beauties, beasts, and bombast, as well as a wonderfully askew look at the Precambrian Era of Marvel Comics." –KC Carlson, Comics Worth Reading
• Interview:Bomb Blog asks Stephen Dixon about His Wife Leaves Him: "Yes. I wanted most of the novel to be in his head. For this, he has to be lying back in bed with his room dark and his eyes closed, remembering things in their marriage. Of course, there is action in the dream. There's movement, I should say. It's a very interior novel." -Dixon
Review: David Evanier looks at His Wife Leaves Him and Stephen Dixon in general. "Stephen Dixon is, in my opinion, the best and most overlooked American Jewish fiction writer in the country. If I left out "Jewish," he would still be the best."–David Evanier, The Jewish Book Council
• Review:Publishers Weekly gives His Wife Leaves Him a starred review: "A peek into the private world of their marriage proves the novel to be more than the sum of its parts as the reader is granted a panoramic view of the evolution of two characters and their relationship."
• Interview: James Fleming writes a very nice intro to Dixon's His Wife Leaves Him and includes some email correspondence with him on Burrow Press. "How do I even begin to explain how Dixon--though we've never met in person and I've never taken a writing class with him--effectively taught me nearly everything I know about short-story and novel writing."
• Review:Goddamn This War! on FPI Best of 2013 list: "Tardi's burning rage at the injustice and immorality of what was done to so many is undimmed by the passing of time, and as we enter the centenary year of the start of that awful war this work becomes even more vital for readers." –Joe Gordon, Forbidden Planet International
• Review:Goddamn This War! "Jacques Tardi is a one of the most versatile cartoonists to ever lift a pencil...We descend into Hell with these soldiers, live their unbelievably intense live, and are inexorably and subtly changed by the experience. That is the power of great Art. That is the power of the great Jacques Tardi." –Jason Sacks, Comics Bulletin
• Plug:Goddamn This War! made Mark Burrier's Best of 2013 list. "Besides the meticulously-referenced artwork, Tardi painted these panels using inks and they are gorgeous...Kim Thompson did a bang up job translating this. The narrator is recounting what it was like during WWI and the tone holds up well to translation." -Mark Burrier
• Review:Ghost and Ruins by Ben Catmull on NY Journal of Books: "For those who like their horror with more then a hint of detached humor, Ghosts and Ruins is the perfect book to leave out at both Halloween and Christmas. These are wonderfully scary stories drawn and told with such beauty and wit you regret when they end. " –Mark Squirek, NY Journal of Books
• Review:Ghost and Ruins by Ben Catmull on Famous Monsters: "If Escher and Gorey met in Maurice Sendak's house and decided to riff on Junji Ito manga, you might have something similar to these pages…All fans of black and white horror movies owe it to themselves to hunt this down and subsequently cower under the covers like a kid in the cold." –Holly Interlandi, Famous Monsters
• Plug: "Ghost and Ruins will satisfy your craving for dark and creepy, yet beautiful drawings of - you got it - ghosts and ruins!" –Jade, Librarie D&Q
• Review: On Richard Sala's Violenzia "Sala takes the conventions of Golden Age comics like Dick Tracy and The Shadow and [modernizes] them for the digital era" –HTML Giant
• Review:Richard Sala's The Hidden. "There's no mistaking a panel of a Sala comic for a panel of anyone else's comic...it is probably his grandest and most epic in terms of scale, and it's full of suspense, mystery, horror, violence and a perhaps surprising amount of action..." –J. Caleb Mozzoccoo, Every Day is Like Wednesday
• Review: Katherine Whaley receives a Starred Reviewi n Publishers Weekly: "a parade of 20th century American philosophical fads, particularly those rooted in the entertainment business, pseudoscience, commercialized spiritualism, and general quackery. The story is earnestly told from Kate's wide-eyed perspective and achieves a tone that emphasizes the multifaceted nature of human experience."
• Review: Barracuda in the Attic by Kipp Friedman on Boswell Book Company "Growing up as one of three sons of the writer Bruce J. Friedman, they had adventures many of us can't imagine... Kipp's upbringing does resonate with me more than just another New York story..." -Daniel Goldin
• Review: Willard Mullins' Golden Age of Baseball gets reviewed "Through the eyes of someone like Mullin, with his graceful portraits of folks like Babe Ruth and Stan Musial, the sport seems thousands of years old. An artifact. A time capsule… This is a beautiful-looking book, thorough and affectionate in its treatment of the cartoonist Willard Mullin and his coverage of the sport for which he is best known: baseball." -Tom Spurgeon, The Comics Journal
• Plug: "...we get to watch Charles M. Schulz's cast evolve, along with his simple yet lyrical line. [Peanuts Every Sunday] is a complement to Fantagraphics' continuing and indispensable 'Complete Peanuts' publishing project." -Dana Jennings, NY Times
• Plug: Westfield Comics on Peanuts Every Sunday. "If Peanuts Every Sunday isn't under your Christmas Tree this year, put aside some of your Holiday 'loot' (as early Schulz might say) to make sure you pick it up as soon as you can. You won't regret it. It's the kind of gift book I'd be getting for Grandma Lil, if she were still around" -KC Carlson, Westfield Comics
Our digital comics partner-in-crime, comiXology, has given us the gift of digital comics for the Kickstarter campaign! Any backer who spends over $10 on our Kickstarter will receive a download code for Richard Sala's newest comic, VIOLENZIA, and a coupon for 50% off any Fantagraphics title available on comiXology. New to digital comics? Don't be afraid. Violenzia's path of destruction is strictly virtual, we assure you, although when viewed through comiXology's high-def technology, it might be hard to believe.
There are still plenty of book to pre-order and some older ones that have been signed have just being added! Everything from Jaime Hernandez's The Girl from H.O.P.P.E.R.S. to Charles Burns' SKIN DEEP to BENT by Dave Cooper! Check it out!
Joe Sacco's But I Like It, Cathy Malkasian's Temperance, Steven Weissman's Chocolate Cheeks, Dash Shaw's Bottomless Belly Button, the list goes on and on! Grab a book now to secure your digital copy of Violenzia and 50% coupon today!
Fantagraphics Books Partners With ComiXology to Debut Violenzia
Fantagraphics Books’ First Digital Exclusive Comic
November 20th, 2013 – Seattle, WA/New York, NY – Fantagraphics Books, publisher of the world’s greatest cartoonists, partners with comiXology, the revolutionary cloud-based digital comics platform, to debut Fantagraphics’ first original, digital exclusive comic book: Violenzia. Written and illustrated by acclaimed creator Richard Sala (Delphine, Cat Burglar Black), Violenzia is an all-new, full-color, $5.99, 50-page one-shot exclusively available today across comiXology’s entire platform including iPhone, iPad, Android, Kindle Fire, Windows 8 and comiXology.com.
"Let there be no mercy or forgiveness for they have shown none." With these words, whispered into the wind, a mysterious young woman leaps into action with wild abandon, twin automatics blazing. Is she a brave and reckless heroine taking on a monstrous evil? Or is she a deranged angel of death? One thing is clear, whether she is dropping from a high window into a crowd of red-robed fanatical cultists, or facing down a horde of psychotic hillbillies, you don't want to get in Violenzia’s way.
"This is a new model for us," said Fantagraphics Associate Publisher Eric Reynolds. "Not a better model, but a different model. Richard Sala is one of our most beloved authors, and recently he has built up a considerable and new following online, via his Tumblr and other social media, so when he proposed Violenzia it seemed like the perfect opportunity to experiment with a digital-only release."
"We’re thrilled that Fantagraphics partnered with us to bring Richard Sala's beautiful and hilarious Violenzia to comiXology and our worldwide audience," said comiXology co-founder and CEO David Steinberger. "Readers and fans will also be treated to experiencing this amazing work in comiXology’s cinematic Guided View reading technology."
A fast moving, self-contained story, Violenzia is a blast of pulpy fun, told in scenes of audacious action and splashes of rich watercolors. With elements of golden age comics and old movies mixed with Sala's trademark humor and sense of the absurd, Violenzia is serious fun, a bloody enigma masked as eye candy, a puzzle box riddled with bullet holes.
Violenzia is the latest story by Sala featuring heroines (or anti-heroines) who are quirky, mysterious and unpredictable — such as Peculia (PECULIA , PECULIA AND THE GROON GROVE VAMPIRES), Judy Drood (MAD NIGHT, THE GRAVE ROBBER'S DAUGHTER), and K Westree (CAT BURGLAR BLACK), and features the same distinctive mixture of mystery, violence and humor as his books THE CHUCKLING WHATSIT, THE HIDDEN and DELPHINE.
About Fantagraphics Fantagraphics Books has been a leading proponent of comics as a legitimate form of art and literature since it began publishing the critical trade magazine The Comics Journal in 1976. By the early 1980s, Fantagraphics was at the forefront of the burgeoning movement to establish comics as a medium as eloquent and expressive as the more established popular arts of film, literature, poetry, et al. Fantagraphics quickly established a reputation as an advocacy publisher that specialized in seeking out and publishing the kind of innovative work that traditional comics corporations who dealt almost exclusively in super-heroes and fantasy either didn’t know existed or wouldn’t touch: serious, dramatic, historical, journalistic, political, and satirical work by a new generation of alternative cartoonists (including now-legends like Peter Bagge, Daniel Clowes, Gilbert and Jaime Hernandez, Joe Sacco and Jim Woodring) as well as many artists who gained prominence as part of the seminal underground comix movement of the '60s, such as R. Crumb and Kim Deitch. Fantagraphics has since gained an international reputation for its literate and audacious editorial standards in publishing the best cartooning from all eras and regions with exacting production values.
About comiXology ComiXology has revolutionized the comic book and graphic novel industry by delivering a cloud-based digital comics platform that makes discovering, buying, and reading comics more fun than ever before. ComiXology’s Guided View™ reading technology transforms the comic book medium into an immersive and cinematic experience, helping comiXology become one of iTunes' top 10 grossing iPad apps in both 2011 and 2012. Offering the broadest library of comic book content from the top 75 publishers, and including independent creators as well, comiXology will not stop until everyone on the face of the planet has become a comic book fan. A privately held company, comiXology is based in New York City. For more information visit www.comixology.com.
SHE'S COMING...VIOLENZIA. A mysterious girl leaves a path of bloody destruction wherever she goes. But, why? Find out in the brand-new, full-color, 50-page comic by Richard Sala.
"Let there be no mercy or forgiveness for they have shown none." With these words, whispered into the wind, a mysterious young woman leaps into action with wild abandon, twin automatics blazing. Is she a brave and reckless heroine taking on a monstrous evil? Or is she a deranged angel of death? One thing is clear: whether she is dropping from a high window into a crowd of red-robed fanatical cultists, or facing down a horde of psychotic hillbillies, you don't want to get in her way.
A fast moving, self-contained story, Violenzia is a blast of pulpy fun, told in scenes of audacious action and splashes of rich watercolors. With elements of golden age comics and old movies mixed with Sala's trademark humor and sense of the absurd, Violenzia is serious fun, a bloody enigma masked as eye candy, a puzzle box riddled with bullet holes.
Coming exclusively to comiXology on November 20th, Violenzia will blast her way into your hearts. She's actually got a bullet in the chamber and the safety off waiting for you to preorder the book now.
With Halloween looming, allow me to suggest thirteen frightening favorites from Fantagraphics Books. Spooky fun for everyone, in no particular order.
Daniel Clowes' modern masterpiece Ghost World eerily conveys the otherworldly cool of 1990s counterculture. Peculia, by Clowes colleague Richard Sala, collects the misadventures of the precocious protagonist of his EvilEye comic book serial. Northwest native Charles Burns' essential Big Baby anthology of contemporary horror comix includes classics like "Blood Club," "Teen Plague," and "Curse of the Molemen."
Mysterious Traveler collects proto-psychedelic horror from Steve Ditko's Charlton era. Similarly, Weird Horrors displays the late, great JoeKubert's pre-Code classics edited by Kubert scholar BillSchelly. WallyWood weighs in with Came the Dawn, featuring timeless tales from the "Vault of Horror," as well as mid-century socio-political nightmares like "The Guilty."
Yeah, dudes, we love fan art. We all know that's why Tumblr exists. But we wanted to highlight a great drawing by Zach Worton (Klondike, D&Q) of Richard Sala's The Chuckling Whatsit: scary and somber, the quiet before the storm. This art is part of a 'super-villains' fundraising auction, with proceeds going to the towards the Doug Wright Awards.
The tantric release of Online Commentaries & Release:
• Review:The LA Times and Noel Murray interviews Gilbert Hernandez about Julio's Day, Marble Season (from D&Q), plus the future books Love and Rockets: New Stories #6 and Maria M. LA Times: Gilbert says " ‘Julio’s Day’ is very simple. I mean, there’s a lot of heavy stuff going on, but I wanted it to read like a very simple, direct story."
• Interview:comiXology interviews Gilbert Hernandez about his most recent comic Julio's Day on their podcast.
• Review: Tom Spurgeon looks at Gilbert Hernandez's latest work, Julio's Day, on the Comics Reporter. "I found Julio's Day moving at times, again for reasons I'm not really certain I can fully articulate. The idea that we may be known as much for the choices of those around us and things that happen in proximity to ourselves as much as if not more than by the choices we make is either the ultimate comfort or the first back-of-throat rumblings of an existential howl."
• Plug:Publishers Weekly lists Julio's Day as a pick of the week: "A marvelous and tightly scripted epic whose last page is a heart-stopper."
Review: Charles Hatfield of The Comics Journal flips through Julio's Dayby Gilbert Hernandez. "When it comes to Beto, the lightning keeps striking, and if it doesn’t strike exactly the same place twice, it does testify to the same divided genius…It is the great lost Beto comic, belatedly given new form and new life.
• Review:Grovel's Andy Shaw reads Julio's Dayby Gilbert Hernandez. "Just buy it now. This is Gilbert Hernandez at his finest, distilling a lifetime into a single volume of pleasure and pain.Julio’s Day is a literary classic, and another incredible piece of work from a true master of comics."
• Plug:Largehearted Boy plugs Julio's Day. "Gilbert compresses the history of the 20th century as well as the life of a man into a riveting, masterful story," writes Benn Ray.
• Review:The A.V. Club looks at The Adventures of Jodelle by Guy Peellaert. "The essays-which at 80 pages take up more of the book than Jodelle-are this volume's real selling point... Peellaert foregrounded the eroticism of advertising, and exposed how pulp imagery affects the public's understanding of everything from politics to gender. And he did it without resorting to polemics. The Adventures Of Jodelle book-both the comic strip and the supplemental material-is a delight both visually and intellectually," writes Noel Murray.
• Plug:Largehearted Boy plugs The Adventures of Jodelle by Guy Peellaert. "Think of Barbarella animated in that Yellow Submarine style and you get the idea of what Jodelle's adventures look like. This is comics as art."
• Plug: Angel House Press is celebrated National Poetry Month with a focus on visual poetry, inspired by latest collection of it The Last Vispo, edited by Nico Vassilakis and Crag Hill. Check here for a month of visual poetry.
• Review: Heroes Complex at the LA Times looks at 50 Girls 50 by Al Williamson. Noel Murray writes, "These pieces are classic EC: punchy, knowing and ironic in the best sense of the word, in that they force readers to examine their own expectations. The best stories in '50 Girls 50 have readers rooting for heels, or celebrating war, all while framing the situation in such a way that readers question their responses." In reference to the whole EC Comics Library line, Murray writes, "All of these books are essential purchases for comics fans, but for those on a budget who are looking to prioritize…These are the books that best show off how EC took genre stories seriously, striving to create comics that didn’t treat readers as naive or ignorant."
• Review:Fangoria reviews the next two EC books. Rick Trembles enjoys 'Tain't the Meat by Jack Davis. "Jack Davis’ dark comedic touch is all over this collection, diffusing the ghastly nature of the stories somewhat, an aspect to his work that was obviously lost on his opponents." Meanwhile with Al Willliamson's 50 Girls 50, Trembles writes "here we’re dazzled by romanticized sci-fi heroics and delicate line-work of the ilk of FLASH GORDON’S original artist Alex Raymond, Williamson’s main inspiration. Dinosaurs, spaceships, and outlandish otherworldly creatures populate the flora of faraway worlds, accompanied by buxom, exotically garbed beauties."
• Review: Nick Gazin sets his VICE sights on 'Tain't the Meat by Jack Davis. "Even though he wasn't a perfectionist, Jack Davis's laziness is better than most people's best work. When Davis does invest himself in a drawing it's just a mind bender. This is a must have for anyone who loves horror, EC, Jack Davis, any of that stuff."
• Review: Comics Bulletin looks at 3 New Stories from Dash Shaw. "This is a short, floppy-sized comic, but it's incredibly rich in complexity and depth. Shaw delivers an amazing collection of stories here."
• Interview:DigBoston and Clay Fernald talk to Dash Shaw about 3 New Stories, New School, Bottomless Belly Button and more. Shaw says, "Words and pictures are very different. They don't sit comfortably next to each other. Some cartoonists try to bring them closer together. Ware is like that. I like that space between things. I want the differences between things to be activated."
• Plug: Largehearted Boy hosts Atomic Books look at new comics included 3 New Stories. "Dash Shaw is a modern comics master. He experiments with everything from structure to narrative to color. If you're unfamiliar with his work, he's sort of like Gary Panter illustrating a Chris Ware story, or, in this case, 3 stories of dystopian societies," writes Benn Ray from Atomic Books.
• Review:Nerds of a Feather enjoys Tom Kaczynski's Beta Testing the Apocalypse. Beta Philippe Duhart states "The thin lines, sharp angles, and rigid geometry…brings a clarity and simplicity that expertly balances the abstractness of the themes at the heart of Beta Testing the Apocalypse…One doesn’t need to have read iek to grasp Beta Testing’s themes and criticisms. One only needs to have only gone apartment hunting."
• Interview:Comics Bulletin and Keith Silve interview James Romberger and Marguerite Van Cook on 7 Miles A Second. Van Cook remembers, "David was a poet of the soul, there was always a tension between beauty and the vileness of what society did to anyone who was not of the mainstream. I once asked him what he did with the money he got from hustling when he was so young and he told me he would take a bus to the country and walk around. We thought it was so ironic that selling one's body and selling art had many of the same qualities. We laughed rather darkly, about how the body and art are commodified and priced so arbitrarily."
• Interview (video): Back in January, Carol Tyler spoke to University of Southern California Provost's Professor Henry Jenkins and students as part of the USC Visions and Voices series. Mike Lynch was good enough to blog about it as soon as USC put up on the internet. She speaks about personal life and drawing comics, including the You'll Never Know series.
• Plug:Manga Bookshelf lists its first quarter favorites of 2013 and include Moto Hagio's newest book. "The Heart of Thomas was my most eagerly anticipated manga of the year, and while its January release date set the bar perhaps unfairly high for the year to come, I can’t bring myself to be sad about that."
• Review:Comics Worth Reading pulls out the Castle Waiting Vol. 2: Definitive Edition by Linda Medley. Johanna Draper Carlson writes "…it’s engrossing and beautifully drawn. I was surprised, reading the whole thing at once, how much of what figures in the final chapters was mentioned very early on. It gave me new appreciation for Medley’s long-term storytelling."
• Review:Calgary Public Library's Teen Blog speaks out on Castle Waiting Vol. 1 and 2 by Linda Medley. Adrienne writes, "Castle Waiting is a great comic book that takes elements from fairytales such as 'Sleeping Beauty' and combines them with a good dose of humour and plots about bearded ladies, two-headed girls, pregnancy and hidden libraries..I highly recommend her"
• Review: Strange Journal reviews Castle Waiting. "I’ve really fallen for it, it’s what they’d call a triple threat in show business: It can sing, dance AND act…In the tradition of Jeff Smith’s Bone and the better parts of Dave Sim’s Cerebus, Medley has conjured an amazing and beautiful world and filled it with flawed, interesting folks eking out their existence in a castle on the edge of the world," states Adam Blodgett.
• Review: Delphine by Richard Sala is reviewed on Comics Bulletin. Jason Sacks "We're used to fairy tales telling the story of a journey by a girl from innocence to the real world. Delphine inverts the gender of those classic tales, but uses those familiar tropes to tell a familiar story. Richard Sala treads a world of metaphor and allusion, a world that feels as familiar as Grimm's Fairy Tales and as mysterious as our own heart."
• Review: Nick Gazin sets his VICE sights on Out of the Shadows by Mort Meskin (edited by Steven Brower). "Shadows everywhere. The stories are just a lot of old timey chatter where people call each other chum and stuff but the compositions and choices that Mort Meskin made are pretty sophisticated."
• Interview:The Comics Journal posts an article titled Crockett Johnson and the Invention of Barnaby. Philip Nel writes about it all including the creation of fairy godfather, Mr. O'Malley's favorite catchphrase. Barnaby is coming so soon, we'll all cry "Cushlamochree!"
• Review: iFanboy hypes up Impossible Tales: The Steve Ditko Archives Vol. 4 (by Steve Ditko and edited by Blake Bell) coming out this May. Josh Christie states: "Steve Ditko is one of those guys you could picture on the Mount Rushmore of comics creators…Like so many of the great comics from the 1950s, the drug-fueled, macabre scenes look more like something out of an alternate dimension rather than from the states’ apple pie and bubblegum past."
• Review:Arkham Comics reviews Messages in a Bottle by B. Krigstein (edited by Greg Sadowski). A rough translation states, "Messages in a Bottle is a magicalbook,atimeless andstunningclarity:a lesson incomics aswe do notmeet every day."
• Review:Noah Van Sciver's The Hypo is reviewed on We Read Comics "Sciver absolutely nails it…We see Lincoln's plain spoken style, his humbleness, his self-doubt, and his honesty here with so much fucking economy and elegance."
• Interview:Noah Van Sciver appears on Comic Impact to talk about The Hypo and his newest comics project.
• Plug:The End of the Fucking World (Spoiler alert!) on The Chemical Box. "Similar to Derf’s analysis of Jeffery Dahmer in 'My Friend Dahmer', you can see James (along with Dahmer) struggling with their basic instincts."
• Plug:The Beat waxes on about Julia Gfrörer and Black is the Color. Zainab Akhtar writes, "Gfrorer’s work is consistently excellent, featuring themes of myth, folk lore, mysticism and spirituality, coupled with her fine-lined, evocative art."
• Plug: Demencha calls Ed Piskor a Hip Hop Archeologist and more in reference to Hip Hop Famiy Tree. "His classic indie comic composition and narrative ease make the strip readable, informative (who knew Rammelzee went tagging with Basquiat?), and respectful to the art forms and artists it covers," writes J.P. McNamara.
• Review: In an oddly religious review, Mirrors of Christ looks at Eye of the Majestic Creature by Leslie Stein. "Sadly in this story the lyre (guitar) did not participate in the worship of God but in the desire of the flesh."
• Review:Orgasm reviews Sexytime edited by Jacques Boyreau. "…if you want an oversized coffee-book that your guests might enjoying flipping through the pages as you bring refreshments, Sexytime is for you. And hey, it might even get you laid."
• Review:Josh Simmons' story from The Furry Trap, 'Mark of the Bat' is reviewed on Vorptalizer. Seat T. Collins comments, " 'Mark of the Bat' picks and picks and picks at our dovetailed drive for cruelty and need to feel superior to others until the fingernail tears off. It leaves a mark."
• Plug:Comics Workbook enjoys reading The Portable Frank digitally thanks to comiXology.Leah writes, "Woodring’s way of transitioning images between panels (in, ya know, a pretty trippy way) lends itself really well to the panel by panel viewing of the digital reader."
• Plug: Tucker Stone mentions the new issue of The Comics Journal on the Comics Journal, not trying to get to incestuous. "The new issue of the Journal is pretty good; the Tardi interview is great."
• Plug:Textures of Ether looks at Abstract Comics. "Do Abstract Comics artists need to be aware of comics history?…Molotiu’s articles explore the theory behind Abstract Comics and are always interesting to read. They would make a welcome addition to any future AC anthology."
• Review: Nick Gazin checks out Cruisin' with the Hound by Spain Rodriguez on VICE. "Spain's comics always feel lively and real and there's this sense that he was probably too cool to be making comics but somehow he was. You can tell he was for real because he put the most energy into drawing motorcycles and cars and his people always look kinda like they're secondary to their machines. Great book from a great artist and story teller."
• Plug: Musical notation in Peanuts is analyzed on the Hooded Utilitarian. "In this sense, Schulz again collapses into Charlie Brown — locked out of high art virtuosity and romantic opportunities, disappointed in art as in love.…Schulz has, perhaps, found a way to invert Lichtenstein," writes Noah Berlatsky.
• Plug (video): Al Jaffee and Robert Grossman are interviewed on the Imperium about the Harvey Kurtzman retrospective at the Society of Illustrators. Jaffee states, "His concepts were, to us at the time, revolutionary because he was breaking the third or the fourth wall, whatever you want to call it."
Since Fantagraphics and comiXology shook hands that fateful weekend last summer, the hits just keep a-galloping through the gate. Here are the books we have kickin' around in our digital stable ready to be rode hard, combed down and fed oats (in the form of your high-star ratings).
Here's a run-down of the digital comics we currently have available to read on your tablets, iPads, eReaders, myPads, ThinkTouches and more. Click on titles to be taken to their page at comiXology.
Memoirs of the artist's misspent youth. Raunchy, hilarious, and often violent as hell, an unsentimentally nostalgic trip to half a century ago — the anti- Happy Days, set to a true rock ’n’ roll beat. - See more at: http://www.fantagraphics.com/index.php?keyword=cruisin%27+with+the+hound&search_type=titles&Search=Search&Itemid=62&option=com_virtuemart&page=shop.browse#sthash.zYJMZj3B.dpuf7 Miles a Second by David Wojnarowicz, James Romberger and Marguerite Van Cook.
Note that most of these books are available at your local comic book store or our website in print form but we know you have to save that shelf space. Every Wednesday we have 1-2 new digital releases, sometimes same-day releases as the book. Buy a book for yourself or someone you love today.
The first peak of sun of Online Commentaries & Diversions:
• Review: Noah Berlatsky on Slate reviews 7 Miles a Second by David Wojnarowicz, James Romberger, and Marguerite Van Cook. "That feared and desired encounter is in part the collision of comics and art—but it's also, and emphatically, the intermingling of queer and straight…7 Miles a Second still represents a road largely avoided…even if 7 Miles a Second never went mainstream, this new edition remains a stirring reminder that everything pushed to the side isn't gone."
• Review:Full Page Bleed and Tom Murphy read 7 Miles a Second by David Wojnarowicz, James Romberger, and Marguerite Van Cook. "Like David Wojnarowicz's vision of himself, this is a volume that has an impossible amount of energy and emotion packed into its slim dimensions. It's a blistering book that, having been revived by Fantagraphics in the format it deserves, should now take its rightful place in the comics/graphic memoir canon."
• Review: The North Adams Transcript blog reviewed Delphine by Richard Sala. "Prince Charming’s journey is creepy and jarring, and the trappings of the likes of the Grimm Brothers take on a heightened presentation that becomes more personal than you would ever expect them to be," John Seven.
• Plug:The D&Q bookstore is ready to read prose book The Grammar of Rock by Alexander Theroux. Jade writes, "Cliché lyrics, diva meltdowns, and inarticulate diction are all up for close examination in Theroux’s comprehensive exploration of language in pop, rock, jazz, folk, soul, and yes, even rap (Ghostface Killah!)."
• Plug:LAMBDA announces nominees for awards and includes Justin Hall's No Straight Lines. Lambda Literary Awards celebrate achievement in lesbian, gay, bisexual, and transgender (LGBT) writing for books published in 2012. More information here!
• Review:The Savage Critic looks at Gilbert Hernandez's Love from the Shadows. "It’s the work of a comics master tearing into the stained brown paper parcel of his unconscious, and finding a piping hot slurry composed of decades of pop culture detritus."
• Plug:The Daily Optimist shows off a few panels of Nancy Likes Christmas by Ernie Bushmiller. Dan Wagstaff writes, "I do have a strange and peculiar love of Ernie Bushmiller’s ‘Nancy’ comic strips… Fantagraphics are doing a great job of collecting them properly into books (designed by Jacob Covey)."
• Plug: Tom Heintjes on Cartoonician gives a short and concise history of Fritzi Ritz aka Aunt Fritzi from Ernie Bushmiller's Nancy. She was the star of her own strip before that created by Larry Whittington. "A young cartoonist named Ernie Bushmiller took the reins and went with his strength: the simple gags that would forever earn both the scorn and admiration of millions of comics fans."
• Interview: The Comics Reporter and Tom Spurgeon interviews Publisher Gary Groth: "I can look at most books and come up with a pretty accurate estimate as to how it will sell. Occasionally I'm wrong."
• Plug: Fantagraphics fan and friend, JT Dockery has a fundraising campaign/pre-order for his Despair book which features art from Chris Wright and Julia Gfrörer. I hope they are on a ship.
• Plug: Sam Costello at Full Stop lists The End of the Fucking World by Charles Forsman as one of the most anticipated books of 2013. "While there’s certainly violence and horror here, Forsman handles the subject as a character study, not a lurid glorification, making James sympathetic and his deeds all the more monstrous."
• Review: Michael May reviews Mr. Twee Deedle by Johnny Gruelle on School Library Journal. In reference to Good Comics for Kids, "There’s plenty for children to enjoy in the collection, but parents and educators will be even more rewarded. Not only by the history and context that Marschall provides, but by the sheer sweetness and transportive beauty of the illustrations as well. Each of the full-page, full-color strips is something not only to linger over, but to revisit often."
• Review: The Weekly Crisis looks at West Coast Blues by Jacques Tardi. "The narrative is almost a ‘dark twin’ of Hitchcock’s North by Northwest as George is forced to adapt and go on the run as the forces arrayed against him close in."
• Plug:Jessica Abel posted some cool ideas on visual scripting and laying out your ideas she learned from Alison Bechdel.
The best cover band made of dogs of Online Commentaries & Diversions:
• Review: Unshelved reads Delphine by Richard Sala. Shivering with delicious fear, Gene Ambaum says "I’m a huge fan of Sala’s graphic novels, like Cat Burglar Black. And the dust jacket-less cover, with its graphics and the inset color image of a girl walking through a dark forest, looked exquisite."
• Review: Rob Clough of High-Low looks at Beta Testing the Apocalypse by Tom Kaczynski. "His stories address aspects of modern civilization and the ways in which they break down.…Kaczynski really has his finger on the collective neuroses of the new millennium. A recurring theme in this book is how Kaczynski taps into how various of our senses have been warped through modern living."
• Review: Rob Clough runs a review from 2007 on his site, High-Low, on Peanuts 1967-68 and 1969-70 by Charles Schulz. "In terms of the visuals, Schulz is years into his mature style. He's exactly what I mean when I talk about an artist needing to find the ideal style with which to express themselves with clarity. For Schulz, though his line is spare, it's full of life and liveliness."
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