• A gallery of Lorenzo Mattotti's recent cover illustrations for Internazionale's annual fiction (I think) issue

• Renee French's cute guy with awful infestation and cute guy with jaunty hat

• Recent sketches by Eleanor Davis

• Sergio Ponchione sure does great dedication sketches — here's a recent batch

• Drew Friedman presents the history of the Barfo Family, complete with concept art by himself, Art Spiegelman and Mark Newgarden

• Illos by Tim Lane for The New York Times and The Progressive

• Steve Brodner's illustration for a New Yorker article on racial tensions in the UK

• Richard Sala's newlyweds and Babes on Broadway

• Jason gets sexy with his lone attempt at cheesecake circa 1988 and a Prince illustration from the same time period — plus more teenage sketches at The Old Cat and the Dog

• Watch Lilli Carré's dancing lady in animated-GIF action

• Leslie Stein wraps up the last page of Eye of the Majestic Creature issue 5, which picks up where the book leaves off

• It's the return of Steven Weissman's Tiny Joe & Junior! Plus his latest "I, Anonymous " spot

• Noah Van Sciver presents "The True Tale of the Denver Spider Man," his story from Mome Vol. 15

• Sketchbook drawings & comics by Anders Nilsen

• Surely you're already following Jason's Cats Without Dogs blog where he posts artwork old and new (like his 1989 Elvis Costello illustration above), as well as concise and often very funny film reviews; now he's also posting his juvenilia at The Old Cat and the Dog where you can see his teenage takes on the Punisher, Lucky Luke, the Silver Surfer, Spidey etc.

• Richard Sala gives you a behind-the-scenes look at the creation of the cover artwork for The Grave Robber's Daughter and posts a bunch of fantastic full-color concept art for as-yet unrealized story ideas

• Leslie Stein presents a short sequence from the upcoming Eye of the Majestic Creature #6 (our book collects #1-4) and another short sequence from something-or-other

• Sergio Ponchione spotlights his contributions to the new issue of Linus

• For reasons she can't explain, Laura Park drew this self-portrait modeled after the "black dahlia" autopsy photo

• Some recent updates of sketchbook and other drawings by Sophie Crumb at her blog

• Steve Brodner presents his cover illustration for the new issue of the National Journal (with his studies for the caricatures)

• Sammy Harkham uploaded some mostly-new stuff to his Flickr page , including the original uncropped art from the Crickets #4 cover

And more Things to See from the past week:

• Steven Weissman's latest "I, Anonymous" spot on his Chewing Gum in Church blog

• Daily drawings by Paul Hornschemeier at The Daily Forlorn

• All the latest artwork and news from Dame Darcy in her new blog update

• New drawings from Renee French on her blog

• A new sketchbook strip and more collaborations with Sonnenzimmer from Anders Nilsen

• Oh god, more sketches of medical deformities by Hans Rickheit

• New drawings and watercolors by Derek Van Gieson

• Recent illustrations by Ray Fenwick on his Flickr page

It's been a while since I had a chance to do one of these...

• Jim Woodring's Frank and associates in a piece inspired by Giorgione's painting The Tempest (via Facebook - full size)

• Tony Millionaire did this illustration for the Three Guys and a Twelve-Pack podcast; also, an old strip for Screw (I think)

• This hilarious portrait by Cathy Malkasian is available as a print — you gotta go check it out just for the title and description, which are also hilarious

• A beautiful movie poster illustration and some musician portraits by Matthias Lehmann

• Richard Sala traces the evolution of the cover art for Mad Night

• Lilli Carré shares her Newcity cover illo and also her NYT Op-Ed illo

• Noah Van Sciver started a new sketch blog on Tumblr called Infortunate

• While recently in Chicago, Josh Simmons got his pals Anders Nilsen and Jeffrey Brown to draw some Quackers; Anders also has a bunch of new self-portraits and has put out an expanded fold-out edition of his Kramer's Ergot 7 strip

• Amazing stuff from Renee French on her blog and her new Posterous thing

• At What Things Do, Kevin Huizenga's Cartoon Polymaths strip "The Body of Work," and a couple of classic strips at his Fight or Run blog

• Also at What Things Do, two new installments of Jordan Crane's "Keeping Two"

• I think this weird piece by Steven Weissman relates to Barack Hussein Obama; also his latest "I, Anonymous" spots on his Chewing Gum in Church blog

And more Things to See from the past... jeez, 3 weeks:

• More recent sketchbook drawings by Andrei Molotiu

• At Jason's Cats Without Dogs blog, sketches, old strips and the last of his series of posts on his cartooning heroes

• New prints and an artist's book by John Hankiewicz at his Clip Joint blog

• Buy Dame Darcy's mermaid print to help send her to the annual Mermaid Parade on her 40th birthday! She's also now an ordained Wiccan minister! Good luck and congrats! All this and more in her latest blog update

• Drew Friedman rounds up his various album cover illustrations and collects a whole bunch of TV Guide covers by Jack Davis

• Recent charcoal portraits of Oliver Reed & John Coltrane by Jim Blanchard

• Sketches by Mark Kalesniko for his new graphic novel Freeway at his blog

• I believe this strip by Sergio Ponchione has to do with Italian politics

• Laura Park's been busy moving

• Recent drawings by Sammy Harkham on his Flickr page

• Portraits, sketches, illustrations and more by Steve Brodner

• Hans Rickheit keeps posting those old medical deformity sketches on his blog

• Derek Van Gieson made a hilarious-looking board game

• Some marks and text by Tom Kaczynski

Today's Online Commentary & Diversions:

• Review: "Like Saturday morning cartoons, Yeah! was about a kind of science fiction that embraced weirdo aliens rather than science fact. From alt-comix came characters that were outcasts, lived on the margins of society, or had outsider personalities. Instead of being offensive and edgy, this unusual comic book series was imaginative and inventive. ...[I]t was an all-ages gem, and I’m glad that it's back..." – Leroy Douresseaux, I Reads You

• Review: "How does Peter Bagge stay so good after all these years? Hate Annual #9 was as good as any of the previous issues of Hate (possibly better?). I guess that's why he's one of the all time greats. He just stays good year after year, issue after issue. This latest offering involving Buddy and his wife Lisa and son Harold visiting Lisa's parents in Seattle was hilarious, awkward and sublime! It's a hell of an issue and I want to see what happens next..." – P.D. Houston, Renderwrx Productions

• Review: "I was not familiar with Leila Marzocchi's work before [Niger #3], so the subtlety and nuance of her scratchy dark art entranced me right away. It's spooky yet tame enough to remind me of top notch children's book style illustration.... The art is so lovely [that] even when I wasn't sure what exactly was happening story wise, the work on the page was enough to keep me involved." – P.D. Houston, Renderwrx Productions

• Commentary: At Robot 6, Sean T. Collins comments on fellow CBR columnist Chris Mautner's interview with Celluloid creator Dave McKean

• Coming Attractions: In the latest "Graphic Novel Prepub Alert" from Library Journal, Martha Cornog spotlights a bunch of our upcoming Fall releases:

Jack Davis: Drawing American Pop Culture: A Career Retrospective: "Boomer veterans of Mad magazine will remember Davis's exuberant caricatures, windows into the 1950s and 1960s. Davis also worked extensively on horror, war, and Western titles for EC Comics and other publishers, and his mangier version of the Crypt-Keeper became the character's portrait. Known as a super-fast worker, Davis turned out a huge amount of work, and this collection brings together a variety of comics and commercial art from every stage of his checkered career."

Oil & Water by Steve Duin & Shannon Wheeler: "In 2010, Duin and Wheeler joined a group from Oregon touring the environs of the Deepwater Horizon oil spill. And, it appears, theirs is the first graphic novel reportage on the devastating BP blowout.... You will buy this."

The Hidden by Richard Sala: "Classic setup: a bunch of strangers stranded in a diner during a snowstorm, with a killer on the loose outside. And just for extra fun, maybe a global catastrophe in the works.... Clean line color drawings with a tongue-in-cheek feel."

Mark Twain's Autobiography 1910-2010 by Michael Kupperman: "The recent publication of Twain's real autobiography sets the stage for mocking the master of mockery, who surely would have chortled at the homage. This Twain tells of hunting the Yeti ('Come out here and face me, you snow-covered coward!'), meeting the Six Million Dollar Man, having a love affair with Mamie Eisenhower ('Boy oh boy, this lady was one hot dish'), and accidentally becoming involved in X-rated films. Proceed at your own risk!"

• Plug: "From his musings on Hamlet to his thoughts on the TV show Married..with Children, Alexander Theroux covers pop culture, literature, and high art while he takes us on a rambling tour of this tiny Baltic country. Theroux examines Estonia’s language and customs in order to get a larger view of a land which holds a population of less than two million. As he states, 'Seeing Estonia — disrobing her — was my focus.'" – Kathleen Massara, Flavorpill "10 Most Anticipated Summer Reads"

• Plug: "...[T]he [Paul] Nelson bio [Everything Is an Afterthought], I have to say, is completely amazing, one of the half dozen greatest music books I’ve ever read..." – Scott Woods, rockcritics.com

Today's Online Commentary & Diversions:

• List: Joe McCabe of FEARnet names "Five Horror Graphic Novels You Need to Read," including:

"The black-and-white scratchboard art of German comics creator Thomas Ott is without peer among today's comics artists. That Ott can also tell one helluva fun horror short story is almost icing on the cake.... This omnibus volume [R.I.P.: Best of 1985-2004] collects his three out-of-print albums... I've never read a Thomas Ott tale that was anything less than fantastic. Highly recommended."

"...[Richard Sala] has carved his own niche as perhaps the most twisted but brilliant cartoonist working in comics today.... Labyrinthine in its complexity and endlessly imaginative in its designs and characterizations, [The Chuckling Whatsit] tells the story of Broom, an unemployed writer who gets mixed up in a murder plot and the Ghoul Appreciation Society Headquarters (GASH), whose membership boasts more creepy eccentrics than the collected works of Edward Gorey."

• Review/Interview: After reviewing Yeah!, Vice's Nick Gazin asked writer Peter Bagge about some things that troubled him about the comic:

[Gazin:] The main feeling that the comic left me with was a crushing sense of hopelessness. With the exception of the cover art, the girls usually seem unhappy.

[Bagge:] Why?!? Well, I gave them troubled backstories, but they sure have a lot of fun at the same time. 

[Gazin:] I guess I feel like Krazy, Honey, and Woo Woo don't usually look like they're having fun. They look troubled, upset, or angry in almost every panel. They go to other planets, but they usually don't enjoy it. Even when Woo Woo gets to date her rockstar crush, Hobo Cappiletto, she's too racked with guilt to be able to enjoy it. It seems like they're only having fun on the front and back cover.

[Bagge:] Good point! I guess I simply enjoy their misery. I'm a monster!

• Opinion: Help put Yeah! in perspective by reading Peter Bagge's essay "Raiding Hannah's Stash: An Appreciation of Late '90s Bubblegum Music" at Scram magazine

• Interview: At Comic Book Resources, Shaun Manning talks to Jason and Fabien Vehlmann about collaborating on their new graphic novel Isle of 100,000 Graves. Says Vehlmann: "I love his incredible and unusual style, and I didn't want to change it totally... So even if I created the entire story and the characters of Isle of 100,000 Graves, I also did kind of a 'forger-job,' trying to write as if I was Jason but also bringing my own private topics (death, childhood, etc...), which was a very exciting challenge." Manning says of the book, "Displaying all of the keen wit, sharp twists and disarming sincerity readers have come to love in books like Werewolves of Montpellier, I Killed Adolf Hitler and others, Isle of 100,000 Graves teams the artist known as Jason with writer Fabien Vehlmann for a wholly original adventure tale that pushes both creators in an intriguing new direction."

• Plug: "Get ready, because if you like comics in which monsters and barbarian wrestlers beat the living shit out of each other (and who doesn’t?), [Prison Pit Book Three] is probably going to be the best book you’ve read since Prison Pit Book Two." – Ben Spencer, Nerd City

• Commentary: The Chicago Tribune's Heidi Stevens goes to Paul Hornschemeier & Anders Nilsen for expert opinions on the use of "grawlix" (you know, "#$&*!")

Richard Sala has updated the cover art for his upcoming graphic novel The Hidden (debuting late this Summer) with a ghastly new title treatment. Don't forget to check out The Hidden blog with a special 13-page sneak peek of the book!

Today's Online Commentary & Diversions:

• Review: "This book in particular reprints a run where Mickey Mouse enters Pluto in a dog race and ends up getting mixed up with a banker who wants to foreclose on a friendly old couple, snooty society types, high-stakes gamblers and the mob. The mob, people. It's really great stuff, with a ton of adventure and action balanced out with the humor I was expecting, which really holds up even here in the next century, right down to the fun Vaudeville-style wordplay. I would've devoured this thing if I was a kid, and while it's ostensibly a teaser for the bigger reprint volumes -- which, at $30 for 300 pages are looking like an even better deal than I thought -- it's awesome for all ages." – Chris Sims, Comics Alliance

• Review: "Joe Daly's comics are an unequivocal delight. The second volume of his role playing/video game send-up and tribute, Dungeon Quest, is a visual feast from beginning to end. Of course, this feast may be mere junk food, but his sheer commitment to the adventurous reality that his characters encounter makes the reader care about the most ridiculous of scenarios.... While there are a number of alt-comics fantasy series being published these days (with Trondheim & Sfar's Dungeon the best), Daly's fusion of underground comics sensibilities with the blunt directness of the video game playing experience is unique and leaves the reader wanting more." – Rob Clough, High-Low

• Interview: At Under the Radar, Jeremy Nisen talks to Eye of the Majestic Creature creator Leslie Stein: "Right now I pretty much write out the comic like a movie script and then just attack the page. As I go along I change some of the dialogue or add different sequences I've thought of to enhance the story, like if there's something I draw in a background on a whim, I might like it and incorporate it into the story. This way it's exciting as I go along, and not just laborious drawing. As for the concept, it just pops into the old bean. Magic!"

• Plug: In a pre-TCAF Q&A at the National Post, comic artist Niki Smith talks about her most-anticipated comic of the year: "Wandering Son is debuting at TCAF (from Fantagraphics) and I absolutely cannot wait to add it to my collection and push it on everyone I know. It’s a wonderful story of gender and sexuality and growing up."

• Plug: "Fantagraphics is nice enough to offer another Jacques Tardi/Jean-Patrick Manchette joint, Like a Sniper Lining Up His Shot... Bleak, existential French comics from the early 1980s? Yes, please!" – Greg Burgas, Comic Book Resources

• Plug: "The Hidden – The three magic words: New Richard Sala. Also, mental patients on the loose." – Michael May, Robot 6

Tim Hensley and Richard Sala are among the artists donating artwork to "Kenji's Light of Hope," an online art sale beginning today with 100% of the proceeds being donated to the Igari Music Therapy Research Center, supporting their mission to provide music therapy to individuals with developmental disabilities and the elderly in the quake-stricken area of Miyagi Prefecture, Japan. The sale "is dedicated to Kenji, a young man with Down syndrome, who is a keen percussionist at Igari MTRC. Kenji's home was badly flooded during the tsunami, and he was rescued with his family after 3 days. Let's ensure that he's able to play the sound block again on all the samba and Latin tunes that he loves!" Tim has donated original Wally Gropius artwork, and Richard has donated the print "Midnight" pictured above. Two great artists, one wonderful cause!

On his Here Lies Richard Sala blog, Richard Sala posted this drool-inducing photo of original pages for his forthcoming graphic novel The Hidden, along with an update on the status of the book, which is now complete and undergoing production. He also points out an eerie incidence of life imitating comics, which, if you know his work, is rather ominous.

Catching up on several days' worth of Online Commentary & Diversions:

• List/Plugs: In an article titled "Fantagraphics: The Greatest American Comics Publisher," GUY.com's Rob Gonsalves says "What the Criterion Collection is to DVDs, Fantagraphics is to comics. Any self-respecting collection of graphic novels, any library public or personal, needs to sport at least one Fantagraphics book," and recommends a nicely idiosyncratic top-20 list of our publications which includes some of our more obscure releases

• Review: "While there definitely were some hardships, Clemente’s life was as unique and joyful as his persona and ball playing skills were, and Wilfred Santiago’s 21: The Story of Roberto Clemente reflects this uniqueness and joy through its own unique retelling of Clemente’s life. [...] The simple joy conveyed in this book is universally appealing... Baseball is a game that is full of life and story, and every year the game blooms in the spring with the trees and flowers of the season. 21: The Story of Roberto Clemente celebrates life, and new life, as much as it does baseball." – Andy Frisk, Comic Book Bin

• Interview: Pittsburgh City Paper's David Davis, who says "In his new graphic novel 21: The Story of Roberto Clemente, the author of 2002's In My Darkest Hour uses Clemente's life to explore issues on and off the diamond. These include the thorny politics of Puerto Rico (statehood or commonwealth status?) as well as the racism Clemente faced in America as a dark-skinned Latino. The result is both a superhero cartoon and a lyrical time-machine, rendered in the regal black-gold-and-white of the Bucs' uni," has a brief Q&A with Wilfred Santiago: "I began my career working on superhero cartoons. That's the look I wanted to get -- somewhere between a cartoon and a painting. I wanted to get the camera right there with him and you're experiencing the action up close."

• Plug: Philip Shropshire spotlights 21: The Story of Roberto Clemente at Mirror Universe

• Review: "Slavishly documenting and lavishly illustrating through band flyers and set lists and rare record sides and marvelous photography, along with first-person textual accounts, this strange, excited dialogue between misfits in America through bands, venues, zines, and lives and how it was all done punk and how punk was done. [...] Taking Punk to the Masses’ gallant bridging of universal punk history with our own in Ecotopia is a reason to celebrate. Your eyes can gnaw on decades of delicious artwork while you read and watch stories you may have heard of, but after this, will never forget." – Chris Estey, The KEXP Blog

• Review: "In Hate Annual #9, Buddy returns to Seattle to meet the dysfunctional family of his wife Lisa who he has never met despite having been with Lisa for close to 20 years. In a tension-filled 72 hours, Buddy is subjected to senile parents, criminals, and drug addicts. Each page is filled with the sardonic humor and high drama that are staples of Bagge's work. [...] Read this issue slowly because once you're done laughing your head off, you are sure to be sad that you'll have to wait another year to check in with one of the best characters of alternative comics." – Rip Ransley, Stray Riffs

• Review: "The particular fascination in this early work [The Arctic Marauder] is seeing one of the unique individual styles in cartooning at a formative stage. [...] As for the subject matter: It’s an example of parody that continues on when the thing parodied has long faded away. [...] Part of the appeal is feeling superior to an earlier age, and another part is being engaged in the traces of the earlier form embedded in the parody, which you would normally feel yourself too sophisticated to enjoy." – R. Fiore, The Comics Journal

• Plug: "At once a parody and a tribute to late 19th, early 20th century mystery/adventure Jules Verne-esque fiction, this gorgeous one-shot [The Arctic Marauder] is masterfully drawn scratchboard style, as to echo the woodcuts of the era. The result is sumptuous, and look at those elegant art-nouveau panels! [...] Fans of concentrated mysteries, steam-operated machines, dramatic adventures and over-the-top vilains should be all over this!" – 211 Bernard (Librairie Drawn & Quarterly)

• Review: "One of the greatest publishing endeavors in comics continues, with the 15th volume of The Complete Peanuts by Charles M. Schulz published by Fantagraphics! [...] I will give this book an A+ grade and highly recommend it to any fans of Peanuts..." – Mike Moon, Catgirl Critics' Media Mewsings

• Review: "With Woodring’s skill, I never found myself confused, at least, more than you’re supposed to be. I’ve never read a statement by Woodring saying this, but I always got the impression he wanted you to work for the meaning behind his stories. Even if it’s not the case, I highly enjoy the process. In one graphic novel [Weathercraft], I got what I think may have been a love story, a treatise on spiritual enlightenment and sometimes just a whole lot of fun." – Joe Keatinge, Joe Keatinge's Comics & Stories

• Review: "Weathercraft... [is a]nother volume of nightmarishly beautiful wordless comics by the remarkable Mr. Woodring. Even for those accustomed to his work, there is page after page that makes you say, 'I’ve never seen anything like that before!' And then hide under your bed." – M. Ace, Irregular Orbit

• Interview: Book By Its Cover's Jen Rothman, who says "Ray Fenwick has created yet another masterpiece. His second book, Mascots, hit shelves in the beginning of this year and it’s quite a beauty. It’s filled with his signature style that mixes ornate hand lettering and imagery, creating amusing little narratives," has a Q&A with Ray: "I thought of the idea of mascots because they’re these outrageous, often ridiculous figures, but they’re symbolic of something else. The thing they’re there to represent isn’t ridiculous at all. I thought that was similar in a lot of ways to the work in the book."

• Interview (Audio): Inkstuds host Robin McConnell talks with Set to Sea creator Drew Weing

• Interview: One Two One Two Microphone Check has a cultural Q&A with our own Kim Thompson: "There is no movie I love but would be embarrassed to talk about in a serious, intellectual conversation, because if I love it, it is worth talking about by definition. (I concede this could be taken as arrogant.) That said, I am mildly embarrassed at how much I actually love Love, Actually."

• Interview: Alex Dueben's great interview with Daniel Clowes at Comic Book Resources touches on Dan's design work for our upcoming series of Crockett Johnson's Barnaby collections: "It's probably the best written comic strip of all time. The artwork is disarmingly simple. It's the kind of thing that I would normally not be attracted to. He uses typography instead of hand lettering and very simple diagrammatic drawings, yet they are perfect, and work beautifully in a way that anything added to it would detract from it. My goal with the design of the book is to follow his very severe minimal design style and try to live up to that."

• Interview: At TCJ.com, Sean T. Collins also talks to Clowes: "I was always baffled that people who liked mainstream comics seemed to really gravitate towards [Eightball #22]. I couldn’t quite figure out what it was about that one, specifically, that made them like that so much."

• Plug: "To accompany the number of Edward Gorey books... that we carry, D+Q now has The Strange Case of Edward Gorey by Alexander Theroux. If you find yourself curious about the man behind The Epilectic Bicycle and The Doubtful Guest, Theroux's portrait of Gorey is sure to please." – 211 Bernard (Librairie Drawn & Quarterly)

• Commentary: Tim Kreider pens an essay on the state of the cartooning industry for TCJ.com: "When you’re young, it’s exciting and fun just to have your work published in the local alternative weekly, or posted online, “liked” and commented on and linked to; but eventually you turn forty and realize you’ve given away a career’s worth of labor for nothing. What’s happening in comics now is what happened in the music industry in the last decade and what’ll happen to publishing in the next. Soon Don DeLillo will be peddling T-shirts too."

• Commentary: Robot 6 polled Gilbert Hernandez for their weekly "What Are You Reading?" feature: "The new comics I always enjoy are by R. Crumb, Dan Clowes, Richard Sala and Charles Burns. I haven’t seen Burns’ and Sala’s new books yet but I did read The Bible by Crumb, which I found tedious only because of the subject matter and Wilson by Clowes. That was hard to get through because the protagonist is so supremely hateful. Well executed, though."