Catching up on several days' worth of Online Commentary & Diversions:
• List/Plugs: In an article titled "Fantagraphics: The Greatest American Comics Publisher," GUY.com's Rob Gonsalves says "What the Criterion Collection is to DVDs, Fantagraphics is to comics. Any self-respecting collection of graphic novels, any library public or personal, needs to sport at least one Fantagraphics book," and recommends a nicely idiosyncratic top-20 list of our publications which includes some of our more obscure releases
• Review: "While there definitely were some hardships, Clemente’s life was as unique and joyful as his persona and ball playing skills were, and Wilfred Santiago’s 21: The Story of Roberto Clemente reflects this uniqueness and joy through its own unique retelling of Clemente’s life. [...] The simple joy conveyed in this book is universally appealing... Baseball is a game that is full of life and story, and every year the game blooms in the spring with the trees and flowers of the season. 21: The Story of Roberto Clemente celebrates life, and new life, as much as it does baseball." – Andy Frisk, Comic Book Bin
• Interview: Pittsburgh City Paper's David Davis, who says "In his new graphic novel 21: The Story of Roberto Clemente, the author of 2002's In My Darkest Hour uses Clemente's life to explore issues on and off the diamond. These include the thorny politics of Puerto Rico (statehood or commonwealth status?) as well as the racism Clemente faced in America as a dark-skinned Latino. The result is both a superhero cartoon and a lyrical time-machine, rendered in the regal black-gold-and-white of the Bucs' uni," has a brief Q&A with Wilfred Santiago: "I began my career working on superhero cartoons. That's the look I wanted to get -- somewhere between a cartoon and a painting. I wanted to get the camera right there with him and you're experiencing the action up close."
• Review: "Slavishly documenting and lavishly illustrating through band flyers and set lists and rare record sides and marvelous photography, along with first-person textual accounts, this strange, excited dialogue between misfits in America through bands, venues, zines, and lives and how it was all done punk and how punk was done. [...] Taking Punk to the Masses’ gallant bridging of universal punk history with our own in Ecotopia is a reason to celebrate. Your eyes can gnaw on decades of delicious artwork while you read and watch stories you may have heard of, but after this, will never forget." – Chris Estey, The KEXP Blog
• Review: "In Hate Annual #9, Buddy returns to Seattle to meet the dysfunctional family of his wife Lisa who he has never met despite having been with Lisa for close to 20 years. In a tension-filled 72 hours, Buddy is subjected to senile parents, criminals, and drug addicts. Each page is filled with the sardonic humor and high drama that are staples of Bagge's work. [...] Read this issue slowly because once you're done laughing your head off, you are sure to be sad that you'll have to wait another year to check in with one of the best characters of alternative comics." – Rip Ransley, Stray Riffs
• Review: "The particular fascination in this early work [The Arctic Marauder] is seeing one of the unique individual styles in cartooning at a formative stage. [...] As for the subject matter: It’s an example of parody that continues on when the thing parodied has long faded away. [...] Part of the appeal is feeling superior to an earlier age, and another part is being engaged in the traces of the earlier form embedded in the parody, which you would normally feel yourself too sophisticated to enjoy." – R. Fiore, The Comics Journal
• Plug: "At once a parody and a tribute to late 19th, early 20th century mystery/adventure Jules Verne-esque fiction, this gorgeous one-shot [The Arctic Marauder] is masterfully drawn scratchboard style, as to echo the woodcuts of the era. The result is sumptuous, and look at those elegant art-nouveau panels! [...] Fans of concentrated mysteries, steam-operated machines, dramatic adventures and over-the-top vilains should be all over this!" – 211 Bernard (Librairie Drawn & Quarterly)
• Review: "With Woodring’s skill, I never found myself confused, at least, more than you’re supposed to be. I’ve never read a statement by Woodring saying this, but I always got the impression he wanted you to work for the meaning behind his stories. Even if it’s not the case, I highly enjoy the process. In one graphic novel [Weathercraft], I got what I think may have been a love story, a treatise on spiritual enlightenment and sometimes just a whole lot of fun." – Joe Keatinge, Joe Keatinge's Comics & Stories
• Review: "Weathercraft... [is a]nother volume of nightmarishly beautiful wordless comics by the remarkable Mr. Woodring. Even for those accustomed to his work, there is page after page that makes you say, 'I’ve never seen anything like that before!' And then hide under your bed." – M. Ace, Irregular Orbit
• Interview:Book By Its Cover's Jen Rothman, who says "Ray Fenwick has created yet another masterpiece. His second book, Mascots, hit shelves in the beginning of this year and it’s quite a beauty. It’s filled with his signature style that mixes ornate hand lettering and imagery, creating amusing little narratives," has a Q&A with Ray: "I thought of the idea of mascots because they’re these outrageous, often ridiculous figures, but they’re symbolic of something else. The thing they’re there to represent isn’t ridiculous at all. I thought that was similar in a lot of ways to the work in the book."
• Interview:One Two One Two Microphone Check has a cultural Q&A with our own Kim Thompson: "There is no movie I love but would be embarrassed to talk about in a serious, intellectual conversation, because if I love it, it is worth talking about by definition. (I concede this could be taken as arrogant.) That said, I am mildly embarrassed at how much I actually love Love, Actually."
• Interview: Alex Dueben's great interview with Daniel Clowes at Comic Book Resources touches on Dan's design work for our upcoming series of Crockett Johnson's Barnaby collections: "It's probably the best written comic strip of all time. The artwork is disarmingly simple. It's the kind of thing that I would normally not be attracted to. He uses typography instead of hand lettering and very simple diagrammatic drawings, yet they are perfect, and work beautifully in a way that anything added to it would detract from it. My goal with the design of the book is to follow his very severe minimal design style and try to live up to that."
• Interview: At TCJ.com, Sean T. Collins also talks to Clowes: "I was always baffled that people who liked mainstream comics seemed to really gravitate towards [Eightball #22]. I couldn’t quite figure out what it was about that one, specifically, that made them like that so much."
• Commentary:Tim Kreider pens an essay on the state of the cartooning industry for TCJ.com: "When you’re young, it’s exciting and fun just to have your work published in the local alternative weekly, or posted online, “liked” and commented on and linked to; but eventually you turn forty and realize you’ve given away a career’s worth of labor for nothing. What’s happening in comics now is what happened in the music industry in the last decade and what’ll happen to publishing in the next. Soon Don DeLillo will be peddling T-shirts too."
• Commentary:Robot 6 polled Gilbert Hernandez for their weekly "What Are You Reading?" feature: "The new comics I always enjoy are by R. Crumb, Dan Clowes, Richard Sala and Charles Burns. I haven’t seen Burns’ and Sala’s new books yet but I did read The Bible by Crumb, which I found tedious only because of the subject matter and Wilson by Clowes. That was hard to get through because the protagonist is so supremely hateful. Well executed, though."
• Review: "I’d say 'you can’t make this shit up,' but you can, or Ryan can at least, and watching him frogmarch his characters through the outlandish scenarios needed to give birth to these you-gotta-be-fucking-kidding-me ideas is Guffaw City. And as I always point out, he’s a fine, fine cartoonist; ...his buoyant brushwork... is what sells the childlike glee of everything that’s going on [in FUC_ __U _SS __LE]." – Sean T. Collins, Attentiondeficitdisorderly
• Interview:Comicdom's Tomas Papadimitropoulos talks to Richard Sala (in English after the Greek introduction): "I hesitate to reveal too much about The Hidden at this point. It will be a somewhat different from things I’ve done before. On one hand it’s almost like an action-packed monster movie. But, at the same time, it may be more personal than my Peculia and Judy Drood books. There is some reflection or looking back on my life as an artist involved." (via Spurge)
Yeah, we're great, and our books are late. Why, what did you think the headline meant?
Anyway, a new year is upon and it's time to 'fess up about all the late Fantagraphics titles you were expecting to have by now, and don't, because we suck. Specific apologia and weaseling have been added to some titles, others we just pass under mortified silence. 2011 will be better!
The following have been rescheduled: • THE ANTIC CARTOON ART OF T.S. SULLIANT will be reformatted, rethought, re-solicited, and released in early 2012 • FORLORN FUNNIES VOLUME 1 by Paul Hornschemeier will be released in the Summer of 2011 • THE HIDDEN by Richard Sala will be re-solicited and released in July 2011 • HOW TO READ NANCY will be re-solicited and released in 2012 in a vastly expanded version from what we first expected • IS THAT ALL THERE IS? (né MODERN SWARTE, originally announced for 2007) in late Fall 2011: Yes, Joost has turned in all the files and publishers in three countries are synchronizing their watches! • NANCY IS HAPPY will be released in late 2011: It turns out that there was more production work than we anticipated to make the book as perfect as humanly possible.) • POGO VOLUME 1 will be released in the Fall of 2011 - yes, seriously, for real this time
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