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Category >> Richard Sala
Today's Online Commentary & Diversions:
• Review: "As journalist Avery documents in this cohesive biography-cum-first anthology of the onetime Rolling Stone record review editor’s oeuvre [Everything Is an Afterthought: The Life and Writings of Paul Nelson], Nelson was a gifted early practitioner of new journalism and, though a child of the Sixties folk and rock counterculture, one of its most vocal critics.... Reading his inconceivably insightful profiles of Bruce Springsteen, Leonard Cohen, Warren Zevon, and Rod Stewart helps make sense of a needlessly guilt- and disappointment-laden life — here was a hyper-romantic Midwesterner by birth but a New Yorker by necessity who thought he could transcend mundane cruelties by dedicating himself to the popular arts. Seamlessly incorporating the perspectives of Nick Tosches, Robert Christgau, and Jann Wenner, Avery has crafted both a cautionary tale and a celebration of a noir-influenced writer who deserves a place alongside Lester Bangs for his ability to live, always, in the music. Devotees of folk, establishment rock ’n’ roll, and pulp fiction will rue not having discovered Nelson sooner." – Heather McCormack, Library Journal (Starred Review)
• Review: "[Richard Sala's] latest appetising shocker The Hidden returns to the seamy, scary underbelly of un-life with an enigmatic quest tale... Clever, compelling and staggeringly engaging, this fabulous full-colour hardback is a wonderfully nostalgic escape hatch back to those days when unruly children scared themselves silly under the bedcovers at night and will therefore make an ideal gift for the big kid in your life — whether he/she’s just you, imaginary or even relatively real." – Win Wiacek, Now Read This
• Review: "I had the opportunity to do a Q&A panel with Johnny Ryan at SPX last weekend. One of the more interesting parts of discussion was when Ryan said how each volume of Prison Pit had to have a different vibe or theme so that the different books didn’t feel interchangable. That’s certainly true in volume three, as we see the inclusion of a new character, who, while just as violent and vicious as CF, is completely different in attitude and demeanor. Plus, he has one of the most amazing (and utterly grotesque) resurrection scenes I’ve ever seen. There’s also a neat little bit toward the end where it seems like Ryan is heavily drawing upon the Fort Thunder crowd, particularly Mat Brinkman. All in all, it’s another excellent volume." – Chris Mautner, Robot 6
• Review: "This [fourth] volume [of Prince Valiant] covers the most of the WWII years, 1943-44, when the paper shortage was at its highest. As Brian Kane notes in the introduction, this meant creator Hal Foster had to format the strip so parts could be cut for papers that had been forced to shrink their page count.... Still, while no doubt hampered by this new situation, it did nothing to harm his storytelling skills, and Valiant remains a hugely enjoyable action strip, as Valiant battles a variety of ne’r do wells on a quest to find his true love, Aleta." – Chris Mautner, Robot 6
• Review: "I’ve talked at length before about how good the Mome anthology has been, and while I’m sad to see it come to a close, it’s nice to see it end on such a high note. Seriously, this is the best volume of Mome yet, with standout contributions by Chuck Forsman, Eleanor Davis, Laura Park, Dash Shaw, Jesse Moynihan and Sara Edward-Corbett. But really, there’s not a bad story in this entire book. It might seem weird recommending the last book of a series, but if you gotta only read one of these things, this would be the one." – Chris Mautner, Robot 6
• Plugs: "Last weekend, I was at Small Press Expo... and went on a blind spree at Fantagraphics with Four Color Fear, an Alex Toth collection, some books by Jordan Crane and an impulsively bought Jacques Tardi book because CBLDF’s Alex Cox told me I needed it." [Good ol' Alex – Ed.] – Kevin Colden, Robot 6
• Interview (Audio): Drew Friedman is the guest on last Friday's edition of The Leonard Lopate Show on WNYC, talking about his new book Even More Old Jewish Comedians (stream audio and see a slideshow of images from the book at the link)
• Interview: Brian Heater's conversation with Drew Friedman at The Daily Cross Hatch continues: "But a couple of guys claimed that I didn’t get their names right, like Don Rickles. His PR guy contacted us and said, 'he’s really angry. His name is not Archibald, it’s Donald Rickles.' So, we said in the second book 'Don Rickles says his name is not Archibald, so that will be corrected in a future volume.' Sid Caesar was annoyed. He called Fantagraphics and started yelling at Kim Thompson, because he claimed his name is not Isaac. He was on the phone with him for half an hour. He was doing Jewish schtick and German dialect. Kim was amazed."
Today's Online Commentary & Diversions:
• Review: "Another brilliant adaptation of a Jean-Patrick Manchette crime novel by Jacques Tardi. If you liked West Coast Blues, well, you absolutely will love [Like a Sniper Lining Up His Shot]. If you are a crime fan and haven’t read that work yet, you really must as for whatever reason, it is something that tends to get overlooked. Yes, Tardi’s art style is completely unique and can take a little adjusting to if you’re only used to conventional American / UK styles, but give it a go because he brings gritty crime to brutal, realistic life — and indeed equally cold, hard unpleasant death — like few others can." – Jonathan Rigby, Page 45
• Review: "There be monsters; monsters of man’s own making. [The Hidden] is Sala’s second book in colour, rich in red and orange, but it’s the first, I believe, to dispense with all hope and humour — apart from the man with the Marty Feldman eyes. He’s taken the Edward out of Gorey and the tongue from his cheek, replacing it there with shovels, hatchets and stakes!" – Stephen L. Holland, Page 45
• Review: "After a rocky start, the regularly updated, online version of The Comics Journal has become a much more vital outlet for the serious discussion of comics, primarily thanks to the stewardship of online editors Dan Nadel and Tim Hodler. In its new format, the print Comics Journal is a fine companion to that ongoing effort. With the burden of remaining 'current' lifted by the website, the print Journal is free to explore important works with a depth and seriousness rarely found online." – Patrick Markfort, Articulate Nerd
A double dose of Online Commentary & Diversions:
• Review: "Walt Disney's Mickey Mouse: Race To Death Valley by Floyd Gottfredson will be warmly received by comics aficionados but should also intrigue Disney animation buffs who aren't necessarily plugged into comic strip history. Editors David Gerstein and Gary Groth have not only scoured the planet for the best surviving artwork on Gottfredson's first epic continuity, which ran in newspapers from April to September of 1930; they've provided background essays (by a raft of experts), vintage press materials and artwork to put it into the context of Walt Disney's burgeoning career, and Mickey Mouse's budding stardom.... I have a feeling that this book, crafted with such obvious care, will earn Gottfredson a new legion of admirers." – Leonard Maltin
• Review: "Popeye hawking newspapers? Drawing Power: A Compendium of Cartoon Advertising, edited by and . In a hundred-plus pages you are treated to a sampling of cartoon print ads from the 1890s to 1940s. There are short informative blurbs about the cartoonists (some of whom were featured in ads themselves) and the history behind the ads. A great treat for fans of comic strips, Americana, and ephemera." – The Christian Science Monitor "Top Picks"selling gasoline? You'll find them and a whole cavalcade of comic strip characters in
• Review: "Not long ago a very interesting book was released which aims precisely to investigate and chronicle the parallel paths of comics and advertising from 1870 until 1940 entitled Drawing Power: A Compendium of Cartoon Advertising. Fantagraphics Books offers a hearty volume... which is our guide with text and images to the 'commercial' roots of the comic strip and the amazing work that resulted from comics creators who worked in advertising.... Drawing Power: A Compendium of Cartoon Advertising is a book that will surely pique the interest of those involved in the communication sector, but also all who are drawn to pop culture. An excellent edition from Fantagraphics..." – Lida Tsene, Comicdom (translated from Greek)
• Review: "Richard Sala’s The Hidden is yet another undead saga, though it’s more ambitious than most.... As the backstory deepens, Sala ties The Hidden to older literary traditions, weaving in pieces of folktales and the legend of Frankenstein. Because Sala has had a career-long fascination with B-movies, gothic illustrations, and general ghoulishness, this plot is right in his wheelhouse. But The Hidden isn’t just an entertaining riff on well-worn horror concepts. Taking his cues from Mary Shelley, Sala explores human vanity and arrogance as a way of showing how everything can go so wrong so fast." – Noel Murray, The A.V. Club
• Review: "...Mome 22 concludes the run of one of alt-comics' longest-running and most essential anthologies. Like Weirdo before it, Mome bridged the gap between veteran cartoonists and the new breed... Here’s hoping that as with Zap, Raw, Arcade, and so many that have gone before, another anthology will rise to take Mome’s place. And soon." – Noel Murray, The A.V. Club
• Review: "...Shimura Takako is a master at portraying subtle events in a slice of life story about adolescence that never feels didactic.... One of the things I like about Wandering Son is the way many of the events in the book are simultaneously safe and filled with dramatic tension.... Like the storyline, Shimura’s art is simple but nuanced.... As you’d expect from Fantagraphics, the production quality for Wandering Son is excellent. I hope that more manga is on the horizon from them. While I’ll happily read more cheaply produced manga, it is nice to have a variety of options. Carefully curated manga like Wandering Son is a treat." – Anna Neatrour, Manga Report
• Review: "Jason’s deadpan, anthropomorphic characters make his books must-reads for me.... I'd give [Isle of 100,000 Graves] to my daughter... and my wife... in hopes that, after laughing at the Hangman’s Academy’s students, teachers, and administrators, they’ll agree to dress up in multi-colored hoods and carry instruments of torture next Halloween." – Gene Ambaum, The Unshelved Book Club
• Review: "Chun fills his collections with the best cartoons – the ones that can still delight readers, and Covey uses his lively and inventive design sense to make these old cartoons fresh and vital. With The Pin-Up Art of Humorama, Chun and Covey will once again make you believe that the art of Humorama is still alive and kicking – although the line ceased to exist decades ago. [Grade:] A" – Leroy Douresseaux, I Reads You
• Review: "This Fantagraphics edition collects the first two French albums of Les Aventures Extraordinaires d’Adèle Blanc-Sec (Pterror Over Paris and The Eiffel Tower Demon) in a large format hardback edition, and it’s beautifully presented. First released in 1976, Jacques Tardi’s story has a timeless quality, set in an alternative, steam-punk universe, shortly before World War I.... Tardi’s art recreates the scenery beautifully, with stunning backdrops bringing the architecture and beauty of Paris to life. ...[A] compelling and enjoyable mystery story with an alternative Victorian feel." – Grovel
• Review: "Comic fanboys have read Sgt. Rock or The Howling Commandos which are realistic in many ways, but there was a time when a comic mag got down right truthful. I’m speaking of Blazing Combat #1-4 (1965-66, Warren) and recently Fantagraphics collected the run in both hardcover and softcover. Blazing Combat was an anthology comic that showed the very dark and very real side of war. A loose followup to the EC Comics War genre books, it showed US G.I.’s dying in terrible ways, commanders giving orders with little regard for consequences and the militaristic definition of collateral damage. Jim Warren let it all hang out when it came to editing Archie Goodwin’s writing... Of course Goodwin is a genius and I’m usually more of a word-man when it comes to comics, but this time it’s the art that captured my attention. It’s a who’s-who of monster talent..." – Chris Marshall, Collected Comics Library
• Review: "Fred [the Clown] is a figure of innocence, a lovelorn sad sack who keeps getting hit by custard pies — and, even harder, by life — over and over again, but keeps standing back up to go on. Langridge mostly tells his story in short wordless comics stories... in his usual style, a crisp modern interpretation of the classic '20s animation look... They're slapsticky stories of a sad clown, using the accouterments of vaudeville and early Hollywood, that nonetheless feel entirely new and fresh and funny. I don't know how Langridge does it, but he does it very very well." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Preview/Plug: Comicsphere re-formats and re-presents one of our previews of Johnny Ryan's Prison Pit Book 3 to their readers, with Josh West saying "This is set to be 120 pages of ‘once you see it, it can’t ever be unseen’ scenarios and, honestly, Comicsphere couldn’t be more excited! Unbelievably unpredictable, violent, satirical and likely to entertain more than anything else on the shelves through September, the Prison Pit makes Hell look like nothing more than a relaxing Sunday morning stroll through a (really hot) meadow."
• Interview: Comic Book Resources' Tim Callahan has a wide-ranging conversation with Johnny Ryan about Prison Pit and other topics: "I guess I have this fascination with stories where the 'hero' is not a hero at all. He's a loser or an idiot or a scumbag, but somehow the author makes us give a shit about him or her.... I think this is a strain that also runs through my work. It's about bad people, doing bad things, but I try and trick people into caring about or liking these people."
• Preview/Plug: Comicsphere gives the same treatment as above to our excerpt of Jacques Tardi & Jean-Patrick Manchette's Like a Sniper Lining Up His Shot, with Josh West saying "...Jacques Tardi returns to the world of guns, crime, betrayal and bloodshed with this stunning, grisly, and remarkably faithful interpretation of Manchette’s last completed crime thriller."
• Plugs: Robot 6's Michael May singles out a few of our upcoming releases from the November Previews catalog for spotlighting:
"Mr. Twee Deedle: Raggedy Ann’s Sprightly Cousin – The Forgotten Fantasy Masterpieces of Johnny Gruelle – I almost drowned in the amount of praise Fantagraphics poured on Gruelle’s work in the ad, but simply looking at the cover, it appears to be justified."
"The Extraordinary Adventures of Adele Blanc-Sec, Volume 2: The Mad Scientist/Mummies on Parade – Even if I wasn’t already turned on to the awesomeness of Jacques Tardi’s Belle-Époquian heroine, 'Mummies on Parade' would be enough to necessitate this purchase."
"Athos in America – Jason returns to The Last Musketeer and includes other Jasony stories like 'The Brain That Wouldn’t Virginia Woolf.'"
• Plugs: Graphic Novel Reporter includes almost everything we have coming out over the next 3 months in their "Great Graphic Novels of Fall 2011" roundup, particularly the Adult Fiction and Nonfiction categories (though we feel we should point out that Alexander Theroux's Estonia is neither fiction nor a graphic novel)
• Plug: "We’re over halfway done, and have moved into the last 20 years of the strip with the release of The Complete Peanuts: 1981 to 1982. Can you believe how fast time is flying? Kudos to Fantagraphics for maintaining the incredibly high standard of quality and presentation they established at the outset, with this entry featuring an introduction from cartoonist Lynn Johnston. More!" – Ken Plume, FRED
• Interview: Newsarama's Albert Ching talks to Michael Kupperman about his new book Mark Twain's Autobiography 1910-2010: "One other character I frequently think of when doing Twain — writing that book, or doing him in Thrizzle — is Dave Thomas from SCTV doing Walter Cronkite. Which in some ways is very similar — this kind of roguish, semi-self-befuddled character, roaming around having adventures."
• Interview: The Daily Cross Hatch's Brian Heater begins a multi-part chat with Drew Friedman: "Basically when Monte Beauchamp who edits those books invited me to do a book, I thought about what I like to draw the most. I like to draw comedians and old Jews. So I put those two together and started working on them between assignments over a year. I just got pleasure in drawing them. I could put aside any annoying assignment I had and just get down to drawing those old Jewish faces. That’s what it came down to."
• Interview: Washington City Paper's Mike Rhode had a little pre-SPX Q&A with Noah Van Sciver: "I'm excited to stop by the Fantagraphics table and say hello to those guys and see what's new." Well shucks!
• Lore: "’71 was a weird year for me. I never had quite so many women coming and going, as I did that year in the apartment I shared with Gary. But I was still drinking too much and just overdoing it in general, hedonistically speaking. I was getting very little good work done (gosh, I wonder why?) and was generally pretty miserable." – Kim Deitch's epic memoir-in-music "Mad About Music: My Life in Records" at TCJ.com forges into the 1970s
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
136-page full-color 8.25" x 8.25" hardcover • $19.99
"Then there’s also Richard Sala’s new book The Hidden ($19.99) about a group of strangers [description redacted due to being based on preliminary and out-of-date info - Ed.] during a global crisis. I’m going to want all three of those, but I reckon I’d grab The Hidden first." – Michael May, Robot 6
"For my splurge, I’d be hard-pressed to pick between [redacted] and The Hidden by Richard Sala ($19.99)." – J.K. Parkin, Robot 6
104-page black & white 7.5" x 10.75" hardcover • $18.99
"A new one from Jacques Tardi, an extrordinarily bleak noir thriller. If you're digging Criminal and want to know what to read next, don't miss Tardi's work — he's a master of the form." – Chris Butcher, The Beguiling
"I don’t know very much about this book, except for a few points that make me want to read this without even reading the solicitation text: 1. It’s drawn by Jacques Tardi. His It Was the War of the Trenches was an incredible book – a dark and beautiful graphic novel about the first world war that had a number of surprises and truly chilling moments. 2. It’s about snipers. Snipers are cool.... 3. These Fantagraphic editions are nice to own. They are very well designed, maintaining the original size of the French books, and have very high production values. That’s enough for me." – James Fulton, Inside Pulse
"...I’m saving my money to get Like a Sniper Lining Up His Shot ($18.99), the latest Jacques Tardi book from Fantagraphics, another hard boiled (and ultra-violent) noir in the same vein as West Coast Blues, which is not terribly surprising considering its the same writer, Jean-Patrick Manchette." – Chris Mautner, Robot 6
"A sure thing, I'd imagine, another collaboration between pantheon-level cartoonist Jacques Tardi and the crime writer Jean-Patrick Manchette, whose previous English-language release West Coast Blues impressed many when it came out a while back." – Tom Spurgeon, The Comics Reporter
240-page full-color 7" x 9" softcover • $19.99
"A double-sized farewell issue, with return visits from a lot of the artists who've graced it in the past. I really hope that some new, regular print vehicle takes the place of this within the comics ecosystem, but it doesn't seem likely." – Douglas Wolk, Comics Alliance
"The FINAL volume of Mome, the great white hope for aspiring cartoonists to get published at Fantagraphics. An excellent overall anthology with moments of true greatness — the comics industry is much poorer for the loss of this fine publication. Our sincere thanks to Fanta and Eric Reynolds for 22 volumes of this series. We highly recommend them. In this final, double sized volume, thrill to new comics by Gabrielle Bell, Lilli Carre, Jordan Crane, Eleanor Davis, Tom K, Anders Nilsen, Laura Park, Jim Rugg, and a dozen more excellent cartoonists." – Chris Butcher, The Beguiling
"I should also point out that the final volume of Mome is out this week and easily the best volume of an already excellent series, featuring stellar work by folks like Eleanor Davis, Josh Simmons, Chuck Forsam, Tim Hensley and more. A steal at $20." – Chris Mautner, Robot 6
"The final edition of @fantagraphics's wonderful Mome anthology is in... end of an era" – Forbidden Planet International
"@fantagraphics Congratulations on the sterling anthology that was MOME. Exceptional material brilliantly curated and beautifully packaged." – Page 45
36-page full-color 10" x 10" hardcover • $16.99
"CONFLICT OF INTEREST RESERVOIR: The Hidden is a new Richard Sala book, in color; $19.99. Even More Old Jewish Comedians collects portraits by Drew Friedman; $19.99. Like a Sniper Lining Up His Shot is a recent crime comic from the great Jacques Tardi; $18.99. And MOME Vol. 22 lays a long-running anthology to rest with a double-sized 240-page final issue; $19.99." – Joe McCulloch, The Comics Journal
Lots and lots of images to share, and lots and lots of overflow spilling over into links:
• We linked to this a while back in Daily OCD, but the interview with Lilli Carré at art:21 includes the first glimpse of her sketchbook I've ever seen (along with other art) and daaaang; Lilli also drew Groo the Wanderer for Matthew J. Brady 's theme sketchbook (there's a good one by Jeremy Tinder too) AND did this illustraton for The New York Times AND this amazing letterpress print
• Writer Dan Sinker shares the evolution of Paul Hornschemeier's cover illustration for The F***ing Epic Twitter Quest of @MayorEmanuel — via Paul's blog, where Paul also shares a website header illustration and accompanying interview; also, about umpteen new entries on his daily sketch blog The Daily Forlorn
• Lorenzo Mattotti previews 3 upcoming publishing projects: a graphic adaptation of Mark Twain's The Adventures of Huckleberry Finn and a collection of Venice landscapes; and a collaboration with Art Spiegelman for an upcoming September 11-themed collection from Casterman
• Sergio Ponchione teases his Prof. Hackensack strip and illustrations in the new Linus as well as some recent illustrations of classical composers
• Speaking of Laura Park, Derek Van Gieson did this little jam strip with her on a recent visit to Chicago, where they and others also took part in a little Trubble Club action; more from Derek at his These Days I Remain blog
• Stephen DeStefano illustrated this poster for a new Washington, DC staging of Lithuanian Sweetheart, a play written by his Lucky in Love collaborator George Chieffet; also, an album cover illustration, Popeye playing hockey, Popeye playing soccer
• Louis C.K. fan art on Josh Simmons & Wendy Chin's Quackers blog (I'm not sure who did it — I'm guessing Wendy... and if you don't watch Louie you should) — meanwhile Josh has a couple new doodles on his The Furry Trap blog
• Frank Santoro is selling his sketches of "black & white boom" cover art, along with the original comics, to help keep him in cash while he works on his new comic — there's a new mythology piece on his Tumblr too
The PREVIEWSworld website went coo-coo-nutso with the sneak peeks over the weekend, posting previews of all three of our books scheduled to land in comic shops on Wednesday:
...the first 3 pages, plus another from later in the book, from Like a Sniper Lining Up His Shot by Jacques Tardi & Jean-Patrick Manchette...
Yesterday's and today's Online Commentary & Diversions:
• Review: "Sala consistently introduces red-cheeked, innocent characters and then puts them through the meat-grinder, and in The Hidden he plays with mad science. ...Sala’s novel features plenty of 'tell,' because if it’s one thing mad scientists enjoy, it’s expository dialogue. There are gorgeous single-panel pages filled with huge dialogue balloons, and it’s to the author and illustrator’s credit that it’s always a hoot; Sala is a professional when it comes to tongue-in-cheek visuals (the friendly looking characters with spilled intestines) and storytelling.... Its ending is... abrupt..., but it leaves ample room for a welcome continuation. The lushly colored package is vintage Fantagraphics, of course." – Alex Carr, Omnivoracious (Amazon.com)
• Review: "Relaunching in a book-sized format, Comics Journal #301 came out from Fantagraphics this summer, and has already gone through a second printing. The magazine is dense, with over three hundred pages, containing enough essays, interviews, reviews, and art pages to easily fill 2-4 of the old issues.... Where else in comics journalism are you going to find a viewpoint of comics encompassing enough to put so many different realms of the artform under the same microscope and give it all due consideration? The drastic shift in format indicates a willingness of Fantagraphics to take risks with its flagship publication." – Greg Baldino, Bleeding Cool
• Review: "...[T]his gentle, inviting series about two transgendered elementary school students... has truly captured my attention.... Wandering Son feels at times more like a series of character sketches that all connect together than a narrative-driven book, but it’s a structure that makes me that much more intrigued... Takako’s art is beautiful here, delicate line drawings that fit well with her story.... Last but not least, props need to go to Fantagraphics for a great physical design of the book.... This isn’t quite like anything else on the market right now, and I’m thrilled to see Fantagraphics exposing it to a wider audience." – Greg McElhatton, Read About Comics
• Plug: "One of the great things about the major newspaper comics collection projects is that you look at a new volume, like this one in the Prince Valiant series, and you realize there is volume after volume of high-quality work to come." – Tom Spurgeon, The Comics Reporter
• Interview: The normally Love and Rockets-focused Love & Maggie blog steps out of their usual purview to hit up Gary Groth for more information about our forthcoming series Jack Jackson's American History (starting next year with Los Tejanos/Lost Cause) — if you're at all interested in these books, definitely check this out
• Lore: "Before resuming I should say this: Drug taking, by myself and others, really peaks in this chapter. It isn’t something I’m proud of or a thing I endorse. But it is the way it all happened." So begins the ninth installment of Kim Deitch's epic memoir-in-music "Mad About Music: My Life in Records" at TCJ.com
Just arrived in our warehouse and ready to ship:
136-page full-color 8.25" x 8.25" hardcover • $19.99
Is this the end of the world? How did it happen? Why did it happen? There is one man who knows...
Take a walk with the dazed survivors of a mysterious worldwide catastrophe. They are bound for a place, somewhere in the desert, where a terrible truth awaits them.
Richard Sala's books are "deliriously entertaining" (Rue Morgue Magazine), "cinematic and cheerfully over-the-top" (The New York Times Book Review), containing "brilliantly atmospheric art, full of shadows and spikes." (Booklist)
"To read a Richard Sala comic is an experience both jarring and fun. Good for a rainy day or a stormy night." – Publishers Weekly
Bonus Contest: Order The Hidden by August 31, 2011 and you'll be entered in a random drawing to win a copy of the limited-edition, signed and numbered print shown here! We ended up with one extra copy left over after we gave them away with purchase of the book at Comic-Con (where the book was a sellout), so one lucky mail-order customer will get our last one. (This includes people who pre-ordered the book.) Good luck!
Today's Online Commentary & Diversions:
• Review: "Since... humor has emerged as such a tremendous, even defining part of Sala's appeal, I must confess that on a first reading, I was a little put-off to find it reduced to such a dim flicker. But on a second reading, with the understanding that he was exploring grimmer and more downbeat territory, other strengths grew more apparent — dreadful scenes of apocalypse, vistas of desolation, one truly appalling horror flashback set-piece, violence that feels more brutal than delirious, and tension between characters rooted more in how they treat each other than in their comical quirks. ...[O]ne of the great pleasures of reading a Sala comic for me is to let him lead me down the uniquely crooked lanes of his imagination. So buy The Hidden, and enjoy the journey. Highly recommended!" – Curt Purcell, The Groovy Age of Horror
• Plug: "For the last six years, Mome has kind of been to comics what CMJ used to be for music: Open it up, and readers were bound to discover something new and enticing. Sadly, the comics quarterly ends its run this month with Vol. 22, a massive, all-star issue featuring Pop Candy faves like Dash Shaw, Lilli Carre, Anders Nilsen, Paul Hornschemeier, Gabrielle Bell, Jim Rugg and Zak Sally. Even if you're new to the mag, this would be the one issue to purchase." – Whitney Matheson, USA Today Pop Candy
• Profile: The Sydney Morning Herald's Megan Johnston talks to Jim Woodring in anticipation of his appearance at the city's GRAPHIC Festival this weekend: "One thing Woodring does fear, however, is that people will find him 'disappointingly normal' compared with his work. 'All I can say is they should be grateful that they’re seeing me when I’m being that way,' he says."