|Delphine original cover art by Richard Sala|
|Written by Mike Baehr | Filed under Richard Sala, Original Art||16 Dec 2009 12:07 PM|
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Category >> Richard Sala
Chock full o' Online Commentary & Diversions:
• List: The Village Voice 's R.C. Baker names 2009's Best Comics and Graphic Novels. Among the choices: "A lucid nightmare, Al Columbia's dazzlingly well-drawn Pim & Francie features vignettes of its young protagonists menaced by creepy relatives or starring in exceedingly grim fairy tales. These inky visions seem unearthed from the deepest vaults of Uncle Walt's id. ... Anything but Victorian, Nell Brinkley (1886–1944) celebrated the Roaring '20s with sinuous lines and colors as lurid as William Randolph Hearst's presses could muster. Author Trina Robbins notes, in the lavishly oversize The Brinkley Girls, that the illustrator 'closely resembled the girls she drew.' But Brinkley, with her thrilling fantasias of pirate abductions and aviatrix romances, remains an inspiration beyond flapper flamboyance to any young lady seeking to break into the boys' club of high-end illustration."
• List: Greek site Comicdom is halfway through counting down the top 100 comics of the '00s. On the list so far: Tales Designed to Thrizzle Vol. 1 by Michael Kupperman at #99 ("Following at a discreet distance from the legacy of Monty Python, Michael Kupperman should be considered a genius by any man who has laughed with the group of Britons"), Billy Hazelnuts by Tony Millionaire at #67 ("In the surrealist vein of Krazy Kat and the otherworldly, oneiric atmosphere of Little Nemo... misanthropy and almond sweetness"), Safe Area Gorazde by Joe Sacco at #60 ("The shock was, however, not an end in itself, since what actually manages to come across is the sense of pain and loss that each of the interviewees had experienced"), and Fred the Clown by Roger Langridge at #53 ("Ingenious comics by an equally intelligent designer who not only knows the history of the instrument and understand what makes it work"). [Quotes cobbled from autotranslation.]
• Review: "There have been a lot of great comic book releases this year, but none has the beauty and melancholy resonance of Fantagraphics' Prince Valiant: Volume 1-1937-1938. ... As for Hal Foster, Fantagraphics has given this artist his due and helped place him in his proper context as a great American artist and master of the comics form." – Mark Rhodes, Omnicomic
• Review: "Employing a storytelling dynamic not unlike that of Serling’s science fiction classic, Thomas Ott’s The Number 73304-23-4153-6-96-8 is itself a visit... to a dimension not of sound, but of sight and mind that at once both rewards and confuses. ... Ott’s hyper-meticulous attention to how detail relates to used space and negative space is at once both unsettling and captivating, utilizing a form of technical, pen-like cross-hatching for essentially every line that can only be described as Robert Crumb on Adderall. ... The Number is a universally literate work of fiction that is a quick first read with potential for longer lasting examination." – C.R. Stemple, Pads & Panels
• Review: "The Unclothed Man in the 35th Century A.D. is a fascinating first animated work [third, actually — ed.] from one of today's most original and unusual artists. Shaw adapts well from the comics page to the cinematic form. ... Almost as well as his comics, this film expresses Shaw's ongoing desire to look at the world from a slightly askew perspective, to express his fascination with the complexity of people's inner universes. ...[T]he film... [is] a probing, emotional examination of what it means to make art and to forge meaningful human interactions..." – Ed Howard, Only the Cinema
• Plug: In an interview with IFC found by our own Janice Headley, musician Chuck Prophet names Ghost World as a favorite movie: "A coming-of-age teen flick movie that pivots around Skip James’ 'Devil Got My Woman' can do no wrong with me. And shouldn’t with anyone else."
• Interview: At Comics Comics, Dan Nadel presents audio of the panel with Gary Panter & Peter Saul at the Brooklyn Comics & Graphics Festival last weekend
• Things to see in the future: The Daily Cartoonist reports that the "Schulz’s Beethoven, Schroeder’s Muse" exhibit which ran at the Charles M. Schulz Museum & Research Center last year is moving to an online home a week from today — we'll try to bring you a link when it launches
• Things to see: A potpourri of Amazing Facts... and Beyond! with Leon Beyond by Kevin Huizenga (BTW we tend only to link to Kevin's AFAB...WLB strips since he's on our roster, but that's not to give short shrift to Dan Zettwoch, who routinely knocks these out of the park too)
Online Commentary & Diversions:
• List: Your Official Selection nominees at the 37th Festival International de la Bande Desinée d'Angoulême include the French editions of Dungeon Quest Book 1 by Joe Daly (coming in May from Fantagraphics), Eightball by Daniel Clowes (a collection with no English analogue), and Misery Loves Comedy by Ivan Brunetti
• Lists: The Comics Reporter asked its readers to "Name Five Comics You Enjoyed This Year" — spot the Fantagraphics releases in the results
• Gift Guide/List/Plug: At Comic Book Resources, Kelly Thompson's "Awesome Women in Comics Holiday Gift List 2009" includes Ghost World by Daniel Clowes: "This tale of smart alternative teens just never gets old... Enid and Becky are both incredibly savvy teens that I think women can both relate and aspire to."
• Review: "The bewildering events of this fourth volume [of Delphine] race towards a stunning conclusion, one that is quietly horrifying, yet terrifying in its sadness. ... The fourth book is a must for those who have read earlier issues, but it will make the uninitiated really want Delphine." – Leroy Douresseaux, Comic Book Bin
• Review: "Fortunately for today’s readers, Blazing Combat — nearly impossible to find for over a generation — is now conveniently available and immaculately produced in hardcover from Fantagraphics. Anybody who wants to read great great comics, war stories, or a superb tutorial in short form comics writing and unsurpassed comics illustration needs to read this one." – Michael C. Lorah, Newsarama
• Review: "It was, frankly, a nostalgic blast of fresh air to be able to read a graphic novel of Peter [Bagge]’s again, even if this is a series of unconnected pieces instead of a coherent narrative. ... Anybody who read Hate back in the day already knows to pick [Everybody Is Stupid Except for Me] up just because it’s Peter, and for you kids today who never read Hate, this is a good place to start with the guy." – Kevin Bramer, Optical Sloth
• Plug: "This is an uber-cool title by Jacques Tardi and Jean-Patrick Manchette... you can add this graphic novel West Coast Blues to the list of greats by this total fab (and late) French author." – Book Soup Blog
• Profilish: At Robot 6, Sean T. Collins gives an update on his "Sinister Six" alt-horror cartoonists, including Hans Rickheit, Josh Simmons and Al Columbia (Elsewhere: The Comics Reporter reviews Simmons's disturbing Cockbone mini)
• Plugs: Robot 6's Chris Mautner and guest columnist Charles Hatfield are both reading The Comics Journal #300; the former says "regardless of what kind of comics reader you are, there's something in here you're going to want to read," while the latter says "in good Journal fashion, [it] contains a lot to chew on and some stuff that I emphatically disagree with. It’s a great issue that leaves me with both a nostalgic wistfulness... and a keen desire to write about comics into the unforeseeable future!"
Oh lordy, I felt like I was never going to get through this installment of Online Commentary & Diversions:
• Interview/Reviews/Contest: The Seattle Geekly podcast visits Fantagraphics Bookstore & Gallery ("full of dangerous amounts of awesome") and talks to curator Larry Reid as part of their current episode's focus on "geek gifts"; plus reviews of Strange Suspense: The Steve Ditko Archives Vol. 1 ("If you're interested in the history of the comics genre, this is a must-have") and Hans Rickheit's The Squirrel Machine ("steampunk style mashed up with H.R. Giger... the art is amazing"). Plus, they're having a contest giving away a copy of Strange Suspense!
• List: Graphic Novel Reporter begins their Best of 2009 survey of educators and comics pros; so far A Mess of Everything by Miss Lasko-Gross ("Lasko-Gross’ words and pictures felt incredibly authentic") and Luba by Gilbert Hernandez have been named
• Review: "Rolling in like a slow, fuzzed-out guitar line from an Orange-brand amp, The Red Monkey Double Happiness Book lives up to the good vibes promised in its title. ... Having recently finished Thomas Pynchon's Inherent Vice and Jonathan Lethem's Chronic City, I couldn't help but consider The Red Monkey Double Happiness Book as a distant third-cousin to those titles. ...The Red Monkey Double Happiness Book is a weekend read, best consumed with your feet propped up, opposable digits or not." – Alex Carr, Omnivoracious (Amazon.com)
• Review: "Paul Hornschemeier excels at a sort of cryptic-cute comic that is better read than described. It's a blend of darkness and sharply delineated perfectionism that, whether he likes it or not, sometimes brings to mind his Chicago contemporary Chris Ware What he knows, though, is that he can go places Ware can't — Hornschemeier's style is every style. ... His diversity of styles is most apparent in All and Sundry: Uncollected Work 2004-2009... It's just a stew of stuff that, like the best sketchbooks, offers an intimate invitation to spy on the ramblings of a formidable creative." – Byron Kerman, PLAYBACK:stl
• Review: "For being a company that puts out the reprints of one of the safest comics of all time, Peanuts, Fantagraphics sure lives on the edge of the comics medium, particularly in the realm of anthologies. Blab! is just such an anthology, featuring a variety of visual quirks that hover closer to straight up art pieces than comics work, but still do not seem out of place with the more narrative pieces that slide between the pictorial pages. ...[T]here's probably someone for everyone in Blab!, if you take the time to look." – Panel Patter
• Review: "Richard Sala’s reinvention of Snow White is a sparkling macabre gem. The 2-color art glows in handsome sepia that is pitch perfect for this delightfully demented tale of a strange land. Sala populates Delphine with cast of horror carnival rejects that is diverse enough to both excite and confound the imagination. This issue [#3]’s creepy locales: dark tunnels, a creepy house, and a gloomy castle are the true stars of this chapter. They make this scary tale an absolute winner. ...[Grade] A" – Leroy Douresseaux, Comic Book Bin
• Plug: "I grew up in the video age and I’m still in awe of the technology that first allowed me to watch thousands of movies in the privacy of my own home. Call me sentimental and nostalgic, but when I first got wind of Jacques Boyreau’s upcoming book Portable Grindhouse: The Lost Art of the VHS Box it made me giddy with excitement." – Kimberly Lindbergs, Cinebeats
Blurbs, "Babe" and big bucks in this episode of Online Commentary & Diversions:
• Review: "The Red Monkey Double Happiness Book features two full-length stories, 'The Leaking Cello Case' and 'John Wesley Harding.' Both stories start off in the every day then morph into oddball mysteries that never go quite where you expect them to. As odd as some of the capers and misadventures get they are always conveyed with a kind of casual, deadpan poker face that manages to make them all the more believable. ... The art is a curious mix of cartoonish realism, and the city of Cape Town is vividly portrayed... Red Monkey Double Happiness Book is a thoroughly enjoyable and entertaining read for the mystery/crime comic fan looking for something a bit different than the harder noir stuff that seems to dominate these days." – Brian Lindenmuth, BSCreview
• Review: "...[T]he appearance this week in bookstores of Hans Rickheit’s comix masterpiece, The Squirrel Machine, is a genuine milestone in the... artistic business of reconciling one’s inside to one’s outside, so much so that I must confess that I am truly taken aback by Rickheit’s entire effort, in the best sense of the word. This carefully constructed tale... strikes me as being one of the few original works of art that I’ve seen published in North America over the last two decades, on a par with the better work of Dan Clowes or Charles Burns. ... This is not a tale for the squeamish nor is it a tale for the literal-minded; it is very much a bravura performance in the tradition of Surrealism, or Fantastic Art, or even Symbolism... In short, strongly recommended!" – Mahendra Singh
• Feature: Matthew J. Brady presents "12 Things I Learned from Supermen!" including "In these stories, disbelief must often not only be suspended, but strung up and mercilessly whipped, then drawn and quartered"
• $$$: Via The Beat, somebody sold a mint slabbed copy of Albedo #2 (1st appearance of Usagi Yojimbo) on eBay for $5100, making it possibly the most expensive Fantagraphics comic ever sold (corrections welcome); Stan Sakai comments on his LiveJournal
Now available for preview and pre-order following sell-out debuts at SPX and APE: Ganges #3 by Kevin Huizenga. The eagerly-awaited new issue of this Eisner-nominated, critically-adored series (in our deluxe, oversized "Ignatz" format) finds everyman Glenn Ganges dealing with a bout of insomnia and traversing strange mental landscapes. The first three pages can be previewed here. This issue is scheduled to be in stock and ready to ship sometime in the next 2 weeks and in stores approximately 4 weeks after that (subject to change).
View a photo & video slideshow preview of the book embedded here. Click here if it is not visible, and/or to view it larger in a new window (recommended).
Online Commentary & Diversions is back! This is a catch-up post so it's a honker:
• Best-of List: Sandy Bilus of I Love Rob Liefeld belatedly compiles the critics' 2008 end of year best-of lists and semi-scientifically determines that Dash Shaw's Bottomless Belly Button was the #1 comic of 2008, with Ganges #2 by Kevin Huizenga at #6. Also on the Top 100 list, in descending order: Love and Rockets: New Stories #1, The Education of Hopey Glass by Jaime Hernandez, The Lagoon by Lilli Carré, Willie & Joe: The WWII Years by Bill Mauldin, the year's issues of Mome, Sammy the Mouse #2 by Zak Sally, Abandoned Cars by Tim Lane, Popeye Vol. 3 by E.C. Segar, Interiorae #3 by Gabriella Giandelli, Petey & Pussy by John Kerschbaum, Angry Youth Comix #14 by Johnny Ryan, and Deitch's Pictorama by the Deitch brothers. (We also compiled the lists into our own handy shopping guide of 2008 Critics' Picks.)
• Review: "It's a surprisingly rare thing to find the great comic artist who can not only draw with poetry and beauty, but write like a demon as well. In this lavish scrapbook of uncollected ads, posters, covers, ephemera and one-offs [All and Sundry], [Paul] Hornschemeier's skills are nearly as verbal as they are visual, his art encompassing many different styles, from richly layered classical surrealism to densely structured and primary color-heavy McSweeney's-style illustrations. But taken together, the work exhibits an instantly recognizable and distinctive panache. The depth of his art truly comes to life in the melancholic squibs of text and short fictions studding this collection. For all his talents, Hornschemeier is a working artist who clearly takes on all kinds of assignments, from bookstore ads and bookmarks to a quirky little piece on Anderson Cooper commissioned by CNN. Perhaps the intrusion of the journeyman keeps an exquisite volume like this so rewarding and yet grounded." – Publishers Weekly (starred review)
• Review: "What I liked [in Abstract Comics], I liked for more than just the strips themselves--I liked them for the proof they offer that comics really is still a Wild West medium in which one's bliss can be followed even beyond the boundaries of what many or even most readers would care to define as 'comics.' That an entire deluxe hardcover collection of such comics now exists is, I think, one of the great triumphs for the medium in a decade full to bursting with them." – Sean T. Collins
• Review: "Hallelujah... for Michael Kupperman! He returns with his second collection, Tales Designed to Thrizzle Vol. 1, which brings under one cover the first four issues of the same-named comic. And comic it sure as hell is. I'm not entirely certain when I've read anything that made me laugh out loud as often as this volume, with the possible exception of Kupperman's debut Snake 'n' Bacon's Cartoon Caberet. Women who've given birth to multiple children and older readers are advised to secure some kind of adult diaper." – Late Reviews and Latest Obsessions
• Review: "The only problem with Love and Rockets: New Stories is that it's an annual. Volume 2 was, well, fabulous. ... Both Jaime and Gilbert Hernandez are in full form in this volume. Lucky us." – Ace Bauer
• Review: "Willie & Joe is an extraordinarily compiled and presented tribute to Bill Mauldin, the two-time Pulitzer Prize winning cartoonist who chronicled life in the U.S. Army from 1940 to 1945. The set is bound in army green canvas and typeset in the font of an old manual typewriter, the kind an army clerk might have used during the Second World War. The collection is a sensory delight, pleasing to touch and beautiful to see. ... There are many scholarly works written on the topic of World War II, and those books can teach us a lot about the war, but anyone who wants to feel what American soldiers felt during the Second World War should seek out Willie & Joe. ... For the winner of two Pulitzer Prizes, for the man who was once America’s most celebrated enlisted man, Willie & Joe is a fitting, and wonderful, tribute." – David Mitchell, BiblioBuffet
• Review: "[Prison Pit Book 1 by Johnny Ryan is an] over-the-top, ultra-violent, gross-out, juvenile, yet fun and hilarious book... The dialogue that does exist retains his comic sense of disjunction and fights are as demented as you’d expect. This is not a jokey book, but his humor is retained in subtle ways—if you can envision subtle Johnny Ryan humor. ... This is just a balls-out, funny, sicko, good time. My only complaint with Prison Pit is how quickly the story ends, but hopefully the subtitle (Book One) is a promise and not a joke." – Lincoln Michel, The Faster Times [Ed. note: Book Two is in progress and due next year.]
• Review: "Longtime [Richard] Sala readers will recognize some familiar tropes right away [in Delphine]: strange surroundings, shady characters who seem to hold malevolent secrets. And Sala's art is familiar as well, but taken to a new level — lovely watercolors on the covers and moody washes on the gray interiors. The creamy paper that's typical of the Ignatz releases lends additional otherworldly, othertimely atmosphere to the story. And the logo itself is so good it deserved to be used for a long-running series. But it's the story that departs from Sala's work in some major ways... so resonant and unsettling that... it has to rank as one of Sala's major works." – Christopher Allen, Comic Book Galaxy
• Plug: "Reading [The Complete Peanuts 1971-72 and 1973-74] in one fell swoop, I've kind of come to the conclusion that this period is really the apex of Schulz's career. ...he was never as consistently hilarious or as poignant as he was in the early to mid-70s. If you're only buying two volumes of this series, it should be these two." – Chris Mautner, Robot 6
• Profile: Dan Taylor of the Santa Rosa Press Democrat catches up with Monte Schulz on his book tour for This Side of Jordan: "'It’s weird doing this,' Schulz said by phone from Nevada City during a break between book shop dates. 'It makes me nervous, at every single stop. I just realized I’m not a very public person.'"
• Interview: At Marvel.com, Sean T. Collins' series of chats with Strange Tales contributors continues with Stan Sakai talking about the creation of Samurai Hulk: "Actually, I tried to make it as much of a parallel to the modern Hulk as possible. Such as his name-he is referred to as Sashimono, which means 'banner.' It's a samurai banner. And obviously there's no gamma rays, so he's cursed into turning into the Hulk by a witch called Gama, which is Japanese for 'toad' — she kinda looks like a toad." Oh man I can't wait for that.
• History: Steve Duin at The Oregonian digs up a nugget: Gary Groth on the 50th anniversary of Superman in Amazing Heroes, 1988: "My only interest in Superman, marginal at that, stems from his continuing presence as a symbol of banality and infantilism in the history of the American comic book." And it goes on!
• Random quote of the day: "Guido Crepax: popular enough to have an entire half-shelf in the Fantagraphics library, circa mid-1990s; not popular enough to have his books stolen by the interns." – Tom Spurgeon, The Comics Reporter
Your Online Commentary & Diversions for today:
• Review: "With The Red Monkey Double Happiness Book, [Joe] Daly maintains some of the psychedelic trappings of his earlier stories but puts them within a framework of stoner noir (ala the film Pineapple Express) buddy story, only with Big Lebowski-style absurdity. However, the book can't really be reduced to familiar genre markers all that easily, and [a] firm, eccentric sense of place is the biggest reason why it works." - Rob Clough
• Review: "Needless to say, one could study the art found within Abstract Comics: The Anthology (published by Fantagraphics Books) for months, or one could flip through the entire thing in five minutes, and the conclusions one could draw from either experience of the volume could easily be justified as informed and insightful." - Alan David Doane, Comic Book Galaxy
• Review: "[Prince Valiant] creator Hal Foster is justly hailed for his stupendous full-pagers, full of panorama and carefully-researched settings.... We moderns are fortunate that superb reprint editions of these classics are readily available..." - Brenda Clough, Book View Cafe Blog
• Review: "I love [Richard Sala's] older work and newer work alike - the evolution of Sala's inky, angular charmers is a treat to see - and [Delphine] (a retelling of Snow White) has been such a wonderful foreboding wander through the twisty, turn-y, dark forest." - Emily Martin, Inside a Black Apple
• Interview: At The Daily Cross Hatch, part 3 of 4 of their interview with Hans Rickheit: "I can’t work from a script. If the book were really tightly scripted, I promise you I’d lose interest in it, and I might force myself to draw it, but the artwork would just become a lifeless thing. The book would suffer dramatically."
We received the list of our nominees for this year's Ignatz Awards. It's a good lookin' list, and we're especially proud to have staffer Jason T. Miles nominated for Outstanding Comic! As is traditional, we've put all of our nominated titles on sale -- 15% off for a limited time! Click here to browse & buy. Recipients of the brick will be announced at SPX on September 26. For all the nominees, head to the SPX website for the official announcement.
Tim Hensley, Mome (Fantagraphics), Kramer's Ergot #7 (Buenaventura)
Richard Sala, Delphine (Fantagraphics/Coconino)
Josh Simmons, Mome (Fantagraphics)
Carol Tyler, You'll Never Know, Book One: A Good and Decent Man (Fantagraphics)
Outstanding Anthology or Collection
Abandoned Cars, Tim Lane (Fantagraphics)
Fuzz and Pluck: Splitsville by Ted Stearn (Fantagraphics)
Outstanding Graphic Novel
You'll Never Know, Book One: A Good and Decent Man, Carol Tyler (Fantagraphics)
"The Carnival," Mome #14, Lilli Carré (Fantagraphics)
Delphine, Richard Sala (Fantagraphics/Coconino)
Interiorae, Gabriella Giandelli (Fantagraphics/Coconino)
Uptight, Jordan Crane (Fantagraphics)
Interiorae #3, Gabriella Giandelli (Fantagraphics/Coconino)
Uptight #3, Jordan Crane (Fantagraphics)
Dead Ringer, Jason T. Miles (La Mano)