• List:Publishers Weekly announces the results of their 2011 Comics World Critics Poll, with these titles garnering 2 votes each...
"Love and Rockets: New Stories Vol. 4, Gilbert Hernandez and Jaime Hernandez: Jaime Hernandez tops his 30 years of peerless storytelling with the conclusion to 'The Love Bunglers' in which two characters we’ve watched stumble through life make a final lurch — that may bring happiness or doom. Heartbreaking yet without a trace of manipulation." – Heidi MacDonald
"The Man Who Grew His Beard, Olivier Schrauwen: This graphic novel is exceptionally inventive, with each story being so very different from the one before." – Glen Downey
...and the following books receiving an Honorable Mention with one vote each:
• Review: "As [Wandering Son] volume 2 closes, the idyllic childhood Shuichi and Nitori have shared thus far, surrounded by exceptionally supportive family and friends, is showing signs of being breached by thoughtless outsiders.... In the insightful, not-to-be-skipped final essay, 'Transgendered in Japan,' translator (and manga scholar) Matt Thorn writes, 'Shuichi and Yoshino are coming of age, not in an idealized fantasy world, but in a contemporary Japan that poses unique challenges to children such as these.' Indeed, to quote a popular film, 'reality bites,' but in creator Shimura Takako's sensitive world, Shuichi and Nitori have better than a fighting chance at becoming strong, confident adults." – Terry Hong, BookDragon (Smithsonian Asian Pacific American Program)
• Review: "In spite of its depressive mood (you know, with it being about the end of the world and such), The Hidden exemplifies the effectiveness of Sala's application of a 'less is more' visual style to broad, complex stories.... I can't recommend Sala's books enough, and The Hidden is one of his best works to date. Be sure to pick up a copy if you're looking for something more than global plagues and cannibalistic zombies in your world-ending entertainment." – Tim Mitchell, Titans Terrors & Toys
• List/Plugs: Andy Mansell of Heroes Aren't Hard to Find names a handful of "creme de la creme," "must-have" classic comic strip collections from 2011: "Do yourself a favor – next time you are in the store take a few moments and pick up a copy of Lost in the Andes or Pogo, either Mickey Mouse collection, ...[and] flip through it. Read a few strips.... These are rich, beautiful books and they deserve to be read by everyone."
• Plug:The A.V. Club's Oliver Sava provides a guide to "What makes a good all-ages comic," saying "Animation-inspired art remains the most popular choice for an all-ages series... Carl Barks’ work with Disney’s duck characters is the pinnacle of this school: Barks’ experience as a Disney animator honed his talent for creating sprawling environments and distinct characters that are instantly charming and incredibly rich. Fantagraphics just published its first hardcover collection of Barks’ classic stories, Donald Duck: Lost In The Andes, a beautiful package collecting some of Barks’ most memorable duck tales."
"...[T]his dark, disjointed story about an assortment of misfit suburban characters plagued by bad luck and their own poor choices is a compelling, bitterly funny read... Despite its obvious influences King never feels like a pale imitation, especially in the second volume, where the ante is upped considerably, both on an aesthetic and narrative level."
"Color Engineering author Yuichi Yokoyama got all the attention this year, but to my eyes Schrauwen is just as innovative and wholly original a cartoonist as Yokoyama. The main difference between the two is that where Yokoyama is focused on expressing motion, machinery and discovery, Schrauwen prefers to explore differences in perception, especially between reality and that of the imagination.... Incredibly inventive and at times darkly funny, Beard is the work of a master cartoonist worth more attention."
• List: Carol Borden of The Cultural Gutter names The Hidden by Richard Sala as one of "10 Comics I Liked in 2011": "The world is ending in madness and blood, as a bearded man flees to the countryside. But what does he know about the end and why is it mostly nubile young women who are being killed? Another tale of mayhem, mystery and mad science from Richard Sala."
• Review: "This volume [of Wandering Son] is absolutely wonderful. It has an overall very gentle feel to it, but it’s punctuated by moments of cruelty and sadness.... It’s a rare thing to get such simple realism in a manga, and Takako handles it exquisitely.... This series can be really harsh at times, but there are some great heartwarming moments, as well. That’s what makes it great." – Kristin Bomba, ComicAttack.net
• List: John Mueller of ComicImpact names The Hidden by Richard Sala one of the Best Comics & Art Books of 2011: "Imagine your unease if all the ghouls and ghosts of the Halloweens of your forgotten youth were suddenly made real, so real that they are about to come crashing through your front door at any moment. Oh, and don’t bother running to the neighbor’s because the monsters have stopped there first. That’s what reading The Hidden is like and that’s also what makes it not only one of the best books of the year, but one of Sala’s best works period."
• List: Curt Holman of Creative Loafing Atlanta lists his "most anticipated new books of 2012" including Flannery O'Connor: The Cartoons: "While Flannery O'Connor secured her fame with her Southern Grotesque fiction such as the novel Wise Blood, she set out to be a cartoonist as a young woman. This anthology focuses on O'Connor's work for high school and college publications in the 1940s, and offers an intriguing glimpse into the gestation of a great Southern writer."
• Review: "Wandering Son Vol. 2 is a great sophomore collection from Takako; I feel like the slightly choppy nature from the early chapters in Vol. 1 is gone, and Takako’s starting to expand the cast and the plot in a way that provides more of a dramatic bite. Based on the class trip sequence in this volume, Takako’s just getting ready to make Wandering Son a lot more heavy and less idealized for the characters. If it goes anything like we see here, we’ve got a hell of a ride ahead of us. With beautifully designed hardcovers (and a pleasing weight and feel to the books too, with a good paper stock to boot), Wandering Son is the sort of series you’ll be proud to have on your bookshelf. I’m ready for the next volume now." – Greg McElhatton, Read About Comics
• Review: "...I should warn you: this book is dark and bleak even for Sala, and that's dark indeed. There are still hints of his mordant humor, and his precise lines and color washes are as ghoulishly appropriate as always -- but The Hidden out-Salas any of the prior Sala books, which is an unlikely and impressive thing." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Interview: At USA Today Pop Candy , guest contributor Grace Bello chats with Tony Millionaire: "I'm still stuck with my love for fantasy. When I say 'fantasy,' I don't mean wizards and swords -- I mean anything that pops into my mind. I like stuff that doesn't have a contemporary feel to it. I mean, if I draw a telephone, it's got to be one of those old-fashioned phones that you hold with two hands. But that would be the problem with anything that's autobio; I'd have to draw modern cars and telephones, and I don't want to do that yet. If I draw an autobio comic, it's got to be about me in 1727."
• Interview: At Comic Book Resources, Alex Dueben talks to Michel Gagné about restoring Simon & Kirby's romance comics for our upcoming collection Young Romance: "Like a snowball, the project kept getting bigger and bigger. It was one of those things you have on the back burner for years and you constantly have to give it some attention. Finding the material was difficult and costly, the restoration process was long and tedious, but the book kept looking better all the time so I stayed motivated throughout. I wanted that book on my shelf!"
• Interview (Video):Mr. Media®'s Bob Andelman talks to Kevin Avery about Paul Nelson and Everything Is an Afterthought: "Paul Nelson had a fascinating life. If we worked together, it would not have been the same book; being a very private man, Paul would not have revealed everything that I found out."
• Plug: The Austin American-Statesman's Joe Gross looks ahead to some of his most-anticipated 2012 books, including Listen, Whitey!: The Sounds of Black Power 1965-1975: "Producer and writer Pat Thomas spent five years researching this tome, exploring the vinyl legacy of the Black Power movement from recordings of speeches by activists such as Huey Newton, Bobby Seale and Elaine Brown to Motown's activist imprint Black Forum to the role white figures such as Bob Dylan and John Lennon played in the movement. Probably the book on this list to which I am most looking forward."
• List:Love and Rockets: New Stories #4 lands at #4 on Comic Book Resources' Top 100 Comics of 2011, with Chris Mautner saying "The hype and acclaim surrounding Jaime Hernandez's conclusion to his 'Love Bunglers' saga has been overwhelming, and every ounce of it is deserved. This is simply a phenomenal achievement in comics. I'd be hard pressed to think of a better comic that came out this year," and Sean T. Collins saying "...[L]et's add to the chorus praising Jaime's 'The Love Bunglers' as one of the greatest comics of all time, the point to which one of the greatest comics series of all time has been hurtling toward for thirty years.... You can count the number of cartoonists able to wed style to substance, form to function, this seamlessly on one hand with fingers to spare. A masterpiece."
• List: At Popdose, Johnny Bacardi lists his favorite comics of 2011, including Love and Rockets: New Stories #4: "Jaime didn’t need the last couple of issues of L&R:NS to make his already stellar rep, but I’d think these stories will be revered and referred to for decades to come. Don’t mean to downplay Gilbert’s contributions — they’re as solid as ever — but the last couple of issues have been Jaime’s masterpieces and are absolutely essential if you’ve ever cared for Ray, Maggie, Hopey or any of these characters for the last three decades, and a hell of a good read even if you are unfamiliar with them except by reputation." (Richard Sala's The Hidden and Wilfred Santiago's 21: The Story of Roberto Clemente merit Honorable Mentions.)
• List: Ed Sizemore names his Top 10 Manga of 2011 at Manga Worth Reading, with Wandering Son by Shimura Takako at #2: "Words fail me when trying to describe the beauty and artistry of this manga. The genius of this series is that Takako doesn’t focus on how 'strange and unusual' transgender people are, but rather how ordinary."
• Review: "Being in the band is an aspiration held by many a young girl, and for a lucky few, a reality. Peter Bagge envisioned this world in zealous delight with his graphic novel Yeah!... As a long time fan of Hernandez’s Palomar and Love & Rockets, it was a real treat to see his familiar drawing style across the pages of Yeah! Hernandez has a knack for conjuring up Dan DeCarlo (of Archie fame), with his own unique zany twist.... Readers are in for a wild ride as they follow the band’s intergalactic adventures. Old school comic fans, pop music lovers, and alien aficionados will enjoy Yeah! – it’s even Comics Code approved." – Marie Penny, The Hub (ALA/YALSA)
• Review: "In the seventh issue of his own, glamorously titled Tales Designed to Thrizzle, Kupperman’s got more mockery in store.... Kupperman’s highs are surrealism and satire melting together, and those highs in this issue is a riff on Tales from the Crypt that specifically targets the terrorizing world of baths, and a McGruff the Crime Dog equally as grim. The main adventure is Jack Klugman in his Quincy shoes tumbling down the rabbit hole of allusions new and old. Humor-wise, that focused quest is more spontaneity than surrealism and satire. But that’s the only complaint." – Zack Kotzer, Newsarama
• Commentary: At Robot 6, Chris Mautner presents a reader's guide to the work of Jessica Abel as part of his "Comics College" series
• Commentary: Tom Spurgeon's interview with The Comics Journal and Robot 6 contributor Chris Mautner at The Comics Reporter is a highly recommended read, and not just because of all the love and shout-outs Mautner throws our way
• List:Love and Rockets: New Stories #4 is ComicsAlliance's Best Comic of 2011, with Jason Michelitch saying "The final 15 pages of 'The Love Bunglers' isn't just the end of a great new issue of a Bros. Hernanadez comic book. It isn't just the sixth part of a fantastic serialized graphic novel that's run since last year. It is the culmination of nearly thirty years worth of nuance, gesture, shading, pacing and dialogue — of angst, mania, fear, friendship, anger, and love. It is the finale to an epic of human scale feeling and drama. It is heart-stopping."
• List: Matthew Price of The Oklahoman names Love and Rockets: New Stories #4 the Best Graphic Novel of 2011: "The Brothers Hernandez are some of the best cartoonists in comics' history, and Jamie Hernandez has one of the high points of his career in Vol. 4 of 'New Stories.'... Gilbert's visceral tale satirizes a societal obsession with vampires by showing their messy, unforgiving side."
• List:The A.V. Club's Noel Murray names The Best Comics of 2011: Graphic Novels & Art Comics in several subcategories. In Original Graphic Novels Mark Kalesniko's Freeway comes in at #4...
"Kalesniko’s animation-influenced style makes Freeway a fluid read, as he emphasizes motion, in striking compositions that guide the eye across the page smoothly. The plot moves just as freely, as Kalesniko renders both the exterior and interior spaces of his protagonist with a mix of loving care and impassioned disgust."
"Farmer jumps between matter-of-fact details and amusing anecdotes about the grind of end-of-life care, while turning the book into a celebration of two people: her father, a cheerful man so determined not to complain that he let serious health problems slide for months; and her stepmother, a steadfast woman whose pragmatism warred with her vanity. The book depicts old age as a wild, lurching ride: from medical crises to euphoric nostalgia to an eerie calm as the end draws near."
"Anyone who’s alive in the world should be moved by this story’s depiction of life as a series of accidents, miscommunications, and embarrassments, which sometimes work out okay regardless. 'The Love Bunglers' is rich with hidden meanings, complicated ideas and superior artistry."
...and Kevin Huizenga's Ganges #4 in the #2 spot...
"The fourth issue of Kevin Huizenga’s Gangescontinues the artist’s increasingly masterful hybrid of direct storytelling and experimental abstraction... The story suits Huizenga’s style, because he can both document the familiar minutiae of daily life and the sense of unreality that takes hold whenever someone is up half the night. Huizenga works in visual motifs of endlessly branching possibilities and spiraling shapes, showing how becoming 'lost in thought' can be terrifying."
"...Lost in the Andes encourages both fannish and intellectual approaches to the material. There are scholarly analyses and bibliographies, but also more than 200 pages of some of the best-written comics ever published, full of square eggs, rubber bricks, golden Christmas trees, and races around the world."
"The early Pogos aren’t as topical as what would come later, when Kelly would become a hero to the counterculture for taking on McCarthyism and promoting ecology. Mostly, these strips establish the world of the Okefenokee Swamp and the animals who dwell there, with Pogo the possum standing as the calm center of a cast that includes the dim Albert Alligator, the not-as-bright-as-he-thinks Howland Owl and the misanthropic, hilariously humorless Porkypine."
"The cartoons in Willie & Joe: Back Home capture Mauldin at a low ebb personally, but ferociously inspired professionally. Over the objections of his editors, Mauldin drew cartoons about estranged wives, limited employment opportunities, heartless fatcats, and an America more petty, materialistic, and xenophobic than the one they’d left behind... Today they’re a blistering reminder that life after WWII wasn’t all suburban bliss and baby boom."
"The highlight of the volumes are the strips themselves which are a lot of fun and show an adventurous side to Mickey that may come as a surprise to those who only know the modern Mickey. It’s also fun watching Gottfredson develop as an artist and storyteller as the strips progress. In addition to the comics there are essays examining the stories, the creators involved (the comics were often inked and scripted by others), and the characters themselves. This series is a long overdue look at one of comics legendary creators and their work."
"...[T]his book is so great and contains all the things you would want from a career retrospective from Jack Davis. Jack Davis is one of America's great illustrators whose career started in the late 1930s and continues to this day. That's fucking insane to think about.... Like I said, this book delivers the goods in a big way. It's 13 inches tall so you can really sink your eyeballs' teeth into the images."
"This issue of Tales Designed to Thrizzle starts out with stories based around the idea that bathtubs are evil or haunted, possibly based on childhood fears of getting sucked down the drain or something. Doesn't matter, it's hilarious even if it's based in absurdity. After that there are comics with funny dialogue about Quincy and St. Peter and Reservior Dogs II that all keep referencing back to the previous comics and have a dreamy feel, but if your dreams were hilarious.... A bunch of stuff is thrown your way in this issue and when it's over you think, 'I liked that. I feel satisfied. Mmm-MM!'"
• Review: "[Wandering Son] has a very well-thought, carefully paced narrative that allows us to explore what goes on inside each character’s head and to watch them develop as people. It’s much more a quiet slice of life affair than it is an over-the-top comedy and/or drama, which might be something you’d expect from a manga featuring cross-dressing... [T]his hardcover book... represents a sophisticated side of literary manga. Translated with rare skill and sensitivity by veteran translator and comics scholar Matt Thorn, much of the story’s original flavour remains intact. Shimura Takako’s gender-bending story has a very quiet, introspective touch to it, and her artwork – with its clean lines, minimal backgrounds and sparse dialogue – beautifully reflects this." – Sean A. Noordin, The Star (Malaysia)
• Review: "Fantagraphics here in the states once again has begun to unearth [Tardi's] body of work into the North American light, the first volume of The Extraordinary Adventures of Adèle Blanc-Sec being another fine edition produced in the best quality possible.... Does it sound a little crazy, imaginative, and probably addicting to read? Yes, yes it is. Which is why you need to read this series." – Drew McCabe, Comic Attack
• Plug: "You can’t start the new year without the end of times. Sala’s new book [The Hidden] features his recognizable palette and quirky, gothic font in an adult tale... The post-apocalyptic tale starts with a man waking up to find that everything has gone wrong; sorta a Rip Van Screwed. Great for those who enjoy zombie movies and dystopian books like 1984 or The Hunger Games." – Jen Vaughn, CCS Schulz Library Blog
• List: The National Post's David Berry names The Best Graphic Novels of 2011, saying of his #3 choice "This does feel somewhat like cheating, since there’s only a few sequences of proper graphic work here, but why quibble about format: Mark Twain’s Autobiography 1910-2010 is, quite simply, one of the funniest things you’ll read in any genre. Kupperman has a child’s free-ranging imagination and an aging intellectual’s dry wit... This supposed telling of Mark Twain’s 20th-century life... would be an awe-inspiring work of imagination if it wasn’t so absurdly hilarious. Somewhere between John Hodgman and Graham Roumieu, Kupperman has found stark comic brilliance."
• List:Comic Book Resources continues their Top 100 comics of 2011 countdown, with Ganges #4 by Kevin Huizenga coming in at #48 and Brian Cronin calling it "mind-boggling" and "remarkable. Absolute top notch sequential work."
• List:Comic Book Resources columnist Sonia Harris lists "My Top 10 Comics (for ANY Year)" with Love and Rockets taking the #2 spot: "Read Love & Rockets, all of them, both brothers, everything you can find. Your life will be richer."
• List:Bookgasm's J.T. Lindroos, running down the Best Euro Comics as part of the Best Books of 2011, writes "Fantagraphics continued its Jacques Tardi lineup, and I was particularly delighted by the proto-steampunk The Arctic Marauder, although I think one should own every single book in the series. I was also happy to see some less well-known artists get their chance, and both Sibyl-Anne Vs. Ratticus by R. Macherot and Murder by High Tide by Maurice Tilleux were wonderful surprises in the classic Franco-Belgian 'bigfoot' style. Fantagraphics is quickly becoming the Criterion Collection of comics publishing."
• List: Richmond VA comic shop Velocity Comics counts down their top ten Best Graphic Novels 2011, with Jim Woodring's Congress of the Animals at #9: "There are few artists’ work I can endlessly stare at with as much feverish perplexitude as Jim Woodring’s. Yes, I just made that word up."
• List: Vancouver BC culture site The Snipe surveys local comics industry folks for their favorite comics of the year. The Walt Disney's Mickey Mouse series by Floyd Gottfredson is named Best Collected Edition or Reprint by cartoonist Steve LeCouiliard...
"Floyd Gottfredson is one of the overlooked masters of the comic strip. Like Carl Barks, his work was always signed 'Walt Disney' but his craft and storytelling brilliance shone through. Comic strips really don’t provide much more pure joy than Gottfredson’s Mickey Mouse."
...and by VanCAF organizer Shannon Campbell...
"The two-volume collection of Floyd Gottfredson’s run of Mickey Mouse, hands down! These books chronicle the glory days of the old-school Mickey Mouse comics when Gottfredson did both art and story (from 1930-1934)."
...while the staff of Lucky's Comics can't pick just one:
"This has been a boon year reprint editions, but take your pick from Fantagraphics Books’ amazing editions of Pogo by Walt Kelly, Donald Duck by Carl Barks, Mickey Mouse by Floyd Gottfredson, and Prince Valiant by Hal Foster. Fantagraphics has done such an incredible job on book designs, colors, paper… all of the details that make these editions glow."
"It’s not just the subject matter that’s a winner here. Santiago has a knack for simplicity in his storytelling approach, and in a medium that’s often beset by needless complexity, that’s a rare gift."
"...[P]robably the best pure horror comic I read this year... and one that quite frankly shocked the hell out of me. Sala’s expressionist art style might not be the most obvious choice for telling blood-curdling horror stories, but its innocent cartoony quality somehow makes a perfect (and terrible) fit with the horrible, almost nihilistic story that Sala is telling."
• Review: "Swarte’s visuals are always gorgeous and distinctive, with a strong influence from Hergé but an even more rigidly mapped out structure. The more you look at them, especially the large ones, the more you see, as in a one-panel, one-pager that lays out a parodic vision of comics production as if it resulted from a Roger Corman-esque movie studio. His eye is careful and his line even more so. ...[Is That All There Is?] is a real pleasure to read and to look at, and it makes a case for Swarte as a real comics guy, not just an illustrator." – Hillary Brown, Paste
• Profile: At City Journal, an essay by Stefan Kanfer with a history of Walt Kelly and Pogo: "He frequently quoted a line that he had written for Porky Pine: 'Don’t take life so serious, it ain’t nohow permanent.' No, it ain’t. But art — even comic art — can be, in the hands of a master. Every book, every comic, every panel verifies the claims of Kelly’s fervent cheering squad: after 63 ever-lovin’ blue-eyed years, Pogo is still incomparabobble." (Via The Comics Reporter)
• Plug:Seattlest's Heather Logue spotlights Tony Millionaire's upcoming appearance and art show at Fantagraphics Bookstore & Gallery: "Aside from the fact that he has an amazing superhero name, Tony Millionaire also has the extraordinary talent to back it up. The cartoonist will be at Fantagraphics with his latest book 500 Portraits-- a collection of portraits (duh) of everything from the very famous face, to the very small bug. All meticulously crafted in his beautiful, yet grotesque way -- you're not going to want to miss Tony's take on portraiture."
• Scene:At his blog, Drew Friedman recounts his experience as keynote speaker at the International Society of Caricature Artists' annual convention last month, with lots of photos, a couple video clips and a transcription of a Q&A session
"Through war, animal make-out sessions and film writing, Kupperman takes Twain through the ringer in a hilariously catastrophic epic that the real-life 'Adventures of Huckleberry Finn' author would surely have appreciated. Although reading it won't score you any points on a history-class term paper, the book will certainly open your eyes to one of the funniest writers working in comics right now." – Brian Warmoth
"The excessive violence is still here, more refined, more imaginative, more disturbing. Ryan pushes himself artistically in the second half of the book, delivering a stunning sequence that still haunts me." – Chad Nevett
"I picture Gilbert Hernandez approaching his drawing board these days like Lawrence of Arabia approaching a Turkish convoy: 'NO PRISONERS! NO PRISONERS!' In a year suffused with comics funneling pitch-black darkness through a combination of sex and horror, none were blacker, sexier, or more horrific than this gender-bending exploitation flick from Beto's 'Fritz-verse.'" – Sean T. Collins
"Leslie Stein burst onto the comics scene this year when Fantagraphics published the collection of four of her self-published comics... The comic is both surreal and mundane, the story of a young woman who moves to a New York complete with humanoid animals and talking musical instruments. ...Stein [is] one of the best independent creators to emerge in recent years." – Alex Dueben
• List:Robot 6's Graeme McMillan picks his 5 favorite books of 2011, including Stigmata by Lorenzo Mattotti & Claudio Piersanti...
"Way back at the end of last year, I called this the best graphic novel of 2011, and if I’m now a little more reticent to make that claim, it has more to do with the high quality of a lot of other releases this year than anything else because this is still a masterpiece that, were I some kind of unlikely comics czar, I’d make compulsory reading for everyone interested in the medium. Just a breathtaking book."
"Another book that I raved about earlier this year, and another one that I’m still raving about as strongly months later. A tour-de-force of cartooning from a creator who just continually improves, and pushes at the medium in almost everything he does."
"It’s a disturbing book in many ways – questions about exploitation and power are very present in the text – but also a beautiful, seductive one. It’s a book that sticks with you for a long time afterwards, and for that alone, it’s one I’ve returned to many times since first reading it."
• List:Panel Patter's Rob McMonigal names his Best of 2011: Manga Edition, with Wandering Son Vol. 1 by Shimura Takako in the #5 spot: "This is one of the most serious manga series I've ever read, and I finished it unable to come to grips with the best way to review it. Dealing with two children who come to realize they are trapped in the wrong gender, it's a story of secrets, revelations, understandings, and occasional cruelty. The book handles the topic with care and respect, however, which is part of why it is so good."
• List: Another top-10 from Panel Patter's Rob McMonigal, whose Best of 2011: Indie Comics, is topped by 3 of our titles: Jason & Fabien Vehlmann's Isle of 100,000 Graves...
"Isle of 100,000 Graves has Jason's trademark deadpan humor, resolute protagonist, and ending that leaves the reader thinking."
"At first, The Hidden feels like a typical apocalyptic story, albeit one painted amazingly well by Sala. But as things progress, the tale morphs and twists into one of the best horror comics I've read, with a twist towards the end that I never saw coming. That's what makes a comic stand out, and puts it near the top of my best of list."
• Review: "I found myself turning back and re-examining the pages often, digging through the many details that the words and images delivered. The story unfolds in earth tone – sepia illustrations, not gaudy, in keeping with the artist’s respect for the story and the subject. Clemente’s early life is here and one gets a real feel for his family and friends, and not without humor.... [21: The Story of Roberto Clemente] should appeal to graphic novel fans, baseball fans, anyone who likes a great 'bigger then fiction' story, and many others." – Mark Hodgens, Skyscraper Magazine
• Review: "Fantagraphics is now giving Barks’ Duck comics a whirl, and based off this first volume alone if there’s any justice in the comics world, fame should finally (belatedly) be coming for the late, great Barks.... The reproduction on these strips are beautiful; Fantagraphics hired cartoonist Rich Tommaso to re-color the works, and Tommaso wisely uses gentle flat tones to keep with the overall feel of Barks’ crisp, classic art. I also appreciated the essays about the different stories in the back of the book.... Donald Duck: Lost in the Andes is a handsome looking book, and trust me when I say it’s just the first of many I plan on reading by Barks." – Greg McElhatton, Read About Comics
• Review: "So cue the squeals, and scan the racks at your friendly neighborhood comics retailer for writer/artist Michael Kupperman’s Tales Designed to Thrizzle #7. Beyond a cover whose hilarity strangely if successfully depends on its all-day-sucker coloring — tangerine, lemon, lime — this dadaistic offering opens with a six-page excerpt from Scary Bathtub Stories, a faux-Golden Age comic, and thereafter spirals further and further into neo-psychedelic weirdness." – Bryan Hollerbach, PLAYBACK:stl
• Review: "I like to imagine [Michael Kupperman] sitting in some tiny hellhole of a studio apartment packed deep into the bowels of New York -- these noble creatures lose their mystique when they own homes -- doing mutant Thrizzle pages until they stop paying him or until he gets a gig in the back pages of Vice. Some feminine if not female voice of reason hovers next to his desk, thumbing through the newest set as he leans back in his chair, wondering if Fantagraphics paid him enough to afford blowing the budget on a beer, wiping entirely imaginary sweat from his brow." – Patrick Tobin, Multiversity Comics
• Interview:The Comics Reporter's Tom Spurgeon talks to Oil and Water writer Steve Duin: "I'm too new to all of this to fully grasp how the perfect union of writer and artist is formed... and there were times when Shannon [Wheeler] and I struggled to find common ground. But a great deal of my understanding of what we were dealing with in the Gulf owes to Shannon's perceptions and his sketchbook. He was refreshingly aggressive in dealing with the BP clean-up teams disinclined to give us access. His original poster for the group -- a naked woman starring incredulously at the oil derrick in her bed, and saying 'What do you mean, it broke?' -- is brilliant."
• Interview:Bookforum's John Madeira, who says "...Alexander Theroux’s writing... is grandiloquently lyrical, dizzyingly erudite, and often acerbic," talks with Theroux about The Strange Case of Edward Gorey ("a smart, engaging, and insightful monograph asking as many questions about the quirky artist as attempts at answers") and other topics: "Edward Gorey was very ornate — Corinthian! — in his love of language, and when he was in a chatty mood his conversation, crackling with allusions, was rich and often rare, exaggerated, campy to a degree, invariably tinctured with lots of movie-love, sarcasm, irony. Mind you, it was not that the man was trying to be something, contriving, say, to appear a cavalcade of wit, merely that, rather like Dr. Samuel Johnson, he happened to have sharp, remarkable 'views' on all sorts of subjects, almost all worthy of note."
• List:FEARnet's Joseph McCabe names Richard Sala's The Hidden to their Best of 2011: Books and Comics: "Sala's unique brand of creepy quirk combines Edward Gorey, Chester Gould, and Charles Adams with his own unclassifiable magic. The Hidden, from Fantagraphics Books, is his most ambitious work -- an intimate apocalypse."
• List:The SF Site's Rick Klaw ranks 21: The Story of Roberto Clemente at #4 on his top graphic novels of 2011: "In this emotionally moving biography, the Puerto Rican Wilfred Santiago magnificently chronicles the often tragic life of this icon.... Santiago expertly traverses Clemente's tribulations, losses, and success with ease and skill. His portrayal of the baseball games rank among the finest ever attempted in this medium. Under the masterful hands of Santiago, 21 evolves into far more than just a biography of a sports figure. It showcases a life worth emulating."
• Review: "I’ve been eagerly anticipating Wilfred Santiago’s graphic biography 21: The Story of Roberto Clemente since I first heard it was the works... Santiago uses black and white and some yellow-orange fill-ins, but really that’s all he needs. His style is clean, ranging in depiction of Clemente throughout the years to religious leaders to baseball action scenes, which he often depicts in a seemingly photo-realistic style with ballplayers drawn against what appears to be a collaged photo background of a baseball setting but is instead a note perfect drawing. ...Santiago does Clemente proud with 21." – David A. Kirschenbaum, Boog City (PDF download)
• Review: "Looking for someone to turn lemons into lemonade? In his own distinctive way, Alexander Theroux might be your man.... In Estonia: A Ramble Through the Periphery, he mines his disappointment and catalogs his discontents to impressively crotchety effect. ...[L]ike the country's many invaders—Russians and Germans, and, before them, Swedes and Danes—Mr. Theroux largely uses Estonia as a space for his own purposes, transforming this admirable country into a grotesque but clever caricature perfect for use as... a stage for Mr. Theroux's verbal pyrotechnics and some fine jokes... I laughed a lot, but guiltily." – Andrew Stuttaford, The Wall Street Journal
• Review: "After years and years and years, Fantagraphics has finally started their deluxe reprint series of Walt Kelly's comic strip Pogo. The first volume is available right now, and it's absolutely beautiful, a big comic book with real heft and majesty.... Pogo always felt, to me, like a strip you should read like a novel, a continuing sitcom about the personality-heavy critters who live in a swamp. This collection proves that I was right. This isn't a book you read so much as sink into: Kelly's brilliant ear for dialect and voice lulls you along, and then you're lost in his beautiful artwork.... The whole book is... a series of packed — but crystal clear — panels that grow together to establish a world of curious characters whose misunderstandings lead to great adventures. If I had to make one complaint about this Pogo collection, it'd be that it ends too soon.... If you like comics, or if you know any kids who read comic strip collections, this is the Christmas book for you." – Paul Constant, The Stranger
• Review: "[My] gripes are minor in relation to the beauty and quality of this book presentation, as well as the stories themselves.... The stories, of course, are outstanding. Most of the long adventure tales are classics in their own right.... Plus, Barks comes up with some of the most brilliant schemes and swindles — most perpetrated against Donald for comedic effect. The super-compressed plotting makes everything more frenetic — and more funny! Walt Disney’s Donald Duck: Lost in the Andes is an excellent start to Fantagraphics’ Carl Barks Library." – K.C. Carlson, Comics Worth Reading
• Review: "It was the best of Momes, it was the worst of Momes. Alright, that’s not quite accurate, and not quite fair, either. But this unwittingly penultimate issue of Fantagraphics’ long-running alternative-comics anthology — page for page the longest-running such enterprise in American history! — is a hit-or-miss affair in the mighty Mome manner. ...[T]he hits... are strong enough to make the book worth checking out.... You gotta take the rough to find the diamonds." – Sean T. Collins, Attentiondeficitdisorderly
• Review: "The ability to make me cry is not generally something I praise in a book.... But in Special Exits Joyce Farmer pulls off something much more difficult — she takes a true story and plays it straight without any overly dramatic embellishment. Her frank honesty lays bare the emotional core of the story.... Farmer’s black and white line drawings are detailed and expressive, but never flashy. Her art is straightforward, as befits the story.... The end product is as honest and unembellished as a personal journal and we’re lucky Farmer’s chosen to share it with us." – Andrew Fuerste-Henry, No Flying No Tights
• Review: "Despite [Taking Punk to the Masses'] coffee table book appearance, McMurray tries to keep the punk rock do-it-yourself ethic by letting the artifacts and punk denizens speak for themselves.... The quotes from the publisher/artists who created them and musicians who were featured weave together nicely to give a sense of moment. And sometimes the creator and object merge, such as the Nirvana show posters hand-drawn by Kurt Cobain." – Ian S. Wilder, Boog City (PDF download)
• Interview: At Heeb, Eli Valley chats with Drew Friedman about old Jewish comedians and Old Jewish Comedians: "A lot of these guys, they get to a point where they’re angry they’re not getting the attention they used to get. I guess that’s true for anybody getting old who used to be in the limelight. I wanted to capture that. 'Pay attention to me, I’m old but I’m still funny and I want you to pay attention to me.' These guys are still in your face, they never slow down, but basically it’s over. There’s no more work. A lot of them would just be happy to receive an award for their work. You just don’t want to be forgotten."