One of my favorite books I've received lately is this handsome, considered little tome from Spain's Blur Ediciones, Rotulando in Spanish • Lettering en Español, collecting something that on the face of it might sound a bit loopy: lettering by the cartoonist Nono Kadáver created for the Spanish editions of work by American greats R. Crumb, Daniel Clowes, Joe Sacco, Johnny Ryan, Peter Bagge and Gilbert Shelton.
Nono worked throughout most of the 1990s at Barcelona's Ediciones La Cúpula, one of Spain's leading comics publishers, and was one of the last of an era when book production was done largely by hand, not computers. Nowadays, most publishers get fonts created for an artist, but thru the 1990s, Nono spent many of his days mimic-ing the lettering styles of Bagge, Crumb, etc. the old fashioned way, with a pen and paper (and maybe a lightbox). He was a real master at trying to maintain the integrity of the original artwork, putting his ego aside in an effort to seamlessly blend the Spanish text into the artist's page compositions as unnoticeably as possible. Kind of like the old saw that the best movie soundtrack is the one you don't notice, Nono's work could probably make you forget that Daniel Clowes wasn't Spanish when you're reading Bola Ocho.
I am a lettering nerd and it makes me a bit sad that hand-lettering like this is becoming a dying craft, because it can make or break a translated foreign book and typeset fonts are rarely as effective. Kadáver likens his work to a forger in the excellent introductory text:
"I feel a great admiration and respect for counterfeiters... I think that even falsifying, we leave our mark... What you have to do is forget your personal style and adapt to the artist's. This is accomplished by reading a lot, dissecting his work, and learning from it; in the end the only thing that matters is as close a possible resemblance to the author's style."
To commemorate the occasion we’re offering a bookstore-only 20% discount on the exquisite 3-volume slipcase edition of GAHAN WILSON: 50 YEARS OF PLAYBOY CARTOONS and an even more generous offer on the limited deluxe edition. Look for specials on other alluring comics and graphic novels. You’ll find affordable gifts to please anyone.
And if you love R. Crumb, you’ll have your only chance to view Michael Leavitt’s spectacular articulated Crumb sculpture on Saturday before it departs to a private, out-of-state collection. Fantagraphics Bookstore stocks the region’s largest selection of lovely Crumb books.
Join us on Saturday in Seattle’s enchanting Georgetown arts community for this memorable evening event. It coincides with the Georgetown Art Attack featuring visual and performing arts presentations throughout the neighborhood, as well as a diverse array of dining and drinking establishments.
Fantagraphics Bookstore & Gallery is located at 1201 S. Vale Street at Airport Way S., only minutes south of downtown Seattle. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone 206.658.0110. See you soon.
Amid all the well-deserved praise directed at R. Crumb's Book of Genesis, I was reminded of another often-overlooked Crumb masterpiece. As Fantagraphics newly minted 4th printing of Kafka reaches bookstore shelves, it seems like a good moment to reflect on the amazing achievement of Crumb and author David Zane Mairowitz.
Entering college I was assigned The Trial for freshman lit. I just wasn't ready for it. I wasn't a total dunce, but there were so many alluring diversions (i. e. booze and babes.) Thus began, and ended, my brief exposure to the works of Franz Kafka.
Only decades later did I deign to revisit the legacy of this literary genius. And it took a Crumb comic book to get me there. Crumb's renderings are at once precise and passionate. The narrative seamlessly weaves Kafka's biography into his self-reflective stories. A delightfully entertaining treatment of Kafka's daunting discourse. Now I can use the cliché "Kafkaesque" at cocktail parties and have some clue.
Seattle-based artist Michael Leavitt is involved in an ongoing 8-year project sculpting figures for his fanciful "Art Army." Inductees include Andy Warhol, Damien Hirst, Mark Ryden, Robert Williams, Ron English, Shag, Banksy, and countless others. His latest recruit is none other than underground comix legend R. Crumb.
Gahan Wilson's singular aesthetic with decidedly low brow sensibilities has roots in his adolescent exposure to lurid horror comic books and pulp magazines. ''I was a creepy little kid," Wilson recalls. "I did the whole comic book thing, and then I discovered Weird Tales — instantly homed right in on that around high school, and just loved it." His early illustrations found their way to the pages of the pulps and were later published in prestigious periodicals like Collier's, The New Yorker, and Playboy.
His delightfully demented sense of humor is celebrated in GAHAN WILSON: Fifty Years of Playboy Cartoons, an exquisite 3-volume slipcase edition from Fantagraphics Books that includes over 1,000 comics and illustrations by the acknowledged master of the macabre as well as all of Wilson's prose fiction in Playboy. Don't miss this rare opportunity to meet an American original, one week short of his 80th birthday.
Also on display on February 13 for one night only is a recently completed sculpted portrait of comix legend R. Crumb by Seattle artist Michael Leavitt (pictured below). Commissioned for a private out-of-state collection, this will provide the only opportunity to view the fully articulated wood carved figure — the latest addition to Leavitt's ongoing "Art Army" series.
The reception on Saturday February 13 coincides with the colorful Georgetown Second Saturday Art Attack featuring visual and performing arts presentations throughout the neighborhood, just in time for Valentine's Day. What better place for art mavens of all ages to observe this romantic occasion than in the enchanting industrial arts quarter of Georgetown.
Gahan Wilson: Fifty Years of Playboy Cartoons
Saturday, February 13, 6:00 - 9:00 PM
Fantagraphics Bookstore & Gallery
1201 S. Vale St. (at Airport Way S.) Seattle, WA Phone 206.658.0110 Open daily 11:30 - 8:00 PM, Sundays until 5:00 PM.
ALSO: Be sure to tune in to KUOW 94.9's "Weekday" show from 9AM to 10AM, on Friday, Feb. 12th, when Gahan will be talking to host Steve Scher about the event and his legendary career.
Back in print in a new 2009 softcover edition after a several-year absence, the 12th volume of The Complete Crumb spotlights Crumb’s first collaborations with national treasure Harvey Pekar, which appeared in the legendary American Splendor. This collection also includes a skeptical report-in-comics on an aerospace symposium (commissioned by CoEvolution Quarterly, it comes off like one of Michael Moore’s cocky documentary films), Crumb’s encounter with an interviewer from High Times magazine, an evocative period piece featuring 1930s jazz musicians, another of Crumb’s collaborative “jams” with Aline Kominsky, and everything else that’s established R. Crumb as the master catoonist of his time! Makes a great gift and doubles as an evocative educational tool, teaching our youth what it means to be American (from the guy that moved to France)!
This superb collection of work by Robert Crumb continues into the '70s with another 120-page slab of pure Crumb work, all topped off with a brand new Crumb cover (featuring Mr. Natural) and a two-page introduction by Mr. Sketchum himself! This volume includes all the Crumb work from Zap! #5, Bijou #4, and San Francisco Comic Book #3, as well as the complete reprintings (including the covers in full color) of Uneeda (which includes one of Crumb's more eccentric creations, Bo Bo Bolinski, as well as the classic "Honeybunch Kaminski, the Drug-Crazed Runaway"), Mr. Natural #1, and Hytone #1 (with "Pete the Plumber" and "Horny Harriet Hot Pants"). But that's just the tip of the iceberg! For true-blue collectors, this volume includes several ultra-rare greeting cards (reproduced in full color); Crumb's illustrative contributions to Esquire and Playboy in that period (both in full color); drawings from Promethean Enterprises and the East Village Other; and, most tantalizing of all, the original, never-printed cover to Zap! #5!
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