My original title for this post was "R. Crumb FUCKs Wallets." Maybe I should've stuck with that.
It's probably a sign that I'm too cynical that my reaction to this was mild surprise that it's an authorized design (licensed by Supreme for Porter, or something like that) rather than a ripoff, which would have been pretty easy to do.
We're no longer distributing Mineshaft, but we're happy to report that the essential underground comix zine is still going strong and the new 25th issue, with a cover by Sophie Crumb and featuring Peter Bagge, R. Crumb, Kim Deitch's review of papa Crumb's Genesis, Pat Moriarity and much more (see above), is at the printer and will be available from the publisher soon! If you order or subscribe now you can get $1 off select back issues — whatta deal!
"In June, Fantagraphics Books will publish a collection of Norman Pettingill’s work. Comic fans may remember that Robert Crumb published some of Pettingill’s cartoon drawings in Weirdo in the mid-’80s. The idea of publishing an entire book collecting Pettingill’s work was first broached to me by Johnny Ryan, a Pettingill fan (and the cartoonist behind Angry Youth Comics and Prison Pit), a few years ago. The John Michael Kohler Arts Center in Sheboygan, Wisconsin, is the repository for most of Pettingill’s work, and agreed to help us put together a book. Johnny wrote a brief appreciation; R. Crumb loved Pettingill’s work and wrote a brief introduction. But, so little is known about Pettingill himself that I felt the book required a short biography of the man — so I wrote one."
Read the rest of Gary's intro, and the biography itself, starting here.
As an incentive, Fantagraphics is offering a bookstore-only discount on both the normal and special editions of the 3-volume, embossed slipcase set GAHAN WILSON: 50 YEARS OF PLAYBOY CARTOONS. Through the end of the show, the normal edition is $25 off and the special edition is $50 off cover price! And while supplies last, each purchase will include a signed silkscreen Gahan Wilson print.
Fantagraphics Bookstore & Gallery is located at 1201 S. Vale Street in the heart of the Georgetown arts community, only minutes south of downtown Seattle. Open daily 11:30 to 8:00 PM, Sundays until 5:00. Phone 206.658.0110. See you all soon.
(Ed. note: Above, Gahan Wilson makes the acquaintance of Michael Leavitt's action-figure sculpture of R. Crumb. Have a look at this and more recently-posted photos of the exhibit opening from Flickr user and friend of Fantagraphics Bookstore Jo David.)
One of my favorite books I've received lately is this handsome, considered little tome from Spain's Blur Ediciones, Rotulando in Spanish • Lettering en Español, collecting something that on the face of it might sound a bit loopy: lettering by the cartoonist Nono Kadáver created for the Spanish editions of work by American greats R. Crumb, Daniel Clowes, Joe Sacco, Johnny Ryan, Peter Bagge and Gilbert Shelton.
Nono worked throughout most of the 1990s at Barcelona's Ediciones La Cúpula, one of Spain's leading comics publishers, and was one of the last of an era when book production was done largely by hand, not computers. Nowadays, most publishers get fonts created for an artist, but thru the 1990s, Nono spent many of his days mimic-ing the lettering styles of Bagge, Crumb, etc. the old fashioned way, with a pen and paper (and maybe a lightbox). He was a real master at trying to maintain the integrity of the original artwork, putting his ego aside in an effort to seamlessly blend the Spanish text into the artist's page compositions as unnoticeably as possible. Kind of like the old saw that the best movie soundtrack is the one you don't notice, Nono's work could probably make you forget that Daniel Clowes wasn't Spanish when you're reading Bola Ocho.
I am a lettering nerd and it makes me a bit sad that hand-lettering like this is becoming a dying craft, because it can make or break a translated foreign book and typeset fonts are rarely as effective. Kadáver likens his work to a forger in the excellent introductory text:
"I feel a great admiration and respect for counterfeiters... I think that even falsifying, we leave our mark... What you have to do is forget your personal style and adapt to the artist's. This is accomplished by reading a lot, dissecting his work, and learning from it; in the end the only thing that matters is as close a possible resemblance to the author's style."
To commemorate the occasion we’re offering a bookstore-only 20% discount on the exquisite 3-volume slipcase edition of GAHAN WILSON: 50 YEARS OF PLAYBOY CARTOONS and an even more generous offer on the limited deluxe edition. Look for specials on other alluring comics and graphic novels. You’ll find affordable gifts to please anyone.
And if you love R. Crumb, you’ll have your only chance to view Michael Leavitt’s spectacular articulated Crumb sculpture on Saturday before it departs to a private, out-of-state collection. Fantagraphics Bookstore stocks the region’s largest selection of lovely Crumb books.
Join us on Saturday in Seattle’s enchanting Georgetown arts community for this memorable evening event. It coincides with the Georgetown Art Attack featuring visual and performing arts presentations throughout the neighborhood, as well as a diverse array of dining and drinking establishments.
Fantagraphics Bookstore & Gallery is located at 1201 S. Vale Street at Airport Way S., only minutes south of downtown Seattle. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone 206.658.0110. See you soon.
Amid all the well-deserved praise directed at R. Crumb's Book of Genesis, I was reminded of another often-overlooked Crumb masterpiece. As Fantagraphics newly minted 4th printing of Kafka reaches bookstore shelves, it seems like a good moment to reflect on the amazing achievement of Crumb and author David Zane Mairowitz.
Entering college I was assigned The Trial for freshman lit. I just wasn't ready for it. I wasn't a total dunce, but there were so many alluring diversions (i. e. booze and babes.) Thus began, and ended, my brief exposure to the works of Franz Kafka.
Only decades later did I deign to revisit the legacy of this literary genius. And it took a Crumb comic book to get me there. Crumb's renderings are at once precise and passionate. The narrative seamlessly weaves Kafka's biography into his self-reflective stories. A delightfully entertaining treatment of Kafka's daunting discourse. Now I can use the cliché "Kafkaesque" at cocktail parties and have some clue.
Register and Login to receive full member benefits, including members-only special offers, commenting privileges on Flog! The Fantagraphics Blog, newsletters and special announcements via email, and stuff we haven't even thought of yet. Membership is free and spam-free, so Sign Up Today!