The Conrad Groth sketchbook is a mammoth thing: at least 12" square with thick glossy art stock and maybe a couple hundred pages to be filled. Fantagraphics Founder, Gary Groth, gets the best cartoonists in the world to do sketches for his young son and it is AMAZING. I can't imagine the pressure of sketching in it. There's no B-Team in this thing. And nobody who sees it can stop turning the pages to see what's next.
As Gary is preparing to leave for SPX, he brought in the book, bound for the hands of Gahan Wilson so I took these quick and shoddy iPhone pics of the Kane and Crumb pages, which I particularly like because of the personal relationships Gary had/has with these titans.
We just turned in our listings for the October issue of Previews, for our releases scheduled for December. The issue won't be out for a few more weeks, but you can get a first look at what's on tap right here! Spoiler alert: it includes King: The Special Edition by Ho Che Anderson, the Newave! anthology of 1980s underground minicomix, the new volume of Hank Ketcham's Complete Dennis the Menace, a new edition of the out-of-print 12th volume of The Complete Crumb Comics, Uptight #4 by Jordan Crane, and Chocolate Cheeks by Steven Weissman! Another great month full of great comics -- the Fantagraphics juggernaut juggers on!
• Comic-Con: Looks like Kelly Kilmer scored a bunch of great stuff at our booth on Sunday
• Review: "The first four issues of Michael Kupperman's awesome comedy comics zine Tales Designed to Thrizzle have been collected into a single hardcover volume that is a superdense wad of funny, surreal, bent humor... This is weird, funny, Subgenius-esque toilet reading that will keep you very regular." - Cory Doctorow, Boing Boing
• Review: "Thomas Ott's Dead End, & Tales of Error, (Fantagraphics Books) - This Swiss artist's comics are a moody blend of irony, horror and silence. (Most of his stories have no dialogue or captions.) The stark black-and-white pages - thanks to Ott's use of scratchboard - bring to mind such German Expressionist films as Robert Wiene's The Cabinet of Dr. Caligari and F.W. Murnau's Nosferatu. Like those films, Ott knows how to build suspense and maintain a sense of looming dread as each story reaches its foregone and tragic ending." - Steven Kwan, "Your new textbooks: Comics you need to read," University of Arizona Daily Wildcat
• Review: "The key to [Mome]'s continued success has been flexibility regarding its mission. It's still a place where young artists are sought out and spotlighted... It's also a place where key foreign comics can find a home... Lastly, it's a place where great American cartoonists can publish their short stories... This variety of approaches... positions it as a sort of descendant of Weirdo and RAW. It may not represent the absolute cutting edge of comics the way that Kramer's Ergot does, but it's still the widest available survey of alt-comics in publication and will be increasingly valuable in that regard as it continues to evolve." - Rob Clough
• Preview: The Comics Reporter reports: "I saw John Pham briefly at his studio on Monday. He's a little bit late -- although nowhere near comics-late -- with the second issue of his Sublife series from Fantagraphics, and the original art he showed me was really, really pretty."
• Plug: Boing Boing's Mark Frauenfelder hypes The Sweetly Diabolic Art of Jim Flora, relating the following: "Tim Biskup told me the the first time he saw Flora's work (when he was in a used record store) he felt his brain rewiring on the spot, forever changing his approach to art."
• Plugs: Jog looks at some of our new releases arriving in comic shops today
• Plugs: "If you picked up I Shall Destroy All the Civilized Planets! and delighted in the surreal mayhem therein (and who didn’t) you’re going to have to grab a copy of You Shall Die by Your Own Evil Creation! to make your life complete... It’s completely insane and very funny and will probably encourage you to indulge in a spot of unnecessary exclamation pointing... The Summer 2009 edition of MOME has arrived and, as usual, it's packed... Sergio Ponchione's Grotesque #3... is one of those lovely-looking Ignatz books... If you're a fan of weird Lynchian fantasy you should definitely check it out." - Gosh! Comics Blog
• Plugs: "The Complete Crumb Comics, Vol. 9...: Classic Crumb from 1972 and ‘73, reprinted once again. Lots of great politically incorrect material, including Crumb's assault (of sorts) on feminism. All in good fun, of course... The Complete Peanuts, Vol. 12: 1973-1974...: This one contains what I sincerely think is one of the greatest extended stories in the history of comics, where Charlie Brown starts seeing baseballs everywhere and gets a baseball-shaped rash on the back of his head. Hopefully you're buying the whole series, but if you only want one volume, I'd suggest this one. If you want more, though, you can buy the box set with Vol. 11 included... Mome, Vol. 15 (Summer 2009): ...[T]his one looks intriguing if only because it features both the debut of up-and-coming artist T. Edward Bak and a 16-page story by the Spanish artist Max, who we don't nearly get enough of in these parts." - Chris Mautner, Robot 6
Robert Crumb's long day's journey into the '70s continues with this volume of classic material from 1972 and 1973. The sunny psychedelic era is a fading memory for the counterculture, and Crumb's work of that period reflects a darker, more introspective artist at work. This volume includes Crumb's first collaboration with Harvey Pekar — a long partnership that would help turn Pekar into an alternative comics star. This politically incorrect volume spotlights some of Crumb's most outrageous strips, including the complete contents of XYZ Comics, plus selections from Zap #6, Tales from the Leather Nun, San Francisco, and others. This volume also includes the ultra-rare drawings from the 1972 cookbook Eat It written by Crumb's ex-wife (20 pages' worth — a bonanza for Crumb lovers), rare and unpublished album cover art, and (in full color) Crumb's funny spoof of fellow undergrounder Jay Lynch's Nard 'n' Pat. All this, plus an all-new cover and introduction by the ol' Pooperoo himself — is it any wonder this is one of the most highly acclaimed and best-selling collections of classic comics ever released?
• Review: "...Supermen!: The First Wave Of Comic Book Heroes 1939-41 pulls together some of the goofiest, most innocent, most violent superhero comics ever penned... The forematter (a lovely, insightful, nostalgic essay by Jonathan Lethem) and the afterword (a collection of bibliographic and historical notes on each strip) make perfect bookends for the hot stuff in the middle. This is pure and unadulterated Id, the kind of thing that inspired a moral panic about the corruption of the young. It's every bit as potent today." - Cory Doctorow, Boing Boing
• Review: "Miss Lasko-Gross takes us into the skankiest basement makeout sessions of our teenage despair in [A Mess of Everything]... Her fictional stand-in figures out how to work the system and achieves redemption through beautifully ugly comics that aptly capture the darker hallucinogenic melodramas of teenage geekdom." - Richard Gehr, The Village Voice
• Review: "[A] wild and woolly collection of pre-Superman supermen... As Jonathan Lethem notes in his introduction, our appreciation for the bizarre otherness of these characters in retrospect suggests that our contemporary icons might well appear no less 'totally opaque and infinitely awkward' to future readers." - Richard Gehr, The Village Voice (same link as above)
• Review: "Rory Hayes was nuts. I mean, really, truly insane... Hayes was tapping into a rich vein of paranoia and insanity that was truly disturbing... Rory Hayes work has the authentic voice of a true outsider artist, a genuine madman in a world full of posers... Where Demented Wented... is a fascinating collection and well presented. Recommended." - Colin Upton, Inkstuds
The Complete Crumb Comics Vol. 4: Mr. Sixties! continues the multi-volume series comprising the complete works of the legendary cartoonist R. Crumb, one of America's most original, trenchant, and uncompromising satirists. The series includes the earliest, heretofore unpublished comic strips, as well as his sketchbooks, underground comix, dramatic and autobiographical strips, and his classic cartoon creations Fritz the Cat and Mr. Natural. In this volume: Zap #0 & #1 ("Keep On Truckin'!"), Crumb's work from the East Village Other and Yarrowstalks, plus much rare art, some of Crumb's long-lost American Greetings cards from the '60s, and more (see the entire table of contents here).
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