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Category >> Robert Crumb

R. Crumb Mr. Natural ltd. ed. print & more Crumb opinions
Written by Mike Baehr | Filed under Robert Crumbmerchinterviews 1 Sep 2011 6:27 PM

http://www.fantagraphics.com/images/flog/mike/201109/natch_giclee_lg.jpg

A new limited-edition giclee print of a reworked version of Mr. Natural #2 by Robert Crumb is now available from Wildwood Serigraphs.

And there appears to be a new (I think) installment of "Crumb on Others" where the man holds forth his candid opinions on various prominent figures in comics and popular culture, from his underground contemporaries to Charles Schulz, from Walt Disney to Walt Kelly, from The Beatles to Bettie Page. Must read!

Daily OCD: 8/9/11
Written by Mike Baehr | Filed under Tony MillionaireRobert CrumbPeanutsNate NealJoyce FarmerJacques TardiJack DavisGary GrothDaily OCDCharles M SchulzCarol Tyleraudio 9 Aug 2011 7:00 PM

Today's Online Commentary & Diversions:

Tony Millionaire 1

Interview? (Audio): Tony Millionaire appeared on host Benjamen Walker's radio show Too Much Information on WFMU — we haven't had a chance to listen yet so we don't know exactly what form it takes but you can download or stream the episode here

The Sanctuary

Profile: At GALO Magazine, Emily Crawford Misztal talks to Nate Neal and looks at his debut graphic novel The Sanctuary: "While the language and the ways of the characters in the book will be unfamiliar to readers, the motives that drive them are as old and familiar as the sun. Neal sees the ancient setting as a way to get at the core of what it means to be human—in any era. 'It is a chance for me to examine human behavior on a more universal level,' Neal said. 'Sex, power, revenge, the primal stuff, is underneath everything that we do. There’s more covering over what we do now. With the cavemen, I can strip everything away and get right down to it.'"

Jack Davis: Drawing American Pop Culture: A Career Retrospective

Plug (Video): Roger Ash of Westfield Comics sits down on camera to recommend our upcoming release Jack Davis: Drawing American Pop Culture

R. Crumb (AP Photo)

News: The Washington Post's Michael Cavna gets Gary Groth's comments on Robert Crumb's withdrawal from the upcoming GRAPHIC festival in Sydney, Australia

Special Exits

Commentary: At Robot 6, Brigid Alverson examines the topic of aging as "the final frontier" of comics storytelling and praises creators such as Joyce Farmer and Carol Tyler for their handling of the subject matter (in Special Exits and You'll Never Know, respectively)

The Complete Peanuts 1950-1952 (Vol. 1) [NORTH AMERICA ONLY]

Feature: Rob Lammle of mental_floss posts an entertaining list of "10 Peanuts Characters You've Probaby Forgotten" — devotees of our The Complete Peanuts series will be familiar with some of them, and some of them give hints as to what to expect in future volumes!

It Was the War of the Trenches

Analysis: At Taking Its Time, Jeff Hayes writes on the use of Jacques Tardi's It Was the War of the Trenches in an academic setting, specifically the high school English classroom: "In using a text like It Was the War of the Trenches, democratic education is being practiced. It is not just because of how the book is constructed visually; we must look at it also as an artifact of importance in presenting how another culture views historical events-how those events may or may not have affected the lives of others we do not think of in the rush of war and the aftermaths that follow as we choose what is important in history and what is not."

Daily OCD: 8/3/11
Written by Mike Baehr | Filed under Robert CrumbreviewsPeter BaggePeanutsMickey MouseMegan KelsoLove and RocketsLos Bros HernandezJoyce FarmerFloyd GottfredsonDisneyDaily OCDCharles M Schulz 4 Aug 2011 12:56 AM

Today's Online Commentary & Diversions:

Queen of the Black Black

Review: "The harmony of words and illustration strengthen Kelso’s voice as a narrator of stories that appeal to women of all ages.... This collection of short stories is a fantastic starting point for those of you who still view comics as Marvel/DC, or as ‘kiddie’ entertainment. (Shame!!) While playing with fantasy elements we all loved reading as little kids, Kelso incorporates today’s real life issues — STDs, pregnancy, being broke, infidelity — into her comics. Raw, yet refined, Queen of the Black Black is an enjoyable, meaty read that left me pumped to experiment with my own comics style." – Erina Davidson, Bust

Walt Disney's Mickey Mouse Vol. 1: Race to Death Valley

Review: "The book itself is stunning.... Fantagraphics is well-known for their quality book projects and this may be one of their best yet.... The Mickey Mouse strip itself is a hoot — especially in these early days. Mickey’s a feisty little guy in the strips, more so than in most of his animated appearances. He frequently packs heat (gasp!), knows all kinds of dirty tricks, and isn’t afraid to get into some real fisticuffs.... Even if you don’t care much for Mickey or the whole Disney mouse machine, this book should be on your bookshelf just for the slice of 1930s Depression-era Americana and the amazing joy of Mickey’s flinty 'can-do' attitude.... Watch for this wonderful series to do very well in various comics awards next year. This is important stuff." – K.C. Carlson, Comics Worth Reading

The Complete Peanuts 1979-1980 (Vol. 15)

Review: "There's still an agreeable edge to the series at this point [The Complete Peanuts 1979-1980] — Peppermint Patty's resigned acceptance to a life of D-minuses is really kind of savage — but Charles Schulz was relaxed enough to enjoy a few in-jokes and celebrity shout-outs to the likes of Bill Mauldin and various tennis stars.... Each time that Schulz started one of his longer, weirder stories..., readers will find themselves wondering how in the world he resolved it. He succeeded every single time." – Grant Goggans, The Hipster Dad's Bookshelf (via Spurge)

The Complete Crumb Comics Vol. 13

Review: "Like crisps, chocolate and bad puns; once you get the taste of Robert Crumb on your palate, it’s almost impossible to shift the craving for more. Here’s another re-released edition [Vol. 13] from the superb and multi-award winning Complete Crumb Comics series that will tickle the bad-taste-buds of discerning comics cognoscenti and is bound to make a whole new generation of fans among the cool kids..." – Win Wiacek, Now Read This!

Love and Rockets: New Stories #4

Scene/Plug: Comic Book Resources' Sonia Harris shares a charming Hernandez Bros. anecdote from Comic-Con and plugs the new Love and Rockets: "I won’t spoil it for you, but I can tell you that it is even better than the 3 that have come before it (and they were fantastic.) Seriously, Love and Rockets is just getting better and better."

Buddy Does Seattle (The Complete Buddy Bradley Book 1)

Plug: At The Truth About Cars, Murilee Martin pauses during an epic story about a 1965 Chevy Impala to note, "It was about this time that I became completely addicted to Peter Bagge’s brilliant Hate Comics, which seemed to capture the sense of diminished expectations and ironically-waiting-for-the-apocalypse mindset of my alleged generation a lot better than did Douglas Coupland with his much-hyped-by-mainstream-media novel Generation X: Tales for an Accelerated Culture (note: not that I have anything against Coupland; I’ve since become a serious fan of his work and recommend his novels without reservation). I suggest that you head over to Fantagraphics and buy everything published by Mr. Bagge immediately, pausing only to read his excellent editorial cartoons at Reason." (All links from the original article.)

Special Exits

Panel (Video): The Comics Journal posts video of the "Art of the Graphic Novel" panel at Comic-Con 2011, with Joyce Farmer among the all-star panelists

Daily OCD: 8/2/11
Written by Mike Baehr | Filed under Robert CrumbreviewsLove and RocketsLos Bros HernandezJim WoodringJaime HernandezGilbert HernandezDaily OCD 2 Aug 2011 7:50 PM

Today's Online Commentary & Diversions:

Locas: The Maggie and Hopey Stories [Sold Out]

List: The Hooded Utilitarian, continuing to roll out the top 10 results in their International Best Comics Poll, reveals the Locas stories of Jaime Hernandez at #7, with an appreciation by Derik Badman

Love and Rockets: New Stories #4

Review: "I am seriously finding it difficult, if not impossible, to review [Love and Rockets: New Stories #4] without simply hitting the bullets-and-numbering button and whipping up a list of everything in it that amazed me. It would be a long list, too.... The fact of the matter is that while reading this book I discovered that I’m at least as attached to Ray Dominguez and Fritz Martinez, the protagonists of Jaime and Gilbert’s contributions respectively, as I am to a decent number of real people in my life. ...[I]n the end, how it looks pales in insignificance next to what happens, because making it look that good is a means to the end of imparting just how much what happens matters. Ray’s shirt and Fritz’s legs, the shadow of the vampire and the structure of the montage — they’re just landmarks to remind you where you were when you found out if Ray and Fritz and Maggie were going to get happy endings, or not. It’s the easiest thing in the world to understand, and it’s the hardest thing in the world to do, and it’s magic, pure magic, to do it this well." – Sean T. Collins, Attentiondeficitdisorderly

Congress of the Animals

Review: "Maybe it seems as if I’ve told you the whole story [of Congress of the Animals] already. Not to worry, as I am only giving a basic outline of what Jim Woodring has rendered (without a single word!) in inspirationally meticulous ink drawings. You’ll really have no idea of this book’s content until you pick it up and view sights that are organically bizarre, beautifully horrific, cryptically disturbing, and genuinely heartwarming." – Chris Gray, San Mateo County Library blog

The Complete Crumb Comics Vol. 15

Review: "Crumb’s subtle mastery of his art-form and obsessive need to reveal his most hidden depths and every perceived defect — in himself and the world around him — has always been a unquenchable wellspring of challenging comedy and riotous rumination. This superb series [The Complete Crumb Comics] charting the perplexing pen-and-ink pilgrim’s progress is the perfect vehicle to introduce any (definitively over 18) newcomers of your acquaintance to the world of grown up comics. And if you need a way in yourself, snatch up this book [Vol. 15] and the other sixteen as soon as conceivably possible." – Win Wiacek, Now Read This!

Fantagraphics to Publish The Complete ZAP® Comix
Written by Eric Reynolds | Filed under ZapVictor MoscosospainRobert WilliamsRobert CrumbGilbert SheltonComing Attractions 23 Jul 2011 3:00 PM

Fantagraphics Books President and Co-Publisher Gary Groth announced today at Comic-Con International that the Seattle-based publisher has entered into an agreement to publish The Complete ZAP Comix in Fall of 2012.

ZAP remains the best-known and most influential underground comic of all-time, and in many ways is Ground Zero for the entire field of underground, alternative, literary and art comics that exists today. Created by Robert Crumb, it was one of the defining events in the counterculture of the 1960s and singlehandedly launched the “underground comix” era.

ZAP took comics from children to adults, crushing The Comics Code Authority in the process,” proclaimed ZAP artist Victor Moscoso.

The Complete ZAP Comix will be published as a two-volume, slipcased hardcover set, printed slightly larger than the original comics, and shot from the original negatives to the comic books, ensuring the finest reproduction ever seen of the material. It will also include the rarely-seen ZAM, a one-shot mini-comic/jam spinoff of ZAP from 1974, as well as other supplementary features, interviews with the artists, and other surprises.

ZAP may be the most significant series in the history of American comics,” said Fantagraphics President and Co-Publisher Gary Groth. “Its cultural preeminence is the result of artistic merit, not collectibility or economics and that sets it apart from most comics series that have achieved this level of public awareness or notoriety. The artists that Crumb invited into ZAP each proved to be a stylistic virtuoso with a unique point of view and an uncompromising vision. ZAP was the vanguard of a movement that segued into the alternative comics of the ’80s and the graphic novels of the ’00s. We couldn’t be prouder to collect this landmark series in its entirety in a beautifully packaged two-volume set.”

Originally printed by Beat writer Charles Plymell in an edition of around 3,500 copies, ZAP #1 was the first title published by the late Don Donahue under the Apex Novelties imprint, and was infamously sold on the streets of Haight-Ashbury out of a baby stroller pushed by Crumb’s ex-wife, Dana. Over time, the series’ 16 issues have sold millions of copies.

http://www.fantagraphics.com/images/flog/mike/201107/zap1cvr.jpg

Although R. Crumb had initially created ZAP as a showcase for his own work, the success of the first issue led him to open up the pages of subsequent issues to several other artists. He invited his peers S. Clay Wilson, Robert Williams, “Spain” Rodriguez, Gilbert Shelton, Victor Moscoso and Rick Griffin to join him, effectively creating an artists’ collective that has remained mostly constant in the subsequent decades; when Rick Griffin died in 1991, the artist Paul Mavrides was invited to join the group.

“Fantagraphics’ The Complete ZAP Comix, as designed by Victor Moscoso, will be a classy item for the bookshelves of underground comics fans — those who can afford it, that is,” said ZAP artist Gilbert Shelton. “I imagine most of the original readers wish they still had their copy of the first edition of ZAP #1, which sells for over ten thousand dollars now, if in perfect condition. But part of the secret of the success of underground comix was that they were cheaply produced and turned yellow and fell apart quickly, and also that they were borrowed and never returned by one’s friends, thereby forcing you to buy another copy. This will not happen with the new collected edition, which will be produced under the most rigorous of quality control.”

“Much as the effect EC’s MAD had on the mid-20th Century, ZAP was equally influential and disruptive to cultural mores at the end of the 20th Century, but without the hindrance of the old comic book code that cramped graphic novel expression for 40 years,” said ZAP artist Robert Williams. “I’m very pleased that Fantagraphics will release this long-awaited compendium of ZAP Comix.”

“When Robert Crumb started ZAP in 1968, no one had any idea that it would still be alive 45 years later,” Shelton added. “This exercise in anarchy — there were never any rules, restrictions, or editorial policy — is still the flagship of the underground comics movement. I tried, and failed, to get my fellow ZAPsters to correct their spelling errors, but they would not be subjected to such editorial tyranny. I also wanted to let other artists into the group, but it was decided to restrict the number of contributors to seven. So be it. Spell free or die, I now say.”

Fantagraphics will be publishing the The Complete ZAP Comix in Fall of 2012.

The Complete ZAP Comix
By: R. Crumb, S. Clay Wilson, Robert Williams, Spain Rodriguez,
Gilbert Shelton, Victor Moscoso, Rick Griffin, & Paul Mavrides
Release Date: Fall 2012
Page Count: 800 PP
Black & White • Two-Volume, Slipcased Hardcover Set

ZAP is a registered trademark of Zap Comix.




Daily OCD: 7/18/11
Written by Mike Baehr | Filed under Trina RobbinsShimura TakakoRobert CrumbreviewsRaymond MacherotPrince ValiantNell BrinkleyMaurice TillieuxmangaJacques TardiHal FosterDave McKeanDame DarcyDaily OCD 19 Jul 2011 2:10 AM

Today's Online Commentary & Diversions:

Wandering Son Vol. 1

Review: "...[L]ike the best coming-of-age stories — comics or otherwise — Wandering Son is meticulously accurate in its details, but universal in its emotions. Gay or not, readers shouldn’t find it too difficult to identify with kids who feel like their bodies and their friends are equally culpable in the worst kind of betrayal, preventing them from realizing the potential they see in themselves." – Noel Murray, The A.V. Club

Gil Jordan, Private Detective: Murder by High Tide + Sibyl-Anne Vs. Ratticus

Review: "The tone of each book is very different, with the Gil Jordan collection favoring clever mysteries, narrow escapes, and broad comic relief, while the Sibyl-Anne book is subtler, dissecting the way miniature societies work, together and in opposition. Both are excellent, though, showing off the strengths of the Eurocomics tradition, with its sprawling narratives spread across small panels, mixing cartoony characters and elaborate backgrounds." – Noel Murray, The A.V. Club

Review: "Reminiscent of the classic Michael Winner-helmed and Charles Bronson-starred The Mechanic, Tardi's follow up to his acclaimed adaptation of a Manchette crime novel West Coast Blues, Like a Sniper Lining Up His Shot... delivers a superior sequential thriller. Violent, sexy, and littered with enough shocks to excite the most hardened crime fiction fan, Tardi once again produces one of the finest examples of the genre." – Rick Klaw, The SF Site: Nexus Graphica

Celluloid [Pre-Order]

Review: "McKean has long been established as a master of multimedia imagery and Celluloid represents possibly his finest work. The clarity and seamlessness with which he combines photography with drawings and paintings makes every scene entirely convincing. It’s this hyper-reality that encourages us to submit to the dream-logic of the story." – Gavin Lees, Graphic Eye

Review: "[Celluloid] is a story of sexual growth and empowerment. ...McKean's artwork gains greater dimensionality as his central character grows more assertive.... The pace of the story is left up to the reader, but McKean has created such lush visuals that many will want to linger and examine the intricacies of the imagery presented....Many of the pages are so well crafted in their surrealistic imagery that they could easily hang beside Picasso. McKean has boldly stepped away from the confines of mainstream comic books with this endeavor, and the result is a masterpiece of eroticism that relies heavily on intellect and emotion, rather than just mere arousal or titillation." – Michael Hicks, Graphic Novel Reporter

Meat Cake [with FREE Bonus Comic + Signed Bookplate]

Review: "If Siamese Dream-era Smashing Pumpkins exploded inside a Victorian tea shop, it would look something like [Meat Cake]... The humour is perverse, like an alt-universe Kate Bush who grew up reading penny dreadfuls instead of Brontë, the drawings are obsessively crammed with fever-dream detail, and the author has the advantage of being able to make publicity appearances dressed as her own characters, which is not something most cartoonists should attempt." – Grant Buist, The Name of This Cartoon is Brunswick

R. Crumb (AP Photo)

Profile: Rosalie Higson of The Australian talks to Robert Crumb in anticipation of his visit to Sydney next month for the GRAPHIC festival: "There's a unique timing and way of telling a story with comic panels, different to writing novels or a film script. And there are seasons in the life of any artist. Crumb has dropped all his ongoing characters. 'I'm sick of them all. I'm very critical of my own work, when I look back on it I'm not especially proud, I wasn't really serious enough about it. I'm not sure what it all means for posterity, I have no idea. You can be the world's most favourite artist, and be totally forgotten a few years later,' he says."

The Brinkley Girls: The Best of Nell Brinkley's Cartoons    1913-1940

Interview: At Print magazine's Imprint blog, Michael Dooley chats with Trina Robbins. Dooley: "Trina's 2009 The Brinkley Girls: The Best of Nell Brinkley's Cartoons from 1913-1940 is a stunning collection as well as a detailed pictorial chronicle of the evolution of fashion and style, from Nouveau to Deco." Robbins: "I love clothes. I love lipstick. I love glamor. And obviously, so have many other women, if you look at the large readership of artists like Nell Brinkley and Brenda Starr's Dale Messick. And in the case of younger readers, at all the girls who loved Katy Keene. There probably are still some women who might want to see me, if not guillotined, then at least sent off to a gulag for promoting such work."

Prince Valiant Vol. 1: 1937-1938

Plug: "I was planning to attend [Comic-Con] dressed as Prince Valiant in honor of the lavish reprints of Hal Foster's classic, which I'm collecting, but was told I wouldn't be allowed to bring my 'singing sword' on the plane, so there went that idea. So I guess I'll just go as 'me,' letting others provide the color and dash." – James Wolcott, Vanity Fair

This Van's Rockin'
Written by Larry Reid | Filed under Roberta GregoryRobert CrumbPeter BaggeJim WoodringJaime HernandezGilbert HernandezFantagraphics BookstoreDaniel ClowesAline Kominsky-Crumb 18 Jul 2011 7:02 PM

KeepOnTruckin

During a pig roast party in Georgetown last Saturday night, Jim Woodring and Fantagraphics Bookstore curator Larry Reid ran into the proud owner of Fantagraphics old delivery truck. At a 1991 signing at Fallout, this white Econoline van was adorned with exquisite images by Woodring, Daniel Clowes, the Hernandez Brothers, Peter Bagge, Roberta Gregory, Aline Komisnky-Crumb, Michael Dougan, Paul Mavrides and R. Crumb, who lettered his famous "Keep on Truckin" phrase on the front bumper. The van was sold for a song and sat derelict for years, but the owner reported that restoration of the historic vehicle began two weeks ago. We'll keep you posted.

Daily OCD: 7/14/11
Written by Mike Baehr | Filed under Shimura TakakoRobert CrumbRick MarschallreviewsMickey MouseMarschall BooksmangaLove and RocketsLou ReedLorenzo MattottiJoe SaccoJim WoodringJacques TardiGilbert HernandezGabrielle BellFloyd GottfredsonFlannery OConnorDisneyDaily OCDChris Ware 15 Jul 2011 12:11 AM

Today's Online Commentary & Diversions:

Walt Disney's Mickey Mouse Vol. 1: Race to Death Valley

Review: "...[F]eisty art-comics publisher Fantagraphics, for its new multivolume hardcover series devoted to Gottfredson’s rarely seen comic-strip work [Walt Disney's Mickey Mouse ], has gone back to the beginning, lavishing upon the cartoonist’s marvelously fluid, thrillingly kinetic serial adventures the same loving attention the company has brought to its benchmark Complete Peanuts library. Given that Fantagraphics is an adult-oriented press, production and restoration values are superlative, as are the more than 60 pages of historical essays and archival features that accompany these peerless black-and-white strips.... Anyone who ventures into this gorgeous 288-page tome will come away with a fresh appreciation for just what made Mickey an all-American comic-strip hero." – Steve Smith, Time Out New York

Review: "Fantagraphics fucking whip ass at knowing what a beautiful book is.... The Mickey Mouse in this collection is a dynamic teenager with a whole lot of strong feelings, and it's both awesome and foreign to see him get mad or feel suicidal.... Fantagraphics are masters at collecting and presenting old comics.... This volume not only presents comics that you probably haven't seen before, but it places them in the proper context with about eight[y] pages of supplementary writing, images, and in-depth explanations that could merit their own little volume." – Nick Gazin, Vice

Interview: Gazin follows up his Vice review of Walt Disney's Mickey Mouse Vol. 1 with a brief chat with series co-editor David Gerstein: "Floyd's greatest achievement... was his portrayal of Mickey himself. Instead of seeing the Mouse as a kind of dull, smiley-faced everyman — the way a lot of people seem to envision him — Floyd portrayed Mickey as what he called 'a mouse against the world.' He was a stubbornly optimistic, imperfect but determined youth trying to prove himself in a competitive, scary, adventurous place. Floyd gave Mickey length and depth."

Wandering Son Vol. 1

Review: "It’s often argued that the key element to any successful manga is a relatable protagonist. Shimura has crafted hers so meticulously and is revealing their natures so carefully that it’s virtually impossible not to be deeply invested in them. In part, it’s the actual portrayal in this volume [of Wandering Son], but it’s also the tremendous potential they have. I want to see them age and mature, struggle and succeed, and find their ways to lives that give them happiness and peace. I don’t think there’s any more a reasonable person could ask of a story like this." – David Welsh, The Manga Curmudgeon

Review: "...[Wandering Son] is an elegantly-crafted, character-driven story that lets us into its characters’ private worlds with both candor and delicacy. We are brought into their lives completely, and though we’re privy to their some of their most private thoughts and fears, there is never a sense that we’re observing them as 'subjects' or invading their privacy—something I often feel when experiencing 'issue'-focused fiction." – Melinda Beasi, Manga Bookshelf

The Raven

Review: "[Mattotti's] enigmatic, brooding scenes [in The Raven] harness the terror and beauty of the texts which span three centuries. They're uncompromising — and that's a quality that has always been applicable to the force that is Lou Reed." – Dean Mayo Davies, AnOther

Drawing Power: A Compendium of Cartoon Advertising 1870s-1940s

Review: "Drawing Power: A Compendium of Cartoon Advertising... is 124 pages of some of the best advertisements from the 1870s to the 1940s. Starring both cartoonists and cartoon characters, the book surveys an immense collection of cartoon advertising, focusing on the commercial roots of the comic strip and the fantastic artwork that came from cartoonists' freelance work in advertising. There are surprising and also familiar examples of products, ad campaigns, widely known catch-phrases, and cartoon figures.... Lovers of vintage advertisements and classic cartoons, you're in for a walk down memory lane..." – Nicole Torres, Print

Love from the Shadows

Review: "Love from the Shadows is somewhat inappropriately titled, as it sounds like a romance, but is really a sci-fi sex mash-up, with a big dash of David Lynch-ian 'what the fuck just happened here?' It’s definitely no chick flick, despite its strong female lead." – Rod Lott, Bookgasm

Congress of the Animals

Review: "Congress of the Animals... [is] Woodring’s second book-length Frank story. Not so overtly horrific as last year’s Weathercraft, but somehow more unsettling to me. Perhaps I’m just traumatized by the destruction of Frank’s house. Fantastic wordless storytelling, as always." – M. Ace, Irregular Orbit

Flannery O'Connor: The Cartoons

Plug: "You may think of Flannery O’Connor as a writer of the sorts of books that are all words, but in her younger days she yearned to be a cartoonist—and she wasn’t half bad. Fantagraphics will publish Flannery O’Connor: The Cartoons in December..." – Brigid Alverson, Robot 6

Jacques Tardi

Survey: At The Guardian, Emine Saner asks a handful of prominent cartoonists to name their favorite graphic novelist, gathering comments from Peter Kuper on Robert Crumb, Bryan Talbot and Martin Rowson on Joe Sacco, Posy Simmonds on Jacques Tardi (pictured), Ariel Schrag on Gabrielle Bell, and Lynda Barry on Chris Ware

R. Crumb cameo in Popeye?
Written by Mike Baehr | Filed under Robert CrumbPopeyeEC Segar 11 Jul 2011 2:51 PM

Segar's Crumb?

Our freelancer John Ohannesian, who's doing some cleanup and restoration for our next (and final) Popeye volume, came across this E.C. Segar portrait of R. Crumb. Ha! (Via the Fantagraphics Bookstore & Gallery Facebook page.)

The Comics Journal #301 excerpt at TCJ.com: Robert Crumb Genesis interview
Written by Mike Baehr | Filed under The Comics JournalRobert CrumbpreviewsGary Groth 29 Jun 2011 2:44 PM

The Comics Journal #301 - Crumb interview detail

TCJ.com keeps rolling out the exlusive previews from The Comics Journal #301: today's feature is an excerpt from Gary Groth's interview with Robert Crumb about Genesis. This one hypes itself.


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