Every so often I'm asked whatever became of Fantagraphics old delivery van, which was vandalized — I mean decorated — by masters of alternative comix during a 1991 signing at Fallout. (Crumb, Clowes, Bagge, Bros., Mavrides, Woodring, etc.) We spoke to the Georgetown owner last summer and he assured us restoration was underway. On Friday, Georgetown Records unearthed a cache of vintage Rocket magazines. The April '91 issue contained a sidebar on this rolling masterpiece.
The new Diamond Previews catalog is out today and in it you'll find our usual 2-page spread (download the PDF) with our releases scheduled to arrive in your local comic shop in February 2012 (give or take — some release dates may have changed since the issue went to press). We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions.
What could be more festive than a cake decorated with the cover of The Comics Journal #301 (featuring artwork from Robert Crumb's Genesis)? This gorgeous edible monstrosity was procured by TCJ's Matt Silvie for the Thanksgiving festivities chez Groth. Photos by Jacq Cohen.
• Plug: Pamela Paul of The New York Times asks "Diary of a Wimpy Kid" creator Jeff Kinney about his favorite books from childhood: "...[T]he works that stood head and shoulders above the rest were Carl Barks’s ‘Donald Duck’ and ‘Uncle Scrooge’ comics from the 1940s through the 1960s. Mr. Barks wrote tales of high adventure generously peppered with moments of high comedy.... Classics such as ‘Lost in the Andes,’ ‘Only a Poor Man’ and ‘A Christmas for Shacktown’ left a deep impression on me. Mr. Barks taught me that comics could be high art, and I consider his work to be the best storytelling I’ve experienced in any form. ...Fantagraphics has announced that it is publishing the Barks collection in beautiful hardcover books that do great honor to the cartoonist and his stories, and I can’t wait to buy them for my kids. Proof that great storytelling endures from generation to generation."
• Review: "This volume [Walt Disney's Donald Duck: Lost in the Andes] reprints tales from December 1948 through August 1949, when Barks was in high feather as a creator of breathless adventures and light comedies for his Ducks... Great pop culture, great analysis. Scrooge is always searching for more gold, and there’s plenty here. [Rating] 10/10" – Michael Barrett, PopMatters
• Review: "The finale of the story Jaime has been telling over the past couple of annual issues [of Love and Rockets: New Stories] is a moment of bravura comics storytelling, but the buildup to it in the opening portions of this issue is pretty great as well... Ah, but as nice as these stories are, they all seem to be prelude to the dazzlingly virtuosic end of this chapter in the Locas saga... This could signal an end to the current era of Locas stories, but these characters are less figures of Jaime's imagination than real people alive in the minds of readers everywhere at this point, and even if another story featuring them never appears, we can rest assured that they will continue to live on, somewhere, sometime." – Matthew J. Brady, Warren Peace Sings the Blues
• Review (Audio): Introducing the latest episode of the Wait, What? podcast, co-host Jeff Lester says "we dollop more praise on Ganges #4 by Kevin Huizenga because honestly that sucker could probably use another five or six dollops."
• Plugs: "Fantagraphics’ collections featuring Charles Schulz’s comic strip masterpiece, Peanuts, are fantastic and if you’re a Peanuts fan, you need to be reading these. Floyd Gottfredson probably did as much to shape the personality of Mickey Mouse and his supporting cast as Carl Barks did for the Disney Ducks, yet his work has never received the same degree of attention as the work of Barks. Fantagraphics is correcting that with Walt Disney’s Mickey Mouse. The first two volumes of this series are fantastic and the strips probably look better here than they did when they were originally published. It’s a joy to watch Gottfredson develop as a storyteller as Mickey and the gang evolve along with him.... There’s also plenty of background material to place the stories into historical perspective. And the collection of Walt Kelly’s Pogo that hits stores this week is gorgeous. I have some of Fantagraphics’ previous Pogo volumes and this one blows them away. I’m also getting into Popeye for the first time with their collections of Segar’s classic strip." – Roger Ash, Westfield Comics Blog
• Commentary: At Comic Book Resources, Laura Sneddon, who is documenting her experiences in the postgraduate Comic Studies program at the University of Dundee in Scotland, examines the work of Robert Crumb and Aline Kominsky-Crumb for the class topic "Comics and Gender"
The new Diamond Previews catalog came out recently and in it you'll find our usual 2-page spread (download the PDF) with our releases scheduled to arrive in your local comic shop in January 2012 (give or take — some release dates may have changed since the issue went to press). We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions.
• Review: "Gottfredson is in much stronger form here [in Walt Disney's Mickey Mouse Vol. 2: Trapped on Treasure Island] than in the first volume, drawing upon the early Mickey cartoons for ideas — mad scientists, treasure hunts, mail pilots — but then expanding and developing them in a way those early Disney shorts were incapable of doing. Over time, Mickey’s personality becomes more refined as well; scrappier, tougher and more determined to seek justice (or an adventure) regardless of the odds. Again, part of the enjoyment for me with this series is the rich amount of historical material editors Gary Groth and David Gerstein are able to provide. From foreign material to biographies of various ancillary contributors, supplemental art, character histories and more, this series is rich with detail, both in the strip itself and in the editorial handling of the material, that puts other reprint projects to shame." – Chris Mautner, Robot 6
• Review: "What is good about Love and Rockets: New Stories [#1], however, is that it throws readers and fans a curve. Just what are Los Bros. going to do now? By going back to their early styles, in essence, they’ve allowed themselves a re-launch or at least a chance to throw many surprises at our expectations. Whatever they choose to do, it’ll still be the most interesting comics coming from America’s most literate, experimental, and adventurous comic book creators." – Leroy Douresseaux, I Reads You
• Plug: "In these days of precious art comics and highfalutin graphic novels, it’s often forgotten that comic strips evolved for one (now quaint) reason: to sell newspapers. Cartoonists were commercial artists, not auteurs. [In Drawing Power: A Compendium of Cartoon Advertising] you’ll find Peter Arno, the sophisticated New Yorker cartoonist, endorsing Rheingold Extra Dry Beer; Mickey Mouse and pals flogging just about everything under the sun except, maybe, mousetraps; and Krazy Kat selling Gulfsteel Nails. They are all Joe Camel’s ancestors." – Dana Jennings, The New York Times
• Interview: At Our Town Downtown, Cullen Gallagher, who says "...Everything Is an Afterthought: The Life and Writings of Paul Nelson [is] a deeply moving biography that captures not only Nelson’s tragedy, but also celebrates the ardor and artistry of his life and work," talks to the book's author/editor, Kevin Avery: "In the mid-to-late ’70s, rock music was still being discovered. There were no hard and fast rules, so in a way criticism was an act of discovery for these writers and they were just expressing what they liked. Paul was able to do that in a way that was not only personal, but also he would draw from film, books and his knowledge of folk music. You also got the feeling that he was a mysterious character. There would be hints dropped that there was an unhappy guy behind all these reviews. His writing was beautiful. This was music criticism that could be read as literature."
• Review: "Sala’s new book, The Hidden, does not wholly depart from the campy fascination with the morbid that marks his previous work, but is even darker in tone, despite the vibrant watercolor work. The visual markers of Sala’s humor are present — the affected font, the twisted faces — but there is arguably something more serious and disturbing at play here." – Jenna Brager, Los Angeles Review of Books
• Reviews (Video): "This week on the Comics-and-More Podcast, Patrick Markfort and I discuss Richard Sala's work, including his Peculia books and his new graphic novel The Hidden, perfect books to read for Halloween." So says co-host Dave Ferraro — watch the multi-part video at the link
• Review: "EC is often at the center of the story [of Pre-Code horror comics]... Four Color Fear strives to provide an accessible sampler of everything else. Editor Greg Sadowski is adept at such missions.... Sadowski keeps endnotes, often heavy with hard publication facts and extensive quotes from artists and observers, in the back of the book in order to structurally foreground the sensual, aesthetic experience of reading old comics." – Joe McCulloch, Los Angeles Review of Books
• Review: "Thirty years after the debut of their Love and Rockets series, the Hernandez Brothers continue to impress readers with their incredible Love and Rockets: New Stories #4.... More than ever, Jaime demonstrates a mastery of line and pacing, making for emotional realism that is rarely matched in the world of comics.... As for Gilbert, he presents readers with the captivating 'King Vampire,' a story which revolves around killer vampires.... The result is a gripping tale filled with plot twists, violence, and absolutely gorgeous art.... With Love and Rockets: New Stories #4, the Hernandez Brothers establish once more their immeasurable contribution to the world of comics. Instead of producing works that are stale and predictable, the duo is creating comics that are as imaginative and fresh as ever." – Jason Grimmer, 211 Bernard (Librairie Drawn & Quarterly)
• Review: "David B. is one of the most important cartoonists in France. A member of L'Association, his most important work is Epileptic... But I will confess that I like the stories in The Armed Garden more. These are stories about heretics. Heresy is a subject of particular interest for certain storytellers -- for example, Jorge Luis Borges.... These bizarre fable-like tales may seem far from us, but they show want can happen when societies are stressed." – Robert Boyd, The Great God Pan Is Dead
• Review: "The stories [in The Man Who Grew His Beard] are funny, ironic and absurd. In that, he reminds me of his fellow Belgian cartoonists, Kamagurka and Herr Seele. But he also reminds one of the avant garde Belgian cartoonists of Freon (later Fremok). These are more 'art comics,' where the visual aspect is paramount. This is not to say the narratives are unimportant, mere hangers onto which to hang the art. They are amusing, weird and compelling -- the visual aspect makes them all the more so." – Robert Boyd, The Great God Pan Is Dead
• Review: "Told with great confidence and uncomfortable frankness across a sprawling 450 pages, [Today Is the Last Day of the Rest of Your Life] is a coming-of-age narrative that inevitably places itself in the tradition of German travel literature, perhaps unwittingly joining the company of such august figures as Goethe and Hesse.... Despite its trauma, the journey ends up being one of liberation. Though its description of the risks inherent to the only semi-aware need for independence characteristic of youth is sobering, the book is never judgmental. There is a distinct undertone of empowerment to this story of one woman’s instinctive search for enlightenment. It is a grand tour." – Matthias Wivel, The Metabunker (Look for our edition of this book in Summer/Fall 2012.)
• Commentary: "Long gone publisher St. John's line of romance comics has a chronicler in the person of John Benson. He edited [Romance Without Tears] from Fantagraphics in 2003. He argues that this line was superior to just about everybody else's line of romance comics and he is good at peopling his argument, particularly in a second book [Confessions, Romances, Secrets and Temptations] he put together in 2007." – Eddie Campbell
• Plug: "Two — count ’em — two books fold into one in Everything Is an Afterthought. First, we get a heartbreaking biography of the late, great rock critic Paul Nelson. Then, to prove the greatness part, the author of the first section (Kevin Avery) compiles Nelson’s most incisive hits." – Jim Farber, New York Daily News
• Plug: On Librairie Drawn & Quarterly's 211 Bernard blog, Jason Grimmer runs down some highlights from Mark Twain's Autobiography 1910-2010 by Michael Kupperman, saying "Come on, that's a helluva CV know matter how you slice it. The least you could do is read about it."
3:15-4:15 PM // Preservation and Presentation: The Art and Business of Comics Publishing: Join our fearless leader Gary Groth in panel with Peggy Burns (Drawn and Quarterly) and Craig Yoe (YOE! Books). [ University Capitol Centre 2520D ]
7:30 PM // Joe Sacco: Keynote Lecture and UI Lecture Committee Featured Speaker [ Shambaugh Auditorium ]
1:30-3:30 PM // Editing Comics Criticism and Scholarship: This round table discussion features Gary Groth, along with John Lent (Editor, The International Journal of Comic Art) and Frenchy Lunning (Editor, Mechademia) [ University Capitol Centre 2520D ]
7:30 PM // Gilbert & Jaime Hernandez: Keynote Lecture and UI Lecture Committee Featured Speaker [ Shambaugh Auditorium ]
You can view the entire schedule of events at the University of Iowa website. If you read this FLOG and live in Iowa, you better be there!