This shouldn't come as news to too many folks, but I don't recall seeing it flogged before, so what the hell: the latest issue of THE PARIS REVIEW includes a very long interview with R. Crumb. It's kind of a layman's interview, covering a lot of well trodden ground, but it's lengthy and satisfying. You need to buy the print version for the full read.
Lastly, the photo in this post is a detail I nabbed from Facebook friend John Heneghan's photos, taken of Crumb recently in the south of France. The man looks GOOD, right? John has quite a few amazing pics of playing music with Crumb and hanging out with him, Gilbert Shelton and Robert Armstrong. Lucky guy.
• Review: "Instead of bringing to mind old black & white stories and advertisements, the color [Tales Designed to] Thrizzle now mines the endless well of cheap, awful color comics. The color scheme is so heavily into the CMYK scheme of old four-color comics, and employed so luridly, that the reader is once again forced to dig into each panel slowly. ... Kupperman can jab you with a quick joke like a fake ad or a cover for an old comic called 'Cowboy Oscar Wilde,' or he can wrestle you into submission with a shaggy dog joke. ... With... subtle changes, Kupperman has managed to keep the top humor periodical fresh." – Rob Clough, The Comics Journal
• Review: "This most recent compilation is the finest presentation of the Mr. Natural strips I’ve ever seen and is a must-buy for any Crumb fan whether they’ve been there since he first made his appearance in Zap or are coming on board with The Book of Genesis. Either way, this is not to be missed." – Joe Keatinge, Neon Monster
• Review: "Reading [Charles M. Schulz's] wonderful comics is enjoyable and comfortable, sort of like wearing a worn, favourite sweater. Fantagraphics Books has done a good job putting Schulz's cartoons together in a nice book. Whether you're watching Peppermint Patty skating and being coached by Snoopy, Snoopy dealing with a broken leg, or Lucy still pulling the football away from Charlie Brown at the last second The Complete Peanuts: 1975 to 1976 is a humourous, welcome reprieve from a stressful, often screwed up, world. Thanks Mr. Schulz!" – Glenn Perrett, Simcoe.com
• Review: "Like some Uncle Wiggly story gone mad — or perhaps Krazy Kat in disguise — Tony Millionaire’s mad cake batter boy goes on a frantic rampage to return a baby owl to its mother and embarks on an adventure that is in no way as linear as my sentence implies. Millionaire really does channel the cartoonists of the early 20th century, while still giving the work [Billy Hazelnuts and the Crazy Bird] a quality that’s somewhat reminiscent of ’70s underground comics — and it’s kid-friendly to boot! Good fun with good energy." – John Seven, Worcester Magazine
• Review: "I picked up Carol Tyler's You'll Never Know, Book One: A Good and Decent Man from the library on the strength of recommendations I have seen for it all over the web, and it didn't disappoint me... Tyler has a nice diary style that seems intimate and friendly but is also quite sophisticated. ... There aren't too many comics about middle-aged women, and it was nice to read about something other than youthful rebellion and angst for a change." – Brigid Alverson, Robot 6
• Interview:The A.V. Club's Jason Heller talks to Jim Woodring about Weathercraft and his career in comics: "It still is a bit of a hustle, to be honest. I really never know what I’m going to be doing or how I’m going to be making money. It’s the life I chose for myself, so I’m used to it, and I can handle it. But sometimes I sit back and think, 'You know, how am I making a living here? I don’t even know what’s going on.'"
• Feature:The Guardian's Alex Rayner on the Significant Objects project: "The texts are good. Meg Cabot's acutely phrased teen tale reads like the perfect high-school diary entry, William Gibson's ashtray anecdote is filled with military-industrial intrigue, Sheila Heti pours a lot of sexual frustration into a miniature porcelain Cape Cod souvenir shoe, and Neil LaBute's golden-bunny-candle narrative is as sinister as you'd expect."
• Review: "Kelso’s work radiates a warmth, poetry, sympathy, and simultaneously earthy and otherworldly essence that few comics creators have brought to the table with such quiet confidence and grace. The closest comic in recent memory to match Artichoke Tales, both in breadth and depth, is Jeff Smith’s Bone. [Grade] A" – The A.V. Club
• Review: "...Fantagraphics’ hardcover edition of The Book of Mr. Naturalfeels like the perfect introduction to R. Crumb’s most enduring creation—and to the sexual peccadilloes that occasionally get both character and creator in hot water. ... It’s fascinating stuff, and should be mandatory reading for anyone who squirmed through Terry Zwigoff’s excellent Crumb documentary—or for anyone looking to get their danders up at Crumb’s allegedly misogynistic tendencies. [Grade] A-" – The A.V. Club
• Review: "[Editor Eric] Reynolds has done an amazing job of balancing serials with a variety of single-page strips and one-shots. Expanding Mome to include translations from international cartooning stars, short works from established cartoonists and left-field contributions from illustrators not known in the comics world have kept things interesting on an issue-to-issue basis. The eccentricity of Reynolds’ taste as an editor has been another major factor in preventing Mome from getting into a rut. ...[T]his issue of Mome is a fine overall read, and the first half is especially spectacular." – Rob Clough, The Comics Journal
• Review: "Percy Gloom is a moving, engaging, enlightening book. It’s exactly the sort of comic readers should be demanding – thoughtful and intelligent, a beautifully drawn narrative that unfolds its layers over the course of multiple readings. Cathy Malkasian’s produced two winning graphic novels, and she’s clearly a talent that deserves a far wider readership." – Michael C. Lorah, Newsarama
• Profile: For The New York Times, Reyhan Harmanci reports on how Mark Bodé is carrying on his late father Vaughn's legacy: "Vaughn Bodé created a world in his comics that Mark has fleshed out, making oil and spray paint paintings from his father’s cartoon panels and unfinished sketches. The younger Mr. Bodé perfected his father’s signature pieces: the ever-slouching Cheech Wizard, the science-fiction-inflected planet full of lizards, the cartoonishly lewd 'Bodé broads.' As Mark Bodé, 47, who is based in Daly City said, 'I am mortal and he is immortal, and the two of us work well together.'"
• Review: "The graphic novel King of the Flies: Hallorave... gives us a glimpse of internal mayhem inside a controlled environment, executed with elegance and a touch of mystery. ... King of the Flies has been compared to the work of Charles Burns for its graceful depiction of adolescent suburban horror. This is a weird tale that’s easy to get drawn into..." – Irina Ivanova, The Indypendent
• Plugs: At Largehearted Boy, Atomic Books owner Benn Ray lists his picks of the week, including Artichoke Tales by Megan Kelso ("Beautiful, expansive, lyrical") and The Book of Mr. Natural by Robert Crumb ("Did reading R. Crumb’s Book of Genesis leave you now craving more? The Book of Mr. Natural is your natural (heh-heh) next step").
• Plugs: Douglas Wolk includes a goodly number of Fantagraphics releases on his Summer Comics Preview list at TIME / Techland.
• Interview: At TCJ.com's Guttergeek, Chris Reilly says "Billy Hazelnuts and the Crazy Bird is a tie for best graphic novel of the year with Jim Woodring’s Weathercraft" and proceeds to talk to Tony Millionaire: "Sometimes the story will present opportunities I hadn’t thought of (the personality of the cat for instance), and I’ll go with it if it feels right. Then I jam it all into an ending and hope it doesn’t all end up in a big pile of shit. I’m often nervous that I’m writing a crappy book. I’ve done it before and you can’t tell till it’s done and it is disappointing. So far I’m very happy with the Billy Hazelnuts books, but I’ll have to give the Crazy Bird one more read before I’m convinced of its greatness."
• On the Jim Flora Art Blog: Electromechanical Design sales brochure; a children's book illustration detail; half of a 1950s business card illustration (above); and a link to the 1959 UPA animated adaptation of Flora's The Fabulous Firework Family produced by Gene Deitch
Hokey smokes, hope you've been saving your nickels because we've got 5, count 'em 5, brand new books slated to hit comic shops this week! Read on for more info and to see what the other new-comics-day bloggers are saying [now edited to add Tom Spurgeon].
232-page monochrome 6.75" x 8.25" hardcover • $22.99 ISBN: 978-1-60699-344-6
"I absolutely loved this Megan Kelso graphic novel — a kind of anthropological/fictional-historical fantasy/love story thing involving a fractured culture of people with artichoke leaves for hair — and I'm not afraid to say so." – Douglas Wolk, Comics Alliance
"Getting back to much-awaited new projects, here’s Megan Kelso’s 232-page intergenerational fantasy, excerpted/anticipated here and there, depicting struggle and serenity among the fleshily vulnerable artichoke folk. ...Kelso’s visual style remains appealing as ever." – Joe McCulloch, Comics Comics
"Megan Kelso (The Squirrel Mother) returns with her most ambitious work to date..." – J. Caleb Mozzocco, Newsarama
"Fantagraphics reminds us that they’re more than just awesome, Matt Thorn-curated manga with Megan Kelso’s Artichoke Tales. ... This is Kelso’s first long-form effort, and I’m looking forward to seeing what she does with that length of narrative." – David Welsh, The Manga Curmudgeon
"I'm still digesting this, the oddest book I've read all year." – Tom Spurgeon, The Comics Reporter
104-page black & white 6.5" x 9" hardcover • $19.99 ISBN: 978-1-56097-917-3
"Tony Millionaire’s sequel to his excellent 2006 Billy Hazelnuts, a gorgeous evocation of sprawling, daydreamy adventure strip narratives pairing gritty-but-whimsical hardcases with not-too-sweet innocents. Here we find grumpy homunculus Billy adjusting poorly to helping out with animals on the farm, only to set off on a mission to reunite a baby owl with its mother. It looks really funny and beautiful." – Joe McCulloch, Comics Comics
"Maakies cartoonist Tony Millionaire's 'all-ages' sequel to Billy Hazelnuts, and by 'all-ages' he apparently means that it's the kind of grotesque slapstick farce that could potentially entertain small children while creeping the living heck out of their parents..." – Douglas Wolk, Comics Alliance
"What's MY PICK OF THE WEEK? The Billy Hazelnuts and the Crazy Bird hardcover by the one and only Tony Millionaire. ... In the Billy Hazelnuts all-ages series, Millionaire spins the yarn of Billy, a garbage-homunculus, and the family who loves him. In this installment, the bizarre Billy must return a baby owl to the woods. Rampant weirdness ensues." – Cyriaque Lamar, io9
"Prolific Maakies cartoonist and Sock Monkey creator Tony Millionaire’s long-awaited second Billy Hazelnuts graphic novel finally arrives." – J. Caleb Mozzocco, Newsarama
"The release of a new Tony Millionaire stand-alone book is an overall world good." – Tom Spurgeon, The Comics Reporter
128-page black & white 8.25" x 10.75" hardcover • $19.99 ISBN: 978-1-60699-352-1
"Finally(!), here’s a new 128-page hardcover edition of Fantagraphics’ 1995 compilation of assorted Robert Crumb shorts starring the famous lil’ bearded guy." – Joe McCulloch, Comics Comics
"Fantagraphics is having a pretty damn huge week (and there’s a couple more swell-looking books below)." [Yep!] – J. Caleb Mozzocco, Newsarama
"This is one of the better Christmas-gift books Fantagraphics ever made... A kind of Crumb-primer, or Crumb for people who might want to get at him from a more standard comics stories standpoint." – Tom Spurgeon, The Comics Reporter
240-page black & white/duotone 7" x 10.25" softcover • $22.99 ISBN: 978-1-60699-346-0
"...includes the best of comics creator, character and all-around renaissance woman Dame Darcy’s first decade of Meat Cake comics..." – J. Caleb Mozzocco, Newsarama
"No, stay in your chair, this close-to-last-of-the-classic-one-artist-anthology-comic-books isn’t going bookshelf for good – it’s an expanded 240-page softcover reissue of Fantagraphics’ 2003 (200-page) hardcover collection of the best of Dame Darcy’s comical fictions and stitched-up Victoriana, with guest writer Alan Moore popping in for a later story..." – Joe McCulloch, Comics Comics
"This collection of Dame Darcy's twisted fairy tale saga was out-of-print and gets a much deserved resurrection, replete with her collaboration with Alan Moore." – Cyriaque Lamar, io9
"Dame Darcy is the canary in the cage as alt-comics makes its way through the catacombs of modern comics publishing. As long as she has a publishing presence, something must going at least semi-okay." – Tom Spurgeon, The Comics Reporter
240-page two-color 8" x 10" hardcover • $22.99 ISBN: 978-1-60699-323-1
"I read it a few weeks ago, and it’s easily one of the best comics works I’ve experienced so far this year. It’s an extremely ambitious story set in a fantasy world that explores the various ways in which war and fear can tear people apart while knitting communities together. It’s occasionally touching, occasionally scary, always thrilling and remarkably complex. I hope to review it in this space sometime soon, but I’d like to give it another read or two before I attempt doing so. In the mean time, allow me to at least wholeheartedly recommend it." – J. Caleb Mozzocco, Newsarama
"...Percy Gloom was perfectly dedicated to its metaphors of human caution as aggravated by society and religion. This new 240-page work promises a similarly-conceived world, this time as built by an amnesiac war veteran forever alert to obscure but surely dire threats. Surely!" – Joe McCulloch, Comics Comics
"Russ Manning Award winner Cathy Malkasian's new graphic novel is a sprawling, splendidly grotesque-looking fable about the kinds of lies that preserve patriarchy and perpetuate war, set in and around a city called Blessedbowl whose inhabitants believe that they're afloat on a sea of fire and at war with evil forces from outside, neither of which are true. It's worth a look for sure." – Douglas Wolk, Comics Alliance
"I'm looking forward to this one because a) I know absolutely nothing about it, and b) I went into the cartoonist's previous book Percy Gloom with every expectation I'd hate it until my legs fell off from the acidic bile collected in them from my hating of it, but ended up super-charmed by like page eight." – Tom Spurgeon, The Comics Reporter
Still not convinced? Check out our previews and excerpts for each book at their respective links above and judge for yourself. As always, we recommend confirming availability with your local shop before toddling on down.
[We're pleased to present the following report and photos fromRebel Visions author Partrick Rosenkranz. – Ed.]
I heard last winter that Crumb 's Genesis artwork was coming to the Portland Art Museum but I didn't see anything in the local press about it until just recently. When I received a letter inviting me to attend the opening night reception on Thursday, June 10th I eagerly accepted, and not just for the food and open bar. I wanted to examine the pages up close — how much whiteout did he use (not much); the size of the originals (just a bit bigger than the printed pages); how the museum would display them (on partitions painted different colors organized by chapters with portraits of the main characters above); and what would staid Portland supporters of culture think about having one of the world's most sexually obsessed artists hanging in their museum (some claimed to be unaware of all that hanky panky in the Bible).
Of course I was totally blown away by his superb draftsmanship and mastery of human anatomy, animals, landscapes, and architecture. I bought and read the book when it came out, but that crisp black ink on white art boards looked so much more precise than their reproduction onto printed pages. Even the crosshatching and shadowing was revealed in all its convoluted entirety. On the other hand I was a little disappointed that he didn't give Genesis the down and dirty Crumb treatment we've come to expect and love, but I'm consoled by some of the other drawings he's released here and there showing what he might have done, like this Adam and Eve strip that appeared in the Crumb Handbook.
This collection features over 120 pages of vintage Crumb comics starring the white-bearded, diminutive sage-cum-charlatan, ranging from charming, free-wheeling early '70s stories to the disturbing, controversial '90s stories (as seen in the Crumb movie), including the entire 40-page "Mr. Natural and Devil Girl" saga from Hup! (collected here for the first time in book form). Crumb's Mr. Natural is probably the most famous underground character of all (topping even Fritz the Cat and the Freak Brothers), recognizable even to "civilians." Don't miss this opportunity to snatch up this jam-packed collection of comics from one of the all-time masters, now available in hardcover for the very first time!