Plus! Download the complete audio of this event (24.5 MB MP3). It's a bit low-fi, but mostly intelligible. (We are still working on bringing you a full-fledged podcast... stay tuned for that.) We've also archived this feature on our website at this page.
I could go on and on about how great the Crumb exhibition is, but simply put, it might be the greatest comic art exhibition I've ever seen and if you like comics enough to read this blog and are anywhere near Seattle, you're out of your mind if you don't make a special trip to the Frye in the next two months.
And speaking of Forney, we have this to look forward to next Saturday, Feb. 9:
The New Yorker has announced a contest inviting cartoonists to design their own version of the magazine's mascot, Eustice Tilly (originally designed in 1925 by Rea Irvin for the very first issue). My favorite Tilly probably has to be the above Crumb version, which was perceived as a blasphemous betrayal of the mag's proud tradition by some of its more calcified subscribers when originally published in 1994. Now it's a decade and a half later and folks like Crumb, Aline Kominsky, Chris Ware (see his Tilly below), Adrian Tomine, and Daniel Clowes are fairly regular contributors to the mag. Mouly and Spiegelman, what hath thou wrought?!